DJCHRIS ROCKEFELLER

30/11/2025

I disappeared for two years.
Not because I wanted to…
But because I had no choice.
Read my story.

Most people only see the music.
What they don’t see is the journey behind it
Most people only see the music.
What they don’t see is the journey behind it.

I started with passion, ambition, and the belief that hard work would open doors.
I trained, I practiced, I invested everything — my time, my money, my energy.
But instead of the support I expected, I faced rejection, exclusion, and closed doors.
Opportunities I had earned simply never came.
Criticism replaced encouragement.
People tried to break my confidence before it even had a chance to grow.

The pressure became so heavy that I stepped away from music for two years.
Not because I wanted to…
But because I felt I had no choice.

During that silence, I hid the pain from the closest people in my life.
I didn’t want to burden anyone.
I didn’t want them to know how deeply I had been pushed down.

But in that darkness, something changed.
I realised that if the world wouldn’t open a door for me, I would build my own.
Piece by piece, I rebuilt myself.
Piece by piece, I built my own system.
Piece by piece, I created the artist I was always meant to be.

Today, every sound I make is mine.
Every rhythm is mine.
Every melody comes from my own imagination, my own journey, my own rebirth.

This is not just a comeback.
This is the beginning of a world I created from nothing.
And if you’re reading this — welcome to the journey most people never saw.

29/11/2025

Today I’m deep inside one of the most critical stages of my entire studio architecture: advanced MIDI + I/O routing across my full performance system.
This is the part nobody usually shows, because it’s the part where one wrong setting can break your entire workflow.
But when you understand exactly what you’re doing, you unlock absolute control.

I’m structuring every pathway between the Roland Edge, Akai MPC Master, Akai MPC Slave, USB/DAW layers, DIN MIDI, and the full hardware chain.
This routing defines how each instrument speaks, responds, triggers, and synchronizes during live sets and production.

This is where precision becomes a necessity.
This is where understanding becomes power.
This is where a professional system stops being “gear” and becomes an engineered instrument.

More updates coming soon as the full system comes alive.

29/11/2025

Critical MPC Live 3 Bug After OS 3.6.0 Update – Slave Sync Tick Noise

MPC Live 3 – MIDI Clock Slave Sync Issue After Updating to OS 3.6.0

I want to report a technical issue I discovered with the Akai MPC Live 3 after updating to MPC OS 3.6.0.

Before updating (on OS 3.5.0), everything worked perfectly.
After the 3.6.0 update, I began experiencing a serious problem with MIDI Clock Slave Sync.

When using one MPC Live 3 as Master and the second MPC Live 3 as Slave, the Slave unit starts producing a very clear ticking / clicking / “tickling” sound the moment it receives MIDI Clock from the Master.

This only happens in OS 3.6.0.
It did not happen on OS 3.5.0.

I verified the following:
• CPU is stable between 9–12% (no overload)
• Hardware is functioning normally
• All MIDI and Sync settings are correctly configured
• “Receive MIDI Clock” on the Slave is enabled
• MMC Receive is enabled
• Master settings are correct
• Slave settings are correct
• Cables, routing, and MIDI ports are checked and fine

When I disable “Receive MIDI Clock” on the Slave, the ticking stops immediately.
As soon as I enable it again, the ticking returns.

This strongly indicates that the issue is caused by a software bug in OS 3.6.0, specifically related to Slave Sync / External Clock Handling.

I hope Akai can take a look at this and release an update, because stable MIDI clock sync is essential for users running multiple MPC Live 3 units or complex hardware setups.

If anyone else is experiencing this issue, please share your results so Akai can see the impact.

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28/11/2025

About a week ago I ordered a new stand for my ProLine Prompter system, and I already shared on social media that I was waiting for the delivery.
Today it finally arrived — and here is the result.

Since the original ProLine stand was sold out, I built a fully customised solution that fits the Prompter system with factory-level precision. I engineered and tweaked the entire setup so it matches the exact height, balance points, and stability of the original design, while still keeping the same clean, professional look as if it came straight from the manufacturer.

The custom stand integrates perfectly into my broadcast rig and elevates my live-streaming, scripting, and studio workflow to a higher level.
Delivered today. Custom-built today. 100% professional.
I’ll keep you updated as the full studio build continues

28/11/2025

Behold—
Under the trembling lights and thunder of the bass,
A figure strides forth as though crowned by fate itself,
A noble lord of Pioneer decks,
Or so the dazzled crowd believes.

Yet lend thine ear—
Yo, listen up—
’Cause not every king that walks the stage
Has built the castle he stands on.

Some come armed with borrowed beats,
Snatched online, ripped quick,
No sweat of midnight labor,
No coin spent on rights or craft.
Just press play, strike a pose,
And let illusions lead the dance.

But mark it well—
For in the shadows stand the real creators,
We who toil in hours unseen,
Payin’ licenses, payin’ dues,
Carvin’ sound from silence
Like sculptors shaping stone.

And while the imitator may glow
In the neon moment’s heat—
A circus prince in borrowed robes,
A jester jugglin’ someone else’s music—
Yo, the truth remains steady like a sub-bass line:
Fakes fade when the lights die.

For when the lasers cool
And the crowd exhales its final roar,
It is the true artisans,
The architects of melody,
That rise again in the afterglow—
Their legacy etched deeper
Than any counterfeit shine.

Thus let the beat drop and the night go on,
For though the clown may dance
And the world may cheer the loudest echo,
The source—the true creator—
Shall always return
To claim the crown that was born from his own sound

25/11/2025

Massive Studio Upgrade in Progress

Behind the scenes I’m working non-stop on improving every part of my professional DJ and broadcast setup. One of the biggest upgrades right now: the teleprompter system.

My current stand simply isn’t built to handle the full weight of the ProLine S prompter + broadcast camera. With just a small push it leans backward — and with equipment this valuable, I’m not taking any chances. Nobody wants to see a multi-thousand-pound prompter and camera hitting the floor.

A new, heavy-duty, height-adjustable stand is already on the way.
It will allow me to set the camera exactly at eye level (I’m 1.87m tall), give full stability, and secure the entire system for professional long-term use. This is all part of upgrading the full environment to the next level.

More improvements are coming across the whole studio: camera systems, lighting, audio routing, stage look, broadcast setups — everything is being taken to a higher standard.

If you want to follow this journey and see every upgrade step-by-step:

Like, follow, and share — more behind-the-scenes updates are dropping soon.

13/11/2025

Backstage testing day on the Pioneer DJS-1000 + my full DJ setup.
I’ve been putting this machine through some serious work lately — hunting down the last early-stage firmware issues (“child diseases looks gone ”). The good news: all of them are finally gone. The USB ports now stay connected without dropping out, the LEDs stay stable, and overall performance is getting smoother.

One of the key tests still running is the recording engine. In older firmware versions the recorded audio sometimes drifted out of sync, even when recorded on the correct time grid. That seems to have been a software timing bug — so I’m testing the new build to see if Pioneer has improved this part.

I hope Pioneer continues to work on the DJS-1000 platform, because this machine has massive potential. With future updates, the DJS-1000 could expand into a truly next-level workstation. Here are some improvements I hope the engineers consider:
• More advanced EQ types (vintage EQs, parametric EQs, sweepable EQ bands)
• Better and more musical filters (LPF/HPF sweeps, vintage-style filters, isolator filters, airy filters, smooth resonance)
• A 4-band parametric EQ for vocal work
• More detailed FX engines (wide, bright, warm, saturated, ambience modes)
• Extended LFO and modulation options
• Improved sampling tools and tighter recording sync
• Modern master FX like sweep-FX, scene transitions, harmonic FX
• More responsive performance on long sample playback

The DJS-1000 already feels strong and fun, but the platform could genuinely become legendary with the right software evolution. I’m just sharing my live tests and my experience — maybe the right people at Pioneer will see this and push the next update even further 👀🎧

Thanks to everyone for the support — family, friends, fans, and the whole community.
Big things coming soon. New channels dropping.
Like, follow, share & stay tuned.
🔥🚀🎛️

12/11/2025

What happened to me recently has been crazy. I’ve noticed how some people start feeling insecure around me — even losing friendships because of it. I once even got a message from someone admitting they couldn’t be friends because they felt that way.

For a long time, I kept asking myself why? I always tried to stay positive, dress well, and carry myself with respect — suits, clean shoes, taking pride in how I show up. But even then, I’ve experienced things that shocked me: people acting aggressive, spitting, shouting rude things, even parents encouraging that behavior.

It made me question myself deeply. I thought maybe I was the problem. I even started dressing down just to avoid attention. But over time, I realized — the problem wasn’t me. It was people projecting their own insecurities, jealousy, or fear onto me.

As an artist and DJ, I’ve faced rejection and unfair treatment too — being denied opportunities despite working hard, studying, and earning my qualifications. It’s disappointing to see how some people treat others based on assumptions or prejudice.

But I’m not here to spread hate. I’m here to speak truth.
Because pretending everything is perfect doesn’t help anyone. We all need to see what’s really going on.

I was raised to respect everyone — no matter their culture, background, or story. I only stay away from negativity, crime, or hate. I want to be surrounded by genuine, respectful, high-vibration people — the kind who lift others up.

All these experiences have hurt me but also made me stronger. I know now that I’m not the problem. I’ve simply been surrounded by the wrong energy for too long.

No matter what I’ve been through, I’m still here — growing, learning, and staying true to who I am. 😳🤦‍♂️

10/11/2025

Breaking the Silence

I was silenced once—
not by the world,
but by fear.
Fear that came wrapped
in someone else’s jealousy.

They said—
“Don’t show your music.”
“Don’t let your art breathe.”
“If you show up, something might happen.”

And for a while…
I believed them.

I hid my voice.
I buried my rhythm.
I locked away my sound
like it was something dangerous.

Three years of quiet.
Three years of shadows.
Three years of wondering
why my gift felt like a curse
to somebody else.

It damaged my life for years.
It shut down my pages,
closed my social media,
made me question who I was.

But silence doesn’t last forever.
And I—
I’m done hiding.

Now I’m standing up,
ready for the battle
against the darkness
that tried to erase me.

They tried to destroy my existence,
to silence my art,
to quietly kill my talent.
But I’m still here.

I want to make this announcement—
to reveal the truth
behind the silence,
the secrets of what was going on,
and why I was so quiet
for so long.

To my friends,
my fans,
and my family—
I’m sorry for disappearing.
I didn’t forget you.
I was just surviving.

But now…
I’m standing tall.
I have to defend my life,
my art,
my gift—
because the world needs it.

The world needs music.
It needs rhythm.
It needs truth.
And it needs me.

Now it’s time to make it public,
to tell the world
why I was silent for so long.

I am a musician.
I am a DJ.
I am a producer.
And I am no longer afraid.

No one can kill a spirit
that was born to make noise.
And I-
I was born loud.

Check out DJ CHRIS ROCKEFELLER’s video.

05/11/2025

Late nights, bright lights — gear getting smarter, beats getting harder 💽🔥
Just another day behind the scenes.

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04/11/2025

🎧 DJ CHRIS ROCKEFELLER ITS COMING BACK 😈

🚨 Something big is coming.
Behind the scenes, I’ve been working nonstop — building, testing, and fine-tuning one of the most advanced DJ/production setups out there.

This isn’t your average controller rig — this is high-end performance technology, fully synced, customized, and ready to deliver a next-level live experience. 🎚️🔥

I’m still adding the final pieces, updating software, and making sure every sound hits perfectly in sync — but it’s almost 100% ready.

Every button, every pad, every light has a purpose.
This setup isn’t for show — it’s for real music creation, real energy, and real connection.

Stay tuned — something powerful is about to go live. 🎶

03/11/2025

Better option!