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Glass Magazine aims to bring integrity and guardianship to creative culture, celebrating genuinely inspiring adventures in fashion, art, music and design that allow us to further imagine and create.

“When I started familiarising myself with the storyline, I realised that Marvel has always been about flawed, complex ch...
24/07/2025

“When I started familiarising myself with the storyline, I realised that Marvel has always been about flawed, complex characters. They weren’t these perfect, holy superheroes,” explained Vanessa Kirby about what drew her to step out and into the world of MCU in The Fantastic Four: First Steps. Better known for parts in Pieces of a Woman and The Crown, the British actor has brought her beautiful ability to bring up the more raw human side to characters, and there is no better platform than these juggernaut films.

“In Fantastic Four, Sue was pregnant. We haven’t seen a pregnant superhero before and that’s so interesting. It’s a deeply female experience but also something that affects men with families,” she points out. Rather than sidelining femininity, Kirby leans into it. Her work continuously seeks to rebalance narratives – to bring good men into the female experience and women into roles of unfiltered power.

Read the full interview in the summer issue of GLASS - out now!

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No time to waste. Photographer: Stylist: Grooming:  using Photo Assistants: .maldonado and Styling Assistant: Film Lab: ...
23/07/2025

No time to waste.
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“I want people to enjoy the music and to understand that I’ve evolved,” replied AJ Tracey to close friend Big Zuu when a...
22/07/2025

“I want people to enjoy the music and to understand that I’ve evolved,” replied AJ Tracey to close friend Big Zuu when asked what he wanted people to take from his most recent album, Don’t Die Before You’re Dead. “I think being older allows you to have the maturity and the wisdom to be able to explain your life and talk about things that maybe, when you’re younger, you weren’t emotionally mature enough to do”.

His new body of work unveils a more personal side to the West London rapper as he goes beyond what you can see, and shares a deeply personal side to his persona. With family, struggle and love main themes threaded throughout his lyrics, you can tell that the star has not only grown up but grown into himself. “Every artist that I listen to and every artist that I respect always advances in their career and always starts talking about things that I didn’t know about them. And if you don’t learn something new about your favourite artists, then they’re doing the wrong thing”.

Read the full interview in the Summer issue of GLASS Man - out now!

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For A Matter of Time, Laufey worked with her longtime collaborator Spencer Stewart, but this time, they were joined by A...
21/07/2025

For A Matter of Time, Laufey worked with her longtime collaborator Spencer Stewart, but this time, they were joined by Aaron Dessner. “It was nothing short of a dream,” she says in the summer issue. The team recorded between Electric Lady Studios in New York City and The Long Pond Studio in Upstate New York. “There was snow falling in the forest around us. Removing myself from the city was really helpful creatively.”

When asked to describe her new sound with this album, Laufey settles on one word: “Whimsical. But in a weird way. I know I’ve said whimsical before, but now, I mean it in a true, weird way.” Tightly coiled expectations, the pressure to please, the curated perfection – all of it loosens in favuor of something strange and free. The album is a reminder that beauty is often most powerful when it’s a little unruly.

Read the full interview in the summer issue of GLASS - out now!

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A stitch in time. Photographer: Senior Fashion Editor: Skin: .reininger using Set designer: .line_Lighting assistance: ....
17/07/2025

A stitch in time.
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With a formidable body of work and a long list of critical praise, Irish actor Kerry Condon is levelling up to movie sta...
15/07/2025

With a formidable body of work and a long list of critical praise, Irish actor Kerry Condon is levelling up to movie star territory. F1 marks a career- turning point, and one rightly deserved. This film has all the markers of being a blockbuster but its most prominent feature is the sheer scale of its $300m production. “We were allowed to film during the races – so much of it was live,” she explains in the Summer Issue. Steering away from studios, director Joseph Kosinski wanted authenticity. Over the two years of filming, it was shot during actual Formula One race weekends across the globe.

“Just that alone is such a radical idea of how to film this and my theatre background played a big part in this for me,” she says as we focus on her role as Kate, the technical director of the team in focus. “We only got one or two takes and that was it. It was one of those things where I could see that all of my experience came to fruition and helped me for this role.”

Read the full interview in the summer issue of GLASS - out now!

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Best in class.Photographer: Senior Fashion Editor: Makeup: .reininger using Hair:  using Prop stylist: .line_Production:...
14/07/2025

Best in class.
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Tutti Frutti. Photographer: Senior Fashion Editor: Makeup:  using .coHair:  using Production: Producer: .banfieldStyling...
10/07/2025

Tutti Frutti.
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“I probably shouldn’t say this, but I got into acting because I was really bad at sports,” admits Tennessee-born actor T...
07/07/2025

“I probably shouldn’t say this, but I got into acting because I was really bad at sports,” admits Tennessee-born actor Taylor Napier in the summer issue of Glass Man. Despite entering the world of drama because he wasn’t as athletic as his peers, he found himself enjoying these lessons more than he had originally thought.

Now, best known for his role as Maksim in Amazon’s The Wheel of Time series, it seems it all worked out for him. Having joined the cast in 2021, his character has helped break the stereotypes that are usually thrust upon action-driven plots. “I like how the show uses him to cut against the traditional trope of the soldier, warrior type,” explains Napier. “He’s a little bit off-centre in that way – it’s not the typical kind of grunting, yelling on a mediaeval battlefield that you see with that type of character normally. The writers were bringing his humour and playfulness to the forefront. And then, as the show’s gone on, you all get to know each other in a different way. The writers start to write to incorporate what you’re bringing to the character because they know who the actor is now”.

Read the full interview in the Summer issue of Glass Man - out now!

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Grooming: using
Photography assistant: Guillaume Mercier
Styling assistant: .so_
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Beyond the crease. Photographer: Beauty Director:  using .beautyStylist: Hair:  using Casting Director: Fashion assistan...
04/07/2025

Beyond the crease.
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Beauty Director: using .beauty
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Flat out. Photographer: Stylist: Makeup:  using Hair: Photography assistant:Casting Director: Model:  at All clothing an...
03/07/2025

Flat out.
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