12/06/2026
There is something fascinating about the premise of "The Last Man": a psychological, post-apocalyptic K-rock musical centred on a lone survivor unravelling inside an isolation bunker of his own making. It sounds almost too niche to succeed, yet this South Korean import proves itself to be a compelling and distinctive piece of musical theatre. Think zombie apocalypse story by way of a rock opera, with plenty of humour and emotional depth, and you'll be close to its unique wavelength.
Making its UK premiere at Southwark Playhouse Elephant, the musical features a book and lyrics by Jishik Kim, music by Seungyeon Kwon, direction by Daljung Kim, and dramaturgy by Jethro Compton. At the performance we attended, Lex Lee took on the formidable solo role, delivering a charismatic and assured performance as the evening progressed. His vocals handle the score's demanding rock energy, while his use of the show's inventive "broadcast" system helps transform what could be a lengthy monologue into something far more dynamic and engaging.
Beneath its sci-fi horror framework, "The Last Man" is a story about loneliness, separation, and the desperate human need for connection. These themes give the production its emotional weight, while the guitar-driven score adds a gritty, angsty edge that will feel familiar to fans of rock musicals. The result is a show that feels both intimate and cinematic, with an imagination that could translate to the screen.
While the two-act structure affects the pacing, this remains an expressive, idiosyncratic, and engaging musical. Driven by a standout central performance and packed with originality, "The Last Man" is a welcome reminder of the exciting work emerging from South Korea and an absorbing theatrical import that deserves attention.
đź“Ť Southwark Playhouse Elephant đź“… Until 13 June 2026
📸 Photography by Rich Lakos
Read our full review: https://storefrontcity.net/the-last-man/
