ArtAsiaPacific

ArtAsiaPacific The official page for ArtAsiaPacific magazine.

ArtAsiaPacific is the leading English-language magazine focusing on contemporary art and culture from Asia, the Pacific and the Middle East. AAP is published six times a year, with an annual Almanac edition that recounts the past year in countries from across Asia, the Pacific, and the Middle East. For more information on our publication, distribution and current activities, please feel free to write us at [email protected].

Hong Kong’s M+ museum has announced South Korean artist Ayoung Kim’s speculative fiction film as its latest commission f...
17/09/2025

Hong Kong’s M+ museum has announced South Korean artist Ayoung Kim’s speculative fiction film as its latest commission for the M+ Facade overlooking Victoria Harbour.
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YUQIAN FAN

Xintian Tina Wang introduces us to five Asian artists at the 2025 Armory Show who turn identity into both subject and me...
17/09/2025

Xintian Tina Wang introduces us to five Asian artists at the 2025 Armory Show who turn identity into both subject and method.
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Xintian Tina Wang introduces us to five Asian artists at the 2025 Armory Show who turn identity into both subject and method. Xintian Tina Wang

“The question needs to stop being whether the market is doomed; we should prioritize the art, the talent, and the discou...
17/09/2025

“The question needs to stop being whether the market is doomed; we should prioritize the art, the talent, and the discourse—and efforts must start regionally.”
Read Michele Chan’s reflections on this year’s Seoul Art Week:

The question needs to stop being whether the market is doomed; we should prioritize the art, the talent, and the discourse—and efforts must start regionally. Michele Chan

In ArtAsiaPacific’s 145 issue, we explore a constellation of artists who probe questions of temporality, identity, and p...
03/09/2025

In ArtAsiaPacific’s 145 issue, we explore a constellation of artists who probe questions of temporality, identity, and place, challenging us to reconsider our relationship with the past and present, the local and global, the individual and collective.
Read the full Editor’s Letter here:

In ArtAsiaPacific’s 145 issue, we explore a constellation of artists who probe questions of temporality, identity, and place, challenging us to reconsider our relationship with the past and present, the local and global, the individual and collective. Elaine W. Ng

The ongoing process of cultural transmission underpinned “Layered Medium: We are in Open Circuits,” the first major show...
29/08/2025

The ongoing process of cultural transmission underpinned “Layered Medium: We are in Open Circuits,” the first major showcase of Korean contemporary art in the Gulf, co-curated by Maya El Khalil and Kyung-Hwan Yeo.
Read the full review by Ravail Khan here:

The ongoing process of cultural transmission underpinned “Layered Medium: We are in Open Circuits,” the first major showcase of Korean contemporary art in the Gulf, co-curated by Maya El Khalil and Kyung-Hwan Yeo. RAVAIL KHAN

The elusive and ever-intriguing phenomenon of water saturated “Shallow Shore, Deep Well,” Eda Şarman’s latest solo exhib...
29/08/2025

The elusive and ever-intriguing phenomenon of water saturated “Shallow Shore, Deep Well,” Eda Şarman’s latest solo exhibition at Ferda Art Platform.
Read the full review by Matt A. Hanson here:

The elusive and ever-intriguing phenomenon of water saturated “Shallow Shore, Deep Well,” Eda Şarman’s latest solo exhibition at Ferda Art Platform. MATT A. HANSON

Taking its title from South Vietnamese-born American novelist Viet Thanh Nguyen’s essay collection, “To Save and to Dest...
26/08/2025

Taking its title from South Vietnamese-born American novelist Viet Thanh Nguyen’s essay collection, “To Save and to Destroy” at BANK NYC compelled us to examine not what history tells us, but what it forgets.
Read the full review by Xintian Tina Wang here:

Taking its title from South Vietnamese-born American novelist Viet Thanh Nguyen’s essay collection, “To Save and to Destroy” at BANK NYC compelled us to examine not what history tells us, but what it forgets. XINTIAN TINA WANG

“Reframing Strangeness” at Para Site was modest, unassuming, yet quietly historic—the first comprehensive survey of the ...
25/08/2025

“Reframing Strangeness” at Para Site was modest, unassuming, yet quietly historic—the first comprehensive survey of the singular printmaking practice of the late Hong Kong artist Ha Bik Chuen.
Read the full review by Michele Chan here:

“Reframing Strangeness” at Para Site was modest, unassuming, yet quietly historic—the first comprehensive survey of the singular printmaking practice of the late Hong Kong artist Ha Bik Chuen. MICHELE CHAN

Thailand Biennale announces artists for 2025 edition, New York’s Art in General reopens after five-year hiatus, Ali Taha...
25/08/2025

Thailand Biennale announces artists for 2025 edition, New York’s Art in General reopens after five-year hiatus, Ali Tahayori wins 2025 NSW Visual Arts Fellowship (Emerging), and more.
Read our weekly news roundup for August 25, 2025:

THE EDITORS

Hong Kong-based nonprofit Asia Art Archive (AAA) has named Özge Ersoy as its new executive director, effective this Sept...
22/08/2025

Hong Kong-based nonprofit Asia Art Archive (AAA) has named Özge Ersoy as its new executive director, effective this September.
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Sanle Yan

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Wong Chuk Hang

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ArtAsiaPacific is the leading English-language magazine focusing on contemporary art and culture from Asia, the Pacific and the Middle East. AAP is published six times a year, with an annual Almanac edition that recounts the past year in the 67 countries from Turkey to Tonga. For more information on our publication, distribution and current activities, please feel free to write us at [email protected].