Eyeline

Eyeline Make what's next.

Congratulations to our own Mary Carr, who has been elected to the Global Board of Directors for the Visual Effects Socie...
07/11/2025

Congratulations to our own Mary Carr, who has been elected to the Global Board of Directors for the Visual Effects Society.

Her passion and commitment to supporting the visual effects community is clear to everyone who works with her. We have no doubt she, alongside the other newly elected and re-elected members, will help shape the future of our craft and champion the artists who bring these stories to life.

03/11/2025

Eyeline is thrilled to be back in Hawkins for the fifth and final season of Stranger Things. Watch the new trailer and get a first look at what’s coming when Volume One arrives November 25 on Netflix.

29/10/2025

The countdown to Last Samurai Standing has begun. With just three weeks until its November 13 Netflix premiere, the main trailer dropped today, featuring some of Eyeline's work, and offering a thrilling new look at the epic battle royale.

Eyeline. Make what's next.

Congratulations to the Eyeline Labs team! 🎉Their latest research paper, VChain, has been recognized with the Outstanding...
23/10/2025

Congratulations to the Eyeline Labs team! 🎉

Their latest research paper, VChain, has been recognized with the Outstanding Paper Award at the International Conference on Computer Vision (ICCV) 2025's KnowledgeMR Workshop.

The paper showcases a technique that advances video generation with a more causal approach, pushing the boundaries of what’s possible in content creation.

Kudos to Ziqi Huang (center), Ning Yu (left), Gordon Chen, Haonan Qiu, Paul Debevec (right), Ziwei Liu from Eyeline and Nanyang Technological University, Singapore.

To learn more about VChain, visit the links below.
Paper: https://arxiv.org/pdf/2510.05094
Project: https://eyeline-labs.github.io/VChain
Code: https://github.com/Eyeline-Labs/VChain

***The paper is part of the ongoing research and development at Eyeline, and we hope to see adoption of this technique and workflow soon.

15/10/2025

👋Big news!

Scanline VFX and Eyeline Studios have officially come together as one company: Eyeline.

From now on, you can find all of our updates, news, and project highlights over at our new home: Eyeline Studios

We’re excited for this next chapter and can’t wait to share more with you there!

09/09/2025

Christopher Lloyd brings Professor Orloff to life in Wednesday Season 2 and we had the pleasure of helping make it happen.

Eyeline Studios, alongside Scanline VFX - Powered by Netflix, worked on the character’s creation, blending artistry and technology to bring every detail to screen.

Check out the featurette for a behind-the-scenes look at Professor Orloff’s transformation with insights from Eyeline's Nhat Phong Tran, Scanline's Derek Spears and overall VFX Supervisor Tom Turnbull.

🌟 Breaking News! Congratulations to our very own VFX Supervisor, Sue Rowe, who tonight became an Emmy winner as part of ...
07/09/2025

🌟 Breaking News!

Congratulations to our very own VFX Supervisor, Sue Rowe, who tonight became an Emmy winner as part of the Andor Season 2 team, honored for Outstanding Special Visual Effects in a Season or Movie. 🏆

This recognition from the Emmys / Television Academy is a testament to the artistry, dedication, and innovation of everyone who contributed to the series, including our incredible Scanline VFX team. After being nominated for Season One, taking home the win for Season Two is a dream come true!

A huge thank you as well to our partners at Disney, ILM, Lucasfilm and the many other talented studios and artists whose collaboration made Andor such a special show. This Emmy is truly a shared achievement across the VFX community and we’re honored to have been part of it.

📸✨ Stay tuned for more photos from this very special evening, including fun behind-the-scenes moments and the Scanline team who turned out to support and celebrate!

Animation World Network takes a deep dive into Scanline VFX's work on Andor  Season 2. Our own VFX Supervisor Sue Rowe s...
13/07/2025

Animation World Network takes a deep dive into Scanline VFX's work on Andor Season 2. Our own VFX Supervisor Sue Rowe shares insights into the creation of 533 visual effects shots, 267 of them set on the expansive farmlands and silo-covered terrain of Mina-Rau. Click on the link below to read all about it.

VFX Supervisor Sue Rowe discusses her studio’s work producing 533 visual effects shots, 267 of them taking place amidst the sprawling fields of crops and silos on Mina-Rau, on the second and final season of Lucasfilm’s critically acclaimed ‘Rogue One’ prequel series, now streaming on Disney+...

We’re thrilled to see our work on Andor Season 2 featured on Gizmodo. Under the leadership of Scanline VFX Supervisor Su...
12/07/2025

We’re thrilled to see our work on Andor Season 2 featured on Gizmodo. Under the leadership of Scanline VFX Supervisor Sue Rowe, our team was proud to contribute to a streaming series that continues to set a high bar for cinematic storytelling in television.

To have our Season 2 work described by Gizmodo as “exceptional,” “absolutely astounding,” and “next-level post-production magic” is a true honor. Thank you for the coverage!

A special thanks to the show's visionary overall production VFX Supervisor Mohen Leo and production VFX Producer TJ Falls. It was a privilege to be brought on board to collaborate so closely with you both. This partnership, and the artistry it enabled, is something we’ll always treasure.

The Gizmodo article captures the spirit of that collaboration perfectly when writing: "The VFX industry is one that, while mired with rush jobs and artists not being given their due with proper time, really shines when the value is placed on the artists behind the screen. When we get wins like this in such a huge franchise, it shows that’s how it should be."

After contributing to Season One, returning for the final season of Andor has been an unforgettable experience.

Watch how the blend of digital effects and real sets makes 'Star Wars' come to life.

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