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 feature on Bruxaria sorcery  Hearing the music of DJ K is like stepping into a bright, noisy room while still trapped i...
08/08/2025

feature on Bruxaria sorcery

Hearing the music of DJ K is like stepping into a bright, noisy room while still trapped in the afterglow of a flash-bang gr***de. The 24-year-old Diadema, São Paulo native born Kaique Vieira is responsible for a strain of baile funk known as bruxaria (witchcraft), an unholy union of funk mandelão’s threadbare rave beats with whatever you hear in your worst nightmares. At its root is the “tuin” — an obliterating, high-pitched buzz designed to put you in the mind state of someone who has just inhaled lança, the drug of choice at the favela street parties known as bailes.⁠

quickly made a name for himself as a regular DJ at the Baile do Helipa in Heliópolis, São Paulo’s most populous favela. And in 2023, the internationally renowned Ugandan record label Nyege Nyege reached out about a record deal. The resulting album, recorded over the course of three days, was Pânico No Submundo, a 43-minute aural assault and psychological siege, unrelenting from either angle. The project was inspired by pandemic-era social unrest, and this atmosphere “prevailed in the sounds of the album, showing that we were on the brink of collapse,” K tells me. “It was meant as a cry for help, and I sweated on all the songs.”⁠

K’s new album Radio Libertadora! tones down the horror in favor of a call for revolution. It begins with a 1969 clip of a radio speech by guerilla revolutionary Carlos Marighella, followed by a loop of a female broadcaster calling for the end of military dictatorship. Chaos continues to reign in K’s heart, but he’s attempting to channel it now, in service of a greater goal.⁠

Read ’s interview with the producer at the link in bio.⁠

📸 Felipe Larozza ⁠


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Researcher on identity and culture, Boris Postuma .dapo wrote an essay for Manga Corp, ’s archive of J*panese hardcore, ...
18/07/2025

Researcher on identity and culture, Boris Postuma .dapo wrote an essay for Manga Corp, ’s archive of J*panese hardcore, gabba and otaku rave artifacts, from the early 1990s to the dawn of the new millennium.

The essay is on his personal experience as a young flyer collector and the unlikely similar paradigms between the J*panese and Dutch hardcore techno scene of the 90s.

(1,2,5,6,8) Extracts from Paper Portals by Boris Postma

(3) Nasa2 in Kobe at Fiberzoom 22.04.1994 (one of the first hardcore party in J*pan)

(4) Hiroshima Terror at Remix 21.04.1995 the first hardcorte party in Hiroshima by J*p Hardcore Masters team

(7) Tsutomu Miyazaki´s mangas room, 1989 photo Kyōdo News

(9) Gabbangelion flyers, 1996

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As Jadu Heart announced their new 27 date  US and Europe tour in Sep and Nov, read Clash Magazine’s profile with the ban...
27/06/2025

As Jadu Heart announced their new 27 date US and Europe tour in Sep and Nov, read Clash Magazine’s profile with the band Over Sushi - 🍣 in NYC during their recent Fontaines DC dates there.

Words and photography by Rianne Akindele - link to the feature in our bio.

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“abyssal core” the debut EP by .1 will be released next Friday June 27th, 2025 via .A portal for the immersive worldbuil...
20/06/2025

“abyssal core” the debut EP by .1 will be released next Friday June 27th, 2025 via .

A portal for the immersive worldbuilding efforts of its pilots, the first-ever genesys1.0 release penetrates to the core of their sound, fusing the intensity of UK post-hardcore with trance-state ritualism and complex mythopoeia.

EP launching at Gen[world2.0] abyssal Re:core tomorrow, Saturday 21.06.25 at Village Underground London. EP Artwork photograph by@belmorli

To mark the release of their debut EP, they have built a laser-cut, NFC-integrated vest. Tap your phone to the back of the garment to access a password-protected page—stream and download the Abyssal Core EP directly.

Designed and handmade in London.
Grants VIP access to Abyssal Re:Core at Village Underground.

Available in black or white.
Sizes 1 / 2 / 3.
Order at genesys1.net.

Shot by
Models .asia .3

Les Parisiens, looking forward to Féte de La Musique? LIVE FROM EARTH’s next stop on their world tour is Paris on Saturd...
19/06/2025

Les Parisiens, looking forward to Féte de La Musique? LIVE FROM EARTH’s next stop on their world tour is Paris on Saturday 21st June, a free party for all starting at 5pm at a secret location/

Sign up via Co:Brand, link in WFS Comms bio.

Line-up:
b2b
MCR-T
b2b
b2b

x

Artwork by .de

Happy release day to W.I.T.C.H - their second for  titled SOGOLO is out today on all platforms. They spoke to the  and  ...
13/06/2025

Happy release day to W.I.T.C.H - their second for titled SOGOLO is out today on all platforms. They spoke to the and alongside the director of 2019 documentary We Intend To Cause Havoc! Gio Arlotta and Now-Again Records Egon Alapatt . Article by read in full in bio.

Blending the style of The Rolling Stones with African beats and instruments, Zambian group Witch were revolutionary – then disappeared. No one could have predicted their amazing return.

In the early 1970s, Zambia produced a unique music scene of its own creation. Zamrock, as it became known, was the southern African country’s take on western rock music – a take that mixed the sounds of The Rolling Stones, Jimi Hendrix and Black Sabbath with its own fuzz-guitar psychedelia and African instrumentation, beats and rhythms. Forged out of the country’s independence from its British colonisers in 1964, its blossoming came during one of the most significant, fascinating and prosperous periods in Zambian history, and its decline and fall mirrored that of Zambia itself in the late 1970s and early 1980s. A once thriving local music scene became devastated by economic, cultural and health factors that also decimated the wider population, leaving Zamrock as a relic, unknown outside of its own region.

Yet over 50 years later, Zamrock is enjoying an ongoing revival. While many of the scene’s originators – acts like the influential Rikki Ilonga and his band Musi-O-Tunya, The Ngozi Family, The Peace and Amanaz – have long since either died, stopped performing or are little known, one band has brought Zamrock to a contemporary global audience. Formed in 1971, Witch (an acronym for “We Intend to Cause Havoc”) were the scene’s biggest and most popular band. Fronted by the charismatic Emmanuel Chanda – better known as “Jagari”, a name inspired by Mick Jagger – Witch released five albums between 1972 and 1977 that epitomise the Zamrock sound. “We had the influence of rock and roll, but we were Africans, so we couldn’t play the actual rock and roll,” Jagari tells the BBC. “We had to fuse some things in.”

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@/__a__c__t__r__e__s__s__/Statik LP。June 7thSmalltown SupersoundPre-order nowCreative by  One of electronic music’s grea...
25/04/2024

@/__a__c__t__r__e__s__s__/

Statik LP。
June 7th
Smalltown Supersound
Pre-order now
Creative by


One of electronic music’s greatest visionaries of the past 20 years Actress — aka Darren Cunningham — announces his new album, Statik, out June 7th via Smalltown Supersound, and shares singles “Dolphin Spray” & “Static.”

Cunningham’s tenth studio album is imbued with a sense of freedom and stillness. From conception through creation and release, Statik has been blessed with an almost unnatural ease. For Actress, who wrote the majority of this record in an extensive flow state, the celestial and expansive project serves as a testament to artistic liberation. “Static,” a shadowy and buzzy ambient track released quietly last week, sets the stage for the bouncy and twinkling “Dolphin Spray.”

Link to story in stories.






Last week,  and  held a rave at Hollywood EDM club Academy LA, bringing Berlin’s hottest techno talent to the same Blvd ...
24/04/2024

Last week, and held a rave at Hollywood EDM club Academy LA, bringing Berlin’s hottest techno talent to the same Blvd as the Hollywood Walk of Fame.

Featuring a stellar line-up of DJs including , and , the night saw the launch of an exclusive, techno-themed capsule collection with the slogan ‘I ☆ TECHNO’ emblazoned across hoodies and tank tops – topped with fashion and club visuals, courtesy of internet artist .⁠

“The whole installation was a fever dream,” says Praying’s Alex Haddad. At the intersection of rave and fashion, the brand’s internet-coded ethos also served as the perfect entry point for Rafman’s hypnagogic visuals to be broadcast across the dancefloor and ceiling, beginning with calm shots of liminal spaces and becoming more and more unhinged and nightmarish as the night went on. “It truly became a form of theatre in the end.”⁠

“This was the first time we threw a party here together with our friends from Praying and the vibe turned out to be great. People showed up early, the club was full, the music and the visuals worked very well together and people were dancing from the very beginning” said Live From Earth’s .

Link in our stories.

📸 ⁠
✍️




Nothing is sending rumbles through the underground like DJ Anderson Do Paraíso’s Funk Mineiro - and specifically his rec...
28/03/2024

Nothing is sending rumbles through the underground like DJ Anderson Do Paraíso’s Funk Mineiro - and specifically his recent album for Nyege Nyege Tapes “Queridão”.

Crack Magazine spoke to Anderson and DJ Vitin do PC about the Belo Horizonte scene.

In October 2018, an exhilarating new sound infiltrated Spotify’s top ten most streamed songs in Brazil.

No, it didn’t emit the same heat or intensity of Rio de Janeiro’s typical 150 bpm take on baile funk, nor the tougher, more industrial stylings of São Paulo’s.

Instead, this iteration was slower, hypnotic, with sparse production informed by US drill and trap. Its name? Funk mineiro.

Words:
Photography: José Dutra

Link in stories.

https://crackmagazine.net/article/profiles/deeper-and-deeper-funk-mineiro/





Osaka’s Violent Magic Orchestra release their second album DEATH RAVE on  Read  ‘s excellent piece with them on  now.In ...
14/03/2024

Osaka’s Violent Magic Orchestra release their second album DEATH RAVE on

Read ‘s excellent piece with them on now.

In the 90s, avant-garde “J*panoise” band Boredoms were known for incendiary performances, achieving prominence in the States after touring with Sonic Youth and Nirvana. In 2006, Boris delivered a sludge metal shoegaze “frenzy” on Pink, the ninth best album of the year according to Pitchfork. Bo Ningen has soundtracked everything from the 2011 Venice Biennale to psychedelic film screenings in East London with their ear-bleeding brand of acid rock. And “kawaii metal” band Babymetal mixed J-Pop with heavy metal to become the highest-charting J*panese band of all time in the UK in 2016.

Flash forward to 2024, and we’re now on the cusp of new levels of noise depravity with the imminent release of DEATH RAVE, the second album from Osaka six-piece Violent Magic Orchestra. It arrives after a string of show-stopping performances that have left audiences incensed across the globe. With an unlikely blend of 100 gecs and Cradle of Filth at their disposal (delivered at intense velocities), the band pledge their fusion of black metal, techno and visual art as an “absolutely new and overwhelming experience”.

Link in stories.

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Pitchfork’s insightful long form review of Anderson Do Paraíso’s “Queridão” out now, link in our stories.“Once associate...
12/03/2024

Pitchfork’s insightful long form review of Anderson Do Paraíso’s “Queridão” out now, link in our stories.

“Once associated mainly with Río de Janeiro, Brazilian funk has exploded stylistically in recent years; countless tributaries have branched out across the country’s vast landscape. DJ Anderson do Paraíso hails from Belo Horizonte, Brazil’s third largest metropolitan area. While Belo Horizonte’s funk scene is as raucous and lyrically scandalous as those in the larger cities, it has become defined by an almost elegant minimalism, sparser and more refined than the heavy distortion of Paulista bruxaria or Río’s more hip-hop-oriented sound. Back in 2017, when the more experimentally minded BH scene was still getting started, Brazilian critic GG Albuquerques described its sound as resembling “ambient space funk.”

While many of these tracks have been previously available as loosies, Kampala, Uganda-based Nyege Nyege Tapes has collected DJ Anderson’s work into a single package. Queridão is part of a growing wave of compilations that translate the lawless edges of Brazilian funk into an album format that’s more easily accessible to curious listeners far removed from the local scene. Anderson’s skeletal tracks are more conducive to armchair listening than a great deal of funk, which typically compels the body to move. His slightly more downtempo style reduces the music to its barest necessities, hollowed out into a spacious cavern of metallic clanks and unsettling moans.”

The Spring 2024 issue of the new DAZED   is in need agents now and features French rap titans  and  Photography Styling ...
12/03/2024

The Spring 2024 issue of the new DAZED is in need agents now and features French rap titans and

Photography
Styling
Text ,

Editor-in-Chief
Art Director
Editorial Director
Fashion Director

Taken from the spring 2024 of

Address

London

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