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Glass Magazine aims to bring integrity and guardianship to creative culture, celebrating genuinely inspiring adventures in fashion, art, music and design that allow us to further imagine and create.

“Acting enriches my life. I’ve learned sign language, how to cook at the Ritz, all these things I’d never normally do.”A...
09/10/2025

“Acting enriches my life. I’ve learned sign language, how to cook at the Ritz, all these things I’d never normally do.”

At just 22, Emilia Jones has already lived many lives on screen. From her Oscar-winning breakout in CODA, where at 17 she carried the weight of Ruby Rossi’s voice and silence, to her transformative new roles in HBO’s Task, A24’s Tony and Edgar Wright’s The Running Man, she has become an actor defined by curiosity, grit and range.

“I was always role-playing as a kid,” she recalls. “I think I was always an old soul, and I matured quickly. I was grateful for people who didn’t treat me like a kid, because I learned so much from that.” That early seriousness shows: she throws herself into every detail of her work – dialects in Philadelphia bars, hauling nets on fishing boats, even cutting a mullet and tattooing Maeve, her Task character, into existence.

If CODA was her turning point, today is her expansion. She’s tackling thrillers, biopics, dramas and experiments, each role reshaping her sense of what’s possible. “I’m always looking for challenges, something I haven’t done before.” Even as her schedule spins, Jones remains grounded by curiosity.

“I want to still be here in ten years,” she continues, smiling. “Still messing my hair up, still playing characters that push me.”

For now, she is exactly where she belongs: in motion, immersed, alive to the next challenge.

Out next week.


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Stephen Graham is a performer whose career has been a long-burning marvel fuelled by years of graft. At 52, he speaks no...
09/10/2025

Stephen Graham is a performer whose career has been a long-burning marvel fuelled by years of graft. At 52, he speaks not from the edge of opportunity but from a seat that is fully his: respected, in-demand, and now at ease. For the Autumn issue of Glass Man, the British actor reflects on the past three decades, including a handful of the 120 projects that he has been a part of, ultimately earning him a coveted title as one of the greats. 

Since his breakthrough role in Guy Ritchie’s Sn**ch in 2000, the Liverpudlian has continued to persevere with every role, pushing himself to extremes like in cult-classic This Is England franchise; as Al Capone in Boardwalk Empire; and as the head chef in the revered one-shot film, Boiling Point. The latter was most notably the first project from his production company, Matriarch Productions. Co-founded by Graham and his wife, fellow actor Hannah Walters, together they have set out to champion inclusivity and diversity, and to platform marginalised stories on screen. 

Their most recent success was the critically acclaimed, eight-time Emmy award-winning drama series, Adolescence. Becoming Netflix’s most-watched limited series, Graham, together with Philip Barantini and Jack Thorne, created a storyline whose impact went global and caused a mirror to be held up to the audience. “We’re all accountable,” he admits. “I remember saying to Jack that it takes a village to raise a child. Jack replied that it also takes a village to destroy a child.”

Honesty is at the root of everything Graham does - just look at his other Disney+ show, A Thousand Blows, to understand his deep commitment to showcasing forgotten narratives with culturally and politically charged themes. “If there are stories that we feel need to be heard, I would like to create opportunities for those to be told, by people who maybe don’t normally have a voice. That’s what I want to do.” 

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British actor Phoebe Dynevor is the next star to grace our Autumn issue. Ascending to global recognition as Daphne in Ne...
09/10/2025

British actor Phoebe Dynevor is the next star to grace our Autumn issue. Ascending to global recognition as Daphne in Netflix’s Bridgerton, the 30-year-old swiftly became a household name, earning herself a coveted BAFTA Rising Star nomination. Since then, she has moved with purpose between genres, balancing independent dramas like The Colour Room and Fair Play with high-profile projects such as Inheritance and her upcoming thriller, Anniversary.

Filmed during the previous presidential campaign, what once seemed like a far-fetched American script now hits cinemas with a resonant undercurrent, tracing the collapse of a family unit caused by the spread of a political movement. “I think this is the perfect moment for it to be released into the world. Three years ago, the script felt extreme, almost dystopian. Now, when you watch it, it doesn’t feel that shocking. It feels like something that could be just around the corner.”

With further roles in the can opposite Jake Gyllenhaal in Remain and Joseph Gordon-Levitt in Pendulum, Dynevor appears intent on rewriting the script for how a young British actor can shape a transatlantic career. In 2022, she even added Louis Vuitton brand ambassador to her already expanding résumé. For this issue, she flaunts the collaboration between the French House and former magazine editor Grace Coddington.Speaking fondly of the relationship, she says: “I often see her at Nicolas Ghesquière’s shows. To combine both their creative minds and to have got to shoot this feature in Grace’s designs is a real honour”.

The Autumn issue will be available to purchase from mid-October, and available to download on our app on 13 October.

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A rising force in music and fashion, Flowerovlove, our next cover reveal, embodies an artistry that is as fluid as it is...
08/10/2025

A rising force in music and fashion, Flowerovlove, our next cover reveal, embodies an artistry that is as fluid as it is fearless. Born Joyce Cissé, the Ivorian singer-songwriter has carved out her own mould: blending nostalgia, girlhood and luminous lyricism with a sharp awareness of the spaces she occupies.

Fresh from a “pinch-me” moment performing at the US festival Lollapalooza, she speaks to Glass about finding peace in the whirlwind, the power of community, and why fashion is inseparable from self-expression. In a candid, soul-baring conversation, Flowerovlove reflects on ancestry, spirituality and the industry’s ongoing challenges, all while never losing sight of joy, colour and fun as guiding principles in both music and life. “Don’t forget that life is about fun; what else are we on earth for? We’re not here to work a job we hate and then go home and sleep. I want people to make friends… I want people to have goosebumps.”

Clad in Louis Vuitton Autumn/Winter 2025 and showcasing Louis Vuitton’s debut into the world of beauty with La Beauté, Flowerovlove carries her story into new creative frontiers. “Louis Vuitton was a dream brand to work with and I had subconsciously manifested working with them five years ago.”

Stay tuned for when the full Autumn Issue hits shelves next week, where we dive deeper into her world of sound, style and spirit.


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American actor Lukas Gage is adding “author” to his already extensive resumé with the release of his memoir, I Wrote Thi...
08/10/2025

American actor Lukas Gage is adding “author” to his already extensive resumé with the release of his memoir, I Wrote This For Attention. The deeply vulnerable account of his childhood and later life explores the many crevices of his coming-of-age years as well as his struggles with borderline personality disorder—shedding the superficiality of our curated feeds and opting for true honesty. “The biggest compliment I’ve received from friends and loved ones who have read it is that they understand me so much more now.”

For the Autumn issue of Glass Man, we partnered with Movember, the world’s largest men’s mental health organisation, to encourage open and honest conversations around mental health. Gage is a leading example of someone who has faced adversity and broken patterns by speaking up. In turn, his combination of perseverance and unfiltered dedication to his craft has led to roles in Euphoria, The White Lotus and You; he will soon star in Rosebush Pruning and Netflix’s People We Meet on Vacation.

His debut as a writer, however, is a milestone he feels most proud of. He began writing for practical reasons, but midway through the process his inner monologue shifted. “It became something deeply personal. It wasn’t just a cash grab or a way to prove something to people, it was a chance to take a real look at myself and take ownership,” he shares, tracing the highs and lows of relationships with those around him and himself. “I want to understand where things come from, connect the dots and take responsibility. That awareness came from this book. It meant a lot and I think I can also be a little kinder to myself along the way”. 

The Autumn issue will be available to purchase from mid-October, and available to download on our app on 13 October. Grow a moustache. Raise funds. Save lives. Sign up or donate today at Movember.com

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Gillian Anderson has not only become known as an actor of startling depth, but also as a woman unafraid to hold space - ...
08/10/2025

Gillian Anderson has not only become known as an actor of startling depth, but also as a woman unafraid to hold space - on screen, on stage, and in life.

For the Autumn issue, the Chicago-born, multi-hyphenate sat down with Glass to reflect on her career spanning over three decades, during which she has moved with chameleonic brilliance between projects. She inhabited roles as complex and contradictory as the many women who watch her, from Margaret Thatcher in The Crown, Emily Maitlis in Scoop, to, of course, Stella Gibson in The Fall and Jean Milburn in S*x Education.

Anderson’s stance on empowering the female lens was something that was born from landing her breakout role of Dana Scully in The X-Files. At just 24, the imposter syndrome was unavoidable. “I’ve been hired as this character and I need to get over the fact that the person inside of me doesn’t feel worthy. I had no experience before this show and it very quickly became a No.1 hit, and I had to perpetually pretend that I had her confidence”. 11 seasons later and a handful of acting’s most prestigious awards, Anderson was not only a household name but a woman in control of steering her own narrative.

Now, making her long-awaited return to the sci-fi genre, she stars in Tron: Ares, the third instalment of the famed Tron series alongside Jared Leto, Evan Peters, and Greta Lee. The blockbuster follows the consequences of AI as it crosses into the physical world. “We are beyond the precipice now,” reflects Anderson, pointing out the similarities between fact and fiction.

With Netflix’s The Abandons and Channel 4’s Trespasses also scheduled for Autumn releases, she proves that for all the formidable women she’s played, she remains the most compelling.

The Autumn issue will be available to purchase from mid-October, and available to download on our app on 13 October.

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At just 21, British musician and actor Asha Banks graces the cover of our Autumn 2025 issue, revealed today ahead of the...
30/09/2025

At just 21, British musician and actor Asha Banks graces the cover of our Autumn 2025 issue, revealed today ahead of the wider cover launch next week. Already established as a formidable talent across both stage and screen, Banks epitomises the modern multi-hyphenate: an artist whose creative power thrives in multiple areas.

Off the back of her first EP, Untie My Tongue earlier this year, and with a new highly-anticipated body of work, How Real Was It?, soon to be released, Banks is well on her way to becoming a household name. As Banks reflects on her artistic evolution, she tells Glass, “Time impacts everything. Every day, you learn something new and it changes how you see the past”. With every lyric, Banks has drawn her audience closer to her, building a fan base that stretches worldwide and now bringing her a string of international tour dates at the end of the year and into 2026.

Her growing discography continues to draw audiences closer, amassing a fan base that spans continents and culminating in a string of international tour dates. Parallel to her musical ascent, Banks has also distinguished herself on screen with acclaimed roles in Prime’s My Fault: London trilogy and BBC’s A Good Girl’s Guide to Murder. Of her experiences, she notes: “I feel so lucky with those two projects”, praising the former for its two female directors. “They taught me so much and inspired me both as an actor and a creative. They led the film with so much grace and power”.

With the countdown now on for her next release, Banks lets us in on what to expect: “It’s a development in everything - my sound, our process - but it’s still in the same world. I’m not switching lanes, I’m just growing within the space I’ve already occupied”.

The Autumn issue of GLASS will be available to purchase from mid-October, and available to download on our app on 13 October.

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Throwaway. Photographer: Stylist: Grooming:  using Photo Assistants: .maldonado and Styling Assistant: Film Lab: Casting...
25/09/2025

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A moment’s rest. Photographer: .eideSenior Fashion Editor: Makeup: Hair:  using 1st assistant lighting/digi: 2nd assista...
24/09/2025

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Laufey’s impulse to reject the pristine feels radical in a landscape dominated by the algorithmic pulse of the male gaze...
23/09/2025

Laufey’s impulse to reject the pristine feels radical in a landscape dominated by the algorithmic pulse of the male gaze. The Icelandic-Chinese singer-songwriter is clear on her stance, “I’ve never built a career off of catering to the male gaze,” she declares in the Summer Issue of GLASS. “I’ve felt like a slave to my own gaze and the female gaze, living in LA and in this time of the internet.”

It’s a frustration rooted in the reality of constant scrutiny. Laufey is no stranger to fame and she’s only just beginning to fully grapple with its side effects. “I spend so much time worrying about how I look. I’m photographed every single night from every single corner of my body and I have no control over it.” She pauses. “It’s so exhausting. My heart hurts for young women right now.” There’s something quietly revolutionary in her choice not to conform. Now, she opts for looks that reflect “what I really feel like on the inside, not just what’s, you know, cool now”.

Read the full interview in the Summer Issue of GLASS - only out for a few more weeks!

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