The Academic Bubble

The Academic Bubble The Academic Bubble is the newsletter of historian Dion Georgiou. I also maintain a regular record of all these in the ‘Notes’ section of my website.

Subscribers to The Academic Bubble will receive regular posts about recent and contemporary politics and culture. There are two models of subscription:

Free subscription:

All free subscribers will receive posts from the following series:

Historical Currents (monthly): A series of posts putting current affairs in their historical contexts. Present Pasts (monthly): A series of posts examining contemporary representations of history (as well as of the future, and of time and memory more generally). Stop, Look, and Listen (weekly): A digest of articles and podcasts (and occasionally programmes and films) that I’ve enjoyed over the past week. Paid subscription:

In addition to these, paid subscribers will receive posts from the following series, for £2.50 a month for the first 12 months:

The Long Nineties (monthly): A series of posts reflecting on the culture and politics of the period roughly between the end of the Cold War and the start of the Great Recession, and its ongoing legacies. Comparisons and Connections (monthly): A series of posts reflecting upon cultural and political phenomena across different locations and periods, or within a more broadly regional and transnational framework. Long Reads (twice monthly): A series of more extended posts based upon my ongoing academic research projects.

ICYMI: My piece on competing Ugandan Asians narratives, questions of contextualisation and apologism, and the significan...
31/08/2026

ICYMI: My piece on competing Ugandan Asians narratives, questions of contextualisation and apologism, and the significance of rhetoric and emotion.

A sharp disagreement between Yasmin Alibhai-Brown and Manzoor Moghal illustrated what was at stake in narrating the Ugandan Asian experience.

A reminder to those of you in the UK that Wham! 10 Days in China is on BBC 2 this evening, 9pm UK time: https://www.bbc....
29/08/2026

A reminder to those of you in the UK that Wham! 10 Days in China is on BBC 2 this evening, 9pm UK time: https://www.bbc.co.uk/programmes/m00311qb

And if you want to read something (non-spoilery) about the documentary and the China trip, I wrote a piece about it when it premiered at the cinemas a few weeks back.

Would really recommend watching the documentary - it’s a fascinating insight into both the Cold War and Britain during the 1980s, plus worth seeing for the Guangzhou performance of ‘Careless Whisper’ alone.

This documentary about Wham!’s 1985 visit to China captures the complex combination of late Cold War politics, commercial imperatives, and cultural exchanges that the episode encapsulated.

I've written a new piece on how, in the 1920s, Dashiell Hammett drew upon his status as a former detective both to valid...
27/08/2026

I've written a new piece on how, in the 1920s, Dashiell Hammett drew upon his status as a former detective both to validate his current status as a writer of detective fiction, and in legitimising the genre as a form of literature.

This is the follow-up to my piece from last month on how, having had to give up his job as a private detective after contracting tuberculosis, Hammett negotiated his financial circumstances in his correspondence while building his new writing career: https://academicbubble.substack.com/p/hammett-on-his-crafts-part-i

In this new piece I look at the intersection between the authority Hammett's detective protagonists performed in the stories he wrote for magazines and that which he performed as an ex-detective in explaining his writing choices to magazine editors.

While he often spoke about his magazine stories in crudely economistic terms, Hammett nonetheless endeavoured to highlight the literary potential of the detective story while publishing his first novels with Alfred A. Knopf in the late 1920s and early 1930s.

Hammett continued in the process to draw on his experience as a former detective to assert his right to set out the standards as to what good detective fiction was, connecting technical accuracy to literary value.

This forms part of the research I'm doing for a planned article on crises of value, liberalism, and legal order in Hammett's 1930 novel The Maltese Falcon, which I've also previously written about for my newsletter: https://academicbubble.substack.com/p/the-maltese-falcon-1930

Dashiell Hammett’s success as writer of detective stories and later novels, and his claims to the value of detective fiction per se, built upon the expertise he claimed as a former detective himself.

My latest weekly roundup of reading and listening recommendations, taking in issues of state-building, pan-Asian thought...
25/08/2026

My latest weekly roundup of reading and listening recommendations, taking in issues of state-building, pan-Asian thought and activism, and religion and politics, among other themes.

Featuring articles by:
- Shaul Magid for his Shaul’s Substack newsletter
- Katherine Kelaidis for Literary Hub
- Chuka Arinze-Onyia for Opinio Juris
- Ken Opalo for his An Africanist Perspective newsletter
- Antonino Serraino for Critical Legal Thinking

And featuring episodes with:
- Hosts Adrian Daub and Moira Donegan, and guest Jamelle Bouie, on In Bed with the Right
- Host Lilly Goren and guest Kathleen J. Frydl on New Books in Political Science
- Presenter Tanya Beckett, and guests David Prerau, Jennifer Evans, Till Roenneberg, and Joan Costa-Font on the BBC World Service’s The Inquiry programme
- Host Justin Bergman and guest Richard Toye on The Conversation Weekly
- Host Shatrunjay Mall and guest Mithi Mukherjee on New Books in South Asian Studies

A round-up of what I have been reading and listening to this past week.

I've written a new piece on Wham! 10 Days in China, the documentary (which makes its UK TV premiere next week) about the...
20/08/2026

I've written a new piece on Wham! 10 Days in China, the documentary (which makes its UK TV premiere next week) about their 1985 visit to the country, and its reconstruction of the political, economic, and cultural imperatives behind the trip, and the tensions underlying it.

The film captures the complexities and miscomprehensions of the late Cold War, as Wham! sought to exploit the intrigue surrounding China and its opening up to the West to capture US attention, drawing a cautious welcome from the Chinese state, and fuelling Chinese youth's fascination with pop music.

It also highlights the social and political tensions within 1980s Britain, epitomised by the band's difficult relationships with the tabloid press and with director Lindsay Anderson, tasked with making a film about the visit, and hints at how, racially and sexually, Wham! made for somewhat subversive ambassadors.

The film combines hitherto unused archive footage compiled by Anderson's team and contemporary interviews: the former comprises a fascinating but also clearly guarded surface, the latter a belated interiority to what the cameras captured - save for the elusive figure of George Michael himself.

This documentary about Wham!’s 1985 visit to China captures the complex combination of late Cold War politics, commercial imperatives, and cultural exchanges that the episode encapsulated.

My latest weekly roundup of reading and listening recommendations, taking in the political economy of contemporary confl...
18/08/2026

My latest weekly roundup of reading and listening recommendations, taking in the political economy of contemporary conflict, histories of migration, and bringing the personal into academic and creative writing, among other themes.

Featuring articles by:
- Francesco Rota for African Arguments
- Margrét Ann Thors for Literary Hub
- Santiago Ospina Celis for New Lines Magazine
- Jennifer Wallis for Polyphony
- Mairav Zonszein for International Crisis Group

And featuring episodes with:
- Hosts Ahmed Y. AlMaazmi and Mohammed Alsudairi, and guest Roy Bar Sadeh on New Books Network
- Host Sean Guillory and guest David Roediger on Thresholds
- Host Mark Leon Goldberg and guest Charles Lichfield on Global Dispatches
- Andrada Fiscutean presenting the BBC World Service’s The Documentary
- Host Jessica Ann Levy and guest Danielle Wiggins on Who Makes Cents?

A round-up of what I have been reading and listening to this past week.

My chapter ‘‘What Was Difficult, Though, Was This Idea That There Was No Going Back’: Composite and Competing Ugandan As...
17/08/2026

My chapter ‘‘What Was Difficult, Though, Was This Idea That There Was No Going Back’: Composite and Competing Ugandan Asian Narratives of Expulsion and Resettlement’ is now available to read as a preprint on ResearchGate.

It is pre-peer review, so please do not cite without permission.

PDF | This chapter examines the way the history of Britain's Ugandan Asian minority, and more particularly the expulsion of Uganda's Asian population in... | Find, read and cite all the research you need on ResearchGate

My new post on a moment of sharp on-air disagreement between Yasmin Alibhai-Brown and Manzoor Moghal, and what it tells ...
13/08/2026

My new post on a moment of sharp on-air disagreement between Yasmin Alibhai-Brown and Manzoor Moghal, and what it tells us about what is at stake in competing narratives of the Ugandan Asian experience.

Kampala-born journalist Alibhai-Brown has written and spoken extensively about the Ugandan Asian experience, highlighting anti-Black racism in her own community, the brutality of Idi Amin's regime, popular racism in 1970s Britain, and her own strong sense of belonging in cosmopolitan London.

Moghal was a businessman and community leader in Masaka, then Leicester: he criticised the British state's role in expulsion and the racism Ugandan Asians faced in Britain; and wrote a biography of Amin, whom he knew personally, while stressing the depth of anti-Asian prejudice beyond him in Uganda.

The two were among five Ugandan Asian panellists who took part in a discussion about Ugandan Asian expulsion and resettlement on BBC Radio 4's The Reunion programme in 2012, in which they each broadly articulated versions of these narratives that they'd told on other occasions and formats.

The point of dispute arose when Moghal asserted that Amin was not wholly culpable for the expulsion, holding other actors, especially Britain, also responsible; this angered Alibhai-Brown, who castigated him for making this point given Amin's murderousness, describing his stance as ‘deeply immoral’.

As I argue in the piece, this was a clash between two essentially revisionist narrational projects, but also between Alibhai-Brown and Moghal's respective authority as legitimate tellers of the Ugandan Asian story, as well as between the emotions they had invested in it, and in the figure of Amin.

A sharp disagreement between Yasmin Alibhai-Brown and Manzoor Moghal illustrated what was at stake in narrating the Ugandan Asian experience.

My latest weekly roundup of reading and listening recommendations, taking in African state formation, conflict resolutio...
12/08/2026

My latest weekly roundup of reading and listening recommendations, taking in African state formation, conflict resolution, and interpreting and adapting historical literature, among other themes.

Featuring articles by:
- Tim Cresswell for his Place Matters newsletter
- Adam Tooze for his Chartbook newsletter
- Sergey Eledinov for African Arguments
- Emmanuel Osayande for Opinio Juris
- Francis Young for his All Old Strange Things newsletter

And featuring episodes with:
- Ryan Engley and Todd McGowan on the Why Theory podcast
- Andromachi Sophocleous and Kemal Baykallı on the Nicosia Uncut podcast
- Juliette McIntyre and Douglas Guilfoyle on the Called to the Bar podcast
- Miranda Melcher interviewing Monalisa Adhikari on New Books Network
- Host Faisal Al Yafai and guest Ryan Gingeras on New Lines Magazine’s The Lede podcast

A round-up of what I have been reading and listening to this past week.

ICYMI: My new article, ‘Solidarity Forever’? Histories of Gender, Sexuality and Industrial Action in Made in Dagenham an...
07/08/2026

ICYMI: My new article, ‘Solidarity Forever’? Histories of Gender, Sexuality and Industrial Action in Made in Dagenham and Pride’ is now out with the Journal of British Cinema and Television.

Happy to send a copy to anyone who doesn’t have institutional access - just let me know. x

This article compares cinematic portrayals of British industrial relations history in Made in Dagenham (2010) and Pride (2014). It analyses the two films, and the metanarratives constructed around them in their surrounding publicity drives, in relation to class's declining salience as a basis for po...

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