DJ Jay Q

DJ Jay Q Mobile DJ & Radio Presenter for hire: Special occasions i.e. weddings, birthdays, engagements etc. A

DJ Jay Q

"Versatile Wedding, Club & Radio DJ At Your Service"

I started off DJing on the radio and hosting my own show (which is still available to download via iTunes/Soundcloud) but I now run my own business - DJ Jay Q Music, providing entertainment for high-end weddings, corporate clients, private events and bar residencies in London. I'm currently one of the resident DJs at the Falcon in Cla

pham North, Slug & Lettuce Croydon and All Bar One Leicester Square. I've also DJd at Empire Casino, Eaton Square Bar in Victoria, Attic Bar in Canary Wharf, Archer Street Cocktail Bar in Soho and XOYO in Shoreditch. High-end venues I've played at include The Gherkin, The Dorchester, Mandarin Oriental Hotel in Hyde Park, Twickenham Stadium and Oval Cricket Ground. I was also chosen to DJ the ‘wrap party’ for the cast of the Inbetweeners 2 movie in 2014. My style is to totally enjoy myself behind the decks & play tunes the crowd want to hear – interacting & buzzing off them, bringing the energy to the room with the odd surprise here or there!

14/07/2025

When you thought it's The Weekend, but it's only Wednesday 😭😭

From the Gospel of Saint Liam 🙏
02/07/2025

From the Gospel of Saint Liam 🙏

Back in the early-'90s, The Prodigy came dangerously close to having their fledgling career overshadowed by a novelty sampled hook, all thanks to the double-edged success of the band’s breakthrough single.

First released in 1991, Charly is a breakbeat-driven rave tune built around a bendy synth bassline and a sample of James Brown scatting. The song’s most recognisable element, however, is the voice of its titular cartoon cat.

Written, recorded and produced entirely by Prodigy lynchpin Liam Howlett, Charly marked something of a turning point for UK rave music as one of the first tracks to break through onto the radio and beyond the underground realm of the raves themselves.

That kind of early breakout success can often prove difficult for a band or artist to live up to, particularly when it comes attached to a recognisable gimmick like Charly’s subversion of childish innocence. Speaking to Future Music in 1992, Howlett was well aware of the potential pitfalls of trying to follow-up Charly with something too similar.

"If we'd have tried to write another Charly," he says, "it would have been the downfall for us: we'd have been labelled the cartoon samplers, the toy-town techno group."

Charly and the run of Prodigy singles that followed it did a lot to raise the profile of the UK rave sound, something that led to a certain amount of pushback from the hardcore hardcore. But Howlett was adamant about pushing back on the idea that The Prodigy were selling out the scene.

"We know the music and the scene really well and we try to stay true to that," he tells FM. "We're not trying to commercialise the rave scene; the records get in the charts because people buy them. People say 'Why did you put that into the charts?' We say, 'You bought it, you put it into the charts, not us’."

Looking back, the manner in which The Prodigy responded to the success of Charly is a textbook example of how to break free from the shackles of a debut hit.

18/06/2025
Listen….
01/06/2025

Listen….

The good old days.  Simpler times …..
11/05/2025

The good old days. Simpler times …..

Proud to have DJ’d this unique and stunning event for Awesome Events
02/05/2025

Proud to have DJ’d this unique and stunning event for Awesome Events

🙌 🌹last ever tune @ Space Ibiza by the godfather Carl Cox
02/03/2025

🙌 🌹last ever tune @ Space Ibiza by the godfather Carl Cox

Not Copyright intended. Carl Cox playing Wish I Didn't Miss You by Angie Stone, his last time after 15 years of residency. Just Enjoy the Music. Not Copyrigh...

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