Centroid

Centroid Mocap Wranglers with locations at Uxbridge and Soho. Furthermore our new Raptor system allows us to work on set and outside in natural environments.

Located at the world famous Pinewood Studios, Centroid boasts one of the industry’s largest and most advanced facilities available today. Established in 1996 and with over a decade of experience in Full Performance Capture, Centroid offers both full optical and head mounted camera solutions to suit the ever changing requirements of entertainment industries. As live action and VFX production pipeli

nes move ever closer, Centroid continues to develop internal solutions for the live pre-visualisation of actor performances within digital assets and plates, utilising both fixed and hand held virtual cameras. Centroid’s Full Performance Capture pipelines are capable of recording (five +) performers simultaneously and with locations like Pinewood other areas of expertise such as audio recording and prop building are never far away. Centroid’s comprehensive list of facilities and services, from production pre-visualisation to finished post production animation, along with a strict secure data environment, ensure they deliver on time, to the highest quality and with project security guaranteed. In-house software ‘Trimmer’ enables clients to analyse all previs and video reference material simultaneously (time synced and cost automated) before ordering captures. An inventory of 192 hi-resolution Motion Analysis cameras allows Centroid to shoot on location simultaneously to in-house. Offering both truss mounted and tri-pod configurations, bespoke performance volumes to capture animals, or shoots in more unusual environments such as ice rinks, equestrian centres and tennis courts are always possible.

28/08/2026

It’s been wonderful to witness the release of Star Wars: Zero Company and the brilliant reception it has received so far.

We were proud to partner with Rouge MoCap on the facial post-production of this exciting project. It was a fantastic collaboration, and we’re grateful to the team at Rouge for bringing us on board and for the opportunity to contribute to a galaxy far, far away.

Congratulations to everyone involved, and we hope you enjoy playing!

27/08/2026

Have you had a chance to see the new Fable gameplay video from Gamescom yet?

We’re still buzzing about what’s to come and can’t wait for players to experience the adventure for themselves when the game launches February 23, 2027!

We enjoyed our time at Garden Studios’ Virtual Production stage yesterday, with our Assistant Producer Tom getting hands...
25/08/2026

We enjoyed our time at Garden Studios’ Virtual Production stage yesterday, with our Assistant Producer Tom getting hands-on in an Xsens suit. Thank you to their excellent team for having us!

In Iron Man 2, it wasn’t always J.A.R.V.I.S driving the Iron Man suit, but Centroid’s very own motion capture data. For ...
20/08/2026

In Iron Man 2, it wasn’t always J.A.R.V.I.S driving the Iron Man suit, but Centroid’s very own motion capture data. For Centroid30 this week we’re looking back at our work on the film.

Shot in 2009 in our Pinewood volume, we captured scenes featuring the suit-in-suitcase transformation, along with VFX shots depicting the fight between Iron Man and Mickey Rourke’s Ivan Vanko at the Monaco Grand Prix. Client was DNEG, with Oliver Hollis-Leick playing Iron Man. We get some cool character rigs through our studio, but having the iconic Iron Man in the volume was a real highlight.

As part of the Centroid30 series, here's a look back at the motion capture work behind Mel B's digital "Word Up" music v...
06/08/2026

As part of the Centroid30 series, here's a look back at the motion capture work behind Mel B's digital "Word Up" music video, produced towards the end of 1998 and released in 1999.

At the time, Mel G (formerly Mel B) had recently married and was pregnant, so Centroid captured her facial performance, along with some upper torso and arm movement. Her dance and full-body performance was completed by body and dance performers.

Directed by the legendary W.I.Z, the video was later nominated for Best Pop Video at the UK Music Video Awards 1999.

A reminder of how far performance capture has come: facial markers were still being attached using double-sided tape. It worked, but once performers started to sweat, keeping the markers in place became a real challenge.

The project was delivered in collaboration with The Mill.

What a fun day in the volume! We had a brilliant shoot bringing an exciting new immersive art exhibition to life. Huge t...
29/07/2026

What a fun day in the volume! We had a brilliant shoot bringing an exciting new immersive art exhibition to life. Huge thanks to the incredible team for making the creative vision a reality.

24/07/2026

We're thrilled to see the trailer for Paul Greengrass' The Uprising is now out. It was a real privilege to provide the motion capture for this incredible production, and we can't wait for audiences to see the finished film!

23/07/2026

Our Centroid30 journey continues...

Today we're digging into the archives with our 2008 showreel, created not long after we moved into our new home at Pinewood Studios.

At the time, we thought these graphics were absolutely cutting-edge... and to be fair, they really were! It's amazing to see how far technology (and our skills) have developed since then.

We had an amazing time at Develop: Brighton last week! With it being our 30th Birthday this year, it was lovely to have ...
20/07/2026

We had an amazing time at Develop: Brighton last week! With it being our 30th Birthday this year, it was lovely to have the opportunity to get the Centroid team out to the seaside to celebrate!

Going around the expo and being in the Hilton bar we bumped into so many friends, and were reminded of just how many wonderful teams we’ve had the absolute pleasure to work with over the years. Here’s to many more!

09/07/2026

For this week’s Centroid30, check out this 2016 film reel we released to celebrate our 20th Anniversary.

We’re taking a look at how our work has sat integrally alongside many VFX pipelines in our 30 year history.

Starting with Lost in Space (1998) right up to the recent release of Masters of the Universe (2026) and beyond. We’ve been helping filmmakers and production studios create realistic digital performances across many of your favourite films and TV shows, including Guardians of the Galaxy, Wonder Woman, Spectre, Bohemian Rhapsody, Bridgeton, Andor and Wonka.

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