JoeytheDirector

JoeytheDirector Award Winning Midlands-Based Film Director 🏆
📧Email: [email protected]
📱YT: 330K+ TT: 70k+ IG: 40k+ FB: 20k+
🎬WORKING ON: “NEVER”👮‍♀️& “LITTLEFOOT” 🦕

17/09/2026

Na Hong-jin’s Korean sci-fi monster movie has an incredible first hour: light humour, gorgeous cinematography, huge daytime action and a mystery that keeps you guessing what’s really destroying Hope Harbor.
But at nearly two hours and forty minutes, the pacing seriously tested my patience. Almost every scene feels five minutes too long, and most set pieces contain an extra chase or sequence that could have been cut.
The cinematography is genuinely beautiful, making the small-town setting feel enormous. I also respect how brave the film is with its creatures: instead of hiding them in darkness, HOPE gives us wide shots, bright daylight and full views of the monsters. Unfortunately, some of the CGI doesn’t quite match the stunning photography, which made it difficult to stay immersed.
I loved the third-act reveal and the ideas behind what these creatures actually are, but the unfinished story left me asking: where did that mothership come from, and what happened to the kid?
HOPE is ambitious, funny, beautifully shot and occasionally brilliant — but its pacing, uneven CGI and unresolved story stop it from becoming the classic it wants to be.
Have you seen HOPE yet? What did you think?

15/09/2026

You know that crazy film based on The Odyssey?

No… not The SpongeBob SquarePants Movie.

I mean THE ODYSSEY.
Years ago, Jorge Rivera-Herrans started turning it into a musical called EPIC sharing the songs and the process online before the whole thing was even finished.
Rivera-Herrans
Now it’s becoming an animated movie.
Sometimes the weird idea is the right idea. Keep making it. 💙

14/09/2026

Creators are so vulnerable to these companies, but if you’re promoting AI to the people who trust you, you look like a...

09/09/2026

With the new iPhone Duo Foldable phones are getting bigger, wider and… honestly, a little bit stranger.

With devices moving towards screen shapes like 4:3 and 16:10, it got me thinking:

Are we going to have to rethink the way we frame and shoot content?
Will 9:16 still be the standard in a few years?
Or will filmmakers need to start composing for multiple screen shapes from the beginning?

Because apparently, making content now means thinking about whether the audience is watching on a television, a phone, a tablet, a foldable phone or a device that has decided to become all four at once.

I don’t think 9:16 is disappearing anytime soon, but I do think the way we frame content could be about to change.

What aspect ratio do you think we’ll be filming for in the future?


09/09/2026

Three more VHS tapes added to the collection! Charlie and the Chocolate factory, A Goofy Movie and ATLANTIS

09/09/2026

Gaming is in such a good place right now. Not because everything is perfect, but because people who grew up with these games are now making them, and they actually care about the feeling they gave us.
We are finally getting remakes that do not feel like someone put an old game through a slightly better Instagram filter and charged us seventy quid.
Assassin’s Creed Black Flag Resynced, the new Legend of Zelda: Ocarina of Time, Silent Hill 2, Fatal Frame II, God of War, Resident Evil: Code Veronica, Persona 4 Revival and Tomb Raider: Legacy of Atlantis are all heading back to the games that made us fall in love with gaming in the first place.
That is not a lack of ideas. That is a generation of developers saying, “I want someone else to feel that too.”
So yes, keep physical media alive. Let me own the thing I paid for. Let me have the box on my shelf like a normal person.
But if this is the level of love and effort people are putting into remakes now, I am very excited about where gaming is going.
What game do you want to see remade properly next?

06/09/2026

Day 5 of collecting physical media!

05/09/2026

Let’s fill our shelves with physical media together

04/09/2026

There are films you watch as a kid and completely forget about.
And then there are films that somehow stay with you for years.
These are eight films I watched growing up that I still think about today — films that don’t get talked about nearly enough:
🎬 A Kid Called Danger
🌿 FernGully
⚾ The Sandlot
🐕 Homeward Bound
🚗 Herbie
🐟 Help! I’m a Fish
🦕 The Land Before Time
🎞️ Magic in the Water]
They’re all completely different, but each one left a lasting impression on me in some way.
Are there any films from your childhood that you think people have completely forgotten about?
Let me know in the comments I’d love to discover some more.
Because clearly, I need even more films to become emotionally attached to.

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LCB Depot, 31 Rutland Street
Leicester
LE11RE

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