Stewed Rhubarb Press

Stewed Rhubarb Press Stewed Rhubarb Press specialises in publishing pamphlets by the best spoken word artists out there. Harding as co-editors.

Stewed Rhubarb Press began its life as a spoken-word pamphlet publisher at 1am in an Edinburgh garrett. Its very first publication, The Glassblower Dances by Rachel McCrum, won the Callum Macdonald Memorial Award in 2013. Stewed Rhubarb went on to publish sixteen pamphlets and an anthology over the next four years with Rachel McCrum and James T. In 2018, Stewed Rhubarb relaunched with James T. Har

ding at the helm and Charlie Roy soon joined him. In 2020, Duncan Lockerbie took the reins, with James moving to design & Beth Cochrane as Commissioning Editor. The team currently consists of Duncan & Charlie - their continuing mission is to treat spoken-word poetry with the enthusiasm and respect they deserve.

Indie Poetry Night at Lighthouse - Edinburgh's Radical Bookshop! Edinburgh folk, get the 28th January in your diaries! F...
12/01/2026

Indie Poetry Night at Lighthouse - Edinburgh's Radical Bookshop! Edinburgh folk, get the 28th January in your diaries! Featuring our very own Eloise Birtwhistle!

From the Lighthouse Books website:

"We are very excited to get to start 2026 with an evening focusing on poetry which interrogates subject matters like ecology, health politics and social justice through a deeply inventive lens!
We will celebrate the recent publications of Glasgoscopy by Vicki Husband, the edge of rhizome by Julie Laing and Splenectomy by Eloise Birtwhistle. All three publications are brought to us by independent Scottish poetry presses!"

Read more and book in-person or online tix here:

https://lighthousebookshop.com/events/indie-poetry-night-julie-laing-vicki-husband-and-eloise-birtwhistle

Happy Auld Year's Night and a huge thank you to all our poets and supporters throughout 2025! This year's titles are all...
31/12/2025

Happy Auld Year's Night and a huge thank you to all our poets and supporters throughout 2025! This year's titles are all available from our website and the coolest book shops. We look forward to serving you more Stewed Rhubarb in 2026! ✨✨✨🥂🥂🥂🎉🎉🎉📚📚📚

https://stewedrhubarb.org/

Thank you Kirsty Dunlop for selecting Splenectomy by Eloise Birtwhistle as your SPAM zine & Press Deep Cuts 2025! ❤️✨
24/12/2025

Thank you Kirsty Dunlop for selecting Splenectomy by Eloise Birtwhistle as your SPAM zine & Press Deep Cuts 2025! ❤️✨

NEW POETRY PAMPHLET ALERT ‼️ 🚨 🔔 Am Measg Luaithrean, Beò by Robbie MacLeoid'.. an exciting new voice in Gaelic poetry."...
04/12/2025

NEW POETRY PAMPHLET ALERT ‼️ 🚨 🔔

Am Measg Luaithrean, Beò by Robbie MacLeoid
'.. an exciting new voice in Gaelic poetry." - Peter Mackay

Robbie MacLeoid's debut pamphlet, Am Measg Luaithrean, Beò ('Living Among the Ashes'), is about transgression in many forms. From sharing dead tongues in living mouths, to setting institutions ablaze, and summoning superheroes and fae beings; these provocative and bilingual poems break form and language to interrogate Scotland, sensuality, and sin.

Robbie MacLeoid is a q***r Glasgow-based writer from the Highlands. He writes in both Scottish Gaelic and in English. His writing has been published in Gutter, New Writing Scotland, and STEALL, as well as elsewhere and internationally. He holds a PhD in love and gender, and still spends way too much time thinking about both of those themes. In 2023 he received a Scottish Book Trust's New Writer's Award for Poetry. The manuscript for this, his first poetry pamphlet, won Best Unpublished Manuscript at the Gaelic Literature Awards, and was Highly Commended by the Edwin Morgan Poetry Award committee.

Tha na dàin seo le Robbie MacLeoid aig an aon àm smaoineachail agus drùis-mhiannach, a' rannsachadh aignidh a tha dà-chànanach agus dà-sheorsach tro bhith ag ath-chruthachadh miotais agus smodal cultair pop. Dàin a th' annta far a bheil 'teanga marbh' air a slugadh, air a sùigeadh agus air ath-bheòthachadh ann am beul bràmair; 's e guth ur gluasadach ann am bardachd Ghàidhlig a tha seo. / Robbie's poems are brooding and erotic, exploring a consciousness that is bilingual and bisexual through reworkings of mythology and smatterings of pop culture. They are poems in which a "dead tongue" is swallowed, sucked, revived in a lover's mouth; his is an exciting new voice in Gaelic poetry. -Peter Mackay

Head on over to our website to pick up your copy!

https://stewedrhubarb.org/product/am-measg-luaithrean-beo-by-robbie-macleoid/

Latha fèill Anndrais sona dhuibh 🏴󠁧󠁢󠁳󠁣󠁴󠁿Happy St Andrew’s Day 🏴󠁧󠁢󠁳󠁣󠁴󠁿This stunning poem by former Stirling Makar  was co...
30/11/2025

Latha fèill Anndrais sona dhuibh 🏴󠁧󠁢󠁳󠁣󠁴󠁿
Happy St Andrew’s Day 🏴󠁧󠁢󠁳󠁣󠁴󠁿

This stunning poem by former Stirling Makar was commissioned by and read in the Scottish Parliament for St Andrew’s Day- it is in her collection ENDLESS BLUE, out with Stewed Rhubarb 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Today at 1pm University of Glasgow Memorial Chapel, Liz Macwhirter is in conversation with Colin Herd for Creative Conve...
24/11/2025

Today at 1pm University of Glasgow Memorial Chapel, Liz Macwhirter is in conversation with Colin Herd for Creative Conversations!💙💙💙

If you can't make it in person, join online and pick up a copy of Blue: a lament for the sea from our website.

The poetry pamphlet Blue: a lament for the sea comprises one long poem in free verse, voicing the grief of a lone woman swimming off the Scottish Hebridean Isle of lona.

Dusk falls. Oceans entangle birth with death.
Unsettling lines keen across the space of the page. With the scope of a lyric epic, the univocal turns into the universal - even polytemporal, touching other dimensions of time and reality. Three concepts of arising merge and distil in the poetry: the rising seas of climate breakdown today; lona arising above an apocalyptic sea flood drowning all else in a Gaelic medieval myth; and in deep time, colliding tectonic plates forced the Earth's crust up to the surface, forming lona.

The iconic Celtic pattern of nature intertwining with the eternal. And the spirituality of the medieval anchoress, Julian of Norwich, for whom a hazelnut and all things homely become two-way gateways to the divine. The material-spiritual triad resonates with trauma-informed spirituality and its emphasis on wounded bodies, on hurting places, on collapsing ecosystems and the urgent collective need to bear witness to this trauma. Eyes-wide-open, heart full-thinking, taking in as much reality as possible. Blue: a lament for the sea holds us in loving solidarity.

All these elements infused the writing of the poetry and narrative arc and lead the poem to its own inexorable conclusion. This contemporary lyric epic bears witness to our shared grief, even reframing our response. Love is lament; hope is action.

Read more about Liz via the following links where you can book to join Liz and Colin in person in Glasgow or join online today and order this stunning pamphlet from our website. Books also available at the event:

https://www.eventbrite.co.uk/e/creative-conversations-liz-macwhirter-tickets-1728883429879

https://stewedrhubarb.org/product/blue-a-lament-for-the-sea-pre-order/

Förgätmigej // Forget-me-not by CarlAlexandersson (2023)Rooted in flowers and the Swedish language, the poems in Förgätm...
03/11/2025

Förgätmigej // Forget-me-not by Carl
Alexandersson (2023)

Rooted in flowers and the Swedish language, the poems in Förgätmigej // Forget-me-not shape two overlapping narratives: one of family and one of q***r love. In the interweaving of the two we find acceptance, understanding, love and joy, the seeds of how to live with grief and how to begin again.

Carl Alexandersson (he/him) is a q***r spoken word poet and writer, based in Glasgow, hailing from Smaland, Sweden. He was selected for the BBC Words First programme in 2021, Highly Commended for the Edwin Morgan Poetry Award 2022, and a runner-up for the Grierson Verse Prize 2022.

"Förgätmigej /| Forget-me-not blooms with dreamy nostalgia and wistful stillness. Attuned to the rhythms and cadences of life's smaller moments, Alexandersson skillfully moves between English and Swedish while honouring the etymology of his words, allowing each of his lines to take root and flourish into a generous garden of quiet observation. Förgätmigej // Forget-me-not breaks through life's overwhelming noise to find refuge in the small everyday like two lovers walking through a garden and getting to know one another through aimless conversations or a grandson looking through memorabilia in a family attic. What Alexandersson shares in these poetic moments is stunning and will pull at your heart strings." - Andrés N. Ordorica, author of At Least This I Know.

"I love Carl Alexandersson's work, and Förgätmigej // Forget-me-not shows exactly why: deliberately crafted, and skillfully held, it is filled with tenderness and humour as it charts journeys of love, family, and countries, the speaker navigating key questions and realisations in poems which are filled with voice and poignancy. I love how Carl's writing finds beauty and meaning in the everyday, with a signature playfulness and tenderness that is all his own. A joyful presence in poetry, I can't wait to watch his career - like the many flowers of his collection - bloom and thrive." - Nadine Aisha Jassat, author of Let Me Tell You This.

Order your copy here:

https://stewedrhubarb.org/product/forgatmigej-forget-me-not/

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27/10/2025

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The world may be the same (2023) by Hannah Lavery and Marjorie LotfiPoems on Being & Otherness inspired by Edwin MorganS...
21/10/2025

The world may be the same (2023) by Hannah Lavery and Marjorie Lotfi

Poems on Being & Otherness inspired by Edwin Morgan

Supported by The Edwin Morgan Trust's Second Life Award, in spring 2023 Hannah Lavery and Marjorie Lotfi entered into a conversation through a series of poem-letters to explore their experiences of being women ano poets of colour living in Scotland. Inspired by the poetry of Edwin Morgan, The World May Be The Same explores what it is to be always asked to represent the notion of 'shared heritage' when often, in practice, that heritage means being excluded, belonging to neither.

Marjorie Lotfi is an Iranian-American who has lived in the UK for over 20 years. Her writing considers displacement, home and belonging in the context of the natural world. Marjorie writes with the 12 collective of women writers and is regularly commissioned to create new work. Her poems have won competitions, been published and anthologized widely (including in Scotland's Best Poems) and been performed on BBC Radio Scotland and BBC Radio 4. She is a Scottish Book Trust Ignite Fellow and a winner of the inaugural James Berry Prize. Her first collection will be published by Bloodaxe Books in 2023 and her pamphlet Refuge, poems about her childhood in revolutionary Iran, is published by Tapsalteerie.

Hannah Lavery is a poet, playwright and director. Her poetry pamphlet Finding Seaglass was published by Stewed Rhubarb and her debut collection, Blood Salt Spring, was published in 2022 by Polygon. The Drift, her highly acclaimed autobiographical lyric play toured Scotland as part of the National Theatre of Scotland’s Season 2019. Her play Lament for Sheku Bayoh premiered at Edinburgh International Festival in 2020 and she was appointed Edinburgh Makar in November 2021 for a three-year term. She is an associate artist with the National Theatre of Scotland and one of the winners of the Peggy Ramsay/Film4 Award 2022. She is also an experienced workshop facilitator and won a Leadership Award from Creative Edinburgh for her work with Writers of Colour and her curated film poetry series Sorry I am on Mute for Fringe of Colour.

Pick up yours here:

https://stewedrhubarb.org/product/the-world-may-be-the-same-by-hannah-lavery-and-marjorie-lotfi/

All the plants I have half-grown by Linden K McMahon (2024)From the inevitable anxiety of ecological crisis, the ecopoem...
30/09/2025

All the plants I have half-grown by Linden K McMahon (2024)

From the inevitable anxiety of ecological crisis, the ecopoems in All the plants I have half-grown follow the strange, uncomfortable, glorious, glittering threads that link us to our ecologies, carefully pulling us through the magic of q***r kin-making and towards a sense of reciprocity and belonging.

Linden K McMahon is a writer, performer, and arts & nature connection facilitator - they write about human connections with ecologies, utopian dreams, belonging, and q***r joy.

"I have rarely read poems that try so honestly to enter into relationship with the non-human: plants, birds, fungi, land. McMahon's poems are acts of connection, committed to imagining better. 'The words link [us] to the lives that swirl around us', knowing this work is tricksy and incomplete and doing it anyway. The poems are full of play and song and mourning: a mourning that is active, that goes out to plant and grow." - Miriam Nash

"These poems have good rich soil under their fingernails. Speak to an intimate relationship with ecology, Linden McMahon is singing through the hard and rewarding work of growing a world of kinship, of reciprocity. With deep love and furious heartbreak, the lyrics here map out ways of knowing the world and each other that offer precious hope. There's wide-eyed wonder here, but earthly knowledge too. The writing refuses cynicism and embraces a bodily experience of reality. Like all the best gardens, this pamphlet is full of flowers and thorns, full of rich scents and tangled roots, and is always growing towards the sun." - Harry Josephine Giles

Read more and pick up your copy over at our website:

https://stewedrhubarb.org/product/all-the-plants-i-have-half-grown-by-linden-k-mcmahon/

In Wolf's Skin (2024) by Titilayo Farukuoye A memorandum of strength, fierceness and love, speaking to the importance of...
23/09/2025

In Wolf's Skin (2024) by Titilayo Farukuoye

A memorandum of strength, fierceness and love, speaking to the importance of standing for a world you want to live in...

Contemplating power and heritage, In Wolf's Skin offers a means to articulate some realities of our colonial legacies. This pamphlet is a memorandum of strength, fierceness and love, speaking to the importance of standing for a world you want to live in. It is a love letter to Black women, all of us whose identities face marginalisation and those who bear witness and speak up, as we continue to collectively raise our voices for liberation.

In Wolf's Skin weaves heritage, culture and language across central and northern Europe from Scotland, Austria and Norway reaching to Nigeria and Cameroon, providing space for multilingualism, multi-tradition and
-heritage lives, identities and forms of being beyond any expected norm.

Titilayo Farukuoye is a writer, educator and organiser based in Glasgow. Their work addresses social justice and community care and is informed by dreaming and the radical imagination. Titilayo co-directs the Scottish BPOC Writers Network (SBWN) and is a winner of the 2022 Edwin Morgan Poetry Award.

'These poems document life in a world that regards you as a wolf. In poem after poem, I recognise how a right to exist here is questioned, how we are asked to apologise and retract in the face of ever-present danger. And yet, the poems don't stop there; they also show us how others (from ancestors to characters we've never met) can help us forgive and connect, how we find a way to breathe and live in - and even love - our flawed world! -Marjorie Lotfi

'A window into the contemporary legacies of a fierce black feminist poetic forged in the 1980s. These are poems that acknowledge and affirm the presence of their readers, fluid and generous, they invite us to witness an artful defiance of the strictures of race, class and gender! - Lola Olufemi

Pick up yours here: https://stewedrhubarb.org/product/in-wolfs-skin-by-titilayo-farukuoye/

Our author Ian Macartney reads at AFK SPAM zine & Press in Glasgow this Sunday 14th September! ☀️
12/09/2025

Our author Ian Macartney reads at AFK SPAM zine & Press in Glasgow this Sunday 14th September! ☀️

Summer may be over but do not fear.. AFK returns at this Sunday 14th September and this time it’s a special collab with our good pal, the micropress Sincere Corkscrew. For this one we’re taking a hybrid/ prose/ performance slant. Think words, drones, electronics, a celtic flair.

Free entry. Doors and start time slightly earlier for his one - doors at 6 for 6.30 sharp start.

The readers:
Ian Macartney
Madeleine McCluskey




The performers:x


Takes place in the upstairs bar, unfortunately not wheelchair accessible.

Bring all pals!

Address

Edinburgh

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