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Glass Magazine aims to bring integrity and guardianship to creative culture, celebrating genuinely inspiring adventures in fashion, art, music and design that allow us to further imagine and create.

Photographer: Stylist: Groomer and manicurist: Set Designer: Producer: Production Manager: Photography assistants:  and ...
25/12/2025

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Clutched. Photographer: Senior Fashion Editor: Makeup: Hair:  using Producer: Production: .productionsStyling assistant:...
24/12/2025

Clutched.
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Downpour. Photographer: Fashion Director: Hair:  using  and .pawpawMakeup:  using Photography assistant: Styling assista...
23/12/2025

Downpour.
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A symphony of craftsmanship and design, with a bird in hand ✨For the winter issue of Glass, Tiffany & Co.’s iconic signa...
19/12/2025

A symphony of craftsmanship and design, with a bird in hand ✨
For the winter issue of Glass, Tiffany & Co.’s iconic signatures find renewed resonance alongside its latest creations. A story that moves effortlessly through time, grounded in heritage and alive with a distinctly modern sensibility.



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Actor Paul Forman is the next cover reveal of our Glass Man Winter 2025 issue. At a pivotal point in his career, Forman ...
19/12/2025

Actor Paul Forman is the next cover reveal of our Glass Man Winter 2025 issue. At a pivotal point in his career, Forman reflects on what he describes as “a transformative year, to say the least – both professionally and personally.” Speaking from his London home, the actor opens up about clarity, growth and a renewed sense of direction: “I feel excited, hungry and grounded at the same time.”

From an unconventional start studying mathematics to discovering acting almost by accident, Forman recalls the moment everything changed. “I felt completely at home for the first time,” he says. “It was like the final piece of the puzzle dropping into place.” Since then, resilience has become second nature. “These jobs teach you how much you really want it,” he explains. 

Known to many for his role as Nicolas in Emily in Paris, Forman discusses the thrill of returning to the character in season five and the importance of stretching far beyond what feels familiar. “It feels like Nicolas gets to reinvent himself a little,” he says. 

Beyond the screen, Forman speaks candidly about uncertainty, self-worth and the unseen realities of the industry. “No actor has a smooth journey,” he admits. “Mine has been full of no’s [and] almosts”.

Now stepping into new territory with his debut play Raindrops, a deeply personal exploration of grief and vulnerability, Forman describes writing as “scary” but deeply grounding – “the first time I feel I’ve articulated something of my own.” 

Grounded yet restless, grateful yet hungry, Forman stands on the cusp of a new chapter — one driven not by repetition or expectation, but by stories that feel human, layered and challenging. This next chapter, he says, “feels like a clean page, personally and creatively.”

Read the full cover story in the winter issue of Glass Man, out next week.

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Emma Laird moves through projects with a cool, almost whimsical magnetism - the kind that feels instinctive rather than ...
19/12/2025

Emma Laird moves through projects with a cool, almost whimsical magnetism - the kind that feels instinctive rather than performed: part modern muse, part slow-burn disruptor. Her presence carries a quiet defiance, shaped by an inherent search for authenticity. After breaking onto the scene in Paramount+’s crime drama Mayor of Kingstown in 2021, the 27-year-old English actor has steadily expanded her resumé across both small and big screens, appearing in The Crowd Room and making her feature film debut in Kenneth Branagh’s A Haunting in Venice (2023).

This winter, Laird appears in Fackham Hall, a British period comedy penned by Jimmy Carr and starring Damian Lewis, Katherine Waterston, Ben Radcliffe and Tom Felton. Its unapologetic tone is what drew her to the project: “What’s great about Fackham Hall, and [the show] is a ridiculous example, is that we still have films being made that aren’t afraid to make certain jokes or say certain things. There is so much bubble wrap around projects now”. The result is a show that encourages audiences to turn the mirror on themselves, and to admit it might be acceptable to be a little less judgmental at times.

In January, she returns to the post-apocalyptic horror franchise with 28 Years Later: The Bone Temple, the fourth instalment in the juggernaut film series: a role that places her at the centre of one of cinema’s most enduring worlds. Yet for all the scale and spectacle, Laird remains grounded in a far more intimate measure of achievement. How does she define success? For her, it comes down to human connection: “I think it is a beautiful way of living to wake up and think, ‘How can I make someone else’s life great today?’”

Winter issue is out next week!

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It was a chance encounter with Omar Sharif that altered Amir El-Masry’s trajectory so profoundly that it could only be d...
18/12/2025

It was a chance encounter with Omar Sharif that altered Amir El-Masry’s trajectory so profoundly that it could only be described as fate. A conversation at this premiere led the London-born Egyptian actor to a role in Ramadan Mabrouk Abu El Alamein Hamouda — a debut that earned him Best Movie Debut at the 2009 Egyptian Cinema Oscar Festival.

With credits spanning The Crown and Star Wars, our first Glass Man Winter cover star is stepping into his most commanding role yet. He is set to take centre stage as legendary boxer ‘Prince’ Naseem Hamed, opposite Pierce Brosnan, in the upcoming biopic Giant.

The film traces Hamed’s coming-of-age against the backdrop of racism in 1980s Britain, charting both his meteoric rise and eventual fall from fame. Though preparation was limited, the role felt familiar to El-Masry, who had grown up watching the athlete. “It was really rare to see someone from a similar background to me achieve so much in a predominantly white neighbourhood. To move past all the trials and tribulations that he faced growing up and be number one world champion. It was inspiring”.

Sharif, Hamed and now El-Masry share more than success — they represent Middle Eastern talent that have broken into Hollywood’s orbit, despite how rare that still remains. “I’ve come to the conclusion that nobody owes you anything, that in order to get stuff done, you have to do it yourself and stop waiting for other people to give you that chance”.

That ethos has already taken form. “Which is why I actually started a production company a couple months ago in the UK, to kickstart projects that not only I want to see myself in, but I want to see my peers in and people who are from similar backgrounds who feel misread, misrepresented or underrepresented”.

Progress may still feel like a tug-of-war, but El-Masry’s ambition stretches far beyond his own reflection — he’s intent on holding the door open behind him.

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Widely recognised for her fan-favourite role as Eloise in Netflix’s Bridgerton, Claudia Jessie catapulted to global fame...
18/12/2025

Widely recognised for her fan-favourite role as Eloise in Netflix’s Bridgerton, Claudia Jessie catapulted to global fame five years ago with the show’s debut. Yet while viewership skyrocketed to an astonishing 82 million households, the Birmingham-born actor remained curiously untouched by the frenzy. “Because I’m not online, I missed the hysteria. It all sort of passed me by”. Even at arm’s length from social media, the anticipation surrounding the fourth season - set for a late January release - is impossible to ignore, even for her.

Much like the fans who adore Eloise’s razor-sharp wit, Jessie is quick to celebrate the humour she brings to the role. “Comedy is everything to me, it’s at the centre of my heart,” she explains in her cover interview for Glass’s Winter issue. “[Eloise] was funny on the page. I just had to make it true.”

Before Bridgerton, Jessie’s career followed the familiar, steady rhythm of British television, with roles in Line of Duty, Casualty and Doctor Who. Now, despite spending much of her year laced into lavish Regency corsets, her outlook remains refreshingly grounded. “I still think of myself as a jobbing actor,” she humbly admits. “I don’t have five-year plans. I just want to feel joy.”

For an actor best known for portraying one of television’s sharpest rebels, Jessie’s quiet defiance may lie in her commitment to staying ordinary in an industry that rarely rewards it. “I’m buzzing,” she concludes. “It’s all gone better than anyone thought it would.”

The Winter issue of Glass Magazine will be available from next week. 

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Asha Banks latest EP, How Real Was It?, marks a new chapter in her artistic evolution. “Untie My Tongue marked the begin...
17/12/2025

Asha Banks latest EP, How Real Was It?, marks a new chapter in her artistic evolution. “Untie My Tongue marked the beginning and also the start of me working with Josh Bruce-Williams, my co- writer and producer on many of the tracks,” she said in the Autumn issue. “This second EP is our next chapter. We’ve learned more about each other and how we work. It’s a development in everything – my sound, our process – but it’s still in the same world. I’m not switching lanes, I’m just growing within the space I’ve already occupied.”

Bannks hopes listeners find their own truths in her songs and lyrics. “Being a songwriter means I’m a storyteller and I just hope people can relate,” she says. As for where her songs begin – “It depends on the day,” she muses. “Sometimes I go into a session and there’s something happening right then that I need to write about. Sometimes I come in with lyric ideas I’ve stored on my phone.”

Currently touring in America and despite juggling acting in her spare time, she feels at home in this rare space of stage and screen: “I hope things can keep going the way they are – I feel very grateful and blessed to be doing what I love.”

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Star of Guillermo del Toro’s highly applauded Netflix version of Frankenstein, Felix Kammerer sat down with Glass Man to...
16/12/2025

Star of Guillermo del Toro’s highly applauded Netflix version of Frankenstein, Felix Kammerer sat down with Glass Man to talk beyond the script and into the true meaning of the film. “The Creature is certainly one of those characters that really takes a deep dive into the topic of fathers and sons, of children and parents, but at the same time, you can project so much more onto the Creature in a metaphysical, transcendental way that offers more than what you read on the surface,” answers the Austrian actor.

“In a different universe, the Creature could be something untouchable, like a digital character, some AI version that you created, which then takes its own path, and you do not understand why. You try to keep it small, to bring it back into the box, but it is already out there, and you cannot control it any longer. So, it also has a great deal to do with powerlessness, but also with power, with what you can control and what is simply beyond your control.”

So who’s the real monster in the storyline then? “There is this wonderful sentence from the film,” he replies. “‘Only monsters play God’.’”

Read the full interview in the Autumn issue of GLASS Man - only out for a little longer!

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As awards season begins to usher in, Stephen Graham’s triumphant Netflix show Adolescence continues to accumulate nomina...
12/12/2025

As awards season begins to usher in, Stephen Graham’s triumphant Netflix show Adolescence continues to accumulate nominations, including 5 Golden Globe nods, with another for 16-year-old newcomer Owen Cooper. During the process of putting the drama series together, both Graham and casting director Shaheen Baig agreed to steer away from industry-hardened actors. Out of the 600 young boys who auditioned, Cooper brought a disarming spirit to the character. “I just saw this kind of beautiful, innocent confidence in him,” recalls Graham to Glass Man.

This choice reflects the founding ethos of the Liverpudlian’s production company, Matriarch Productions, that talent, regardless of its origins, deserves a spotlight. While Cooper might have been making his debut, he shared the screen with Ashley Walters, Christine Tremarco, and Erin Doherty, actors whom Graham continues to handpick for projects. “I’m not getting any younger. So I like to think I’m on the back nine of the golf course,” he says with a smile. “I’ve played my first nine, and I’ve teed off on the tenth, you know what I mean? I’m really enjoying myself. And this next stretch, this next back nine is going to be joyous.”

He adds, “You want to surround yourself with people who you really admire and love and enjoy the company of, people who are exceptionally talented. And within that concept, it’s always about creating opportunities”.

Read the full interview in the Autumn issue of GLASS Man - out now!

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“To be a leader of anything – whether it’s running a company, directing a film, being a prime minister or president – yo...
11/12/2025

“To be a leader of anything – whether it’s running a company, directing a film, being a prime minister or president – you have to have empathy,” replies Phoebe Dynevor. Her latest project, Anniversary, a tense psychological thriller, traces a couple who meet their son’s new girlfriend, a former student of the mother and an individual known to be a part of a controversial movement know as the Change.

The film, despite being filmed years ago feels more relevant than ever and what has come out of it for the British actor is an acute understanding of the value and necessity of empathy in leaderships positions. “No one should be in power without it. Yet for many years, empathy has been seen as a weakness, and I think that’s one of the reasons women are still not in positions of power as much as they should be”.

“Everyone deserves empathy, everyone deserves a home and everyone deserves to live in peace. We shouldn’t be picking and choosing who deserves that. That’s the flaw of society right now – putting certain people above others. It’s just not right,” she concludes to GLASS.

Dynevor echoes the struggles that we have as a society: “What I love is that this film isn’t taking a political stance, and that’s the beauty of it. It’s saying: let’s be very careful, let’s tread carefully, let’s not be enemies, let’s stay together.” Anniversary is more than a movie, it’s a state of mind. And the takeaway? “Lack of love makes you power hungry.”

Read the full interview in the Autumn issue of GLASS - out now!

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