Purnima

Purnima 🙏🙏āφāĻŽāĻŋ āĻ—āĻ°ā§āĻŦāĻŋāϤ āφāĻŽāĻŋ āĻāĻ•āϜāύ āϏāύāĻžāϤāĻ¨ā§€đŸ™đŸ™

đŸ‘ī¸UđŸ‘ī¸đŸŒŋāĻšāϰ⧇ āĻ•ā§ƒāĻˇā§āĻŖ đŸŒŋđŸ‘ī¸UđŸ‘ī¸

🚩🚩āϝāϤ āĻŽāϤ āϤāϤ āĻĒāĻĨ
āϏāύāĻžāϤāύ āϧāĻ°ā§āĻŽ āĻļā§āϰ⧇āĻˇā§āĻ  āĻĒāĻĨ🚩🚩

The Ancient 4,500-Year-Old Tunic at the Egyptian Museum.
21/06/2025

The Ancient 4,500-Year-Old Tunic at the Egyptian Museum.













Ten Unknown Facts About  1. Founding and History: BMW, Bayerische Motoren Werke AG, was founded in 1916 in Munich, Germa...
20/06/2025

Ten Unknown Facts About
1. Founding and History: BMW, Bayerische Motoren Werke AG, was founded in 1916 in Munich, Germany, initially producing aircraft engines. The company transitioned to motor

āĻĒ⧃āĻĨāĻŋāĻŦā§€āϰ āϏāĻ•āϞ āĻ•āĻˇā§āĻŸā§‡āϰ āϏāĻŽāĻžāϧāĻžāύ āĻ•ā§ƒāĻˇā§āĻŖ āύāĻžāĻŽā§‡āχđŸĻšđŸ™            Dua Lipa - ACTRESSThe Hidden Secrets Behind Dua Lipa’s Stellar Succes...
19/06/2025

āĻĒ⧃āĻĨāĻŋāĻŦā§€āϰ āϏāĻ•āϞ āĻ•āĻˇā§āĻŸā§‡āϰ āϏāĻŽāĻžāϧāĻžāύ āĻ•ā§ƒāĻˇā§āĻŖ āύāĻžāĻŽā§‡āχđŸĻšđŸ™


Dua Lipa - ACTRESS
The Hidden Secrets Behind Dua Lipa’s Stellar Success---------------------------------------------------------------
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
In the dazzling world of pop music, few stars shine as brightly as Dua Lipa. With a career that has seen meteoric rise, chart-topping hits, and a legion of adoring fans, the 28-year-old British-Albanian singer-songwriter has become a global sensation. Yet behind the glitz and glamour lies a web of secrets that contribute to her phenomenal success. From hidden inspirations to strategic career moves, here’s an inside look at the untold facets of Dua Lipa’s journey to superstardom.
A Star is Born: The Early Struggles
Dua Lipa’s path to fame wasn’t paved with gold. Born in London to Albanian parents, Lip
Photo Credit _ (Instagram)


Dua Lipa - ACTRESS
The Hidden Secrets Behind Dua Lipa’s Stellar Success---------------------------------------------------------------
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
In the dazzling world of pop music, few stars shine as brightly as Dua Lipa. With a career that has seen meteoric rise, chart-topping hits, and a legion of adoring fans, the 28-year-old British-Albanian singer-songwriter has become a global sensation. Yet behind the glitz and glamour lies a web of secrets that contribute to her phenomenal success. From hidden inspirations to strategic career moves, here’s an inside look at the untold facets of Dua Lipa’s journey to superstardom.
A Star is Born: The Early Struggles
Dua Lipa’s path to fame wasn’t paved with gold. Born in London to Albanian parents, Lip

Photo Credit _ (Instagram)


Dua Lipa - ACTRESS
The Hidden Secrets Behind Dua Lipa’s Stellar Success---------------------------------------------------------------
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
In the dazzling world of pop music, few stars shine as brightly as Dua Lipa. With a career that has seen meteoric rise, chart-topping hits, and a legion of adoring fans, the 28-year-old British-Albanian singer-songwriter has become a global sensation. Yet behind the glitz and glamour lies a web of secrets that contribute to her phenomenal success. From hidden inspirations to strategic career moves, here’s an inside look at the untold facets of Dua Lipa’s journey to superstardom.
A Star is Born: The Early Struggles
Dua Lipa’s path to fame wasn’t paved with gold. Born in London to Albanian parents, Lip

🙋āϕ⧇āω āĻ…āĻŦāĻšā§‡āϞāĻž āĻ•āϰ⧇ āĻāĻĄāĻŧāĻŋāϝāĻŧ⧇ āϝāĻžāĻŦ⧇āύ āύāĻž đŸ•‰ī¸đŸ•‰ī¸5-āĻĻāĻŋāύ⧇āϰ āĻ…āύāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāĻ• āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āϏāĻĢāϰ⧇āϰ āϝāĻžāĻ¤ā§āϰāĻžāĻĒāĻĨāĻĻāĻŋāύ 1: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āφāĻ—āĻŽāύ āĻāĻŦāĻ‚ āϕ⧁āĻ°ā§āĻ—...
19/06/2025

🙋āϕ⧇āω āĻ…āĻŦāĻšā§‡āϞāĻž āĻ•āϰ⧇ āĻāĻĄāĻŧāĻŋāϝāĻŧ⧇ āϝāĻžāĻŦ⧇āύ āύāĻž đŸ•‰ī¸đŸ•‰ī¸

5-āĻĻāĻŋāύ⧇āϰ āĻ…āύāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāĻ• āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āϏāĻĢāϰ⧇āϰ āϝāĻžāĻ¤ā§āϰāĻžāĻĒāĻĨ
āĻĻāĻŋāύ 1: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āφāĻ—āĻŽāύ āĻāĻŦāĻ‚ āϕ⧁āĻ°ā§āϗ⧇ āĻ¸ā§āĻĨāĻžāύāĻžāĻ¨ā§āϤāϰ
āϏāĻ•āĻžāϞ: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āĻĒ⧌āρāĻ›āĻžāύ, āϤāĻžāϰāĻĒāϰ āϕ⧁āĻ°ā§āϗ⧇ āϝāĻžāύ (āĻĒā§āϰāĻžāϝāĻŧ 6 āϘāĻ¨ā§āϟāĻž)āĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻ…ā§āϝāĻžāĻŦ⧇ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ: āĻ•āĻĢāĻŋāϰ āĻŦāĻžāĻ—āĻžāύ⧇ āĻ˜ā§‡āϰāĻž āĻāχ āϏ⧁āĻ¨ā§āĻĻāϰ āϜāϞāĻĒā§āϰāĻĒāĻžāϤāϟāĻŋ āϘ⧁āϰ⧇ āĻĻ⧇āϖ⧁āύāĨ¤
āϰāĻžāϜāĻžāϰ āφāϏāύ: āφāĻļ⧇āĻĒāĻžāĻļ⧇āϰ āĻĒāĻžāĻšāĻžāĻĄāĻŧ āĻāĻŦāĻ‚ āωāĻĒāĻ¤ā§āϝāĻ•āĻžāϰ āĻ…āĻ¤ā§āϝāĻžāĻļā§āϚāĻ°ā§āϝ āĻĻ⧃āĻļā§āϝ āϏāĻš āĻāχ āĻŦāĻžāĻ—āĻžāύāϟāĻŋ āĻĻ⧇āϖ⧁āύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻŽāĻžāĻĻāĻŋāϕ⧇āϰāĻŋ āĻĢā§‹āĻ°ā§āϟ: āĻāχ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻĻ⧁āĻ°ā§āĻ—āϟāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻ•āϰ⧁āύ, āϝ⧇āĻ–āĻžāύ⧇ āϕ⧁āĻ°ā§āϗ⧇āϰ āχāϤāĻŋāĻšāĻžāϏ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ⧇āϰ āĻāĻ•āϟāĻŋ āϝāĻžāĻĻ⧁āϘāϰāĻ“ āϰāϝāĻŧ⧇āϛ⧇āĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻĒāĻžāĻ¨ā§āĻĄāĻŋ āĻ•āĻžāϰāĻŋ āĻāĻŦāĻ‚ āĻŦāĻžāρāĻļ⧇āϰ āĻļ⧁āĻŸā§‡āϰ āϤāϰāĻ•āĻžāϰāĻŋāϰ āĻŽāϤ⧋ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āϏāĻžāĻĨ⧇ āĻāĻ•āϟāĻŋ āϐāϤāĻŋāĻšā§āϝāĻŦāĻžāĻšā§€ āϕ⧁āĻ°ā§āĻ—āĻŋ āĻ–āĻžāĻŦāĻžāϰ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āĻĻāĻŋāύ 2: āϕ⧁āĻ°ā§āĻ— āĻĨ⧇āϕ⧇ āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ
āϏāĻ•āĻžāϞ:
āĻĻ⧁āĻŦāĻžāϰ⧇ āĻāϞāĻŋāĻĢā§āϝāĻžāĻ¨ā§āϟ āĻ•ā§āϝāĻžāĻŽā§āĻĒ: āϏāĻ•āĻžāϞāϟāĻž āĻšāĻžāϤāĻŋāϰ āϏāĻžāĻĨ⧇ āφāϞāĻžāĻĒāϚāĻžāϰāĻŋāϤāĻžāϝāĻŧ āĻ•āĻžāϟāĻžāύ āĻāĻŦāĻ‚ āϕ⧋āϰāĻžāĻ•āϞ āϰāĻžāχāĻĄ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āĻŦāĻŋāĻ•āĻžāϞ: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ (āĻĒā§āϰāĻžāϝāĻŧ 3-4 āϘāĻ¨ā§āϟāĻž) āĻĄā§āϰāĻžāχāĻ­ āĻ•āϰ⧁āύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻŽā§āĻ˛ā§āϞāĻžāϝāĻŧāĻžāύāĻžāĻ—āĻŋāϰāĻŋ: āϏāĻŽāϝāĻŧ āĻ…āύ⧁āĻŽāϤāĻŋ āĻĻāĻŋāϞ⧇, āĻ…āĻ¤ā§āϝāĻžāĻļā§āϚāĻ°ā§āϝ āĻĻ⧃āĻļā§āϝ āĻāĻŦāĻ‚ āĻļā§€āϤāϞ āĻŦāĻžāϤāĻžāϏ⧇āϰ āϜāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāϕ⧇āϰ āϏāĻ°ā§āĻŦā§‹āĻšā§āϚ āĻļ⧃āĻ™ā§āĻ— āĻŽā§āĻ˛ā§āϞāĻžāϝāĻŧāĻžāύāĻžāĻ—āĻŋāϰāĻŋ āĻĒāϰāĻŋāĻĻāĻ°ā§āĻļāύ āĻ•āϰ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻāĻ•āϟāĻŋ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ–āĻžāĻŦāĻžāϰ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύ, āĻŽāĻžāϞāύāĻžāĻĻ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āĻ¸ā§āĻŦāĻžāĻĻ āύāĻŋāύāĨ¤
āĻĻāĻŋāύ 3: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ
āϏāĻ•āĻžāϞ:
āĻ•āĻĢāĻŋ āĻĒā§āĻ˛ā§āϝāĻžāĻ¨ā§āĻŸā§‡āĻļāύ āĻŸā§āϝ⧁āϰ: āĻāĻ•āϟāĻŋ āĻ•āĻĢāĻŋ āĻāĻ¸ā§āĻŸā§‡āĻŸā§‡āϰ āĻāĻ•āϟāĻŋ āύāĻŋāĻ°ā§āĻĻ⧇āĻļāĻŋāϤ āϏāĻĢāϰ āύāĻŋāύ āĻāĻŦāĻ‚ āĻ•āĻĢāĻŋ āϤ⧈āϰāĻŋāϰ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻž āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āϜāĻžāύ⧁āύāĨ¤
āĻšā§‡āĻŦā§āĻŦāĻŋ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ: āĻšā§‡āĻŦā§āĻŦāĻŋ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ āĻĨ⧇āϕ⧇ āĻŸā§āϰ⧇āĻ• āĻ•āϰ⧁āύ, āĻ•āĻĢāĻŋ āĻŦāĻžāĻ—āĻžāύ⧇āϰ āĻŽāĻžāĻā§‡ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤ āĻāĻ•āϟāĻŋ āϏ⧁āĻ¨ā§āĻĻāϰ āϜāϞāĻĒā§āϰāĻĒāĻžāϤāĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻŦāĻžāĻŦāĻž āĻŦ⧁āĻĻāĻžāĻ™ā§āĻ—āĻŋāϰāĻŋ: āϗ⧁āĻšāĻž āĻāĻŦāĻ‚ āϏ⧁āĻĢāĻŋ āϏāĻžāϧāĻ• āĻŦāĻžāĻŦāĻž āĻŦ⧁āĻĻāĻžāύ⧇āϰ āĻŽāĻžāϜāĻžāϰ⧇āϰ āϜāĻ¨ā§āϝ āĻĒāϰāĻŋāϚāĻŋāϤ āĻāχ āĻĒāĻ°ā§āĻŦāϤāĻļā§āϰ⧇āĻŖā§€āϤ⧇ āϝāĻžāύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻšāĻŋāϰ⧇āϕ⧋āϞāĻžāϞ⧇ āĻšā§āϰāĻĻ: āĻāχ āĻŽāύ⧋āϰāĻŽ āϞ⧇āϕ⧇āϰ āĻĒāĻžāĻļ⧇ āĻāĻ•āϟāĻŋ āĻļāĻžāĻ¨ā§āϤāĻŋāĻĒā§‚āĻ°ā§āĻŖ āϏāĻ¨ā§āĻ§ā§āϝāĻž āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻ•āĻžāĻ›āĻžāĻ•āĻžāĻ›āĻŋ āĻāĻ•āϟāĻŋ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āĻŽāĻžāϞāύāĻžāĻĻ⧇āϰ āϏ⧁āĻ¸ā§āĻŦāĻžāĻĻ⧁ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āĻ¸ā§āĻŦāĻžāĻĻ āύāĻŋāύāĨ¤
āĻĻāĻŋāύ 4: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ āĻĨ⧇āϕ⧇ āĻšāĻžāĻŽā§āĻĒāĻŋ
āϏāĻ•āĻžāϞ: āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āϜāĻ¨ā§āϝ āϤāĻžāĻĄāĻŧāĻžāϤāĻžāĻĄāĻŧāĻŋ āĻĒā§āϰāĻ¸ā§āĻĨāĻžāύ (āĻĒā§āϰāĻžāϝāĻŧ 6-7 āϘāĻ¨ā§āϟāĻž)āĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻŦāĻŋāϜāϝāĻŧāĻž āĻŦāĻŋāĻŸā§āϟāϞāĻž āĻŽāĻ¨ā§āĻĻāĻŋāϰ: āĻĒāĻžāĻĨāϰ⧇āϰ āϰāĻĨ āĻāĻŦāĻ‚ āĻŦāĻžāĻĻā§āϝāϝāĻ¨ā§āĻ¤ā§āϰ⧇āϰ āĻ¸ā§āϤāĻŽā§āϭ⧇āϰ āϜāĻ¨ā§āϝ āĻĒāϰāĻŋāϚāĻŋāϤ āĻāχ āφāχāĻ•āύāĻŋāĻ• āĻŽāĻ¨ā§āĻĻāĻŋāϰāϟāĻŋ āĻĻāĻŋāϝāĻŧ⧇ āĻšāĻžāĻŽā§āĻĒāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻļ⧁āϰ⧁ āĻ•āϰ⧁āύāĨ¤
āĻŦāĻŋāϰ⧁āĻĒāĻžāĻ•ā§āώ āĻŽāĻ¨ā§āĻĻāĻŋāϰ: āĻ­āĻ—āĻŦāĻžāύ āĻļāĻŋāĻŦ⧇āϰ āωāĻĻā§āĻĻ⧇āĻļā§āϝ⧇ āύāĻŋāĻŦ⧇āĻĻāĻŋāϤ āĻāχ āĻĒā§āϰāĻžāĻšā§€āύ āĻŽāĻ¨ā§āĻĻāĻŋāϰāϟāĻŋ āĻĻ⧇āϖ⧁āύ, āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āĻāĻ•āϟāĻŋ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻ˛ā§āϝāĻžāĻ¨ā§āĻĄāĻŽāĻžāĻ°ā§āĻ•āĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻšā§‡āĻŽāĻžāϕ⧁āϟāĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ: āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āĻ§ā§āĻŦāĻ‚āϏāĻžāĻŦāĻļ⧇āώ⧇āϰ āωāĻĒāϰ āĻāĻ•āϟāĻŋ āĻļā§āĻŦāĻžāϏāϰ⧁āĻĻā§āϧāĻ•āϰ āϏ⧂āĻ°ā§āϝāĻžāĻ¸ā§āϤ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰāϤ⧇ āĻšā§‡āĻŽāĻžāϕ⧁āϟāĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ⧇ āϚāĻĄāĻŧ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻāĻ•āϟāĻŋ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ­ā§‹āϜāύ āĻ•āϰ⧁āύ, āωāĻ¤ā§āϤāϰ āĻ•āĻ°ā§āĻŖāĻžāϟāϕ⧇āϰ āϐāϤāĻŋāĻšā§āϝāĻŦāĻžāĻšā§€ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āύāĻŽā§āύāĻž āύāĻŋāύāĨ¤
āĻĻāĻŋāύ 5: āĻšāĻžāĻŽā§āĻĒāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ
āϏāĻ•āĻžāϞ:
āĻšāĻžāĻŽā§āĻĒāĻŋ āĻŦāĻžāϜāĻžāϰ āĻāĻŦāĻ‚ āĻŽāύ⧋āϞāĻŋāĻĨāĻŋāĻ• āώāĻžāρāĻĄāĻŧ: āĻĒā§āϰāĻžāĻšā§€āύ āĻŦāĻžāϜāĻžāϰ⧇āϰ āϰāĻžāĻ¸ā§āϤāĻžāϟāĻŋ āϘ⧁āϰ⧇ āĻĻ⧇āϖ⧁āύ āĻāĻŦāĻ‚ āĻŦ⧃āĻšā§Ž āĻāĻ•āĻļāĻŋāϞāĻž āύāĻ¨ā§āĻĻā§€ āĻŽā§‚āĻ°ā§āϤāĻŋ āĻĻ⧇āϖ⧁āύāĨ¤
āϰāĻžāϜāϕ⧀āϝāĻŧ āĻ˜ā§‡āϰ: āĻŽāĻšāĻžāύāĻŦāĻŽā§€ āĻĄāĻŋāĻŦā§āĻŦāĻž, āĻ¸ā§āĻŸā§‡āĻĒāĻĄ āĻŸā§āϝāĻžāĻ™ā§āĻ• āĻāĻŦāĻ‚ āϰāĻžāĻŖā§€āϰ āĻ¸ā§āύāĻžāύ āϏāĻš āϰāϝāĻŧā§āϝāĻžāϞ āĻāύāĻ•ā§āϞ⧋āϏāĻžāϰ⧇ āϝāĻžāύāĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āϞ⧋āϟāĻžāϏ āĻŽāĻšāϞ āĻāĻŦāĻ‚ āĻšāĻžāϤāĻŋāϰ āφāĻ¸ā§āϤāĻžāĻŦāϞ: āϰāĻžāϜāϕ⧀āϝāĻŧ āĻ•āĻŽāĻĒā§āϞ⧇āĻ•ā§āϏ⧇āϰ āĻ…āĻ‚āĻļ āĻ›āĻŋāϞ āĻāχ āϏ⧁āĻ¨ā§āĻĻāϰ āĻ•āĻžāĻ āĻžāĻŽā§‹āϗ⧁āϞāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻ•āϰ⧁āύāĨ¤
āĻšāĻžāĻŽā§āĻĒāĻŋ āĻĒā§āϰāĻ¤ā§āύāϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āϝāĻžāĻĻ⧁āϘāϰ: āĻŦāĻŋāϜāϝāĻŧāύāĻ—āϰ āϏāĻžāĻŽā§āϰāĻžāĻœā§āϝ āϏāĻŽā§āĻĒāĻ°ā§āĻ•āĻŋāϤ āύāĻŋāĻĻāĻ°ā§āĻļāύ āĻāĻŦāĻ‚ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ⧀ āĻĻ⧇āĻ–āϤ⧇ āĻ•āĻŽāϞāĻžāĻĒ⧁āϰ⧇āϰ āϜāĻžāĻĻ⧁āϘāϰ⧇ āϝāĻžāύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻŽāĻžāϤāĻžāĻ™ā§āĻ—āĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ: āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āĻ§ā§āĻŦāĻ‚āϏāĻžāĻŦāĻļ⧇āώ āĻāĻŦāĻ‚ āĻ˛ā§āϝāĻžāĻ¨ā§āĻĄāĻ¸ā§āϕ⧇āĻĒ⧇āϰ āĻāĻ•āϟāĻŋ āĻŽāύ⧋āϰāĻŽ āĻĻ⧃āĻļā§āϝ⧇āϰ āϜāĻ¨ā§āϝ āĻŽāĻžāϤāĻžāĻ™ā§āĻ—āĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ⧇ āφāϰ⧋āĻšāĻŖ āĻ•āϰ⧁āύāĨ¤
āĻĒā§āϰāĻ¸ā§āĻĨāĻžāύ: āφāĻĒāύāĻžāϰ āĻ…āĻ—ā§āϰāĻŦāĻ°ā§āϤ⧀ āϝāĻžāĻ¤ā§āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ (āύāĻŋāĻ•āϟāϤāĻŽ āϰ⧇āϞāĻ“āϝāĻŧ⧇ āĻ¸ā§āĻŸā§‡āĻļāύ/āĻāϝāĻŧāĻžāϰāĻĒā§‹āĻ°ā§āϟ) āĻĢāĻŋāϰ⧇ āϝāĻžāύāĨ¤
āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧇ āĻ•āĻ°ā§āĻŖāĻžāϟāϕ⧇ āĻ­ā§āϰāĻŽāϪ⧇āϰ āϜāĻ¨ā§āϝ āϟāĻŋāĻĒāϏ
āĻĒā§‹āĻļāĻžāĻ•: āĻĻāĻŋāύ⧇āϰ āϜāĻ¨ā§āϝ āĻšāĻžāϞāĻ•āĻž, āύāĻŋāσāĻļā§āĻŦāĻžāϏ āύ⧇āĻ“āϝāĻŧāĻžāϰ āĻŽāϤ⧋ āĻĒā§‹āĻļāĻžāĻ• āĻāĻŦāĻ‚ āĻšāĻŋāϞ āĻ¸ā§āĻŸā§‡āĻļāύ⧇ āĻļā§€āϤāϞ āϏāĻ¨ā§āĻ§ā§āϝāĻžāϰ āϜāĻ¨ā§āϝ āĻāĻ•āϟāĻŋ āĻšāĻžāϞāĻ•āĻž āĻœā§āϝāĻžāϕ⧇āϟāĨ¤
āĻĒāĻžāĻĻ⧁āĻ•āĻž: āφāϰāĻžāĻŽāĻĻāĻžāϝāĻŧāĻ• āĻšāĻžāρāϟāĻžāϰ āϜ⧁āϤāĻž āĻ…āĻ¨ā§āĻŦ⧇āώāϪ⧇āϰ āϜāĻ¨ā§āϝ āφāĻŦāĻļā§āϝāĻ•āĨ¤
āĻ¸ā§āĻŦāĻžāĻ¸ā§āĻĨā§āϝ: āĻšāĻžāχāĻĄā§āϰ⧇āĻŸā§‡āĻĄ āĻĨāĻžāϕ⧁āύ, āϏāĻžāύāĻ¸ā§āĻ•ā§āϰāĻŋāύ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧁āύ āĻāĻŦāĻ‚ āϰ⧋āĻĻ āĻĨ⧇āϕ⧇ āύāĻŋāĻœā§‡āϕ⧇ āϰāĻ•ā§āώāĻž āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻāĻ•āϟāĻŋ āϟ⧁āĻĒāĻŋ āĻāĻŦāĻ‚ āϏāĻžāύāĻ—ā§āϞāĻžāϏ āĻŦāĻšāύ āĻ•āϰ⧁āύāĨ¤
āĻŦ⧁āĻ•āĻŋāĻ‚: āĻļ⧇āώ āĻŽā§āĻšā§‚āĻ°ā§āϤ⧇āϰ āĻāĻžāĻŽā§‡āϞāĻž āĻāĻĄāĻŧāĻžāϤ⧇ āφāϗ⧇ āĻĨ⧇āϕ⧇āχ āĻĨāĻžāĻ•āĻžāϰ āϜāĻžāϝāĻŧāĻ—āĻž āĻāĻŦāĻ‚ āĻĒā§āϰāϝāĻŧā§‹āϜāύ⧀āϝāĻŧ āĻĒā§āϰāĻŦ⧇āĻļ⧇āϰ āϟāĻŋāĻ•āĻŋāϟ āϏāĻ‚āϰāĻ•ā§āώāĻŖ āĻ•āϰ⧁āύāĨ¤
āĻ•āĻ°ā§āĻŖāĻžāϟāϕ⧇ āφāĻĒāύāĻžāϰ āĻ…āύāĻ¨ā§āϝ āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āĻ­ā§āϰāĻŽāĻŖ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύ, āĻāχ āĻ…āĻžā§āϚāϞ⧇āϰ āĻĒā§āϰāĻžāĻ•ā§ƒāϤāĻŋāĻ• āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝ, āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āϐāĻļā§āĻŦāĻ°ā§āϝ āĻāĻŦāĻ‚ āϏāĻžāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋāĻ• āĻŦ⧈āϚāĻŋāĻ¤ā§āĻ°ā§āϝ⧇āϰ āĻŽāĻŋāĻļā§āϰāĻŖāĨ¤

🙋āϕ⧇āω āĻ…āĻŦāĻšā§‡āϞāĻž āĻ•āϰ⧇ āĻāĻĄāĻŧāĻŋāϝāĻŧ⧇ āϝāĻžāĻŦ⧇āύ āύāĻžđŸ™đŸđŸ™5-āĻĻāĻŋāύ⧇āϰ āĻ…āύāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāĻ• āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āϏāĻĢāϰ⧇āϰ āϝāĻžāĻ¤ā§āϰāĻžāĻĒāĻĨāĻĻāĻŋāύ 1: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āφāĻ—āĻŽāύ āĻāĻŦāĻ‚ āϕ⧁āĻ°ā§āϗ⧇ ...
18/06/2025

🙋āϕ⧇āω āĻ…āĻŦāĻšā§‡āϞāĻž āĻ•āϰ⧇ āĻāĻĄāĻŧāĻŋāϝāĻŧ⧇ āϝāĻžāĻŦ⧇āύ āύāĻžđŸ™đŸđŸ™

5-āĻĻāĻŋāύ⧇āϰ āĻ…āύāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāĻ• āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āϏāĻĢāϰ⧇āϰ āϝāĻžāĻ¤ā§āϰāĻžāĻĒāĻĨ
āĻĻāĻŋāύ 1: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āφāĻ—āĻŽāύ āĻāĻŦāĻ‚ āϕ⧁āĻ°ā§āϗ⧇ āĻ¸ā§āĻĨāĻžāύāĻžāĻ¨ā§āϤāϰ
āϏāĻ•āĻžāϞ: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āĻĒ⧌āρāĻ›āĻžāύ, āϤāĻžāϰāĻĒāϰ āϕ⧁āĻ°ā§āϗ⧇ āϝāĻžāύ (āĻĒā§āϰāĻžāϝāĻŧ 6 āϘāĻ¨ā§āϟāĻž)āĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻ…ā§āϝāĻžāĻŦ⧇ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ: āĻ•āĻĢāĻŋāϰ āĻŦāĻžāĻ—āĻžāύ⧇ āĻ˜ā§‡āϰāĻž āĻāχ āϏ⧁āĻ¨ā§āĻĻāϰ āϜāϞāĻĒā§āϰāĻĒāĻžāϤāϟāĻŋ āϘ⧁āϰ⧇ āĻĻ⧇āϖ⧁āύāĨ¤
āϰāĻžāϜāĻžāϰ āφāϏāύ: āφāĻļ⧇āĻĒāĻžāĻļ⧇āϰ āĻĒāĻžāĻšāĻžāĻĄāĻŧ āĻāĻŦāĻ‚ āωāĻĒāĻ¤ā§āϝāĻ•āĻžāϰ āĻ…āĻ¤ā§āϝāĻžāĻļā§āϚāĻ°ā§āϝ āĻĻ⧃āĻļā§āϝ āϏāĻš āĻāχ āĻŦāĻžāĻ—āĻžāύāϟāĻŋ āĻĻ⧇āϖ⧁āύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻŽāĻžāĻĻāĻŋāϕ⧇āϰāĻŋ āĻĢā§‹āĻ°ā§āϟ: āĻāχ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻĻ⧁āĻ°ā§āĻ—āϟāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻ•āϰ⧁āύ, āϝ⧇āĻ–āĻžāύ⧇ āϕ⧁āĻ°ā§āϗ⧇āϰ āχāϤāĻŋāĻšāĻžāϏ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ⧇āϰ āĻāĻ•āϟāĻŋ āϝāĻžāĻĻ⧁āϘāϰāĻ“ āϰāϝāĻŧ⧇āϛ⧇āĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻĒāĻžāĻ¨ā§āĻĄāĻŋ āĻ•āĻžāϰāĻŋ āĻāĻŦāĻ‚ āĻŦāĻžāρāĻļ⧇āϰ āĻļ⧁āĻŸā§‡āϰ āϤāϰāĻ•āĻžāϰāĻŋāϰ āĻŽāϤ⧋ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āϏāĻžāĻĨ⧇ āĻāĻ•āϟāĻŋ āϐāϤāĻŋāĻšā§āϝāĻŦāĻžāĻšā§€ āϕ⧁āĻ°ā§āĻ—āĻŋ āĻ–āĻžāĻŦāĻžāϰ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āĻĻāĻŋāύ 2: āϕ⧁āĻ°ā§āĻ— āĻĨ⧇āϕ⧇ āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ
āϏāĻ•āĻžāϞ:
āĻĻ⧁āĻŦāĻžāϰ⧇ āĻāϞāĻŋāĻĢā§āϝāĻžāĻ¨ā§āϟ āĻ•ā§āϝāĻžāĻŽā§āĻĒ: āϏāĻ•āĻžāϞāϟāĻž āĻšāĻžāϤāĻŋāϰ āϏāĻžāĻĨ⧇ āφāϞāĻžāĻĒāϚāĻžāϰāĻŋāϤāĻžāϝāĻŧ āĻ•āĻžāϟāĻžāύ āĻāĻŦāĻ‚ āϕ⧋āϰāĻžāĻ•āϞ āϰāĻžāχāĻĄ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āĻŦāĻŋāĻ•āĻžāϞ: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ (āĻĒā§āϰāĻžāϝāĻŧ 3-4 āϘāĻ¨ā§āϟāĻž) āĻĄā§āϰāĻžāχāĻ­ āĻ•āϰ⧁āύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻŽā§āĻ˛ā§āϞāĻžāϝāĻŧāĻžāύāĻžāĻ—āĻŋāϰāĻŋ: āϏāĻŽāϝāĻŧ āĻ…āύ⧁āĻŽāϤāĻŋ āĻĻāĻŋāϞ⧇, āĻ…āĻ¤ā§āϝāĻžāĻļā§āϚāĻ°ā§āϝ āĻĻ⧃āĻļā§āϝ āĻāĻŦāĻ‚ āĻļā§€āϤāϞ āĻŦāĻžāϤāĻžāϏ⧇āϰ āϜāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāϕ⧇āϰ āϏāĻ°ā§āĻŦā§‹āĻšā§āϚ āĻļ⧃āĻ™ā§āĻ— āĻŽā§āĻ˛ā§āϞāĻžāϝāĻŧāĻžāύāĻžāĻ—āĻŋāϰāĻŋ āĻĒāϰāĻŋāĻĻāĻ°ā§āĻļāύ āĻ•āϰ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻāĻ•āϟāĻŋ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ–āĻžāĻŦāĻžāϰ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύ, āĻŽāĻžāϞāύāĻžāĻĻ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āĻ¸ā§āĻŦāĻžāĻĻ āύāĻŋāύāĨ¤
āĻĻāĻŋāύ 3: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ
āϏāĻ•āĻžāϞ:
āĻ•āĻĢāĻŋ āĻĒā§āĻ˛ā§āϝāĻžāĻ¨ā§āĻŸā§‡āĻļāύ āĻŸā§āϝ⧁āϰ: āĻāĻ•āϟāĻŋ āĻ•āĻĢāĻŋ āĻāĻ¸ā§āĻŸā§‡āĻŸā§‡āϰ āĻāĻ•āϟāĻŋ āύāĻŋāĻ°ā§āĻĻ⧇āĻļāĻŋāϤ āϏāĻĢāϰ āύāĻŋāύ āĻāĻŦāĻ‚ āĻ•āĻĢāĻŋ āϤ⧈āϰāĻŋāϰ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻž āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āϜāĻžāύ⧁āύāĨ¤
āĻšā§‡āĻŦā§āĻŦāĻŋ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ: āĻšā§‡āĻŦā§āĻŦāĻŋ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ āĻĨ⧇āϕ⧇ āĻŸā§āϰ⧇āĻ• āĻ•āϰ⧁āύ, āĻ•āĻĢāĻŋ āĻŦāĻžāĻ—āĻžāύ⧇āϰ āĻŽāĻžāĻā§‡ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤ āĻāĻ•āϟāĻŋ āϏ⧁āĻ¨ā§āĻĻāϰ āϜāϞāĻĒā§āϰāĻĒāĻžāϤāĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻŦāĻžāĻŦāĻž āĻŦ⧁āĻĻāĻžāĻ™ā§āĻ—āĻŋāϰāĻŋ: āϗ⧁āĻšāĻž āĻāĻŦāĻ‚ āϏ⧁āĻĢāĻŋ āϏāĻžāϧāĻ• āĻŦāĻžāĻŦāĻž āĻŦ⧁āĻĻāĻžāύ⧇āϰ āĻŽāĻžāϜāĻžāϰ⧇āϰ āϜāĻ¨ā§āϝ āĻĒāϰāĻŋāϚāĻŋāϤ āĻāχ āĻĒāĻ°ā§āĻŦāϤāĻļā§āϰ⧇āĻŖā§€āϤ⧇ āϝāĻžāύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻšāĻŋāϰ⧇āϕ⧋āϞāĻžāϞ⧇ āĻšā§āϰāĻĻ: āĻāχ āĻŽāύ⧋āϰāĻŽ āϞ⧇āϕ⧇āϰ āĻĒāĻžāĻļ⧇ āĻāĻ•āϟāĻŋ āĻļāĻžāĻ¨ā§āϤāĻŋāĻĒā§‚āĻ°ā§āĻŖ āϏāĻ¨ā§āĻ§ā§āϝāĻž āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻ•āĻžāĻ›āĻžāĻ•āĻžāĻ›āĻŋ āĻāĻ•āϟāĻŋ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āĻŽāĻžāϞāύāĻžāĻĻ⧇āϰ āϏ⧁āĻ¸ā§āĻŦāĻžāĻĻ⧁ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āĻ¸ā§āĻŦāĻžāĻĻ āύāĻŋāύāĨ¤
āĻĻāĻŋāύ 4: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ āĻĨ⧇āϕ⧇ āĻšāĻžāĻŽā§āĻĒāĻŋ
āϏāĻ•āĻžāϞ: āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āϜāĻ¨ā§āϝ āϤāĻžāĻĄāĻŧāĻžāϤāĻžāĻĄāĻŧāĻŋ āĻĒā§āϰāĻ¸ā§āĻĨāĻžāύ (āĻĒā§āϰāĻžāϝāĻŧ 6-7 āϘāĻ¨ā§āϟāĻž)āĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻŦāĻŋāϜāϝāĻŧāĻž āĻŦāĻŋāĻŸā§āϟāϞāĻž āĻŽāĻ¨ā§āĻĻāĻŋāϰ: āĻĒāĻžāĻĨāϰ⧇āϰ āϰāĻĨ āĻāĻŦāĻ‚ āĻŦāĻžāĻĻā§āϝāϝāĻ¨ā§āĻ¤ā§āϰ⧇āϰ āĻ¸ā§āϤāĻŽā§āϭ⧇āϰ āϜāĻ¨ā§āϝ āĻĒāϰāĻŋāϚāĻŋāϤ āĻāχ āφāχāĻ•āύāĻŋāĻ• āĻŽāĻ¨ā§āĻĻāĻŋāϰāϟāĻŋ āĻĻāĻŋāϝāĻŧ⧇ āĻšāĻžāĻŽā§āĻĒāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻļ⧁āϰ⧁ āĻ•āϰ⧁āύāĨ¤
āĻŦāĻŋāϰ⧁āĻĒāĻžāĻ•ā§āώ āĻŽāĻ¨ā§āĻĻāĻŋāϰ: āĻ­āĻ—āĻŦāĻžāύ āĻļāĻŋāĻŦ⧇āϰ āωāĻĻā§āĻĻ⧇āĻļā§āϝ⧇ āύāĻŋāĻŦ⧇āĻĻāĻŋāϤ āĻāχ āĻĒā§āϰāĻžāĻšā§€āύ āĻŽāĻ¨ā§āĻĻāĻŋāϰāϟāĻŋ āĻĻ⧇āϖ⧁āύ, āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āĻāĻ•āϟāĻŋ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻ˛ā§āϝāĻžāĻ¨ā§āĻĄāĻŽāĻžāĻ°ā§āĻ•āĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻšā§‡āĻŽāĻžāϕ⧁āϟāĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ: āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āĻ§ā§āĻŦāĻ‚āϏāĻžāĻŦāĻļ⧇āώ⧇āϰ āωāĻĒāϰ āĻāĻ•āϟāĻŋ āĻļā§āĻŦāĻžāϏāϰ⧁āĻĻā§āϧāĻ•āϰ āϏ⧂āĻ°ā§āϝāĻžāĻ¸ā§āϤ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰāϤ⧇ āĻšā§‡āĻŽāĻžāϕ⧁āϟāĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ⧇ āϚāĻĄāĻŧ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻāĻ•āϟāĻŋ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ­ā§‹āϜāύ āĻ•āϰ⧁āύ, āωāĻ¤ā§āϤāϰ āĻ•āĻ°ā§āĻŖāĻžāϟāϕ⧇āϰ āϐāϤāĻŋāĻšā§āϝāĻŦāĻžāĻšā§€ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āύāĻŽā§āύāĻž āύāĻŋāύāĨ¤
āĻĻāĻŋāύ 5: āĻšāĻžāĻŽā§āĻĒāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ
āϏāĻ•āĻžāϞ:
āĻšāĻžāĻŽā§āĻĒāĻŋ āĻŦāĻžāϜāĻžāϰ āĻāĻŦāĻ‚ āĻŽāύ⧋āϞāĻŋāĻĨāĻŋāĻ• āώāĻžāρāĻĄāĻŧ: āĻĒā§āϰāĻžāĻšā§€āύ āĻŦāĻžāϜāĻžāϰ⧇āϰ āϰāĻžāĻ¸ā§āϤāĻžāϟāĻŋ āϘ⧁āϰ⧇ āĻĻ⧇āϖ⧁āύ āĻāĻŦāĻ‚ āĻŦ⧃āĻšā§Ž āĻāĻ•āĻļāĻŋāϞāĻž āύāĻ¨ā§āĻĻā§€ āĻŽā§‚āĻ°ā§āϤāĻŋ āĻĻ⧇āϖ⧁āύāĨ¤
āϰāĻžāϜāϕ⧀āϝāĻŧ āĻ˜ā§‡āϰ: āĻŽāĻšāĻžāύāĻŦāĻŽā§€ āĻĄāĻŋāĻŦā§āĻŦāĻž, āĻ¸ā§āĻŸā§‡āĻĒāĻĄ āĻŸā§āϝāĻžāĻ™ā§āĻ• āĻāĻŦāĻ‚ āϰāĻžāĻŖā§€āϰ āĻ¸ā§āύāĻžāύ āϏāĻš āϰāϝāĻŧā§āϝāĻžāϞ āĻāύāĻ•ā§āϞ⧋āϏāĻžāϰ⧇ āϝāĻžāύāĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āϞ⧋āϟāĻžāϏ āĻŽāĻšāϞ āĻāĻŦāĻ‚ āĻšāĻžāϤāĻŋāϰ āφāĻ¸ā§āϤāĻžāĻŦāϞ: āϰāĻžāϜāϕ⧀āϝāĻŧ āĻ•āĻŽāĻĒā§āϞ⧇āĻ•ā§āϏ⧇āϰ āĻ…āĻ‚āĻļ āĻ›āĻŋāϞ āĻāχ āϏ⧁āĻ¨ā§āĻĻāϰ āĻ•āĻžāĻ āĻžāĻŽā§‹āϗ⧁āϞāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻ•āϰ⧁āύāĨ¤
āĻšāĻžāĻŽā§āĻĒāĻŋ āĻĒā§āϰāĻ¤ā§āύāϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āϝāĻžāĻĻ⧁āϘāϰ: āĻŦāĻŋāϜāϝāĻŧāύāĻ—āϰ āϏāĻžāĻŽā§āϰāĻžāĻœā§āϝ āϏāĻŽā§āĻĒāĻ°ā§āĻ•āĻŋāϤ āύāĻŋāĻĻāĻ°ā§āĻļāύ āĻāĻŦāĻ‚ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ⧀ āĻĻ⧇āĻ–āϤ⧇ āĻ•āĻŽāϞāĻžāĻĒ⧁āϰ⧇āϰ āϜāĻžāĻĻ⧁āϘāϰ⧇ āϝāĻžāύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻŽāĻžāϤāĻžāĻ™ā§āĻ—āĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ: āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āĻ§ā§āĻŦāĻ‚āϏāĻžāĻŦāĻļ⧇āώ āĻāĻŦāĻ‚ āĻ˛ā§āϝāĻžāĻ¨ā§āĻĄāĻ¸ā§āϕ⧇āĻĒ⧇āϰ āĻāĻ•āϟāĻŋ āĻŽāύ⧋āϰāĻŽ āĻĻ⧃āĻļā§āϝ⧇āϰ āϜāĻ¨ā§āϝ āĻŽāĻžāϤāĻžāĻ™ā§āĻ—āĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ⧇ āφāϰ⧋āĻšāĻŖ āĻ•āϰ⧁āύāĨ¤
āĻĒā§āϰāĻ¸ā§āĻĨāĻžāύ: āφāĻĒāύāĻžāϰ āĻ…āĻ—ā§āϰāĻŦāĻ°ā§āϤ⧀ āϝāĻžāĻ¤ā§āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ (āύāĻŋāĻ•āϟāϤāĻŽ āϰ⧇āϞāĻ“āϝāĻŧ⧇ āĻ¸ā§āĻŸā§‡āĻļāύ/āĻāϝāĻŧāĻžāϰāĻĒā§‹āĻ°ā§āϟ) āĻĢāĻŋāϰ⧇ āϝāĻžāύāĨ¤
āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧇ āĻ•āĻ°ā§āĻŖāĻžāϟāϕ⧇ āĻ­ā§āϰāĻŽāϪ⧇āϰ āϜāĻ¨ā§āϝ āϟāĻŋāĻĒāϏ
āĻĒā§‹āĻļāĻžāĻ•: āĻĻāĻŋāύ⧇āϰ āϜāĻ¨ā§āϝ āĻšāĻžāϞāĻ•āĻž, āύāĻŋāσāĻļā§āĻŦāĻžāϏ āύ⧇āĻ“āϝāĻŧāĻžāϰ āĻŽāϤ⧋ āĻĒā§‹āĻļāĻžāĻ• āĻāĻŦāĻ‚ āĻšāĻŋāϞ āĻ¸ā§āĻŸā§‡āĻļāύ⧇ āĻļā§€āϤāϞ āϏāĻ¨ā§āĻ§ā§āϝāĻžāϰ āϜāĻ¨ā§āϝ āĻāĻ•āϟāĻŋ āĻšāĻžāϞāĻ•āĻž āĻœā§āϝāĻžāϕ⧇āϟāĨ¤
āĻĒāĻžāĻĻ⧁āĻ•āĻž: āφāϰāĻžāĻŽāĻĻāĻžāϝāĻŧāĻ• āĻšāĻžāρāϟāĻžāϰ āϜ⧁āϤāĻž āĻ…āĻ¨ā§āĻŦ⧇āώāϪ⧇āϰ āϜāĻ¨ā§āϝ āφāĻŦāĻļā§āϝāĻ•āĨ¤
āĻ¸ā§āĻŦāĻžāĻ¸ā§āĻĨā§āϝ: āĻšāĻžāχāĻĄā§āϰ⧇āĻŸā§‡āĻĄ āĻĨāĻžāϕ⧁āύ, āϏāĻžāύāĻ¸ā§āĻ•ā§āϰāĻŋāύ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧁āύ āĻāĻŦāĻ‚ āϰ⧋āĻĻ āĻĨ⧇āϕ⧇ āύāĻŋāĻœā§‡āϕ⧇ āϰāĻ•ā§āώāĻž āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻāĻ•āϟāĻŋ āϟ⧁āĻĒāĻŋ āĻāĻŦāĻ‚ āϏāĻžāύāĻ—ā§āϞāĻžāϏ āĻŦāĻšāύ āĻ•āϰ⧁āύāĨ¤
āĻŦ⧁āĻ•āĻŋāĻ‚: āĻļ⧇āώ āĻŽā§āĻšā§‚āĻ°ā§āϤ⧇āϰ āĻāĻžāĻŽā§‡āϞāĻž āĻāĻĄāĻŧāĻžāϤ⧇ āφāϗ⧇ āĻĨ⧇āϕ⧇āχ āĻĨāĻžāĻ•āĻžāϰ āϜāĻžāϝāĻŧāĻ—āĻž āĻāĻŦāĻ‚ āĻĒā§āϰāϝāĻŧā§‹āϜāύ⧀āϝāĻŧ āĻĒā§āϰāĻŦ⧇āĻļ⧇āϰ āϟāĻŋāĻ•āĻŋāϟ āϏāĻ‚āϰāĻ•ā§āώāĻŖ āĻ•āϰ⧁āύāĨ¤
āĻ•āĻ°ā§āĻŖāĻžāϟāϕ⧇ āφāĻĒāύāĻžāϰ āĻ…āύāĻ¨ā§āϝ āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āĻ­ā§āϰāĻŽāĻŖ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύ, āĻāχ āĻ…āĻžā§āϚāϞ⧇āϰ āĻĒā§āϰāĻžāĻ•ā§ƒāϤāĻŋāĻ• āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝ, āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āϐāĻļā§āĻŦāĻ°ā§āϝ āĻāĻŦāĻ‚ āϏāĻžāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋāĻ• āĻŦ⧈āϚāĻŋāĻ¤ā§āĻ°ā§āϝ⧇āϰ āĻŽāĻŋāĻļā§āϰāĻŖāĨ¤

đŸ‘ī¸UđŸ‘ī¸Dua Lipa - ACTRESSThe Hidden Secrets Behind Dua Lipa’s Stellar Success---------------         ---------------------...
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đŸ‘ī¸UđŸ‘ī¸
Dua Lipa - ACTRESS
The Hidden Secrets Behind Dua Lipa’s Stellar Success---------------
-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
In the dazzling world of pop music, few stars shine as brightly as Dua Lipa. With a career that has seen meteoric rise, chart-topping hits, and a legion of adoring fans, the 28-year-old British-Albania singer-songwriter has become a global sensation. Yet behind the glitz and glamour lies a web of secrets that contribute to her phenomenal success. From hidden inspirations to strategic career moves, here’s an inside look at the untold facets of Dua Lipa’s journey to superstardom.
A Star is Born: The Early Struggles
Dua Lipa’s path to fame wasn’t paved with gold. Born in London to Alban

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🙋Ten Unknown Facts About

1. Founding and History: BMW, Bayerische Motoren Werke AG, was founded in 1916 in Munich, Germany, initially producing aircraft engines. The company transitioned to motor

The history of   â¤ī¸đŸŒˇđŸ’Œ    The History of PhotographyPhotography, the art and science of capturing images, has evolved dra...
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The history of â¤ī¸đŸŒˇđŸ’Œ



The History of Photography
Photography, the art and science of capturing images, has evolved dramatically since its inception. Here's a timeline of its key milestones:

1. Early Beginnings
Camera Obscura (5th Century BCE): The concept of projecting an image through a small hole was described by Chinese philosopher Mozi and later by Aristotle. It was used for artistic and scientific purposes but could not record images.

2. First Permanent Photograph (1826)
Joseph NicÊphore NiÊpce: In 1826, NiÊpce created the first permanent photograph, View from the Window at Le Gras, using a process called heliography. It required an 8-hour exposure on a pewter plate.

3. The Daguerreotype (1839)
Louis Daguerre: Daguerre introduced the daguerreotype process, which reduced exposure time to minutes and produced detailed, single-image photographs on silver-plated copper.

4. Calotype and Paper Negatives (1841)
William Henry Fox Talbot: Talbot invented the calotype process, which used paper negatives, allowing multiple copies of an image to be made. This was a precursor to modern photography.

5. Wet Plate Collodion Process (1851)
Frederick Scott Archer: The wet plate process improved image quality and reduced exposure times. However, it required photographers to develop images immediately, often in portable darkrooms.

6. Dry Plate Photography (1870s)
Richard Leach Maddox: The invention of dry plates eliminated the need for on-site chemical development, making photography more convenient and portable.

7. The Birth of Modern Photography (1888)
George Eastman and Kodak: Eastman revolutionized photography with the Kodak camera, which used roll film. The slogan "You press the button, we do the rest" made photography accessible to the masses.

8. Color Photography (1907)
Autochrome Lumière: The Lumière brothers introduced the first commercially successful color photography process using dyed grains of starch as filters.

9. Instant Photography (1948)
Polaroid Cameras: Invented by Edwin Land, the Polaroid camera allowed users to develop and print photos instantly, revolutionizing how people captured moments.

10. Digital Photography (1975)
Steven Sasson: The first digital camera was developed by Kodak engineer Steven Sasson. It captured images digitally rather than on film, marking the beginning of the digital era.









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đŸ•‰ī¸đŸ”ą Har Har Mahadev 🔱 đŸ•‰ī¸ Dua Lipa - ACTRESSThe Hidden Secrets Behind Dua Lipa’s Stellar Success---------------          ...
16/06/2025

đŸ•‰ī¸đŸ”ą Har Har Mahadev 🔱 đŸ•‰ī¸
Dua Lipa - ACTRESS
The Hidden Secrets Behind Dua Lipa’s Stellar Success---------------






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In the dazzling world of pop music, few stars shine as brightly as Dua Lipa. With a career that has seen meteoric rise, chart-topping hits, and a legion of adoring fans, the 28-year-old British-Albanian singer-songwriter has becomekkkk a global sensation. Yet behind the glitz and glamour lies a web of secrets that contribute to her phenomenal success. From hidden inspirations to strategic career moves, here’s an inside look at the untold facets of Dua Lipa’s journey to superstardom.
A Star is Born: The Early Struggles
Dua Lipa’s path to fame wasn’t paved with gold. Born in London to Albani

āϕ⧇āω āĻ…āĻŦāĻšā§‡āϞāĻž āĻ•āϰ⧇ āĻāĻĄāĻŧāĻŋāϝāĻŧ⧇ āϝāĻžāĻŦ⧇āύ āύāĻžđŸ™5-āĻĻāĻŋāύ⧇āϰ āĻ…āύāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāĻ• āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āϏāĻĢāϰ⧇āϰ āϝāĻžāĻ¤ā§āϰāĻžāĻĒāĻĨāĻĻāĻŋāύ 1: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āφāĻ—āĻŽāύ āĻāĻŦāĻ‚ āϕ⧁āĻ°ā§āϗ⧇ āĻ¸ā§āĻĨ...
15/06/2025

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5-āĻĻāĻŋāύ⧇āϰ āĻ…āύāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāĻ• āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āϏāĻĢāϰ⧇āϰ āϝāĻžāĻ¤ā§āϰāĻžāĻĒāĻĨ
āĻĻāĻŋāύ 1: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āφāĻ—āĻŽāύ āĻāĻŦāĻ‚ āϕ⧁āĻ°ā§āϗ⧇ āĻ¸ā§āĻĨāĻžāύāĻžāĻ¨ā§āϤāϰ
āϏāĻ•āĻžāϞ: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āĻĒ⧌āρāĻ›āĻžāύ, āϤāĻžāϰāĻĒāϰ āϕ⧁āĻ°ā§āϗ⧇ āϝāĻžāύ (āĻĒā§āϰāĻžāϝāĻŧ 6 āϘāĻ¨ā§āϟāĻž)āĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻ…ā§āϝāĻžāĻŦ⧇ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ: āĻ•āĻĢāĻŋāϰ āĻŦāĻžāĻ—āĻžāύ⧇ āĻ˜ā§‡āϰāĻž āĻāχ āϏ⧁āĻ¨ā§āĻĻāϰ āϜāϞāĻĒā§āϰāĻĒāĻžāϤāϟāĻŋ āϘ⧁āϰ⧇ āĻĻ⧇āϖ⧁āύāĨ¤
āϰāĻžāϜāĻžāϰ āφāϏāύ: āφāĻļ⧇āĻĒāĻžāĻļ⧇āϰ āĻĒāĻžāĻšāĻžāĻĄāĻŧ āĻāĻŦāĻ‚ āωāĻĒāĻ¤ā§āϝāĻ•āĻžāϰ āĻ…āĻ¤ā§āϝāĻžāĻļā§āϚāĻ°ā§āϝ āĻĻ⧃āĻļā§āϝ āϏāĻš āĻāχ āĻŦāĻžāĻ—āĻžāύāϟāĻŋ āĻĻ⧇āϖ⧁āύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻŽāĻžāĻĻāĻŋāϕ⧇āϰāĻŋ āĻĢā§‹āĻ°ā§āϟ: āĻāχ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻĻ⧁āĻ°ā§āĻ—āϟāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻ•āϰ⧁āύ, āϝ⧇āĻ–āĻžāύ⧇ āϕ⧁āĻ°ā§āϗ⧇āϰ āχāϤāĻŋāĻšāĻžāϏ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ⧇āϰ āĻāĻ•āϟāĻŋ āϝāĻžāĻĻ⧁āϘāϰāĻ“ āϰāϝāĻŧ⧇āϛ⧇āĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻĒāĻžāĻ¨ā§āĻĄāĻŋ āĻ•āĻžāϰāĻŋ āĻāĻŦāĻ‚ āĻŦāĻžāρāĻļ⧇āϰ āĻļ⧁āĻŸā§‡āϰ āϤāϰāĻ•āĻžāϰāĻŋāϰ āĻŽāϤ⧋ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āϏāĻžāĻĨ⧇ āĻāĻ•āϟāĻŋ āϐāϤāĻŋāĻšā§āϝāĻŦāĻžāĻšā§€ āϕ⧁āĻ°ā§āĻ—āĻŋ āĻ–āĻžāĻŦāĻžāϰ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āĻĻāĻŋāύ 2: āϕ⧁āĻ°ā§āĻ— āĻĨ⧇āϕ⧇ āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ
āϏāĻ•āĻžāϞ:
āĻĻ⧁āĻŦāĻžāϰ⧇ āĻāϞāĻŋāĻĢā§āϝāĻžāĻ¨ā§āϟ āĻ•ā§āϝāĻžāĻŽā§āĻĒ: āϏāĻ•āĻžāϞāϟāĻž āĻšāĻžāϤāĻŋāϰ āϏāĻžāĻĨ⧇ āφāϞāĻžāĻĒāϚāĻžāϰāĻŋāϤāĻžāϝāĻŧ āĻ•āĻžāϟāĻžāύ āĻāĻŦāĻ‚ āϕ⧋āϰāĻžāĻ•āϞ āϰāĻžāχāĻĄ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āĻŦāĻŋāĻ•āĻžāϞ: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ (āĻĒā§āϰāĻžāϝāĻŧ 3-4 āϘāĻ¨ā§āϟāĻž) āĻĄā§āϰāĻžāχāĻ­ āĻ•āϰ⧁āύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻŽā§āĻ˛ā§āϞāĻžāϝāĻŧāĻžāύāĻžāĻ—āĻŋāϰāĻŋ: āϏāĻŽāϝāĻŧ āĻ…āύ⧁āĻŽāϤāĻŋ āĻĻāĻŋāϞ⧇, āĻ…āĻ¤ā§āϝāĻžāĻļā§āϚāĻ°ā§āϝ āĻĻ⧃āĻļā§āϝ āĻāĻŦāĻ‚ āĻļā§€āϤāϞ āĻŦāĻžāϤāĻžāϏ⧇āϰ āϜāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāϕ⧇āϰ āϏāĻ°ā§āĻŦā§‹āĻšā§āϚ āĻļ⧃āĻ™ā§āĻ— āĻŽā§āĻ˛ā§āϞāĻžāϝāĻŧāĻžāύāĻžāĻ—āĻŋāϰāĻŋ āĻĒāϰāĻŋāĻĻāĻ°ā§āĻļāύ āĻ•āϰ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻāĻ•āϟāĻŋ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ–āĻžāĻŦāĻžāϰ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύ, āĻŽāĻžāϞāύāĻžāĻĻ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āĻ¸ā§āĻŦāĻžāĻĻ āύāĻŋāύāĨ¤
āĻĻāĻŋāύ 3: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ
āϏāĻ•āĻžāϞ:
āĻ•āĻĢāĻŋ āĻĒā§āĻ˛ā§āϝāĻžāĻ¨ā§āĻŸā§‡āĻļāύ āĻŸā§āϝ⧁āϰ: āĻāĻ•āϟāĻŋ āĻ•āĻĢāĻŋ āĻāĻ¸ā§āĻŸā§‡āĻŸā§‡āϰ āĻāĻ•āϟāĻŋ āύāĻŋāĻ°ā§āĻĻ⧇āĻļāĻŋāϤ āϏāĻĢāϰ āύāĻŋāύ āĻāĻŦāĻ‚ āĻ•āĻĢāĻŋ āϤ⧈āϰāĻŋāϰ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻž āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āϜāĻžāύ⧁āύāĨ¤
āĻšā§‡āĻŦā§āĻŦāĻŋ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ: āĻšā§‡āĻŦā§āĻŦāĻŋ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ āĻĨ⧇āϕ⧇ āĻŸā§āϰ⧇āĻ• āĻ•āϰ⧁āύ, āĻ•āĻĢāĻŋ āĻŦāĻžāĻ—āĻžāύ⧇āϰ āĻŽāĻžāĻā§‡ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤ āĻāĻ•āϟāĻŋ āϏ⧁āĻ¨ā§āĻĻāϰ āϜāϞāĻĒā§āϰāĻĒāĻžāϤāĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻŦāĻžāĻŦāĻž āĻŦ⧁āĻĻāĻžāĻ™ā§āĻ—āĻŋāϰāĻŋ: āϗ⧁āĻšāĻž āĻāĻŦāĻ‚ āϏ⧁āĻĢāĻŋ āϏāĻžāϧāĻ• āĻŦāĻžāĻŦāĻž āĻŦ⧁āĻĻāĻžāύ⧇āϰ āĻŽāĻžāϜāĻžāϰ⧇āϰ āϜāĻ¨ā§āϝ āĻĒāϰāĻŋāϚāĻŋāϤ āĻāχ āĻĒāĻ°ā§āĻŦāϤāĻļā§āϰ⧇āĻŖā§€āϤ⧇ āϝāĻžāύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻšāĻŋāϰ⧇āϕ⧋āϞāĻžāϞ⧇ āĻšā§āϰāĻĻ: āĻāχ āĻŽāύ⧋āϰāĻŽ āϞ⧇āϕ⧇āϰ āĻĒāĻžāĻļ⧇ āĻāĻ•āϟāĻŋ āĻļāĻžāĻ¨ā§āϤāĻŋāĻĒā§‚āĻ°ā§āĻŖ āϏāĻ¨ā§āĻ§ā§āϝāĻž āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻ•āĻžāĻ›āĻžāĻ•āĻžāĻ›āĻŋ āĻāĻ•āϟāĻŋ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āĻŽāĻžāϞāύāĻžāĻĻ⧇āϰ āϏ⧁āĻ¸ā§āĻŦāĻžāĻĻ⧁ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āĻ¸ā§āĻŦāĻžāĻĻ āύāĻŋāύāĨ¤
āĻĻāĻŋāύ 4: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ āĻĨ⧇āϕ⧇ āĻšāĻžāĻŽā§āĻĒāĻŋ
āϏāĻ•āĻžāϞ: āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āϜāĻ¨ā§āϝ āϤāĻžāĻĄāĻŧāĻžāϤāĻžāĻĄāĻŧāĻŋ āĻĒā§āϰāĻ¸ā§āĻĨāĻžāύ (āĻĒā§āϰāĻžāϝāĻŧ 6-7 āϘāĻ¨ā§āϟāĻž)āĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻŦāĻŋāϜāϝāĻŧāĻž āĻŦāĻŋāĻŸā§āϟāϞāĻž āĻŽāĻ¨ā§āĻĻāĻŋāϰ: āĻĒāĻžāĻĨāϰ⧇āϰ āϰāĻĨ āĻāĻŦāĻ‚ āĻŦāĻžāĻĻā§āϝāϝāĻ¨ā§āĻ¤ā§āϰ⧇āϰ āĻ¸ā§āϤāĻŽā§āϭ⧇āϰ āϜāĻ¨ā§āϝ āĻĒāϰāĻŋāϚāĻŋāϤ āĻāχ āφāχāĻ•āύāĻŋāĻ• āĻŽāĻ¨ā§āĻĻāĻŋāϰāϟāĻŋ āĻĻāĻŋāϝāĻŧ⧇ āĻšāĻžāĻŽā§āĻĒāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻļ⧁āϰ⧁ āĻ•āϰ⧁āύāĨ¤
āĻŦāĻŋāϰ⧁āĻĒāĻžāĻ•ā§āώ āĻŽāĻ¨ā§āĻĻāĻŋāϰ: āĻ­āĻ—āĻŦāĻžāύ āĻļāĻŋāĻŦ⧇āϰ āωāĻĻā§āĻĻ⧇āĻļā§āϝ⧇ āύāĻŋāĻŦ⧇āĻĻāĻŋāϤ āĻāχ āĻĒā§āϰāĻžāĻšā§€āύ āĻŽāĻ¨ā§āĻĻāĻŋāϰāϟāĻŋ āĻĻ⧇āϖ⧁āύ, āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āĻāĻ•āϟāĻŋ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻ˛ā§āϝāĻžāĻ¨ā§āĻĄāĻŽāĻžāĻ°ā§āĻ•āĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻšā§‡āĻŽāĻžāϕ⧁āϟāĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ: āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āĻ§ā§āĻŦāĻ‚āϏāĻžāĻŦāĻļ⧇āώ⧇āϰ āωāĻĒāϰ āĻāĻ•āϟāĻŋ āĻļā§āĻŦāĻžāϏāϰ⧁āĻĻā§āϧāĻ•āϰ āϏ⧂āĻ°ā§āϝāĻžāĻ¸ā§āϤ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰāϤ⧇ āĻšā§‡āĻŽāĻžāϕ⧁āϟāĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ⧇ āϚāĻĄāĻŧ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻāĻ•āϟāĻŋ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ­ā§‹āϜāύ āĻ•āϰ⧁āύ,

āϕ⧇āω āĻ…āĻŦāĻšā§‡āϞāĻž āĻ•āϰ⧇ āĻāĻĄāĻŧāĻŋāϝāĻŧ⧇ āϝāĻžāĻŦ⧇āύ āύāĻžđŸ™ âŖī¸đŸ’šāϜāϝāĻŧ āϜāĻ—āĻ¨ā§āύāĻžāĻĨđŸ’šâŖī¸5-āĻĻāĻŋāύ⧇āϰ āĻ…āύāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāĻ• āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āϏāĻĢāϰ⧇āϰ āϝāĻžāĻ¤ā§āϰāĻžāĻĒāĻĨāĻĻāĻŋāύ 1: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āφ...
15/06/2025

āϕ⧇āω āĻ…āĻŦāĻšā§‡āϞāĻž āĻ•āϰ⧇ āĻāĻĄāĻŧāĻŋāϝāĻŧ⧇ āϝāĻžāĻŦ⧇āύ āύāĻžđŸ™
âŖī¸đŸ’šāϜāϝāĻŧ āϜāĻ—āĻ¨ā§āύāĻžāĻĨđŸ’šâŖī¸
5-āĻĻāĻŋāύ⧇āϰ āĻ…āύāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāĻ• āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āϏāĻĢāϰ⧇āϰ āϝāĻžāĻ¤ā§āϰāĻžāĻĒāĻĨ
āĻĻāĻŋāύ 1: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āφāĻ—āĻŽāύ āĻāĻŦāĻ‚ āϕ⧁āĻ°ā§āϗ⧇ āĻ¸ā§āĻĨāĻžāύāĻžāĻ¨ā§āϤāϰ
āϏāĻ•āĻžāϞ: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āĻĒ⧌āρāĻ›āĻžāύ, āϤāĻžāϰāĻĒāϰ āϕ⧁āĻ°ā§āϗ⧇ āϝāĻžāύ (āĻĒā§āϰāĻžāϝāĻŧ 6 āϘāĻ¨ā§āϟāĻž)āĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻ…ā§āϝāĻžāĻŦ⧇ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ: āĻ•āĻĢāĻŋāϰ āĻŦāĻžāĻ—āĻžāύ⧇ āĻ˜ā§‡āϰāĻž āĻāχ āϏ⧁āĻ¨ā§āĻĻāϰ āϜāϞāĻĒā§āϰāĻĒāĻžāϤāϟāĻŋ āϘ⧁āϰ⧇ āĻĻ⧇āϖ⧁āύāĨ¤
āϰāĻžāϜāĻžāϰ āφāϏāύ: āφāĻļ⧇āĻĒāĻžāĻļ⧇āϰ āĻĒāĻžāĻšāĻžāĻĄāĻŧ āĻāĻŦāĻ‚ āωāĻĒāĻ¤ā§āϝāĻ•āĻžāϰ āĻ…āĻ¤ā§āϝāĻžāĻļā§āϚāĻ°ā§āϝ āĻĻ⧃āĻļā§āϝ āϏāĻš āĻāχ āĻŦāĻžāĻ—āĻžāύāϟāĻŋ āĻĻ⧇āϖ⧁āύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻŽāĻžāĻĻāĻŋāϕ⧇āϰāĻŋ āĻĢā§‹āĻ°ā§āϟ: āĻāχ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻĻ⧁āĻ°ā§āĻ—āϟāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻ•āϰ⧁āύ, āϝ⧇āĻ–āĻžāύ⧇ āϕ⧁āĻ°ā§āϗ⧇āϰ āχāϤāĻŋāĻšāĻžāϏ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ⧇āϰ āĻāĻ•āϟāĻŋ āϝāĻžāĻĻ⧁āϘāϰāĻ“ āϰāϝāĻŧ⧇āϛ⧇āĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻĒāĻžāĻ¨ā§āĻĄāĻŋ āĻ•āĻžāϰāĻŋ āĻāĻŦāĻ‚ āĻŦāĻžāρāĻļ⧇āϰ āĻļ⧁āĻŸā§‡āϰ āϤāϰāĻ•āĻžāϰāĻŋāϰ āĻŽāϤ⧋ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āϏāĻžāĻĨ⧇ āĻāĻ•āϟāĻŋ āϐāϤāĻŋāĻšā§āϝāĻŦāĻžāĻšā§€ āϕ⧁āĻ°ā§āĻ—āĻŋ āĻ–āĻžāĻŦāĻžāϰ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āĻĻāĻŋāύ 2: āϕ⧁āĻ°ā§āĻ— āĻĨ⧇āϕ⧇ āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ
āϏāĻ•āĻžāϞ:
āĻĻ⧁āĻŦāĻžāϰ⧇ āĻāϞāĻŋāĻĢā§āϝāĻžāĻ¨ā§āϟ āĻ•ā§āϝāĻžāĻŽā§āĻĒ: āϏāĻ•āĻžāϞāϟāĻž āĻšāĻžāϤāĻŋāϰ āϏāĻžāĻĨ⧇ āφāϞāĻžāĻĒāϚāĻžāϰāĻŋāϤāĻžāϝāĻŧ āĻ•āĻžāϟāĻžāύ āĻāĻŦāĻ‚ āϕ⧋āϰāĻžāĻ•āϞ āϰāĻžāχāĻĄ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āĻŦāĻŋāĻ•āĻžāϞ: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ (āĻĒā§āϰāĻžāϝāĻŧ 3-4 āϘāĻ¨ā§āϟāĻž) āĻĄā§āϰāĻžāχāĻ­ āĻ•āϰ⧁āύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻŽā§āĻ˛ā§āϞāĻžāϝāĻŧāĻžāύāĻžāĻ—āĻŋāϰāĻŋ: āϏāĻŽāϝāĻŧ āĻ…āύ⧁āĻŽāϤāĻŋ āĻĻāĻŋāϞ⧇, āĻ…āĻ¤ā§āϝāĻžāĻļā§āϚāĻ°ā§āϝ āĻĻ⧃āĻļā§āϝ āĻāĻŦāĻ‚ āĻļā§€āϤāϞ āĻŦāĻžāϤāĻžāϏ⧇āϰ āϜāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāϕ⧇āϰ āϏāĻ°ā§āĻŦā§‹āĻšā§āϚ āĻļ⧃āĻ™ā§āĻ— āĻŽā§āĻ˛ā§āϞāĻžāϝāĻŧāĻžāύāĻžāĻ—āĻŋāϰāĻŋ āĻĒāϰāĻŋāĻĻāĻ°ā§āĻļāύ āĻ•āϰ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻāĻ•āϟāĻŋ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ–āĻžāĻŦāĻžāϰ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύ, āĻŽāĻžāϞāύāĻžāĻĻ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āĻ¸ā§āĻŦāĻžāĻĻ āύāĻŋāύāĨ¤
āĻĻāĻŋāύ 3: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ
āϏāĻ•āĻžāϞ:
āĻ•āĻĢāĻŋ āĻĒā§āĻ˛ā§āϝāĻžāĻ¨ā§āĻŸā§‡āĻļāύ āĻŸā§āϝ⧁āϰ: āĻāĻ•āϟāĻŋ āĻ•āĻĢāĻŋ āĻāĻ¸ā§āĻŸā§‡āĻŸā§‡āϰ āĻāĻ•āϟāĻŋ āύāĻŋāĻ°ā§āĻĻ⧇āĻļāĻŋāϤ āϏāĻĢāϰ āύāĻŋāύ āĻāĻŦāĻ‚ āĻ•āĻĢāĻŋ āϤ⧈āϰāĻŋāϰ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻž āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āϜāĻžāύ⧁āύāĨ¤
āĻšā§‡āĻŦā§āĻŦāĻŋ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ: āĻšā§‡āĻŦā§āĻŦāĻŋ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ āĻĨ⧇āϕ⧇ āĻŸā§āϰ⧇āĻ• āĻ•āϰ⧁āύ, āĻ•āĻĢāĻŋ āĻŦāĻžāĻ—āĻžāύ⧇āϰ āĻŽāĻžāĻā§‡ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤ āĻāĻ•āϟāĻŋ āϏ⧁āĻ¨ā§āĻĻāϰ āϜāϞāĻĒā§āϰāĻĒāĻžāϤāĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻŦāĻžāĻŦāĻž āĻŦ⧁āĻĻāĻžāĻ™ā§āĻ—āĻŋāϰāĻŋ: āϗ⧁āĻšāĻž āĻāĻŦāĻ‚ āϏ⧁āĻĢāĻŋ āϏāĻžāϧāĻ• āĻŦāĻžāĻŦāĻž āĻŦ⧁āĻĻāĻžāύ⧇āϰ āĻŽāĻžāϜāĻžāϰ⧇āϰ āϜāĻ¨ā§āϝ āĻĒāϰāĻŋāϚāĻŋāϤ āĻāχ āĻĒāĻ°ā§āĻŦāϤāĻļā§āϰ⧇āĻŖā§€āϤ⧇ āϝāĻžāύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻšāĻŋāϰ⧇āϕ⧋āϞāĻžāϞ⧇ āĻšā§āϰāĻĻ: āĻāχ āĻŽāύ⧋āϰāĻŽ āϞ⧇āϕ⧇āϰ āĻĒāĻžāĻļ⧇ āĻāĻ•āϟāĻŋ āĻļāĻžāĻ¨ā§āϤāĻŋāĻĒā§‚āĻ°ā§āĻŖ āϏāĻ¨ā§āĻ§ā§āϝāĻž āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻ•āĻžāĻ›āĻžāĻ•āĻžāĻ›āĻŋ āĻāĻ•āϟāĻŋ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āĻŽāĻžāϞāύāĻžāĻĻ⧇āϰ āϏ⧁āĻ¸ā§āĻŦāĻžāĻĻ⧁ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āĻ¸ā§āĻŦāĻžāĻĻ āύāĻŋāύāĨ¤
āĻĻāĻŋāύ 4: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ āĻĨ⧇āϕ⧇ āĻšāĻžāĻŽā§āĻĒāĻŋ
āϏāĻ•āĻžāϞ: āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āϜāĻ¨ā§āϝ āϤāĻžāĻĄāĻŧāĻžāϤāĻžāĻĄāĻŧāĻŋ āĻĒā§āϰāĻ¸ā§āĻĨāĻžāύ (āĻĒā§āϰāĻžāϝāĻŧ 6-7 āϘāĻ¨ā§āϟāĻž)āĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻŦāĻŋāϜāϝāĻŧāĻž āĻŦāĻŋāĻŸā§āϟāϞāĻž āĻŽāĻ¨ā§āĻĻāĻŋāϰ: āĻĒāĻžāĻĨāϰ⧇āϰ āϰāĻĨ āĻāĻŦāĻ‚ āĻŦāĻžāĻĻā§āϝāϝāĻ¨ā§āĻ¤ā§āϰ⧇āϰ āĻ¸ā§āϤāĻŽā§āϭ⧇āϰ āϜāĻ¨ā§āϝ āĻĒāϰāĻŋāϚāĻŋāϤ āĻāχ āφāχāĻ•āύāĻŋāĻ• āĻŽāĻ¨ā§āĻĻāĻŋāϰāϟāĻŋ āĻĻāĻŋāϝāĻŧ⧇ āĻšāĻžāĻŽā§āĻĒāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻļ⧁āϰ⧁ āĻ•āϰ⧁āύāĨ¤
āĻŦāĻŋāϰ⧁āĻĒāĻžāĻ•ā§āώ āĻŽāĻ¨ā§āĻĻāĻŋāϰ: āĻ­āĻ—āĻŦāĻžāύ āĻļāĻŋāĻŦ⧇āϰ āωāĻĻā§āĻĻ⧇āĻļā§āϝ⧇ āύāĻŋāĻŦ⧇āĻĻāĻŋāϤ āĻāχ āĻĒā§āϰāĻžāĻšā§€āύ āĻŽāĻ¨ā§āĻĻāĻŋāϰāϟāĻŋ āĻĻ⧇āϖ⧁āύ, āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āĻāĻ•āϟāĻŋ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻ˛ā§āϝāĻžāĻ¨ā§āĻĄāĻŽāĻžāĻ°ā§āĻ•āĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻšā§‡āĻŽāĻžāϕ⧁āϟāĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ: āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āĻ§ā§āĻŦāĻ‚āϏāĻžāĻŦāĻļ⧇āώ⧇āϰ āωāĻĒāϰ āĻāĻ•āϟāĻŋ āĻļā§āĻŦāĻžāϏāϰ⧁āĻĻā§āϧāĻ•āϰ āϏ⧂āĻ°ā§āϝāĻžāĻ¸ā§āϤ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰāϤ⧇ āĻšā§‡āĻŽāĻžāϕ⧁āϟāĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ⧇ āϚāĻĄāĻŧ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻāĻ•āϟāĻŋ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ­ā§‹āϜāύ āĻ•āϰ⧁āύ, āωāĻ¤ā§āϤāϰ āĻ•āĻ°ā§āĻŖāĻžāϟāϕ⧇āϰ āϐāϤāĻŋāĻšā§āϝāĻŦāĻžāĻšā§€ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āύāĻŽā§āύāĻž āύāĻŋāύāĨ¤
āĻĻāĻŋāύ 5: āĻšāĻžāĻŽā§āĻĒāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ
āϏāĻ•āĻžāϞ:
āĻšāĻžāĻŽā§āĻĒāĻŋ āĻŦāĻžāϜāĻžāϰ āĻāĻŦāĻ‚ āĻŽāύ⧋āϞāĻŋāĻĨāĻŋāĻ• āώāĻžāρāĻĄāĻŧ: āĻĒā§āϰāĻžāĻšā§€āύ āĻŦāĻžāϜāĻžāϰ⧇āϰ āϰāĻžāĻ¸ā§āϤāĻžāϟāĻŋ āϘ⧁āϰ⧇ āĻĻ⧇āϖ⧁āύ āĻāĻŦāĻ‚ āĻŦ⧃āĻšā§Ž āĻāĻ•āĻļāĻŋāϞāĻž āύāĻ¨ā§āĻĻā§€ āĻŽā§‚āĻ°ā§āϤāĻŋ āĻĻ⧇āϖ⧁āύāĨ¤
āϰāĻžāϜāϕ⧀āϝāĻŧ āĻ˜ā§‡āϰ: āĻŽāĻšāĻžāύāĻŦāĻŽā§€ āĻĄāĻŋāĻŦā§āĻŦāĻž, āĻ¸ā§āĻŸā§‡āĻĒāĻĄ āĻŸā§āϝāĻžāĻ™ā§āĻ• āĻāĻŦāĻ‚ āϰāĻžāĻŖā§€āϰ āĻ¸ā§āύāĻžāύ āϏāĻš āϰāϝāĻŧā§āϝāĻžāϞ āĻāύāĻ•ā§āϞ⧋āϏāĻžāϰ⧇ āϝāĻžāύāĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āϞ⧋āϟāĻžāϏ āĻŽāĻšāϞ āĻāĻŦāĻ‚ āĻšāĻžāϤāĻŋāϰ āφāĻ¸ā§āϤāĻžāĻŦāϞ: āϰāĻžāϜāϕ⧀āϝāĻŧ āĻ•āĻŽāĻĒā§āϞ⧇āĻ•ā§āϏ⧇āϰ āĻ…āĻ‚āĻļ āĻ›āĻŋāϞ āĻāχ āϏ⧁āĻ¨ā§āĻĻāϰ āĻ•āĻžāĻ āĻžāĻŽā§‹āϗ⧁āϞāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻ•āϰ⧁āύāĨ¤
āĻšāĻžāĻŽā§āĻĒāĻŋ āĻĒā§āϰāĻ¤ā§āύāϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āϝāĻžāĻĻ⧁āϘāϰ: āĻŦāĻŋāϜāϝāĻŧāύāĻ—āϰ āϏāĻžāĻŽā§āϰāĻžāĻœā§āϝ āϏāĻŽā§āĻĒāĻ°ā§āĻ•āĻŋāϤ āύāĻŋāĻĻāĻ°ā§āĻļāύ āĻāĻŦāĻ‚ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ⧀ āĻĻ⧇āĻ–āϤ⧇ āĻ•āĻŽāϞāĻžāĻĒ⧁āϰ⧇āϰ āϜāĻžāĻĻ⧁āϘāϰ⧇ āϝāĻžāύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
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The history of   💕đŸĨ°đŸĒđŸŒ‘âœī¸The History of PhotographyPhotography, the art and science of capturing images, has evolved drama...
14/06/2025

The history of 💕đŸĨ°đŸĒđŸŒ‘âœī¸

The History of Photography
Photography, the art and science of capturing images, has evolved dramatically since its inception. Here's a timeline of its key milestones:

1. Early Beginnings
Camera Obscura (5th Century BCE): The concept of projecting an image through a small hole was described by Chinese philosopher Mozi and later by Aristotle. It was used for artistic and scientific purposes but could not record images.

2. First Permanent Photograph (1826)
Joseph NicÊphore NiÊpce: In 1826, NiÊpce created the first permanent photograph, View from the Window at Le Gras, using a process called heliography. It required an 8-hour exposure on a pewter plate.

3. The Daguerreotype (1839)
Louis Daguerre: Daguerre introduced the daguerreotype process, which reduced exposure time to minutes and produced detailed, single-image photographs on silver-plated copper.

4. Calotype and Paper Negatives (1841)
William Henry Fox Talbot: Talbot invented the calotype process, which used paper negatives, allowing multiple copies of an image to be made. This was a precursor to modern photography.

5. Wet Plate Collodion Process (1851)
Frederick Scott Archer: The wet plate process improved image quality and reduced exposure times. However, it required photographers to develop images immediately, often in portable darkrooms.

6. Dry Plate Photography (1870s)
Richard Leach Maddox: The invention of dry plates eliminated the need for on-site chemical development, making photography more convenient and portable.

7. The Birth of Modern Photography (1888)
George Eastman and Kodak: Eastman revolutionized photography with the Kodak camera, which used roll film. The slogan "You press the button, we do the rest" made photography accessible to the masses.

8. Color Photography (1907)
Autochrome Lumière: The Lumière brothers introduced the first commercially successful color photography process using dyed grains of starch as filters.

9. Instant Photography (1948)
Polaroid Cameras: Invented by Edwin Land, the Polaroid camera allowed users to develop and print photos instantly, revolutionizing how people captured moments.

10. Digital Photography (1975)
Steven Sasson: The first digital camera was developed by Kodak engineer Steven Sasson. It captured images digitally rather than on film, marking the beginning of the digital era.




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