John Bongo

John Bongo ⭐️ It's all about funky rhythms, boogaliscious basslines, punchy horns, groovy keys & soulful voices ⭐️ He'd never seen anything like it.
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As a quiet kid, drawing pictures of birds was about as exciting as things got. Not a lot changed until, at the tender and impressionable age of 14, John Bongo finally arrived at the weekly teens disco at the local pub - a place he figured he'd have zero interest in - and had been vigorously trying to duck out of being dragged to for months - much to his mates frustrations. So, on this hot Tuesday

night in June 1979, the doors burst open, and a solid wall of unbelievably loud music and strobe lights almost knocking him to the floor, and a crazy, hot 'n' sweaty crowd filling the dance floor. The shock to the system almost made him turn on his heel and make an escape - but the sheer excitement kept him there. It was at that moment all the elements in the musical cosmos came together, fusing the nervous excitement, the teenage energy, the thumping music and synchronised dance floor disco lights. The switch was thrown forever. In that instant, he became totally hooked on the energy of this place, the dancers, and the music that fuelled it all. The quiet kid was instantly intoxicated by the vibe, and the DJ, a very cool-looking guy by the stage name of Buddie Holley, who sat at the helm of this incredible Disco Starship, high up, overlooking the dance floor. He played the records that generated the energy, and - in that moment - that's what John Bongo realised he wanted to do. He stood with eyes on stalks, watching the dancers - these were top movers - surrounded by a densely-packed wall of other kids watching in awe, their faces illuminated by the 'Saturday Night Fever'-style dance floor; Kev S and Rocker Rowsell with their hops and 'drops' borrowed from energetic northern soul moves, giving it all to Arthur Conley's Funky Street; disco 'smoothies' with magic black slip-on shoes and white socks, gliding effortlessly across the floor to Earth Wind & Fire's Boogie Wonderland or Jackson's Don't Stop 'til You Get Enough. He loved it all and couldn't get enough. From that point on, needless to say, a Tuesday night was never missed. Since then, he's been lucky enough to have played this beautiful form of dance music at all kinds of amazing events, including celebrations, festivals, corporate bashes, and private parties. He still gets the same buzz that he got when he first tumbled through that door into that hot, sweaty teenage disco. There's a simple equation... music with rhythm and groove is the fuel that ignites a primitive urge causing people to relax, let themselves go, and move their bodies to the music. This is what JB strives to recreate when he plays - whether it's a handful of people on a tiny dance-floor, or a field-full of festival-goers. There's little doubt that nostalgia has to play a big part of his love for soul, funk and disco, but it's artistry and connection with dance and togetherness is the big pull. It's never more powerful or vibrant than when you see it accompanied by dance, the two working together, influencing the DJ's track choices, or a band's energy. There's no other genre of music that can create such a powerful electric buzz at a party. It's high production values and the talents of the vocalists and musicians involved, ensure not only that it survives, but continues to thrive, with new artists emerging, creating exciting new sounds. It's influence on modern music has never been stronger than now. So that’s how John Bongo came to do this crazy thing. To be able to give as much fun and good vibes, and get the same back, is certainly a great trade, and a blessing. And finally... his dream is for clubs to be opened (and reopened) throughout the country, where young guys and gals can enjoy this uplifting music once again, burn off their energy on the dance floor and create that exciting vibe that's been missing for so long from our entertainment culture. "Dance is healthy, fun, exciting, totally infectious, and it promotes confidence, well-being, and long-term happiness" he says... "in a world where young people can focus all too easily on negativity, this surely can't be a bad thing." John Bongo's Devon Funk & Soul Club page: facebook.com/DevonFunkSoul

Join our Devon Funk & Soul Club group: facebook.com/groups/780285268769600

29/07/2025

The year is 2035. Chicago still stands. Nobody asked for this.Found footage from an antique 2000s camcorder. A hologram sings the blues in the last dive bar ...

Farewell to one of the original British rock-gods, and a true, one-off performer and character. After hearing the Beatle...
25/07/2025

Farewell to one of the original British rock-gods, and a true, one-off performer and character.

After hearing the Beatles 'She Loves You', Ozzy Osbourne knew what he wanted to do, soon becoming the enigmatic and often outrageously theatrical frontman of one of a rash of UK rock bands that came predominantly out of the Midlands in the late 1960s.

Many working class school-leaving Midlanders had few other employment opportunities than to follow their fathers into working long, hard days in the factories. The strenuous and unrelenting work, combined with the drab, industrial backdrop of these manufacturing towns and cities ignited a desperation in these young men to escape the monotony of their hard, dull lives, and it was this desire that became the catalyst that fuelled the creation of a new style of rock music - a wild and energetic form of the American blues that they'd grown up listening to. This innovative new sound eventually (and ironically) became known as 'Heavy Metal' - a term used by a music journalist of the time, who described the sound of this new genre of rock music as being like "two pieces of metal being banged together".

Ozzy's powerhouse rock band Black Sabbath was arguably the pioneer of this new 'heavy rock' sound born in the Midlands, and was no doubt one of the first bands to have commercial success with it, along with Deep Purple, Led Zeppelin, Judas Priest, and Electric Light Orchestra, the latter three whose members also hailed from the Midlands.

Although 'Paranoid' is widely regarded as one of the greatest heavy metal songs of all time, for me, Sabbath's 1970 anti-war protest song 'War Pigs' is their greatest moment. I remember hearing it, aged around 16, at a friend's house. I'd never heard anything like it before - Ozzy's stark and strident words over a hi-hat rhythm, sparse drum-fills, and lead guitar stabs contrasting with the 'rock-out' instrumental sections made this the most exciting rock track I'd ever heard, and it still gives me goose bumps to this day.

As the perfect rock frontman, Ozzy was one of those 'real' rock and roll characters that give rock and pop music it's life and colour, his vibrant performances as electric and unpredictable as those of other legendary live-wire heavy rock performers such as Robert Plant, Jimi Hendrix, and Alice Cooper. Ozzy and his band embodied what came to be the ethos of many of the big heavy rock acts that followed: make great music while having fun, and not taking yourself too seriously.

He'll be missed massively, but his 'crazy-man' performance style and musical legacy will live on, influencing and inspiring new rock performers well into the future.

I'll leave you with the lyrics to War Pigs, written by Sabbath's Geezer Butler. Rock on Ozzy 🎤 🎸 🤟 ♥️

WAR PIGS (1970)

Generals gathered in their masses
Just like witches at black masses
Evil minds that plot destruction
Sorcerer of death's construction

In the fields, the bodies burning
As the war machine keeps turning
Death and hatred to mankind
Poisoning their brainwashed minds
Oh, Lord, yeah

Politicians hide themselves away
They only started the war
Why should they go out to fight?
They leave that role to the poor, yeah

Time will tell on their power minds
Making war just for fun
Treating people just like pawns in chess
Wait 'til their judgement day comes, yeah

Now in darkness, world stops turning
Ashes where their bodies burning
No more war pigs have the power
Hand of God has struck the hour

Day of judgement, God is calling
On their knees, the war pigs crawling
Begging mercy for their sins
Satan laughing, spreads his wings
Oh, Lord, yeah

Address

Exmouth

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