He is widely considered by many commentators, critics, media and other martial artists to be the most influential martial artist, and a cultural icon.
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The highest technique is to have no technique. My technique is a result of your technique; my movement is a result of your movement. A good JKD man does not oppose force or give way completely. He is pliable as a spring; he is the complement and not the opposition to his opponent’s strength. He has no technique; he makes his opponent's technique his technique. He has no design; he makes opportunity his design. One should not respond to circumstance with artificial and "wooden" prearrangement. Your action should be like the immediacy of a shadow adapting to its moving object. Your task is simply to complete the other half of the oneness spontaneously. In combat, spontaneity rules; rote performance of technique perishes
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"Adapt what is useful, reject what is useless, and add what is specifically your own."
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