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Depression-era children. They have a bike and a cat and look happy. (1939)
02/08/2025

Depression-era children. They have a bike and a cat and look happy. (1939)

In 1945, two women demonstrate what $1.34 could buy in 1918 versus 1945. Thanks to wartime price controls, the same amou...
02/08/2025

In 1945, two women demonstrate what $1.34 could buy in 1918 versus 1945. Thanks to wartime price controls, the same amount bought only sugar in 1918, but a full cart of groceries in 1945. During WWII the U.S. government created the Office of Price Administration (OPA) to prevent inflation. The OPA set maximum prices on everyday goods like bread, milk, and sugar. These price ceilings made it possible to buy more for less, even though many items were rationed. In contrast, prices in 1918 were much higher due to inflation and the absence of such controls.

The 1930s were a crucial period for the Chicago & North Western Railway, when steam locomotives required constant, hands...
02/08/2025

The 1930s were a crucial period for the Chicago & North Western Railway, when steam locomotives required constant, hands-on maintenance to meet the demands of both freight and passenger service. In the bustling rail shops of Chicago, skilled mechanics, machinists, and engineers worked day and night to keep these powerful machines running. Each engine underwent thorough inspections, boiler repairs, wheel alignments, and fine-tuning of countless mechanical components to ensure safe and efficient operation.

This tireless effort showcased the expertise and commitment of the railroad’s workforce during a time when trains formed the backbone of the Midwest’s economy and daily life. Despite the hardships of the Great Depression, the Chicago & North Western remained a vital artery, connecting urban centers with rural communities across the region.

While diesel technology began to emerge toward the end of the decade, steam engines still ruled the rails, and the maintenance yards thrived as essential hubs of industrial activity. The photographs and records left behind from this era offer a powerful tribute to the men who kept America’s railroads moving—workers whose craftsmanship and resilience helped carry the nation through adversity and laid the foundation for its future mobility and economic strength.

ONLY A FRACTION of the 275 wagons of Col. David Stanley’s Yellowstone Expedition, 1873. Click image to better see detail...
02/08/2025

ONLY A FRACTION of the 275 wagons of Col. David Stanley’s Yellowstone Expedition, 1873. Click image to better see detail. The photo was one of the earliest taken in Eastern Montana. Lt. Col. George Custer was second in command for the Expedition, which surveyed a route for the Northern Pacific Railroad. William Pywell made the capture opposite Pompeys Pillar, 30 miles east of Billings. Departing from Fort Rice, south of present-day Bismarck, were 1,530 soldiers, 353 civilian personnel, and 27 scouts. Chief Rain In The Face’s band killed two at Sunday Creek, immediately north of present-day Miles City, Montana. Elsewhere, sporadic resistance reportedly came from Chiefs Sitting Bull, Gall, and Crazy Horse, who later fought Custer at the 1876 Battle of the Little Bighorn. Text and digital restoration of photo by Gary Coffrin.

Photograph: A young boy, Burl Morrison, poses with his dog in front of their sod house.Location: Custer County, Nebraska...
02/08/2025

Photograph: A young boy, Burl Morrison, poses with his dog in front of their sod house.
Location: Custer County, Nebraska
Date: Circa 1889
Photographer: Solomon D. Butcher

Red Ryder and Little Beaver quickly became a popular action-adventure team in the 1940s, and their films were beloved by...
02/08/2025

Red Ryder and Little Beaver quickly became a popular action-adventure team in the 1940s, and their films were beloved by kids. Their dynamic was one of camaraderie, teamwork, and mutual respect, which resonated with young audiences.
Bobby Blake, who played Little Beaver, was a young actor known for his portrayal of Red Ryder’s loyal Native American sidekick. Little Beaver was clever, brave, and often the one to help Red Ryder out of tight spots.
Little Beaver was one of the earliest young Native American characters on screen who wasn’t just a stereotypical sidekick but was depicted as an intelligent and resourceful partner to Red Ryder.
Elliott’s portrayal of Red Ryder was a more rugged and mature take on the character compared to the comic strip, and his films were very popular with audiences. His version of Red Ryder was known for his bravery, quick thinking, and sense of justice, making him a classic Western hero.

Penny for the Guy. Once a popular activity in Great Britain…
02/08/2025

Penny for the Guy. Once a popular activity in Great Britain…

The Last Gift John Wayne Sent to Ben JohnsonJohn Wayne and Ben Johnson shared a bond built on respect, not Hollywood gli...
02/08/2025

The Last Gift John Wayne Sent to Ben Johnson

John Wayne and Ben Johnson shared a bond built on respect, not Hollywood glitz.

Wayne admired Johnson because he was a real cowboy, not just a man in a costume. “Ben’s the real deal,” Wayne once said. “The rest of us just play cowboys.”

Months before his death in 1979, Wayne sent Johnson a package: an old saddle he had ridden in several of his most famous Westerns. The leather was scarred and faded, but to Wayne, it carried memories of a lifetime.

Tucked under the stirrup was a simple note in his rough handwriting:

“She carried me in movies for years. Now it’s my turn to let you have her. Take care of her, partner.”

Ben Johnson never used it. He placed it in his barn, untouched, saying later:

“That was Duke. He didn’t give fancy gifts. He gave something that mattered. That saddle was more than leather — it was our friendship.”

Andy Griffith Once Shut Down a Well-Meaning Teen’s Campaign to Honor ‘The Andy Griffith Show’ (Full information 👇 💬)
02/08/2025

Andy Griffith Once Shut Down a Well-Meaning Teen’s Campaign to Honor ‘The Andy Griffith Show’ (Full information 👇 💬)

60 years ago today, Lucille Ball was travelling down New York’s famed Shubert Alley on the back of a pink elephant. This...
02/08/2025

60 years ago today, Lucille Ball was travelling down New York’s famed Shubert Alley on the back of a pink elephant. This was a shoot for the premiere episode of The Steve Lawrence Show. Unlike many of the shows debuting in the fall of 1965, The Steve Lawrence Show would be broadcast in black and white. Since the show did not have the lure of color, it was planned to make it unique in other ways. As television production was increasingly moving to Hollywood, Lawrence’s program would be shot in New York and they planned to take advantage of the many locations the city had to offer.

Producer George Schlatter asked Lucy to be the first guest on Lawrence’s variety show and she couldn’t resist his tantalizing offer to make her entrance by elephant. Steve Lawrence was amazed by Lucy as they rehearsed, remarking, “Now do you wonder why she is television’s first lady? Have you ever seen so much energy?” Scheduled to be shot after midnight, producer Schlatter rolled on the elephant sequence at 11:00pm just as the Broadway shows were getting out. West 44th Street was jam packed with spectators departing from The Roar of the Greasepaint - the Smell of the Crowd, Luv, Half a Sixpence, and Hello, Dolly!. Lucy and Steve Lawrence mounted the back of Wanda the pink-painted pachyderm and sang along to “Together (Wherever We Go);” the vocals of which they had pre-recorded earlier. Schlatter captured the excitement of the crowd. The police were not pleased by the earlier-than-expected start time of the shoot and it looked like trouble for George Schlatter. Lucy was able to get the producer off the hook by telling the police that if they were going to arrest him, they had to arrest her too.

Stars like Ginger Rogers, about to take over Hello, Dolly! from Carol Channing, and Art Carney, starring in The Odd Couple, could not resist watching Lucy and Steve make their way through the Theatre District. It was planned for the two elephant riders’ spouses, Gary Morton and Eydie Gormé, to be glimpsed in the crowd. Gary would ask, “Hey, who are those nuts?” and the pair would roller skate off together! Gary and Eydie did not make the final cut when the show aired on September 13.



Grabbed from the pages of

Mary Amelia Ingalls was born on a cold January 10, 1865, in a small cabin in Pepin County, Wisconsin, to parents Charles...
02/08/2025

Mary Amelia Ingalls was born on a cold January 10, 1865, in a small cabin in Pepin County, Wisconsin, to parents Charles and Caroline Ingalls. Little did they know, Mary’s story would forever be tied to the pages of literature through her younger sister, Laura. Mary was a quiet and obedient child with a sharp mind and an insatiable curiosity. She loved reading, sewing, and writing poetry, and her world was full of warmth from her family and the playful moments shared with her sisters, Laura, Carrie, and Grace.
However, everything changed in the summer of 1879 when Mary fell gravely ill at the age of 14. Intense fevers left her bedridden, and when the fever finally subsided, she discovered a new, devastating reality: she had lost her sight. Her family, although supportive, couldn’t change the fact that the disease had left her blind. Her sister, Laura, became her eyes, reading to her, describing the world around them, and helping her continue her studies. Despite this dramatic shift, Mary remained determined to overcome the challenges that came with her blindness.
In 1881, Mary enrolled in the Iowa College for the Blind, where she spent seven years studying literature, mathematics, science, and even learning practical skills like weaving and broom-making. She became a cultured, independent, and resilient woman. After graduating in 1889, Mary returned to De Smet, where she lived with her family, finding joy in music, reading, and sewing. Though she never married, Mary found fulfillment in her simple life, surrounded by her loving family. After her mother’s death in 1924, Mary continued to live with her sisters until her passing in 1928. Though her life was overshadowed by her sister Laura’s fame, Mary’s legacy lives on in the pages of *Little House on the Prairie*, where her spirit remains alongside her beloved sister.

She wore black not just in her dress, but in her very soul. This haunting family portrait captures Zee Mimms James, wido...
01/08/2025

She wore black not just in her dress, but in her very soul. This haunting family portrait captures Zee Mimms James, widow of the infamous outlaw Jesse James, seated with her two children, Jesse Edward “Tim” James and Mary Susan James. Likely taken after Jesse’s fateful assassination in 1882, the photo reveals a woman draped in grief, yet unyielding in her resolve. Gone is the wild chaos of the gunslinger’s life—what remains is the quiet, unbreakable strength of a mother determined to carry forward the James legacy without her legendary husband.

Zee’s heavy eyes tell a story far deeper than words ever could. Her children sit solemnly beside her, their small frames already bearing the weight of a myth that would shape their lives. In the wake of Jesse’s death, Zee fiercely protected them from the swirling storm of fame and infamy, raising them in the long shadow cast by a man considered a hero to some and a traitor to others. She never remarried, choosing instead to live out her days in mourning, her heart forever resting in the same soil as Jesse’s final resting place.

Yet there’s an eerie stillness in the photograph, as if Jesse’s restless spirit lingers just beyond the frame. The tension between legacy and loss is etched in the children’s faces, while Zee’s steady grip speaks of a mother’s fierce determination to shape their future. This is more than a family portrait—it’s the silent aftermath of an American legend, frozen in the gaze of those left behind, forever haunted by the man who vanished into myth.

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