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‘Tomorrow’s Warriors was set up to address the under-representation of Black talent — and later on, women and girls — in...
12/11/2025

‘Tomorrow’s Warriors was set up to address the under-representation of Black talent — and later on, women and girls — in jazz in this country,’ says co-founder Janine Irons.

Back then, as she puts it, the scene was “very, very male, pale and stale.” Gigs full of older men scratching their chins, wondering why the music was fading away. Jazz had become exclusive — middle-aged, middle-class, and overwhelmingly white. Something had to change.

Tomorrow’s Warriors was that change.

Founded in 1991 by Janine and her husband, musician Gary Crosby, the non-profit has helped shape every generation of British jazz since. Its alumni include Nubya Garcia, Shabaka Hutchings, Moses Boyd and EZRA Collective - names that have carried the sound of a new era to global stages. But what they’ve built is bigger than music.

“We tame the beast,” says Gary. “Nothing else can win. We are warriors.”

At its core, Tomorrow’s Warriors is about community — a place for young people to learn, improvise and pass it on. As Janine explains, the “each one teach one” ethos took root when they moved into the Southbank Centre. “You could literally chart it like the branches of a tree — one group growing into many.”

More than 15,000 young musicians have come through its free workshops, residencies and summer schools — many discovering jazz for the first time. For some, it’s been a way into the industry; for others, a way into art, purpose, and belonging. “Everyone should have access to art,” Janine says. “It should be a right.”

🗞 Read the full feature in Off Licence Magazine – Issue Sixteen: “JAZZ”

✉️ Shipping worldwide via offlicencemagazine.com/shop

NOVEMBER CLUBNIGHTS. AND A COUPLE OF GIGS FOR GOOD MEASURE.GET OUT, STAY OUT AND JUSTIFY IT BY TELLING YOURSELF YOU’RE S...
07/11/2025

NOVEMBER CLUBNIGHTS.

AND A COUPLE OF GIGS FOR GOOD MEASURE.

GET OUT, STAY OUT AND JUSTIFY IT BY TELLING YOURSELF YOU’RE SUPPORTING GRASSROOTS MUSIC VENUES.

TITLE IMAGE COURTESY OF 📸

ADDITIONAL IMAGERY OF VIA , OF VIA , OF VIA (ISSUE THIRTEEN) 📸

JOIN OUR MAILING LIST FOR GOOD STUFF LIKE THIS IN YOUR INBOX 📥

06/11/2025

5 minutes with… .

The East Londoner spoke to us the day before his latest album ‘Roulette’ was released, just last month.

We chatted about the ‘UK Jazz’ label, his journey into Jazz and, 10 years on from his debut release, how his approach has changed.

Interview + photography by , extra camera work by .

“Jazz at the grassroots.”Hailing from Bristol,  is what happens when jam culture meets club culture.A collaboration betw...
03/11/2025

“Jazz at the grassroots.”

Hailing from Bristol, is what happens when jam culture meets club culture.

A collaboration between and , co-founded by resident photographer & .wav — the night has grown from a living-room jam into one of the city’s most beloved fixtures.

Soft furnishings. Lamps. Incense and improvisation. DJs and live instrumentalists.

Like Steamdown and Orii Jam in London, Analogue Lounge shows what ‘JAZZ’ looks like at grassroots level in 2025.

📸 Photos by Tia Payne

🗞 Read the full feature in Off Licence Magazine – Issue Sixteen: “JAZZ”

✉️ Shipping worldwide via offlicencemagazine.com/shop

“You have to let go of the idea of perfection and just put the music out there.”Saxophonist and composer  in Off Licence...
31/10/2025

“You have to let go of the idea of perfection and just put the music out there.”

Saxophonist and composer in Off Licence Magazine Issue Sixteen: JAZZ.

We first saw Allexa play at some years ago on the Tomorrow’s Warriors stage. It was a set so transcendent that it left editors in tears.

had the opportunity to explain all this to her in person at Dance Attic Rehearsal Studios in Fulham over a fizzy-pop.

It was about 20 days before her most extensive collection of songs dropped, an EP called No Language. At five tracks, the EP, whilst rooted in Jazz, explores territory that’s both harmonically and rhythmically complex and rich, gliding through Latin influences with faint echoes of her classical training seeping through.

Stick it on whilst you’re reading our eight-page interview in the new mag. Available via stockists and via our website. Link in bio.

Words + photos by Matt Leppier.

29/10/2025

‘Wiki’s my superhero.’ 🦸‍♂️ 🇵🇷 🇮🇪

on the highlight of his career so far, that’s included countless shows, a Choice Award nomination, acclaim from Rejjie Snow and a support slot for .

Full interview is over on our Reels page. Is that something people say now?

27/10/2025

5 minutes with… .

The Irish rapper spoke to us on some steps around the corner from , a couple of hours before the first gig of his first UK-wide tour.

We chatted about the state of independent music in Ireland, access to music, and how getting nominated for a major award affected him.

Interview + photography by .

“In Cuba, anything is possible.”That’s how our host Theresa greeted us — two sweaty, unprepared visitors who’d just disc...
24/10/2025

“In Cuba, anything is possible.”

That’s how our host Theresa greeted us — two sweaty, unprepared visitors who’d just discovered that the ATMs were empty, PayPal’s blocked, and we couldn’t pay for breakfast.

Her words stuck with us, so much so that we had to get graphic designer .lovr to blow ‘em up real big across two pages in the ‘JAZZ’ issue for OFFIE MAG TRAVEL.

In a country where internet, imports, and income are tightly controlled, improvisation becomes instinct. Professors moonlight as tour guides, taxi drivers double as mechanics, and a man in an army helmet turns up on a motorbike to deliver your cash before your transfer’s even cleared.

We went expecting rum, ci**rs and rhythm — we found all that, and something else too: a country that creates endlessly.

From Havana’s Callejón de Hamel to the hills of Viñales, we traced Cuba’s contradictions — socialism and hustle, tradition and change — and met the people who make anything possible.

Read the full story in Off Licence Magazine – Issue Sixteen: The Jazz Issue, shipping worldwide now via offlicencemagazine.com/shop

Photos and words by with additional imagery from Fezile Sibanda.

 IN OFFIE MAG, ISSUE 16: “JAZZ.” Fluent in the language of cross-genre experimentation and multi-instrumentalist explora...
22/10/2025

IN OFFIE MAG, ISSUE 16: “JAZZ.”

Fluent in the language of cross-genre experimentation and multi-instrumentalist exploration, Emma-Jean Thackray doesn’t resist the pull of other genres, with her latest album ‘Weirdo’ delivering a notable departure from the jazz-fusion foundation she has diligently built over the course of her extensive musical career - and a Marcury Prize nomination.

We meet Emma-Jean on a bright Tuesday afternoon in the peaceful arena of the Horniman Museum grounds, a short stretch from Forest Hill overground and a stone’s throw from leafy Peckham Rye. Soundtracked by midweek toddlers and their associated adults, the scene felt reminiscent of Emma-Jean’s explorative and shiny 2021 record Yellow, with the hopeful refrain of “brighter days are coming” from her track Sun silently underscoring our conversation.

Read it all in the new Offie Mag. Link in bio to order it to yours.

Words by

Photos by

Address

Hexham

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