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For the first time in his own words, LL Cool J has addressed a strange episode from hip-hop’s past: the day the late Ol’...
16/07/2026

For the first time in his own words, LL Cool J has addressed a strange episode from hip-hop’s past: the day the late Ol’ Dirty Bastard wrecked a batch of his plaques at Chung King Studios in New York.

The story came up during a recent broadcast of the rapper’s SiriusXM program, Rock The Bells Radio. As LL tells it, the news reached him by phone. Chris Lighty, the influential executive who has since passed away, called and pressed him to get down to the studio right away. LL, unaware anything had gone wrong, asked what the problem was — and was told that ODB had shown up, torn his plaques apart, and relieved himself on them.

By LL’s account, the reason behind the outburst was never clear to him. He said he couldn’t figure out what he’d done to provoke it. Even so, he spoke about the Wu-Tang Clan member with obvious affection, framing the whole thing fondly rather than bitterly and paying tribute to his memory.
Though LL had never told it himself until now, the tale has circulated for years. Lighty’s earlier account filled in the background: ODB had turned up drunk and grew agitated when studio staff wouldn’t record him in that state, at which point he tore the plaques down and urinated on one. A receptionist ended up calling the police. Lighty also remembered how quickly ODB’s mood flipped — by the time he reached the ground floor, he was reportedly laughing.

There’s a lingering detail, too. Chung King’s founder, John King, later said one plaque never found its way back to LL and still sits in his own collection.

The anecdote joins a deep catalog of tales about ODB’s famously erratic streak. All these years later, LL seems to carry no grudge, revisiting the moment with a laugh.

JAŸ-Z closed out a historic three-night stand at Yankee Stadium this past weekend, but the final show was overshadowed b...
15/07/2026

JAŸ-Z closed out a historic three-night stand at Yankee Stadium this past weekend, but the final show was overshadowed by a security scare that delayed his set by nearly four hours.

The concerts celebrated the 30th anniversary of his debut album, “Reasonable Doubt,” and the 25th anniversary of “The Blueprint.” The disruption hit Sunday’s closing night. According to a report on New York’s ABC7, citing a police source, a large number of fans rushed at least two of the stadium’s gates and made it past security without being screened. In response, security shut down all entrances and the stadium went into a full lockdown, with fans unable to get in or out for an extended stretch.

Jay eventually took the stage after midnight, reportedly around 12:20 a.m. — roughly four hours after the listed start time. He addressed the crowd directly, explaining that about 10,000 people were still outside, that someone had rushed the door, and that gates were closed for everyone’s safety. He said he didn’t want to start the music and risk fans being trampled, and apologized for the delay.

TMZ, citing its own sources, reported that trouble began just before 9 p.m. and that roughly 20,000 fans were lined up outside at one point, with scheduled performers including A$AP Rocky, Tyler the Creator, and Usher among those locked out. The outlet also reported that canceling the show was discussed, but that JAŸ-Z resisted, partly because many fans had traveled from out of state. These details are attributed to TMZ’s sources rather than official statements.

Despite the rocky finish, the run featured a stacked lineup of guests. Beyoncé, Nas, and Alicia Keys appeared on night one, with Eminem joining for night two. The finale added Rihanna, who performed alongside Jay-Z on “Run This Town” and delivered a rare solo turn; Beyoncé, who performed “Drunk In Love”; Teyana Taylor; and Usher.

Afterward, Roc Nation, Yankee Stadium, and Live Nation issued a joint statement thanking the NYPD and stadium security for prioritizing fan safety throughout the night. Jay-Z is set to continue the concert series in London, Paris, and Los Angeles in the months ahead.

Hip-hop fans have a packed month ahead, with a long list of albums dropping across rap and R&B in July 2026, per a round...
07/07/2026

Hip-hop fans have a packed month ahead, with a long list of albums dropping across rap and R&B in July 2026, per a roundup from HotNewHipHop.

Things kick off with Ken Carson’s xperiment, which arrived July 3 via O***m and Interscope Records — his fifth studio album and the follow-up to 2025’s chart-topping More Chaos. The 22-track project features Playboi Carti, Young Thug, Lil U*i Vert, Destroy Lonely, and 2hollis, and Carson leaned hard into mystery for the rollout, teasing the album through a cryptic side Instagram account and hiding physical USB copies around Atlanta, Los Angeles, Chicago, and New York for fans to hunt down.

A week later, on July 10, comes the one everyone’s actually waiting on: Future’s The Real Me, his first full project since Mixtape Pluto. Buzz has picked up since alleged cover art leaked online, sparking fan speculation about a possible Drake feature — though that remains unconfirmed. Future teased the album himself in June, and rumors have also floated possible appearances from Lil U*i Vert, Ken Carson, or Playboi Carti.

The rest of the rap side is stacked too. On July 17, Rick Ross drops Set In Stone, and Rome Streetz releases Sock It 2 My Pocket the same day. Rich The Kid is dropping C’est La Vie, Rylo Rodriguez and NoCap are both releasing projects as well — S.K.A.T.E. and Heaven On Mars — and Detroit’s Icewear Vezzo is keeping his Rich Off Pints series going with a fourth entry.

R&B isn’t sitting this one out either. Syd is putting out Beard, and her old Internet groupmate Steve Lacy has Oh Yeah? on deck. The-Dream is back with Love Hate II, and Jacquees follows up with Mood 2. The list isn’t just US-based, either — Tyla has APOP* and Davido is dropping Oriadé, both lined up in the same stretch. Kelela is also expected to release a project titled new avatar. More is coming from BBYKOBE, dropping Pu**y Pink, and La Reezy with Skiddle Bandana. And Ken Carson somehow shows up twice — just a week after xperiment, he’s set to release a second project, Cartunez, on July 10.

The New York Knicks brought their 2026 NBA championship victory to late-night television on Monday, taking over “The Ton...
16/06/2026

The New York Knicks brought their 2026 NBA championship victory to late-night television on Monday, taking over “The Tonight Show” in a special episode featuring key roster members and legendary hip-hop group Wu-Tang Clan.

The Knicks clinched their first championship since 1973 by defeating the San Antonio Spurs 94-90 in Game 5 of the Finals. Finals MVP Jalen Brunson delivered a franchise Finals record of 45 points in the clinching victory. The organization assembled its top talent for the NBC appearance, which included official interviews with Brunson, Karl-Anthony Towns, Josh Hart, OG Anunoby, and Mikal Bridges. Head coach Mike Brown and additional roster members made appearances, with the Knicks City Dancers participating in the celebration and local fans filling the New York-based studio audience.

Wu-Tang Clan’s inclusion created a thematic connection to one of the Finals’ most pivotal moments. The Staten Island rap legends performed during halftime of Game 4 at Madison Square Garden, when the Knicks executed the largest comeback in NBA Finals history, erasing a 29-point deficit to win 107-106. RZA credited Wu-Tang’s energy with sparking the turning point, explaining the group adapted their set specifically for the moment and incorporated Knicks references into lyrics.

Rob Base, the rapper best known for the classic hip-hop hit “It Takes Two,” has died at the age of 59. According to a st...
25/05/2026

Rob Base, the rapper best known for the classic hip-hop hit “It Takes Two,” has died at the age of 59. According to a statement shared on his official social media, Base died peacefully on May 22, 2026, after a private battle with cancer. His family said he was surrounded by loved ones.

Born Robert Ginyard, Rob Base rose to fame in the late 1980s as one half of the duo Rob Base and DJ E-Z Rock. Their biggest hit, “It Takes Two,” was released in 1988 and quickly became one of the most recognisable songs in hip-hop. The track became a party favourite and has stayed popular for decades through radio play, samples, films, and live events.

The duo also released songs including “Joy and Pain” and “Get on the Dance Floor,” helping shape the sound of late ’80s and early ’90s hip-hop. Their music was upbeat, direct, and made for crowds, which helped it reach audiences far beyond rap fans. DJ E-Z Rock, whose real name was Rodney Bryce, died in 2014. Together, he and Rob Base left a lasting mark on hip-hop and dance music.

In recent years, Rob Base continued performing for fans, including on nostalgia tours that celebrated music from the ’80s and ’90s. Following the news of his death, fans have been sharing memories of his music and the impact of “It Takes Two.” For many, the song remains a reminder of an era when hip-hop was becoming a major force in pop culture.

Drake is projected to hold 14 of the top 15 positions on the Billboard Hot 100 chart dated May 30, 2026, based on mid-we...
21/05/2026

Drake is projected to hold 14 of the top 15 positions on the Billboard Hot 100 chart dated May 30, 2026, based on mid-week tracking data. If the projections hold, he would be the first male artist to claim that many simultaneous spots in the chart’s top 15.

ICEMAN, an 18-track album released on May 15 alongside two companion projects — Habibti and Maid of Honour — accounts for the majority of the projected placements. The album recorded 140.2 million first-day streams on Spotify, the highest single-day total for any album on the platform in 2026. Drake also registered the most single-day streams for any artist on Spotify this year, while the opening track “Make Them Cry” recorded the highest individual song streams in a single day in 2026.

Mid-week projections place “Janice STFU” and “Ran To Atlanta” featuring Molly Santana and Future as the leading contenders for the number one position, with “Whisper My Name” projected at number three. Country artist Ella Langley’s “Choosin’ Texas” is the only non-Drake entry expected in the top five, projected at number four.

On the Billboard 200, Hits Daily Double projects ICEMAN to move between 480,000 and 520,000 album-equivalent units in its first week. A number one debut would give Drake 15 chart-topping albums, moving him past Jay-Z for the most by a rapper and equalling Taylor Swift’s total for a solo artist. Combined first-week projections for all three albums range from 705,000 to 785,000 units.

The releases are Drake’s first solo studio albums since 2023’s For All the Dogs. His legal dispute with Universal Music Group remains ongoing.

Chance the Rapper has won a countersuit against his former manager Pat Corcoran, ending a legal dispute that stretched o...
24/03/2026

Chance the Rapper has won a countersuit against his former manager Pat Corcoran, ending a legal dispute that stretched over five years. A Cook County jury delivered its verdict on Friday, March 20, 2026, following a two-and-a-half-week trial and just two hours of deliberation. The artist, born Chancelor Bennett, was awarded $35 against the $1 million he had originally sought. The jury also recommended Corcoran hand over the internet domain ChanceRaps.com, which he had been using to sell Chance the Rapper merchandise.

Bennett filed the countersuit in February 2021, alleging Corcoran exploited his position as manager, demanded kickbacks from suppliers, and damaged the rapper’s reputation. The case arrived two months after Corcoran had filed his own lawsuit seeking $3.8 million in unpaid commissions and royalties related to touring, merchandise, and other management duties. The jury rejected Corcoran’s claims in full.

The two met in 2012 and reached a verbal agreement under which Corcoran would manage Bennett’s career for 15% of net profits. The deal was never put into writing. Corcoran claimed it included a three-year “sunset clause” entitling him to continued commissions after being dismissed in April 2020, following the poor reception of Bennett’s 2019 album The Big Day. Bennett denied any such clause existed.

Corcoran’s lawyer Jay Scharkey told the Chicago Sun-Times the $35 award showed how seriously the jury viewed Chance’s case, adding that the lesson for managers was to get agreements in writing. Bennett’s lawyer Precious Jacobs-Perry called the ruling a victory for independent artists everywhere.

Rapper Afroman has won a defamation lawsuit brought by seven Ohio sheriff’s deputies who claimed he harmed their reputat...
20/03/2026

Rapper Afroman has won a defamation lawsuit brought by seven Ohio sheriff’s deputies who claimed he harmed their reputations by mocking them in music videos following a 2022 raid on his home. An Adams County jury found in his favour on all 13 claims on Wednesday, March 18, 2026, ending a case that tested the boundaries of artistic expression and First Amendment protections.
The case dates back to 2022, when deputies raided Afroman’s home in Wi******er, Ohio, on a warrant citing suspected drug activity and a kidnapping investigation. No evidence of criminality was found and no charges were filed. The rapper, born Joseph Foreman, used home surveillance footage of the raid to create a series of music videos and an album titled Lemon Pound Cake, released in 2023. The title track was inspired by footage of an officer appearing to eye a cake on his kitchen table while holding a rifle. The 14-track album included songs such as “The Police Raid,” “Why You Disconnecting My Video Camera,” and “Will You Help Me Repair My Door.”
The seven deputies sued for nearly $4 million in damages, alleging defamation and invasion of privacy. They testified that the videos had damaged their professional reputations and personal lives. Afroman’s defence argued the work constituted protected social commentary and parody directed at public officials. Defence lawyer David Osborne told the jury that criticising police officers was not unusual and that silencing artistic expression over hurt feelings would set a dangerous precedent.
Afroman appeared in court wearing an American flag suit. Following the verdict, he celebrated outside the courthouse shouting, “We did it, America! Freedom of speech!”

Kanye West has confirmed his twelfth studio album, Bully, for release on March 27, 2026, alongside a global concert sche...
18/03/2026

Kanye West has confirmed his twelfth studio album, Bully, for release on March 27, 2026, alongside a global concert schedule that marks his most ambitious live presence in a decade. The album arrives through a new partnership with independent distributor Gamma and West’s own YZY imprint, following over a year of delays and false starts.

Bully is a thirteen-track project that includes previously released singles — “Preacher Man,” “Beauty and the Beast,” “Damn,” “Last Breath,” and “Losing Your Mind.” West first shared an early version as a short film edited by Hype Williams in March 2025. A press release described the record as centred on themes of remorse, memory, ego, faith, and consequence — clarifying it is not intended as a public apology, but a documentation of West’s internal experience.

The tour has already begun taking shape. West drew over 74,000 fans across two sold-out nights at the Monumental Plaza de Toros in Mexico City on January 30 and 31. He is set to perform his first-ever concert in India at Jawaharlal Nehru Stadium in New Delhi on March 29, followed by two nights at SoFi Stadium in Los Angeles on April 1 and 3 — his first LA show since 2021. European dates are confirmed for the summer, including stops in Arnhem, Marseille, Reggio Emilia, and Madrid, with promoters describing the schedule as part of a broader world tour framework.

The album arrives at a pivotal moment. At 48, West remains one of the most decorated and polarising figures in music. Bully represents his first traditional studio rollout since before the controversies of 2022 and 2023 — and a test of whether the music can recapture an audience that has spent years reckoning with the person behind it.

Jack Harlow has announced his fourth studio album, Monica, set to release on March 13, 2026 — his birthday. The Louisvil...
02/03/2026

Jack Harlow has announced his fourth studio album, Monica, set to release on March 13, 2026 — his birthday. The Louisville rapper shared the news via Instagram on February 10, drawing an immediate wave of enthusiasm from fans who have waited nearly three years for a full-length project.
Monica will be Harlow’s first album since Jackman, which dropped in April 2023 and marked a deliberate departure from the polished pop-rap of his sophomore effort, Come Home The Kids Miss You. That 2022 record featured collaborations with Drake, Pharrell Williams, and Lil Wayne, and produced the chart-topping single “First Class.” Jackman, by contrast, was a stripped-back, introspective project that arrived with little fanfare and no major features.
The extended gap between albums has not gone unaddressed. In a March 2024 interview with Zane Lowe for Apple Music, Harlow acknowledged the wait, saying he was trying to “transcend” and create something he had never done before. When pressed on whether previously released singles like “Just Us” and “Tranquility” would make the final tracklist, he offered no guarantees, saying it would depend on how the album shaped up sonically. No features for Monica have been confirmed at the time of announcement.
The album arrives at an interesting moment for Harlow. At 27, he sits between generations — too established to be considered an emerging act, but still working to prove he can deliver a defining body of work. With hip-hop’s attention economy moving faster than ever and listeners increasingly gravitating toward catalogue music, Monica represents a significant opportunity for Harlow to assert his place in the conversation and reward the patience of a fanbase that has been vocal in its anticipation.

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