Kolkata Theatre Guide

Kolkata Theatre Guide Indian Theatre, Performing Arts & Cultural Magazine based in Kolkata, West Bengal

Kolkata Theatre Guide is an Indian Magazine, Archive, Study, and Creativity Group passionately devoted to the realm of Theatre, Performing Arts, Multi-Disciplinary Arts, and Cultural Studies. Based in the vibrant city of Kolkata, West Bengal, our platform serves as a comprehensive resource hub and creative space for enthusiasts, practitioners, and scholars alike. From showcasing the rich heritage

of traditional performances to exploring avant-garde expressions, we strive to foster a deeper understanding and appreciation of the arts. Through engaging content, insightful analysis, and community collaboration, we aim to promote dialogue, celebrate diversity, and inspire artistic innovation. Whether you're an avid theatregoer, an aspiring artist, or an academic researcher, Kolkata Theatre Guide welcomes you to join our journey of exploration, learning, and celebration of the performing arts.

The Indian stage mourns the loss of a towering figure with the passing of master mime artist and theatre practitioner Ra...
01/11/2025

The Indian stage mourns the loss of a towering figure with the passing of master mime artist and theatre practitioner Ranen Chakraborty. He mastered the gift of crafting narratives in silence—shaping gestures, breath, stillness, and movement into stories that touched hearts with quiet resonance. As the founder of the Kolkata-based mime collective Mimic, he devoted his life not merely to performance, but equally to pedagogy—drawing young aspirants close, nurturing in them discipline and inner clarity.

For him, mime was never the absence of speech, but a language of its own. He believed deeply that silence, held with intention, speaks more truthfully than many words. He was also one of the key forces who carried mime beyond traditional performing spaces, bringing it into the open.

As a mentor and educator, he shaped countless students across theatre spaces and institutions, guiding them toward understanding how the body can become narrative, emotion, and character all at once. He taught that the stage is not merely a place of expression, but a space of presence—where one learns to listen, not just speak.

His passing leaves a profound stillness—one that carries both grief and tribute. Yet within that silence remains his legacy: the memory of a man who understood the eloquence of movement, who communicated without uttering a syllable. The poetry he created through silence will continue to live in our hearts.

As Maa departs, she leaves behind a glow — of warmth, hope, and quiet remembrance. May that light guide our hearts and o...
02/10/2025

As Maa departs, she leaves behind a glow — of warmth, hope, and quiet remembrance. May that light guide our hearts and our art, keeping alive the spirit of togetherness and creation in every story we tell.

 As the beats of the dhak echo across the city of joy and the fragrance of shiuli blossoms fill the autumn air, Kolkata ...
26/09/2025



As the beats of the dhak echo across the city of joy and the fragrance of shiuli blossoms fill the autumn air, Kolkata adorns herself once again in the colours of celebration.

Durga Puja is not only a festival of devotion but also of culture, art and togetherness—an embrace of creativity that mirrors the very spirit of theatre. Just as the stage brings alive stories of humanity, Puja brings us closer to our roots, our community, and our shared joy.

May Maa Durga bless us all with strength, wisdom, and harmony. Here’s wishing you and your loved ones days filled with laughter, light, and timeless memories.

From all of us at Kolkata Theatre Guide, Subho Sarodia!

14th Sep 2025, 6.30 PM | Academy of Fine Arts, KolkataAshokenagar Natyaanan Presents “Meghnad”Written by: Sudipta Bhowmi...
13/09/2025

14th Sep 2025, 6.30 PM | Academy of Fine Arts, Kolkata
Ashokenagar Natyaanan Presents “Meghnad”
Written by: Sudipta Bhowmick
Direction: Chandan Sen

Summary
Meghnad is Ashokenagar Natyaanan’s evocative new production, inspired by the life and vision of one of India’s greatest scientific minds—Meghnad Saha. Celebrated for formulating the ionisation equation that unlocked the mysteries of the stars, Saha was much more than an astrophysicist; he was a thinker, reformer, and institution-builder who believed science must serve society. Founder of the Saha Institute of Nuclear Physics and the journal Science and Culture, he gave India not only new knowledge but also new platforms for discovery. Fiercely rational and fearlessly outspoken, he stood against superstition, caste prejudice, and divisive politics, carrying his convictions from the classroom to the Parliament. In Meghnad, his brilliance becomes inseparable from his humanism—a portrait of a man who saw knowledge as liberation, and science as a weapon of progress and equality. Featuring Chandan Sen, Shantilal Mukherjee, Panchanan Banerjee, Rwitobroto Mukherjee, Rajatshubhra Bhattacharya, and the entire Natyaanan ensemble, the play resonates as both a tribute and a call to dream of a nation lit by reason and guided by courage.

14th Sep 2025, 6.00 PM | Girish Mancha, KolkataRooptapas Presents “Sanko”Written by: Ritwik GhatakDirection: Kaushik Gho...
13/09/2025

14th Sep 2025, 6.00 PM | Girish Mancha, Kolkata
Rooptapas Presents “Sanko”
Written by: Ritwik Ghatak
Direction: Kaushik Ghosh

Ritwik Ghatak’s Sanko is a searing exploration of memory, guilt, and reconciliation in the shadow of Partition. The play unfolds in the wake of the 1946 Calcutta riots and the brutal division of Bengal, when wounds of violence were still raw and festering. At its heart lies the story of Mohsin, a gentle, music-loving youth from East Bengal, whose fate becomes entangled with that of Sagar, a Hindu boy from this side of the border. What begins as a chance encounter during the chaos of riots transforms, years later, into a journey of repentance as Sagar seeks forgiveness from Mohsin’s grieving family. In a world fractured by religion and borders, Sanko dares to imagine love, compassion, and shared humanity as bridges stronger than any divide. With its piercing portrayal of loss and reconciliation, the play resonates as both a lament for a divided Bengal and a call to recognize the unbreakable unity of a people bound by their language, culture, and humanity.

13th Sep 2025, 2.30 PM | Tapan Theatre, KolkataGhyaghashur Presents “Telenapota Abishkar”Playwright: Niladri MukherjeeDi...
12/09/2025

13th Sep 2025, 2.30 PM | Tapan Theatre, Kolkata
Ghyaghashur Presents “Telenapota Abishkar”
Playwright: Niladri Mukherjee
Direction: Srijak Chatterjee

Premendra Mitra’s Telenapota Abishkar is not merely a tale of a forgotten village—it is a haunting journey into memory, desire, and the quiet tragedies of life. Telenapota, once abandoned to the scourge of malaria, stands as a half-living, half-forgotten world where time seems to have stopped. Into this silence arrive three young men from Kolkata, restless wanderers seeking escape from the ordinary. What they discover instead is a story suspended between illusion and reality: Jamini, a woman bound by the promises of an absent lover, and her blind mother, who clings stubbornly to hope. As the visitors weave themselves into this fragile web of faith and deception, the line between truth and make-believe grows perilously thin. With an ensemble led by Niladri Mukherjee, Bhaskar Banik, Anirban Pal, Abhinandana De, Dhruva Mukherjee, Harinank Chakraborty, Sumita Bhattacharya, Upamanyu Kar, Soumendranath Dutta, and Neelargya Dutta, the play resonates as a lyrical meditation on love, absence, and the ghosts that linger in forgotten places.

13th Sep 2025, 6.30 PM | Academy of Fine Arts, KolkataBaksara Mati Presents “6th August 1945”Direction: Swagata Chatterj...
12/09/2025

13th Sep 2025, 6.30 PM | Academy of Fine Arts, Kolkata
Baksara Mati Presents “6th August 1945”
Direction: Swagata Chatterjee

Inspired by Badal Sircar’s timeless classic Tringsha Shatabdi, 6th August 1945 explores the haunting echoes of history through the lens of a theatre troupe. The narrative unfolds during rehearsals, where the struggles of staging a play become strangely intertwined with the agony of the Hiroshima bombing. At first, the actors cannot grasp the depth of the work, but director Aniruddha’s unshakable resolve slowly compels them to confront the weight of history—science, war, guilt, and self-examination. Yet, challenges persist: financial struggles, lack of space, and absences within the group. As the ensemble pushes forward, the play transforms into a searing warning, forcing audiences to ask: “Who is responsible—the scientist, the soldier, or the state?” With a young cast including Soumen Chakraborty, Rajrakhal, Ankush Banerjee, Rujana, Moumita Dutta, Biswajit Hazra, Arghya Adhikari, Arghyadeep, Aditya, and Partha Sarathi Sarkar, this production stands as both a tribute to Badal Sircar and a call to reflect on the moral cost of civilization’s progress.

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12th Sep 2025, 6.30 PM | CLT Aban Mahal, KolkataJadavpur Manthan Presents “Ramanujan”Adaptation & Direction: Rajib Bardh...
11/09/2025

12th Sep 2025, 6.30 PM | CLT Aban Mahal, Kolkata
Jadavpur Manthan Presents “Ramanujan”
Adaptation & Direction: Rajib Bardhan

“Ramanujan” brings to stage the extraordinary journey of Srinivasa Ramanujan, the legendary mathematician whose intuitive brilliance continues to influence modern science. Rooted in Indian spiritual traditions yet crossing into the world of Western academia, the play reflects on faith, intellect, and the human struggles that accompany genius. It is as much about Ramanujan as it is about the women and mentors who shaped his path, making it a tale of destiny, devotion, and discovery. With a powerful ensemble cast featuring Monalisa Chatterjee, Sandip Chatterjee, Biswabasu Biswas, Debabrata Das, Ish*ta Majumdar, Aishiki Ghatak, Ritwik Sarkar, Suman Kundu, Jeesha Paira, Suhaan Kapoor, Nilpakhi Sanphui, Indrani Mitra, Runa Mitra, Sarthak Kapoor, Suchhayan Banerjee, Sourav Chakraborty, Sarmistha Chakraborty, Aahritaa Bardhan, Ayan Mallick, and Sanjay Pal, this production promises a thought-provoking and deeply moving theatrical experience.

03 Sep 2025, 6.30 PM | Madhusudan Mancha, KolkataKuhak (Alipore) Presents “Achalayatan”Playwright: Rabindranath Tagore |...
02/09/2025

03 Sep 2025, 6.30 PM | Madhusudan Mancha, Kolkata
Kuhak (Alipore) Presents “Achalayatan”
Playwright: Rabindranath Tagore | Direction & Choreography: Amit Nandy

Rabindranath Tagore’s Achalayatan is a timeless play that questions blind faith, rigid institutions, and the meaning of true freedom. Set against the backdrop of a strict religious establishment, the drama explores the clash between tradition and awakening, between static authority and the search for truth. With its deep reflections on education, power, and the human spirit, the play remains as relevant today as it was when first written. It challenges us to think about whether true enlightenment comes from unquestioned discipline—or from the courage to seek one’s own path.

1st Sep 2025, 6.30 PM | Academy of Fine Arts, KolkataSundaram Natyasangstha Presents “Lahore 1947”Playwright: Asgar Waja...
31/08/2025

1st Sep 2025, 6.30 PM | Academy of Fine Arts, Kolkata
Sundaram Natyasangstha Presents “Lahore 1947”
Playwright: Asgar Wajahat | Bengali Translation: Arindam Dasgupta
Direction: Biplab Bandopadhyay

In Lahore 1947, Biplab Bandopadhyay turns once more to theatre as a space of memory, resistance, and healing. Adapted by Arindam Dasgupta from Asgar Wajahat’s celebrated Jis Lahore Nahi Dekha Woh Janmahi Nahi, and directed by Biplab Bandopadhyay, the play is both a story and a lament — a song of loss that speaks across generations. Against the burning horizon of Partition, a Muslim family enters a home claimed by history’s violence, only to find it still inhabited by an aged Hindu woman who refuses to yield. What might have been a clash of ownership deepens into an encounter of wounds, silences, and unexpected tenderness. Identities waver, certainties falter, and in the rubble of division arises the fragile possibility of empathy. For Sundaram, whose legacy is inseparable from the late Manoj Mitra’s vision of meaningful theatre, this production is both homage and renewal — a reminder that even in fractured times, the stage can still dream of a world bound not by borders but by humanity.

1st Sep 2025, 6.30 PM | Sisir Mancha, KolkataAshoknagar Natyamukh Presents “Vemular Ramayan”Playwright: Anshuman Kar | D...
31/08/2025

1st Sep 2025, 6.30 PM | Sisir Mancha, Kolkata
Ashoknagar Natyamukh Presents “Vemular Ramayan”
Playwright: Anshuman Kar | Direction: Avi Chakraborty

Written by Anshuman Kar and directed by Avi Chakraborty, Vemular Ramayan stages a dialogue between past and present, myth and history, privilege and resistance. At its core is a juxtaposition: Rohit Vemula, the young Dalit scholar whose final letter exposed the violence of exclusion, and Shambook, the outcast of the Ramayana slain for daring to perform penance. Through Shambook’s act of defiance and Rohit’s despair, alongside the testimony of Riaz, Vemula’s close friend, the play reveals the long shadow of caste oppression in India — a system preserved by the power of the privileged. But more than remembrance, it is a call: to confront discrimination, to reimagine belonging, and to work toward an India shaped by inclusivity and equity. Vemular Ramayan is both lament and protest, an urgent theatre of resistance.

31st Aug 2025, 6.30 PM | Madhusudan Mancha, KolkataAshoknagar Natyamukh Presents “Shakespeare Must Die”Playwright: Shara...
30/08/2025

31st Aug 2025, 6.30 PM | Madhusudan Mancha, Kolkata
Ashoknagar Natyamukh Presents “Shakespeare Must Die”
Playwright: Sharanya Dey | Direction: Avi Chakraborty

Shakespeare Must Die conjures an extraordinary encounter where Lear, Macbeth, Othello, and Hamlet rise from the ashes of their own tragedies. Haunted by witches and weighed down by memory, these fallen kings and warriors confront one another — and themselves — in a dialogue of remorse, defiance, and futile hope. Can the tragic hero ever escape the architecture of his own doom? Or does time, with its unyielding cycles, conspire to keep them bound in repetition? Directed by Avi Chakraborty, this play transforms Shakespeare’s towering figures into mirrors of our own dilemmas, reflecting the eternal struggle between change and inevitability, guilt and redemption. A theatre of shadows and reckonings, it is less about what ends than about what refuses to end.

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