The Next Day Agency

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A film production company also offering services in promotion, communications, event management and distribution strategy between Chinese language countries and the UK ​ The Next Day Agency bridges the gap between the Chinese language speaking world and the UK, offering representation, event management, and services in developing release, communication, marketing and PR strategies to film companie

s and film makers, as well as artists and others in the creative industries. Run by a mixture of Chinese and British born experts, its founders have invaluable experience in both the Chinese language and UK markets, and have developed an extensive network of international industry contacts as well as a comprehensive database of key media, festival and distribution contacts.

The list that nobody asked for – my probable favourite films of 2023, in no order and missing all the stuff I’ve forgott...
02/01/2024

The list that nobody asked for – my probable favourite films of 2023, in no order and missing all the stuff I’ve forgotten about….a great year for horror cinema, with the genre seeing some fantastically creative films, from the experimental to the retro, and getting a very welcome injection of more diverse stories and formats:

HORROR IN THE HIGH DESERT 2: MINERVA (USA, 2023, Dir. Dutch Marich)
THE SOUND OF SUMMER (Japan, 2022, Dir. Guy S. Fragments)
SKINAMARINK (Canada, 2022, Dir. Kyle Edward Ball)
THE OUTWATERS (USA, 2022, Dir. Robbie Banfitch)
TALK TO ME (Australia, 2022, Dirs. Danny and Michael Philippou)
BROOKLYN 45 (USA, 2023, Dir. Ted Geoghegan)
THANKSGIVING (USA, 2023, Dir. Eli Roth)
BEAU IS AFRAID (USA, 2023, Dir. Ari Aster)
WHEN EVIL LURKS (Argentina-USA, 2023, Dir. Demián Rugna)
RAGING GRACE (UK, 2023, Dir. Paris Zarcilla)

Really wanted to see ONPAKU (Hong Kong, 2022, Dir. Shugo Fujii) but didn’t get the chance, best home entertainment release was the AUGUST UNDERGROUND trilogy by Fred Vogel from Unearthed Films(frankly mind-blowing that the films are available in these special editions), and though I’m not really a TV guy THE GLORY (South Korea, 2022, Dir. Ahn Gil-ho) was right enjoyable…..and the older film I watched the most when in varying states of consciousness and perception, and which I totally failed to convince anyone else to get into was THE TAINT (USA, 2011, Dirs. Drew Bolduc and Dan Nelson) 😆🥃

29/11/2023

Focus Hong Kong comes to the Glasgow Film Theatre in December 2023

23/05/2023
28/03/2023

In this episode James pours himself a large brandy to settle his nerves, and dives into THE OUTWATERS, the controversial, freaky deaky found footage from writer, director and star Robbie Banfitch.....WE ALL DIE IN THE DARK, sure, but hopefully we'll all be able to drink in the dark too.

24/02/2023

Q***r East Film Festival is returning for fourth year, showcasing new and classic LGBTQ+ cinema across East and Southeast Asia.

15/01/2023

Looking forward to the inaugural Mint Chinese Film Festival, which runs 3-5 February at the Keswick Alhambra Cinema in the Lake District – festival passes on sale now!

https://www.unicornscreening.com/

The festival explores the creative curation of Chinese films, dealing with themes of cultural identity and values, and reaching out to local communities, young audiences, film enthusiasts and international filmmakers, promoting the dissemination and exchanges of diverse film cultures. The festival focuses on 'women's cinema' and the status of female film professionals, unfolding social issues through women’s representations on the screen to create a space for Asian female representation and discourse in the international film industry.

11/01/2023

Pour yourself a drink and join James as he ponders A WOUNDED FAWN, the latest film from Travis Stevens of JAKOB'S WIFE and GIRL ON THE THIRD FLOOR fame...a feminist parable? Arthouse madness? Serial killer thrills? Surreal nonsense? Or all of the above? Tune in and find out!

04/01/2023

Celebrate the Year of the Rabbit with Focus Hong Kong in London

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The Next Day Agency bridges the gap between the Chinese language speaking world and the UK, offering production, representation, event management, and services in developing release, communication, marketing and PR strategies to film companies and film makers, as well as artists and others in the creative industries. Run by a mixture of Chinese and British born experts, its founders have invaluable experience in both the Chinese language and UK markets, and have developed an extensive network of international industry contacts as well as a comprehensive database of key media, festival and distribution contacts.