
11/09/2025
Ten years of The Martian!
It’s 10 years since Ridley Scott’s sci-fi epic The Martian premiered at the 2015 Toronto International Film Festival.
FBFX was tasked with making the hardware and electronics for the spacesuits worn by Matt Damon’s Dr. Mark Watney and the heroic crew of the Ares III mission, and it’s still one of our all-time favourite jobs.
Janty Yates’s beautiful costume design for the suits was based on conversations with NASA and the Jet Propulsion Laboratory. The aim was to create realistic suits for a near-future mission to Mars, and innovative tech would be required to bring those visions to the screen.
FBFX worked on the helmet, backpacks, front plates and boots for the white EVA suits and orange surface suits. The fabric elements for the EVA were by the brilliant Rob Allsopp & Associates, while the surface suits were made by the in-house team including the very talented associate designer Michael Mooney with his incredible eye for detail, neoprene specialist Shirley Wilson, and dimensional printing pioneer Steve Gell.
The Martian was an important job for FBFX, accelerating a spacesuit journey that began with 1997’s Event Horizon.
We’d started building our own electronics systems and using vacuum casting to create epic domes while making the hardware for the spacesuits of 2012's Prometheus - another Ridley Scott film with Janty Yates designed costumes. Combining digital design, 3D printing, 3D scanning and vacuum casting with more traditional methods like clay sculpting and polyurethane spraying allowed us to realise increasingly ambitious designs.
Every aspect of the production was impressive and stepping onto the film’s Mars set in Budapest, made with tons and tons of desert sand, was incredible. While it’s often assumed the intense dust storm that kicks off the film’s action is VFX, it was created using huge, high-powered wind machines that could take you off your feet. Ten years on, we’ve still got toolkits full of red dust!