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Action is stronger than feeling‘Doing the Work’, the 2025 St Bride conference, brought some dynamic new personalities to...
20/11/2025

Action is stronger than feeling

‘Doing the Work’, the 2025 St Bride conference, brought some dynamic new personalities to the foreground.
Report by Anoushka Khandwala on the Eye blog.

2025 brings us another St Bride Foundation design conference, but this time with a twist for the design industry stalwart. ‘Doing the Work’ took place on 18 October 2025 and was curated by designer Greg Bunbury, to celebrate diverse creative voices while foregrounding inclusive futures. During a year in which the UK has seen rising anti-migrant sentiment and unthinkably large far-right rallies, the conference served as a renewed call to stand in solidarity with people of colour, writes Anoushka Khandwala.

The speakers were Ricardo Eversley, Harkiran Kalsi, Carolyne Hill, Jodi Hunt and Kingsley Nebechi. I joined the stage at the end of the day to moderate the panel of speakers, and work with the audience to co-create a manifesto that served as a record of our conversation, for use by designers, organisations and institutions that are committed to ‘doing the work’.

First image (above). ‘Doing the Work’ panel, with (L to R) Ricardo Eversley, Jodi Hunt, Kingsley Nebechi, Harkiran Kalsi, Carolyne Hill and chair Anoushka Khandwala.

For the remainder of the review text and captions go to https://www.eyemagazine.com/blog/post/action-is-stronger-than-feeling

Doing the Work was the annual St Bride Foundation Design Conference 14 Bride Lane, Fleet Street, London EC4Y 8EQ Saturday 18 October 2025.

There’s no time to lose. Book your tickets now for next week’s   at St Bride Printing Library, an   preview featuring Ka...
18/11/2025

There’s no time to lose. Book your tickets now for next week’s at St Bride Printing Library, an preview featuring Kate Dawkins and Michael Collins on 25 November at St Bride Foundation.

Following on from our sell-out ‘My favourite logo’ event, this session will feature the spectacular work of multi-BAFTA-winning video designer and creative director Kate Dawkins; and photographer, essayist, picture editor and lecturer Michael Collins. Art director Simon Esterson and editor John L. Walters will introduce the speakers and also preview some further highlights from the forthcoming Eye 109.

All ticket sales support the St Bride Foundation.
Paste https://bit.ly/TypeTuesday52 into your browser or click the appropriate link above.

culture

‘The ouroborus of hype’Packed with information, The AI Con pours cold water on ‘AI’ hysteria, while drawing attention to...
07/11/2025

‘The ouroborus of hype’

Packed with information, The AI Con pours cold water on ‘AI’ hysteria, while drawing attention to the tech’s environmental and ethical implications

The AI Con
By Emily M. Bender and Alex Hanna. The Bodley Head, £16.99. Designed by Bonni Leon-Berman.

Reviewed by John L. Walters



To read the review in full on the Eye blog, paste https://www.eyemagazine.com/blog/post/the-ouroboros-of-hype into your browser.

Type Tuesday: My favourite logoEight designers gathered together at St Bride Library to share their knowledge and opinio...
06/11/2025

Type Tuesday: My favourite logo

Eight designers gathered together at St Bride Library to share their knowledge and opinions about logo design

On 23 September, audiences packed into St Bride Library for our sold-out Type Tuesday, ‘My favourite logo’, which featured eight logos selected by an outstanding panel of speakers: Andy Cowles, Hugh Miller, Sebastian White, Kate Marlow, Michael Johnson, Rejane Dal Bello, Dines and Bryan Edmondson. Huge thanks to them for their fascinating and informative talks about type, symbol, form, meaning … and clients.

To read the story in full, paste https://www.eyemagazine.com/blog/post/type-tuesday-my-favourite-logo into your browser.

Above: The ‘favourite logo’ voting sheet, which asked attendees to select a favourite from a shortlist of 24 (not including any of the eight discussed) or draw their own choice in the final box.



As good as it getsReview of: ‘Otl Aicher: The Legacy Archive’Wiedemann Lampe, 41 Hoxton Square, London N1 6PB. Noon-6pm ...
19/09/2025

As good as it gets

Review of: ‘Otl Aicher: The Legacy Archive’
Wiedemann Lampe, 41 Hoxton Square, London N1 6PB.
Noon-6pm daily, 13-21 September 2025.

Rush to see this London exhibition of superlative posters by Otl Aicher, urges Quentin Newark

To say that Otl Aicher’s work is the best you can see anywhere is an understatement, writes Quentin Newark. I studied every poster up close and could not see any flaws … not one bad kerning pair, no misregistration or ghosting, no hickeys, no plucking, no uneven tints.

For decades I have been lied to by British printers – it is possible for print to be flawless! If you go, look closely at the bicycle poster (there is a great book-catalogue, too) for the exhibition ‘Design & Sport’. I swooned at a meticulously, coolly, mechanically drawn, silver bike – a production masterclass of metallic inks, foiling, thin lines and overprinting …

Read the full text and captions on the Eye blog.
https://www.eyemagazine.com/blog/post/as-good-as-it-gets

Graphic design live  #21New on the Eye blog, a selection of forthcoming events and shows: Between Books (Düsseldorf), Ey...
09/09/2025

Graphic design live #21

New on the Eye blog, a selection of forthcoming events and shows:
Between Books (Düsseldorf), Eye’s next (London), Pontus Hultén in Paris, Novo Typo Offgrid in China, Cyan in Berlin and Karel Martens: Unbound at the in Amsterdam.

Printing librarian, teacher and scholar James Mosley has died aged 90, writes Catherine Dixon.Mosley was a figure in des...
01/09/2025

Printing librarian, teacher and scholar James Mosley has died aged 90, writes Catherine Dixon.

Mosley was a figure in design history who was rarely ‘centre stage’, yet whose influence was highly significant. He was a popular speaker internationally and wrote seminal texts on typographic history. His meticulous articulation of letterform history helped scaffold the work of so many others, including type designers such as Matthew Carter, Jonathan Hoefler, Dave Foster and Paul Barnes.

In his Eye 90 feature ‘James Mosley: A life in objects’, Commercial Type’s Paul Barnes showed the magnitude of Mosley’s contribution to the typographic field, especially the importance of material artefacts in understanding how and why things were made. Objects help build more accurate and diverse historical narratives of the ways design was practised. Mosley had the presence of mind, for example, to collect Rubylith stencils used to make Letraset fonts – shunned at the time by some as not ‘proper’ typography – capturing evidence of methods and processes that might otherwise be lost …

Read Dr Dixon’s full tribute to James Mosley on the Eye blog, which includes all picture credits.

Glastonbury Free Press. Read ‘Festival in print, Amy Henry’s article on the Eye site.
18/07/2025

Glastonbury Free Press. Read ‘Festival in print, Amy Henry’s article on the Eye site.

On the Eye blog: read John Warwicker’s review of ‘Out of line’, a poetic exhibition in Melbourne by designer Catherine G...
18/06/2025

On the Eye blog: read John Warwicker’s review of ‘Out of line’, a poetic exhibition in Melbourne by designer Catherine Griffiths.

1 and 5. Out of Line, University of Melbourne. Installation photos by Tobias Titz with Griffith’s work 7/7, 14 views on the back wall.
2. Catalogue.
3 and 4. Light Weight O, Auckland. Photos by David Straight.
5. Wellington Writers’ Walk. Photo by Bruce Connew.
7. A whakapapa, two lines of women. Photo: Ingrid Rhule.

Lost in the washPatrick Baglee reviews Nick Asbury’s book The Road to Hell on the Eye blog. This thorough and entertaini...
17/06/2025

Lost in the wash

Patrick Baglee reviews Nick Asbury’s book The Road to Hell on the Eye blog.

This thorough and entertainingly written book questions whether ‘purpose’ still works as a branding strategy, writes Patrick Baglee. The author of The Road to Hell, writer and branding strategist Nick Asbury, defines the term as follows: ‘Broadly, it’s the idea that businesses should define themselves around a wider societal purpose that goes beyond simply doing what they do in order to make a profit, pay their people and pay their taxes. It’s the claim that businesses should set their sights on something broader and more socially positive than that.’ The book comes at a turning point in the role that ‘purpose’ has played in branding, marketing, advertising and corporate ‘washing’.

Book cover design by David Pearson.

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