Two Hats Films

Two Hats Films An organisation set up by a collective of professional actors, writers and directors to produce high quality films, TV and theatre

Two Hats is a not-for-profit organisation set up by a collective of professional actors, writers, musicians and directors in 1997 to produce high quality theatre and film for the local communities in Warwickshire. With many critically acclaimed productions to their name, the company maintains this ethos. The company is run by Roger Harding, Colin Carberry, Nick Lancaster and Helen Brady.

Amazing Production
20/11/2025

Amazing Production

đŸ€Ż 20 WEIRD Facts About DAS BOOT (1981) You Never Knew | The Most Dangerous Film SetDas Boot (1981) is not just a film; it's a 3.5-hour claustrophobic nightm...

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26/10/2025

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She escaped a Gestapo prison by stripping naked and squeezing through bars—then went back to running the largest spy network in France.Her name was Marie-Madeleine Fourcade, and despite leading 3,000 spies, providing the intelligence that made D-Day possible, and outsmarting the N***s for four years, France almost erased her from history.Because she was a woman.Born in Marseille in 1909, Marie-Madeleine seemed an unlikely candidate to become one of WWII's greatest spymasters. She was a young mother from a comfortable background, moving in upper-class French society, with no military training and no intelligence experience.Then France fell in 1940.While many French elites accommodated N**i occupation, Marie-Madeleine joined the Resistance. She began working with Georges Loustaunau-Lacau, helping establish an intelligence network called Alliance. When the Gestapo arrested him in 1941, the network needed a new leader.Marie-Madeleine Fourcade, barely 31 years old, took command of 3,000 agents.Under the codename "HĂ©risson" (Hedgehog), she built Alliance into the longest-running and most effective French spy network of the war. Her agents—each with animal codenames, earning the network the British nickname "Noah's Ark"—operated across France, gathering intelligence that would save thousands of Allied lives.They photographed German coastal defenses, producing intelligence so detailed it included a massive map of Normandy's fortifications—crucial for planning D-Day. They tracked U-boat movements. They located V-1 and V-2 rocket launch sites. They monitored troop logistics and German naval operations.But leadership came at a terrible price.The Gestapo was relentless. Hundreds of Alliance agents were captured, tortured, and executed. Marie-Madeleine constantly rebuilt the network, recruited new agents, and kept intelligence flowing to the Allies even as her friends died under torture.LĂ©on Faye, her lover and key Alliance member, was captured and killed by the Gestapo in 1944. The grief was crushing, but she didn't stop.She was constantly on the run—dyeing her hair, adopting false identities, narrowly evading capture. She moved between safe houses, coordinated radio transmissions, and managed agents across ports and towns while the Gestapo hunted her specifically.Then, in July 1944, they caught her in Aix-en-Provence.Imprisoned and facing torture, Marie-Madeleine assessed her situation. The cell had a narrow window with bars. Too narrow for most people. But she was petite—about 5'2"—and desperate.So she stripped completely naked, reducing her body to its smallest possible dimensions, and squeezed through bars that seemed impossibly narrow. She dropped to the ground outside, found clothes, and disappeared back into the Resistance.Within days, she was running Alliance again.By war's end, Alliance had provided some of the most valuable intelligence of the entire conflict. British and American commanders credited the network with intelligence that changed the course of battles and saved countless lives.Marie-Madeleine Fourcade had led the largest French spy network through four years of N**i occupation, survived two captures, orchestrated a legendary escape, and delivered intelligence that helped win the war.France's response? Exclude her from the list of Resistance heroes.Charles de Gaulle created the Order of the Liberation—France's highest honor for WWII resistance fighters. 1,038 people were named. Only six were women.Marie-Madeleine Fourcade wasn't among them.Why? Gender discrimination. Political rivalries. The fact that her network worked with British intelligence (MI6) rather than de Gaulle's preferred groups. The reality that male military leaders couldn't accept that a woman had commanded one of the war's most effective spy networks.She had led 3,000 agents. Hundreds had died under her command. Her intelligence had been crucial to D-Day. She had escaped Gestapo capture by squeezing naked through prison bars.And France tried to forget her.After the war, Marie-Madeleine continued fighting—not against N***s, but for recognition of resistance members and justice for victims. She chaired resistance committees. She wrote her memoir, "Noah's Ark," published in 1968. She refused to let history erase what Alliance had accomplished.When she died in 1989 at age 80, something extraordinary happened: France gave her a state funeral at Les Invalides—the first woman ever to receive such an honor.It was vindication, decades too late.Today, French President Macron's government has finally acknowledged what should have been recognized in 1945: Marie-Madeleine Fourcade was one of the greatest heroes of French Resistance, regardless of gender.Her story teaches us that heroism doesn't always look like we expect. It can look like a young mother with no military training who becomes a spymaster. It can look like someone who escapes prison naked because staying means death and there's still work to do. It can look like being erased from history—and history eventually correcting that injustice.Marie-Madeleine Fourcade didn't just fight N***s. She fought to be recognized in a world that couldn't imagine a woman leading men into battle. She won both fights—though the second took forty more years.Remember her name. Remember that she commanded 3,000 spies while the Gestapo hunted her. Remember that she squeezed naked through prison bars and went straight back to work. Remember that France tried to forget her.And remember that some heroes have to fight twice—once against the enemy, and once to be remembered at all.

Inspiration
20/10/2025

Inspiration

The day Clint Eastwood walked off set, Hollywood learned what quiet rebellion really looked like.
It was 1970, and Eastwood was shooting Two Mules for Sister Sara under Universal Pictures. The studio was breathing down his neck, demanding reshoots, longer hours, and endless meetings. Clint hated it. He’d always worked with a cowboy’s rhythm — quick, efficient, no nonsense. The executives wanted flash. He wanted truth.
When one producer ordered another round of takes for a simple shot — just him lighting a cigar — Clint refused. “You got it the first time,” he said flatly. The producer barked, “You don’t walk off my set, Eastwood.” Clint stared for a moment, dropped his cigar, and walked. No shouting, no tantrum. Just that slow, deliberate walk — the same one that made entire towns in Westerns go silent.
The crew followed him outside, stunned. He didn’t come back. The studio called it “unprofessional.” He called it “a good day to start my own company.” That week, he founded Malpaso Productions — a small, independent label he ran out of a trailer. Universal thought it was a joke. Within five years, Malpaso was producing hits like Play Misty for Me and High Plains Drifter.
By the 1980s, Clint was directing and financing his own movies, shooting entire features in under 40 days while the rest of Hollywood spent six months arguing over scripts. He edited in silence, skipped rehearsals, and trusted his gut more than any executive note. His mantra was simple: “If you trust the people you hire, you don’t need to scream.”
That quiet confidence terrified studios. It also made him unstoppable. Unforgiven (1992) was his masterpiece — a brutal, elegiac Western that tore down the myth he’d built. When the film won four Oscars, including Best Director, he didn’t gloat. He just nodded and said, “Guess walking out was worth it.”
Years later, when a young filmmaker asked him how he found the courage to defy Hollywood, Eastwood smiled and said, “I wasn’t brave. I was just tired of people wasting my daylight.”
That day on Sister Sara wasn’t about ego. It was about ownership — of time, of craft, of silence.
Clint Eastwood didn’t have to shout to win his freedom.
He just had to keep walking.
And Hollywood’s been chasing his footsteps ever since.

Meister Doldinger is gone. đŸ˜„If you haven't seen Das Boot, get a copy or find it online now. The last word in tension - a...
20/10/2025

Meister Doldinger is gone. đŸ˜„

If you haven't seen Das Boot, get a copy or find it online now. The last word in tension - and brilliant music

Original Motion Picture Soundtrack (1981). Composed and Conducted by Klaus Doldinger.Please note that the rights belong to the individual copyright holders. ...

Norah's ArkLance Woodman is asking for help.Lance, in addition to being a Royal Shakespeare Theatre Guide, is also a pla...
19/10/2025

Norah's Ark

Lance Woodman is asking for help.

Lance, in addition to being a Royal Shakespeare Theatre Guide, is also a playwright and he is about to present Norah’s Ark at the Guild chapel in Stratford-upon-Avon.

He needs people involved in this new community play. There are details at
https://www.lancewoodman.co.uk/playsdet/norahsark

and

https://www.guildchapel.co.uk/norahs-ark.

Anyone interested, please contact Lance through

www.lancewoodman.co.uk

A spectacular production inspired by the 15th century wall paintings in the Guild Chapel: a modern medieval take on the climate crisis.

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11/10/2025

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In 1942, in Paris, a café owner named Lucien Martin fought back not with weapons, but with whispers. His small café, with its scratched wooden tables and ever-present aroma of coffee, became a gathering place for German soldiers who lounged over drinks, confident that the Frenchman pouring their cups was harmless. Yet behind his polite smile, Lucien listened closely.
He memorized troop movements overheard at tables, noted the schedules of patrols, and passed the information along through coded recipes scribbled in his order book. Sometimes he delivered messages in the sugar packets slipped discreetly into a customer’s saucer—Resistance members disguised as ordinary patrons.
Once, a German officer left behind a folder after an evening of wine. Lucien retrieved it swiftly, copying key details by candlelight before returning it untouched the next morning. The risk was staggering, yet he carried on, convinced that even a café could be a weapon if run with courage.
When questioned after the war about why he risked his livelihood, Lucien replied quietly: “A cafĂ© serves more than coffee. It serves its people. And in those days, that meant serving freedom.”
Through cups, saucers, and scraps of overheard conversation, Lucien turned his little cafĂ© into a nerve center of resistance—proving that even in the hum of clinking glasses, defiance could thrive.

There may be trouble ahead ....French terrorists causing trouble
04/10/2025

There may be trouble ahead ....

French terrorists causing trouble

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Our Story

Our current project is Calling the Tune.

Set in the Loire Valley 1980, an estranged daughter, Elizabeth, makes one last, desperate, attempt to find why there is an invisible barrier between her and her mother. And she wants answers - she doesn’t believe her mother’s story about who her father is. The confrontation slowly teases out the truth, taking us back to the hardships of occupied France in the 1940s - and a shocking finale.