David Sweetnam-DTF

David Sweetnam-DTF I am Director of Textile, Production and Wide Format Test Services for Keypoint Intelligence.

I've been a expert in the industry for 30+ years, developing benchmark test programs and have been a key note speaker at major events across the world.

How Fast Is Hybrid Digital Textile Growing in India During my recent visit to the Knit Show I had a chance to sit down t...
05/09/2025

How Fast Is Hybrid Digital Textile Growing in India

During my recent visit to the Knit Show I had a chance to sit down to senior execs who have been manufacturing, reselling or buying hybrid digital devices. The message was unmissable, digital is growing fast, driven by short run on-demand and ecom orders and it is a complimentary to analog.

RDX Digital, a manufacturer of hybrid digital systems had one of the busiest stands at the show. RDX had a great hybrid technology story that went beyond simply producing t-shirts. Their stand included a full ecom platform with AI generative design, advanced Pantone matching technology to simplify the pre-flight process on colour critical brand jobs and robotics. I spent time talking with its CEO and founder Deepak Sidarth who advised that it is the end-to-end solution they are focussed on providing.

“We have seen 200% growth in digital sales, going from 5 sales in 2024 to 15 devices already in 2025 and we expect to see continued major growth for the foreseeable future as volumes and demand continues to rise.”

Digital's success story was echoed by Thanikkodi Sundaravadivel, CEO of S.S Creations, a major reseller based in Tirupur. He advised that while his sales focus is still analog (circa 90%) with over 2,000 MHM screen placements across India he has seen significant growth in hybrid digital over the last year and expects digital to make up 20-30% within the next 12 months. He advised that dhis customers regard digital is complimentary to analog, allowing smaller run orders to be handled cost effectively ensuring business is not turned away or handled with minimal or no profit. He also advised that cost is a major factor resulting in them partnering with new companies such as Chinese digital vendor FiveStar.

I also spoke with Muhil Thirumothy, CEO of Rasi. Rasi provide garment printing services and until recently were 100% analog-based with screen presses from Roq, URS and KTK, generating on average 400,000 t'shirts per month, with a peak of 500,000. Muhil invested in digital technology a few months ago, buying an 8-colour system (CMYKRGBOr) from HJD with 12 screen stations generating up to 4,000 pieces per day. He advised the decision to use digital is based on three main factors, 1) order size, 2) complexity of design and 3) speed of delivery required. Orders under 100 pieces or involving more than 12 colours are now more typically directed to the digital HJD oval. A 12-colour job can be set up under 20 mins on the HJD and requires 4 staff (1 on white screen, 1 load, 1 unload and 1 overseeing.

“We are taking on more and more business from ecommerce sites who send us high numbers of short jobs with as little as one piece and short delivery timelines, these jobs can only be handled cost effectively by digital printing.”










INDIADTF plays second fiddle to DTG for a changeHybrid digital systems on the marchIt was clear as we worked our way up ...
12/08/2025

INDIA

DTF plays second fiddle to DTG for a change

Hybrid digital systems on the march

It was clear as we worked our way up the dusty road to the Knit Show in Tirupur, dodging crazy tuk tuk drivers that digital was making a big play for the Indian market.

Unlike other shows I've attended the last few years this was NOT dominated by DTF, instead DTG looks likely to be the the technology of choice. The reason is simple, this country is hot and humid most of the year so the need for breathable garments is critical. There lies the pitfall for DTF, the very adhesive powder that allows the DTF pigment inks to adhere to virtually anything and offer great washability becomes its weak spot, creating a 'barrier' preventing air getting in and water getting out.

DTF's play instead appears to be better focussed on delivering smaller printed item brand apparel decoration such as logos on sleaves and breast pockets. We spoke with Panneer Selvam, Managing Director at Vizzac Laser, who told us that he had partnered with Chinese DTF vendor Sublistar and added its Star IV 13 colour DTF system to his portfolio to maximise on the gamut capabilities, allowing his customers to deliver on more challenging brand colour matching work.

While DTG may be the major player in the digital revolution in India it is not the 1 or 2 platen systems that you see on stands at US/EU shows. It is instead massive hybrid printing systems combining screen and digital technology that are creating real traction. These huge systems can have as many as 28 platens in an oval configuration, with multiple screen stations applying the white underlayer and other creative effect options such as puff, glitter, foil, spot colours, followed by a flash unit plus a large digital imaging station applying the main colour image. One even included a robot arm for pallet unloading with future dark factory plans.

Read more in my hybrid roundup later this week.

I'll also be posting about the great conversations I had with the CEO of two companies embracing the world of screen and digital hybrid.

Muhil Thirumoorthy, CEO at Rasi Screen and Printing, a major PSP located in Tirupur has just invested in his first digital hybrid oval, an 8-colour system from Chinese vendor HJD, which joins his multiple screen systems from the likes of Roq, URS and KTX. Muhil advised how he intelligently routes jobs to one technology over the other, the benefits and future plans.

Thanikkodi Sundaravadivel, is the CEO at SS Creations, a major textile service provider based in Tiruvettipuram. SS Creations have over 2000 screen presses, mostly MHM, in the field but are seeing big growth in digital hybrid demand which has driven them to partner with digital hybrid vendor Five Star. Thanikkodi talks to me about how he sees digital becoming more important for his business.























GET DTF TRADE SHOW HIGHLIGHTS IN ONE PLACEOne of the things I shall be doing on this new page is post summaries...
22/07/2025

GET DTF TRADE SHOW HIGHLIGHTS IN ONE PLACE

One of the things I shall be doing on this new page is post summaries of key DTF highlights at major trade shows around the world. Some of the major trade shows I have already visited and reported on this year include Impressions Expo (USA), APPPExpo (China) and FESPA (EU)

Next month I shall be in India for the Knit Show in Tirripur (9/10th) and in Korea for KPrint (22nd). IF YOU ARE AT EITHER OF THESE SHOWS AND WOULD LIKE TO MEET UP PLEASE DROP ME A MESSAGE

Find below a two-part summary I originally provided via my LinkedIn site.

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FESPA - KEY DTF HARDWARE LAUNCH HIGHLIGHTS ON MY MESSE TRAVELS - PART 1

It’s time for the annual pilgrimage to FESPA, one of my favourite shows of the year.
Here some of the highlights from my Day 1 walk-about at the show.

There has been much anticipation about when Brother would be introducing its first dedicated DTF roll to roll, that wait is now over. The new DTRX100 is driven by four Brother printheads, two for CMYK and two for white ink. Brother is saying the device is capable of speeds up to 19 m2/hr, with 14.7m2/hr achievable at the 6-pass mode which is more likely to be a typical production class option. I am delighted to say that we have already got a test date booked in to put the device through its paces.

I had a chance to catch up with Polyprint's CEO George Benglopoulos. He had two interesting newsbytes for his innovative filmJet product. First off they will be partnering with an AI company offering users camera mounted on the device feeding an AI quality control system that will check output quality every 10 seconds. George advised that the pricing will be circa €2000 set up cost and then a €400 per month per device. The second news item was that the device is soon to be offered with either Neon inks or RGBO spot colours. extending the range of creative options. George has invited me back to test the 8-colour unit in the coming months.

Ricoh was showing its new Cube DTF system, powered by Ricoh industrial piezo printheads and due to launch in Q2 ’25. Also on the stand were Ricoh’s flagship Pro D1600 with inline Neolt cutting system. I am pleased to say that Ricoh has confirmed that test dates for the D1600 and the new Cube will be this summer.

I had a chance to visit InkTech, a newcomer to FESPA and meet up with its CEO and founder Mike Heuschkel. Mike has developed an innovative powder curing system. The system has a dramatically smaller overall footprint. See my separate video post where I shall be a showing the design of this system.

STS stand was dominated by its very popular XPD-924 2-head 24” DTDF printer capable of speeds up to 17.5m2/hr. Shahar Turgeman, co-owner of STS also showed me their new carousel system that can process up to 50 t-shirts per hour and comes in at $39K.

Roq was showing its new Impress automated DTF transfer solution with 5 press stations and 9 platens. I shall be posting a separate video showing this device in action.

I also had a chance to sit down with Logan Kim, CEO of Manprotek, the Korean DTF vendor. Logan was promoting a new Korean manufactured ink brand called Kraftak which will be bundled with his Gravity Pro DTF range and says offers premium colour gamut and quality and a price to match the ‘budget’ end of the market. I shall be going to visit their German distributor to test their 5-head printer in the coming months.

Much more to see today

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FESPA DTF/DTG Final Round Up

With tired feet, digestive system overloaded with pork, a liver needing a rest from processing German beer, my FESPA trip is over.

Here is my final list for your reading pleasure.

In addition to its big DTF news, Brother showed a new Enhanced Version of its GTX600 DTG device with a finishing spray designed to further raise washfastness.

Yiliyet was showing its new powderless 60cm D6000 PP DTF printer. It’s available with 2/3/4/5 or 6 Epson i3200’s with a max speed of a blistering 48 m2/hr. On its stand was a 9-clr version (CMYKWOrGr, Neon Y&M) with glue taking up another channel on a i3200A1 delivering up to 24 m2/hr. I met with Yilijet’s president, Ryan Cao and I am pleased to say that we will be testing this device this year.

I then went over to another Chinese vendor, KingJet who had 3 new products. An entry level CMYKW 42cm KJ-302B DTF printer with 2 heads, user choosing between Epson XP600, i1600i or i3200 A1, delivering in 6 pass speeds up to 4/5 and 9m2/hr respectively. The system has a wet capping and auto circulating white ink. At the other end, the new KJ-604Pro DTF is equipped with four Epson i3200-A1’s capable of delivering in CMYKW mode speeds up to 30 m2/hr in 4-pass mode. The device can also be equipped with eight colours plus white, with a choice of either RGBO gamut expanding spot colours or Neons. Last up was a new DTG device, the KJ-360. This device is powered by Epson i3200HD or i3200A1 heads. The HD head model has a CMYKW inkset while the i3200-A1 can be equipped with CMYKW+RGBO spot colours or CMYKW + OG + NeonM&Y. The device can also be equipped with a camera (for an extra $4,200) that facilitates DTE (Direct to Embroidery workflow) with the camera detecting the exact position of white embroidered decoration and apply ink pattern accordingly. I am talking to KingJet about setting up a test visit to their headquarters in Guangzhou.

Ghangzhou Huichuang Digital Technology Co Ltd was showing its new 60cm HC-602F DTF printer equipped with one Epson i3200HD and one Epson i3200 A1 head with CMYKW and four neon inks (OrMYGr). The device is bundled with DevStudio RIP and runs at speeds up to 5m2/hr in 6-pass.

Last up was the innovative DTF system from XTool. It handles films up to 14” wide, uses dual Epson i1600’s and prints CMYKW up to 4.6m2/hr. To save space the printer sits on top of an optional powder oven. Individual sheets (up to 14” x 18”) are cut from the roll after printing, fed over a powder station and then into the vertical oven. Other technology innovations include auto-maintenance and white ink recirculation, a 16 MP AI driven camera for printhead calibration and iQ fine tuning. The AI camera also facilitates auto-nozzle check and cleaning.

















Meet the leading independent DTF test organization (Keypoint Intelligence) in India or Korea during AugustHi everyone, m...
17/07/2025

Meet the leading independent DTF test organization (Keypoint Intelligence) in India or Korea during August

Hi everyone, my colleague and I shall be attending the Knit Show in Tiripur (9/10th August) and KPrint in Seoul (22nd August)

If you would like to have a chat about DTF, find out how you can get an independent test booked (joining major players like Brother, Roland, Epson, Ricoh, Enjoy print, Sublistar, Polyprint), hear about the other critical research we carry out in this fast evolving space.

Visit my FB page to read more.














13/07/2025

FESPA TECH INNOVATION POST 2

Columbia automation carousel beta version with cloth panel auto loading

Some time ago I posted a video showing the Columbia 6:3 transfer rotary heat press carousel manufactured by Portuguese benefits Acosgraf for automated DTF film transfer.

It was great to catch up with the team at FESPA and see the new beta version of its new auto textile loader.

While most automation carousels focus on decorating tshirt blanks the majority of clothing is still manufactured in panels and stitched into a final garment.

This new panel loading module addresses this key manufacturing workflow and will be able to sort panels up to 1m x 1.5m sizes.







13/07/2025

FESPA TECH INNOVATION POST1

Take a look at this innovative powder curing system for DTF. The system is designed vertically to minimise the overall footprint. At FESPA the device is being sold as a package with a 2/3/4 printhead printer through their EU distributor but the system could be bought to connect to a wide range DTF printers.

Ignore the verbal 'typo' where I call the adhesive powder 'toner'.



Automation – An Essential Factor For Continued DTF Market GrowthI continue to be amazed by the speed at which the Direct...
13/07/2025

Automation – An Essential Factor For Continued DTF Market Growth

I continue to be amazed by the speed at which the Direct-to-Film (DTF) industry is evolving. Remember, this is an industry that has only really existed since Covid. In this short span of time, the DTF industry has transformed from what many considered as a ‘flash in the pan’ into a thriving, disruptive force—one that’s now consuming other sectors in its wake. Apparel companies are increasingly investing in robotics and artificial intelligence (AI) just to keep up.
Let’s rewind five years. Back then, a 2-head DTF device had a realistic operating speed of around 6-7m2/hr, or in practical terms, it could create up to around 100 full front 10" x 10" T-shirt designs per hour. The process of transferring cured printed films to garment blanks was entirely manual, taking at best around 30-40 seconds per T-shirt. That included film cutting, blank loading, a pre-press, film placement, a 12-15 second image transfer press, film peel, a final short press and unloading. So, a single skilled operator could process around 90-120 T-shirts per hour, roughly in line with the printer’s speed.
Fast forward to today’s market, and things are very different. We now have devices with 6, 8, or 12 printheads that can generate 20/30/40m2/hr, equating to 400-600+ full-front design prints per hour, with inline XY cutting units to process each design panel for final image transfer. At these speeds, you would need a team of operators just to keep up with the production capabilities of one device, driving up overheads costs and eating into the net profit margin.
Now imagine being able to manage these high-volume DTF systems with just one operator.
Enter Automation
If you’ve attended a trade show recently, you probably saw automated heat press carousels littered the show floor, drawing a sizable crowd. They resemble the rotary screen presses that have dominated garment decorator print shops for decades. In essence, they all operate fundamentally in the same way: the garment blank is manually loaded, a quick prepress is applied, and a robotic arm with suction fingers picks up the cut film and places it on the garment. Multiple concurrent heat press stations then apply the required cumulative image transfer heat/pressure. A second robotic system, equipped with a garment clamp and pinch fingers, then grips and peels off the film, after which a final press is conducted and the garment is unloaded either by the same operator or a third robotic arm.
The sophistication (and cost) of these devices varies widely. The factor limiting maximum capacity on most carousel devices is the image transfer stage. Most DTF films require a heat press around 12 seconds, which, with a dual heat press station breaks down at about 6-7 seconds per station, resulting in a max volume per hour around the 420-500 garments per hour.
At FESPA, Roq introduced its new Impress series device with three transfer stations. For hot peel workflows, each station can be set to heat—reducing station time and raising productivity rates. Interestingly, the third heat press can also be set to chill, quickly cooling the film for cold peel applications. To aid robotic arm set up, the device includes laser markers that show exactly where the film leading edge it going to be placed. It also includes a robotic unload and fold station, further reducing manual interaction.
Some automation carousels, like the system developed by Chinese manufacturer Sublistar, can apply multiple films to the garment in a single carousel cycle. This opens up possibilities to create, for example, a T-shirt with a main front design and pocket logo. The separate cut films are picked in a single step using the robotic arm with adjustable vacuum pick fingers, with the film loading bay possessing multiple collection areas. Throughput speeds are, of course, affected due to the peel-off station needing more time to reposition the single robotic arm multiple times to remove each film.
Vietnam-based S.E.C Group has gone a step further. It has an automation solution that allows entirely personalised garments to be created, with 0-9 and A-Z cut films all available to pick. A computer system designs the garment and instructs the robotic arm accordingly on what film element to pick and where to place it. A typical application for this device is the creation of high-value personalised sportswear.
The phase that still requires a ‘human touch’ continues to be the garment loading—an involved and dextrous activity that robotics are not well suited to. While commercially viable automated garment-loading technology may still be some time off, Portuguese vendor Acosgraf showcased new technology at FESPA. Its Columbia system features a robotic arm, allowing it to load individual clothing panels (up to 1m x 1.5m) onto a platen. Multiple panel manufacturing still makes up much of the world’s clothing production with panels sewn together to create a final garment. Acosgraf claims the most challenging piece of this new technology is the picking of a single panel without disturbing the panel below, so they stay flat for perfect flat loading.
Let’s not forget—we’re still the infancy of DTF automation. Some companies I’ve spoken to envisage a future where fully dark factories can operate 24/7 with zero human interaction, with the entire process from printed film to packaged and labelled final garment being carried out using technology. AI will be key to this future vision: it will monitor every step of the automated process from the handling of job ticketing, quality control, and maintenance of the printer, supplies and stock management and—crucially—recognising when the human touch is required.
For those worried about being replaced by technology, it’s worth noting a common message in my conversations with buyers: this isn’t about reducing workforce numbers. It’s about looking at ways of using their skilled workforce for higher profit margin tasks that are outside the remit of robotics.
The market is evolving rapidly. The next few years will see huge changes with automation quickly becoming essential. Manufacturers, resellers, and buyers alike will need to stay sharp and keep up with market trends or risk being left behind.










Powderless DTF - Is the Route to the Dream Changing Direction? While the idea of a powderless society might have sent a ...
13/07/2025

Powderless DTF - Is the Route to the Dream Changing Direction?

While the idea of a powderless society might have sent a shiver through aging rockers and 1980's stockbrokers it remains a golden ticket for the DTF vendors, keen to get away from the adhesive powder they are all currently beholden to.

Until now the Achilles heel has been washability, with powderless samples I have collected at trade shows around the world consistently falling to pieces within 5 washes. The common approach to powderless systems has been to use a separate print head to jet an adhesive glue as a final layer bfore curing.

At APPPExpo this year I met up with JetBest, a Taiwanese ink vendor who was demonstrating a new approach. They had a modified Roland desktop 2-head printer, and a floorstanding DTF engine feeding into a curing station. What they had in common was that there was NO powder to be seen. Instead JetBest have incorporated the adhesive into the ink itself. Unfortunately there were no samples I could take away to put them under closer scrutiny in our lab.

I met up again with JetBest at FESPA and this time I was able to take away some printed films with instructions on how to transfer them to our standard NextLevel 100% cotton t-shirts, so we could see how their fared in our challenging wash test.

The results were surprising. After 5 washes there was virtually no signs of break up, after 10 washes there were some minor signs of degradation (mostly in solid white fills) but the samples were still classified as being suitable to wear in public, by 15 washes there was a growing amount of cracking and stretch resistance had dropped off and by 20 washes the samples would have been classified by us as suitable for gardening / decorating duties.

While not as impressive as most traditional powder DTF systems, the results left powderess test results in their wake.

Based on other conversations I have had in recent months JetBest is not the only vendor looking to go down this route of incorporating the adhesive into the ink.

This opens up a host of questions

1) Will this become the trend moving forwards?
2) Will adhesive be part of all coloured inks or just added to the white ink?
3) Will adding adhesive to the already more challenging white ink be a step too far for the existing Epson i1600/3200 printheads that dominate the marketplace today.

The last question could open the door to other printhead vendors like Ricoh and Xaar entering the mix with printheads capable of handling higher viscosity inks.

Could we start to see vendors splitting printhead technology, combining the high quality lower-priced Epson heads for the coloured inks and a more robust and expensive printhead capable of handling a higher viscosity white ink with adhesive?

Interesting time are ahead






🎽 DTF Testing That Sets the StandardEnsure your direct-to-film (DTF) products meet the demands of quality, durability, a...
13/07/2025

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