Mr Karma Productions Ltd

  • Home
  • Mr Karma Productions Ltd

Mr Karma Productions Ltd We are changing the rules when it comes to business advertising online Video Advertising, music videos , documentaries, viral advertisement specialists.

10/09/2026

🤣😂🤣 This is an outtake of the legendary Taylor who is kicking ass and passing his apprenticeship with Murray Landscapes 😎
Congratulations 🎉 and the coming in hot energy is on point 50p ! 💪


Expose for the face. Let the background blow out. 🎥I know that feels wrong. Everybody instinctively tries to save the wi...
29/08/2026

Expose for the face. Let the background blow out. 🎥

I know that feels wrong. Everybody instinctively tries to save the window. Don't.

Here's the thing. Your camera meters the whole frame. Put someone in front of a bright window and the camera sees all that light, decides the shot is too bright, and pulls everything down. The window looks lovely. The person is a silhouette.

Nobody watching cares about the window. They came for the face.

A blown out window reads as natural. Your eye accepts it instantly, because that's exactly what happens when you look at a bright window in real life.

A dark, muddy face reads as broken. Every time.

So expose for skin. Protect skin tone above everything else in the frame. If the background goes white, let it.

And if you want the window AND the face, don't fight it with settings. Just move. Turn them so the window is beside them or behind you instead of behind them. Then the window becomes your light source rather than your problem.

Faces first. Always.

Stop putting everyone in the middle of the frame. 🎬If someone is looking off to the side, leave the space on the side th...
28/08/2026

Stop putting everyone in the middle of the frame. 🎬

If someone is looking off to the side, leave the space on the side they're looking towards. That gap has a name. Looking room.

Why it works. Your eye follows a person's gaze. If they're looking right and there's a wall right there, the shot feels boxed in and uncomfortable, even if you can't explain why. Give them room to look into and the frame suddenly breathes.

Get it backwards, all the space behind their head and none in front, and the shot feels wrong every single time.

While you're at it, two more:

Put their eyes on the upper third of the frame, not dead centre. Centre the eyes and you get a mile of ceiling above their head and their chin cut off at the bottom.

Don't crop at a joint. Chin, elbow, wrist, knee. Cut just above or just below instead. Cropping right on a joint looks like an accident.

None of this costs a penny. It's just where you point the thing.

If your phone videos keep going bright, then dark, then bright again, this is the fix. 📱Press and hold on the face until...
27/08/2026

If your phone videos keep going bright, then dark, then bright again, this is the fix. 📱

Press and hold on the face until AE/AF LOCK appears at the top of the screen.

That's it. Your exposure is now frozen.

Why it matters. Left alone, your phone re-meters constantly. Someone shifts, a cloud moves, you pan slightly, and the whole image pulses. That pulsing is the single biggest reason phone footage looks like phone footage.

Lock it and the brightness stays put for the whole take.

Two extra bits most folk miss:

Once it's locked, slide your finger up or down the screen to fine tune it. Drag down a touch. Slightly darker is almost always more filmic than slightly brighter, because once you blow out a highlight it's gone forever.

Tap the face, not the middle of the frame. The phone doesn't know who the subject is. You do.

Free. Built in. On the phone in your pocket right now.

Three feet off the wall. That's it.Flat against the wall gives you a hard shadow behind the head and zero separation. Pa...
26/08/2026

Three feet off the wall. That's it.

Flat against the wall gives you a hard shadow behind the head and zero separation. Passport photo energy.

Three feet forward and the shadow falls out of frame while the background softens on its own.

Then angle them slightly so light comes from one side. Flat light flattens faces. Side light gives you shape.

Same room. Same light. Same phone. Free depth.

Move the person away from the wall. That's the whole tip. 📸Three or four feet is enough.Here's why it works. When someon...
26/08/2026

Move the person away from the wall. That's the whole tip. 📸

Three or four feet is enough.

Here's why it works. When someone is flat against a wall, your light hits them and dumps a hard shadow right behind their head. There is nowhere for that shadow to go. It reads as a passport photo, and your brain clocks it as cheap before it clocks anything else.

Pull them forward and two things happen at the same time.

The shadow falls away behind them, out of frame.
The background goes softer, because distance does the job people think they need a better lens for.

Same room. Same light. Same phone. Completely different feel.

Bonus: if you can, turn them slightly so the light comes in from one side rather than straight on. Flat light flattens faces. Side light gives you cheekbones and shape.

Costs nothing. Takes four seconds. Nobody ever tells you.

This is the bit nobody sees. 🎙️Two people, two mics, one proper conversation.Yesterday was back-to-back interviews for a...
25/08/2026

This is the bit nobody sees. 🎙️

Two people, two mics, one proper conversation.

Yesterday was back-to-back interviews for a client series. No script. No teleprompter. Just real questions and real answers.

That's where the gold is. The unscripted moments. The pause before someone says something honest.

You can't fake this stuff. You can only set it up right and let people talk.

People don't buy products. They buy feelings. 🎥That's why the businesses using video are pulling ahead.Because video doe...
21/07/2026

People don't buy products. They buy feelings. 🎥

That's why the businesses using video are pulling ahead.

Because video does something a blog post, a photo, or a graphic can never do.

It makes people FEEL something.

And once someone feels something? That's when they decide.

That's when they trust. That's when they buy.

If your marketing isn't moving people emotionally, it's not moving them at all.

Content without a strategy is just expensive entertainment.That's why we built The Video That Sells Playbook.It's the ex...
19/05/2026

Content without a strategy is just expensive entertainment.

That's why we built The Video That Sells Playbook.

It's the exact 6-step framework we use with our clients to turn video into customers. Hook. Problem. Solution. Proof. Offer. Call to Action.

This isn't theory. It's what works in the real world.

Download it free. No email games. No upsell. Just the system.

👇 Link in comments

13/05/2026

Caroline came into the Business Video Academy with a strong background in marketing and a clear goal. To level up the content side of what she could offer her salon clients.

From camera work and shooting techniques through to editing and storytelling, Caroline fully threw herself into every part of the process and it was amazing watching everything start to click into place throughout the week.

But if there was one part she really fell in love with… it was the editing day.

The pacing.
The music.
The storytelling.
Watching footage transform into something with energy and emotion.

You could see the excitement building as she started putting everything together and realising just how much power editing has in shaping a message.

That’s the beauty of this stuff.
Once you understand both the filming and the editing side, you start seeing content completely differently.

Massive respect to Caroline for stepping outside her comfort zone, embracing the creative process, and absolutely smashing it 👏

Address


Telephone

+447581127773

Website

Alerts

Be the first to know and let us send you an email when Mr Karma Productions Ltd posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Shortcuts

  • Want your business to be the top-listed Media Company?

Share