The Cine Club

The Cine Club "Cinema is a matter of what is in the frame and what's out" - Martin Scorsese

The film enthusiasts of St Stephen's couldn't agree more.

GBM Tomorrow at 7pm!🏄‍♂️✨
14/09/2021

GBM Tomorrow at 7pm!🏄‍♂️✨

IFP 50 hour Filmmaking Challenge in a pie chart🥴Join Us tomorrow at 7pm for our first General Body Meeting of the year t...
14/09/2021

IFP 50 hour Filmmaking Challenge in a pie chart🥴

Join Us tomorrow at 7pm for our first General Body Meeting of the year to find out more!🔥

We are happy to present our Third Year Executive Council for the year 2021-22. 🎥
07/09/2021

We are happy to present our Third Year Executive Council for the year 2021-22. 🎥

We are happy to present our Second Year Executive Council for the year 2021-22.🎥
07/09/2021

We are happy to present our Second Year Executive Council for the year 2021-22.🎥

REVOLUTIONARY ROAD - A write-up by Megha ChaudharyWhen one feels suffocated with the present scenario of their lives, on...
12/01/2021

REVOLUTIONARY ROAD - A write-up by Megha Chaudhary

When one feels suffocated with the present scenario of their lives, one has this potent desire to escape the landscape they are familiar to, a landscape which once was ideal now appearing jaded. The Revolutionary Road is one such film that has captured the moments of man's inability to digest and process when life decides to go astray but mentally. The suffocation they go through is purely mental if not, sometimes or mostly, aided by physical changes in their surroundings. Frank and April are happily married. They are the youngest couple on the block, have two daughters, and are pretty much thriving financially. The movie is set in the Americas of the 1950s where technology was just beginning to birth amidst the social changes occurring worldwide. Frank is played by Leonardo DiCaprio and April is played by Kate Winslet. Frank works in a company where he is frustrated by his peers but tries to appear cool and calm on the outside. He's fed up of the same boring routine he has to go through every day in order to earn bread for his family. April is a housewife, cleaning, washing, cooking, trying to fit in the role of a perfect housewife when her mind gnaws on her insides. She wants to escape the mundane lifestyle they have been accustomed to after they got married. She comes up with a plan and tries for a job in the American Embassy in France. Eventually she just wants to shift to France, being the sole breadwinner, whereas Frank can be a freelancer and be with the kids. All this seems illusionary until this illusion grasps April's mind quite strongly. On the other hand, the film opens up quite surprisingly. We have a scene where April and Frank are on their way back home and a fight erupts between the duo. They both blame one another, being the reason of each other's unhappiness until they have to eventually slow down and be silent. This is also the scene where Frank appears to be slapping April but only to hit the car. He doesn't raise a finger on her but the flinch portrayed by Kate Winslet in the shoes of April is appreciation worthy. The chemistry between the actors is crazy good. Cut to the middle, we see Frank cheating on April by sleeping with a woman who just joined his company. She's also married. Frank feels guilty but doesn't come clean until the climax begins to creep close as the viewers anticipate the ending of the movie.

In a world like today, where real love is highly prized and is said to be hard to find, April and Frank appear to us as this modern duo who are perfect for one another but not as individual. They are harmful in their tendencies, by the way, they behave when pressure kicks in and their mind starts reeling. The wisest character in the movie is John Givings, played by, Michael Shannon who is the mental kid of a woman who's April and Frank's neighbor. John is thirty years old, PhD in mathematics but yet mental. There's a scene where Frank is mad by the words spat out by John when he makes an observation. April is unbothered and lights a cigarette. We don't just have Frank cheating. We also see April cheating with her neighbor, Shep Campbell, when Frank goes off to drop Shep's wife. The circle becomes complete and as viewers, we don't know who to root for. For Frank or for April? Or for both? Or nobody?

They do make up for the constant fights they have by having s*x on their kitchen counter. Soon April discovers that she's pregnant and Frank is the happiest we have seen in the whole movie in this scene. But April is not. She has harbored dreams of moving abroad but not with a baby in her tummy. Frank has no idea how April tries to terminate her pregnancy. There appears a scene that gives a clean rise to the climax where they fight, break things, and April hides in the forest. Frank is guilty and drinks up to his bones. When April arrives, he is sorry and both are silent. The next day when Frank leaves for office and kisses April goodbye, we know who to root for. No one. April tries to terminate her own pregnancy which leaves her being hospitalized. She ultimately dies and we see Frank in the end score, in a park, playing with their two daughters.

The movie is brilliantly shot, has a story that is very valuable in the so-called marketed value of living an American Dream, and makes us realize that nothing is to be taken for granted, even the breaths we take every second.

Rewind (Film review) by Stuti TitusGood piece of art makes the viewer ask the right questions. About themselves their id...
08/01/2021

Rewind (Film review) by Stuti Titus

Good piece of art makes the viewer ask the right questions. About themselves their ideas and even their destiny. Makoto Shikai’s Kimi no na wa or Your Name is a sould binding work and makes you ask the right questions yourself.

Kimi No Na Wa is a Japanese coming of age tale with its supernatural themes of body-swapping switcheroos, time travel, impermanence, memory, loss, disaster, and destiny. If that seems too much to take in then brace yourself to be twisted by the timeline of the movie.

The opening scene starts with our half-asleep female protagonist Mitsuha waking up with an oblivious look on her face later for us to realize that it is the male protagonist Taki trapped in Mitsuha's skin. The swift shift in screenplay takes us to Taki's room where we see the already embarrassed Mitsuha trying to fathom the reality of being in a boy's body.

This sudden and surreal switch plays into an obvious comedy as the confusion proceeds.
Mr. Shikai in a subtle manner plays the concept of what it's like when adolescents trade bodies comically by toying a bit with gender here and there.

The swapping takes place right after the appearance of a sky-slicing aurora- tailed comet coursing across the blue sky gazed at by the whole world including the main characters. The continuous jump of consciousness persisted as they woke up in each other's physical shells a day at a time.


This transaction of personal territory took place at night when they were fast asleep only to wake up with tears in their eyes from a supposedly detailed dream in which they fumbled into the existence of each other's reality and being.

With a mixture of feeling fascinated and horrified these teens adjust to the other one's role. While Mitsuha (Voiced by Mone Kamishiraishi ) a 17-year-old girl who spent her whole life in a small village called Itomori with her grandmother and sister, adapts surprisingly well to life in Tokyo, enjoying the city life, visiting cafes with Taki's friends and gorging on sweets leaving him penniless, to fulfilling his job as a waiter in a restaurant.

The continuous exchange of vessel-like bodies not only makes them more familiar with their once alienated skins but also helps them to experience a sense of empathy for each other as they have no choice but to feel what the other might be conceiving emotionally in a certain circumstance, enabling them to relate and connect not just through their eyes of what they see but through their souls of what they feel, creating their relationship something more intimate and strange.
His quest of finding the girl, he once lived the life of by the memory of places that are so ingrained in his conscience leads us to glance at some messages the movie seeks to convey like how places and traditions attain meaning, how body and soul can remember the feeling and sensation of someone's influence even though the mind forgets.
It finally boils down to the Japanese concept of Natsukashi which is a kind of intrinsic yearning and fond reminiscence of past places and moments with the culmination that you can never encapsulate them again.

Gradually, shifting the initial contextual details like the Kuchikamizake and the racing comet hanging on their heads in its psychedelic glory to the forefront from the background, tying it all up neatly with the red string of fate making sense of it all.

The beauty of Kimi no na wa is not only deeply rooted in its heart-soaring story and traditional values but also in its magical animation.

The smudge watercolor-like landscapes achieved by taking the lushly mundane backgrounds of Ghibli and cranking up the resolution presenting hyperbolically detailed scenes of the night lit Tokyo and the sunray filtered Itomori with frames in their magic hour blues and bleeding golds in the lilac skies which left the audience in awe of this enhanced cinematic experience.

The animators didn't leave the characters faded but designed them in ways that add to the overwhelming background efficiently with their dissolving thin black outlines and familiar anime expressions and features of pointy chins, perk nose, and sparkly eyes.

The amazing softcore and power rock ballad just enriches the not so notorious narrative of intertwined destinies demanding it's the audience to perceive the experience of time and loss and that it is beyond the limits of logic and rationality.

Now that you have an urge to decipher this cryptic cinematic masterpiece, I implore you to explore this meta gravitational world of Kimi no Nawa and experience each ray of filtered sunshine, the flow of maple leaf, the tingling of the wind chime, and the gush of wonderous wind and see if these tangled teenagers overcome their fight with fate and the bounds of time to find each other.

Delhi Gang R**e 2012, stirred in all of us a rage. The after events of this incident inspired  Vibha Bakshi to focus on ...
14/11/2020

Delhi Gang R**e 2012, stirred in all of us a rage. The after events of this incident inspired Vibha Bakshi to focus on the people who brought in change and not the horror. Hence, her documentary film Daughters Of Mother India holds the perspective of hope and sensitizes the society about such social issues.

This 2015 film won several awards including the National Award for Best Film on Social Issues .The film is now a mandatory part of the National Police Academy curriculum and is also incorporated into the curriculum of 200 schools in Maharashtra.

The Cine Club 🎥 invites you for a film discussion on Daughters of Mother India with its director Vibha Bakshi (winner of 4 national awards), as a part of our film festival- Cinema Minidiso.🎬

To register, click on the link in the bio.

Delhi Gang R**e 2012, stirred in all of us a rage. The after events of this incident inspired  *Vibha Bakshi* to focus o...
14/11/2020

Delhi Gang R**e 2012, stirred in all of us a rage. The after events of this incident inspired *Vibha Bakshi* to focus on the people who brought in change and not the horror. Hence, her documentary film *Daughters Of Mother India* holds the perspective of hope and sensitizes the society about such social issues.

This 2015 film won several awards including the *National Award for Best Film on Social Issues* .The film is now a mandatory part of the National Police Academy curriculum and is also incorporated into the curriculum of 200 schools in Maharashtra.

The Cine Club 🎥 invites you for a film discussion on *Daughters of Mother India* with its director *Vibha Bakshi* (winner of 4 national awards), as a part of our film festival- *Cinema Minidiso*.🎬

To register, click on the link in the bio

Coming soon!!!
11/11/2020

Coming soon!!!

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