03/07/2025
Twenty-one years ago today, on 7 Tammuz 5764, Naomi Shemer passed away.
During Israel’s War of Independence, a heated meeting took place at Kibbutz Kinneret. On the agenda: a young girl named Naomi Sapir, asking permission to leave the kibbutz for a few years to study music.
The kibbutz secretary was firmly opposed. He tried to convince the members that they should not let this young woman be “corrupted” by the big city, nor take the risk that she might, heaven forbid, become bourgeois.
Two stormy meetings ended without a decision. At the third meeting, just as the secretary felt victory within reach, Sara Meirov – a kibbutz member and bereaved mother – stood up to support Naomi and said:
“Friends, let’s each of us admit, just to ourselves, with a hand on our heart, the truth we all know deep inside: this is our Naomi’s true calling. Let’s not be responsible for stealing away a piece of the developing Land of Israel. By behaving this way, you’ll be killing this child and her gift.”
Silence fell around the room. And as for the vote on Naomi Sapir’s request – well, everyone knows how that turned out.
Naomi set off to study at the Jerusalem Academy of Music, where she was taught by the best private teachers in the country.
When she came back to Kibbutz Kinneret having completed her studies, she started working with preschool kids and running music groups. Naomi soon realized there was an acute shortage of children’s songs in simple, flowing, accessible Hebrew. That’s how she came to compose seven beloved children’s songs, including The Little Walk, The Post Comes Today, and Our Little Brother.
Naomi’s first album of children’s songs was recorded by famous singer Yaffa Yarkoni under the title: Songs from Kinneret, helping to launch the young Naomi Shemer’s public career.
Her first real breakthrough came with the song From the Songs of a Wandering Singer, performed by pop-group Batzal Yarok (Spring Onion) in its debut program in 1957.
In the years that followed, Naomi Shemer wrote songs for army bands and regular pop groups, for soloists and for theater and film, until her 1967 pre-war Hebrew Song Festival hit, Jerusalem of Gold made her the best-known songwriter in Israel.
As time went on, Shemer preferred to call herself a “mizmora’it” (a psalmist), rather than a songwriter or poet. The term expressed the unique character of her work, which wove together words and melody, drawing deeply on Jewish tradition, the words of the biblical prophets and the poetry of Psalms.
Shemer’s first songbook, All My Songs, also published in 1967, included 42 of her best-loved and most successful numbers, including Tomorrow, The House of My Dreams, Father’s Song, The Eucalyptus Grove, The Love of Construction Workers, A Night on Akhziv Beach, The City in Gray, and many more.
In her introduction Naomi wrote:
“My dears, here are all the songs, all in one go. Well, not quite all of them. Some were published long ago, and others I don’t feel deserve publication. But I believe you’ll find all the songs we loved most in this book.
Yours, Naomi Shemer.”
Photo: Naomi Shemer performing, 1967, alongside the cover of her book “Kol HaShirim” – All My Songs.
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