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Code of Silence is a gripping six-part crime thriller that stands out for its fresh perspective and authentic portrayal ...
07/08/2025

Code of Silence is a gripping six-part crime thriller that stands out for its fresh perspective and authentic portrayal of the deaf community. While the undercover crime narrative follows familiar beats, it’s elevated by thoughtful writing, sharp direction, and a rare, sensitive focus on communication barriers faced by deaf individuals. Clever visual storytelling immerses us in Alison’s perspective, enriching the show’s emotional and thematic depth. The supporting cast – Andrew Buchan and Charlotte Ritchie as conflicted detectives, and Fifi Garfield as Alison’s mother – bring gravitas to the unfolding drama. But it’s Ayling-Ellis’s nuanced, grounded portrayal that makes this crime thriller a compelling watch.

Chief of War is a sweeping historical drama set in 18th-century Hawaii, following Ka‘iana (Jason Momoa), a former warrio...
07/08/2025

Chief of War is a sweeping historical drama set in 18th-century Hawaii, following Ka‘iana (Jason Momoa), a former warrior lured back into a deadly power struggle among rival island kingdoms. Told primarily in the Hawaiian language, the series is visually striking and culturally immersive, with powerful performances and stunning production design. The storytelling is deliberate, blending myth and political conflict into a grounded, emotional narrative. Jason Momoa leads with intensity and heart, supported by a strong ensemble cast. With its commitment to authenticity and its refusal to flatten history into cliché, ‘Chief of War’ stands apart—an epic not just of war, but of identity, resistance, and who gets to write the past.

  is a slice-of-life dramedy set in the bustling lanes of old Ghaziabad, revolving around the everyday chaos of the Kata...
07/08/2025

is a slice-of-life dramedy set in the bustling lanes of old Ghaziabad, revolving around the everyday chaos of the Kataria family. Directed by Ameet Guptha, this seven-episode series (each under 30 minutes) thrives on the mundane—household chores and casual arguments—that gradually reveal deep familial bonds. It may not aim for emotional depth, but it delivers an honest, relatable portrait of middle-class life. The show is elevated by quietly powerful performances from Chaddha and Tailang

 : Goofball detective Frank Drebin Jr (Liam Neeson) must solve a murder case with the aid of the deceased’s sister Beth ...
06/08/2025

: Goofball detective Frank Drebin Jr (Liam Neeson) must solve a murder case with the aid of the deceased’s sister Beth (Pamela Anderson). Before Taken there was Schindler’s List (1993) but Liam Neeson is widely known for his action movies. At 73, it looks like the man had had enough of ‘I will find you, and I will kill you’. He now wants to amuse you and himself. The Naked Gun gives him the perfect opportunity. Director Akiva Schaffer brings the Leslie Nielsen’s Naked Gun movies to a new audience, while retaining its mad essence and dumb theatrics. Here, the story is not absurd, absurdity is the story. Delectably dumb and delirious, you break into fits of laughter until your sides ache. Pamela Anderson, feminine and exuding an old-world charm, plays a woman in love beautifully. Her sweet and tender chemistry with Neeson elevates the film, even when the plot decides to take a vacation. While the film is predominantly a madcap comedy, action lovers won’t be too disappointed with Neeson at the helm of the Police Squad. There’s enough and more action to keep you hooked

  returns with more swagger, new faces, and bolder ambitions. The animation is once again a highlight as it merges a dyn...
06/08/2025

returns with more swagger, new faces, and bolder ambitions. The animation is once again a highlight as it merges a dynamic, vibrant, and confidently stylised heist visuals with comic-book flair. Sam Rockwell’s Mr. Wolf oozes charisma, while Marc Maron’s Mr Snake gets a satisfying emotional arc. Newcomer Danielle Brooks adds a cool edge as Kitty Kat, and the Bad Girls crew brings a fun twist without feeling like token additions. The sequel ups the action and humour, though its story occasionally gets tangled in too many moving parts. Some characters are underused, and the third act feels more setup than resolution. Still, with its fast pace, visual inventiveness, and witty heart, it delivers an enjoyable ride that families and fans of the original will appreciate

 : The remake of the Tamil movie Pariyerum Perumal, and a sequel to Dhadak, delivers several heart‑wrenching moments dep...
06/08/2025

: The remake of the Tamil movie Pariyerum Perumal, and a sequel to Dhadak, delivers several heart‑wrenching moments depicting the injustice and violence inflicted upon oppressed castes. However, the narrative focuses heavily on Nilesh’s oppression, making the romantic arc between the leads feel underdeveloped. Despite the intense subject matter, the film finds room for moments of humour that land well. The pacing is steady, and Iqbal’s direction is effective, though the final payoff could have been stronger. The music, especially Duniya Alag and Bas Ek Dhadak, complements the narrative

 : Director Vijay Kumar Arora’s slapstick comedy follows Jassi (Ajay Devgn), who pretends to be a war hero to help a you...
06/08/2025

: Director Vijay Kumar Arora’s slapstick comedy follows Jassi (Ajay Devgn), who pretends to be a war hero to help a young woman impress her boyfriend’s family and win their approval for marriage. The storyline may be thin, but this standalone sequel to 2012’s Son of Sardaar has some entertaining moments, with Indo-Pak rivalry jokes and one-liners will keep you in splits. However, as the story progresses, the narrative becomes overstuffed with over-the-top tracks where some of the comedy misses the mark. The climax is convoluted, predictable, and over‑dramatised. Devgn as the endearing sardar shines in both comedy and emotional scenes. Mrunal Thakur holds her own. Ravi Kishan, Mukul Dev, and Vindu Dara Singh share good onscreen chemistry with their comic timing. Sanjay Mishra, however, remains underutilised

  has an intriguing premise — a small-town journalist (Vineet Kumar Singh) becomes a gi**lo to get back at his cheating ...
27/07/2025

has an intriguing premise — a small-town journalist (Vineet Kumar Singh) becomes a gi**lo to get back at his cheating wife (Rajshri Deshpande) — but squanders it with confused storytelling and tonal inconsistency. What starts as a potentially edgy exploration of masculinity and revenge quickly loses focus, veering into repetitive, aimless episodes. Vineet Kumar Singh is miscast as Adarsh, lacking the charm or depth the role demands. Rajshri Deshpande is underused in a one-note role, while supporting actors like Taaruk Raina and Sheeba Chaddha inject some much-needed energy. Despite flashes of promise and a few quirky characters, the show can’t decide if it wants to be satire, drama, or dark comedy– and ends up being none. Visually inconsistent and emotionally shallow, ‘Rangeen’ is a classic case of a strong concept undone by weak ex*****on. It promises spice but delivers something bland

 : Based on Michael Robotham’s novel of the same name, the thriller follows a clinical psychologist, Dr Joe O’Loughlin (...
27/07/2025

: Based on Michael Robotham’s novel of the same name, the thriller follows a clinical psychologist, Dr Joe O’Loughlin (Aidan Turner), who turns from being an advisor on a murder case to its prime suspect. The tightly packed series directed by James Strong and Camilla Strøm Henriksen keeps you engaged throughout its five-episode run, though the spotlight remains more on O’Loughlin’s struggle than on the investigation. The procedural aspect feels less refined, and detectives DI Vince Ruiz (Shaun Parkes) and DS Riya Devi (Anjli Mohindra) are largely left grappling with circumstantial evidence, and the cat-and-mouse chase often feels unconvincing
Aidan Turner stands out as the conflicted lead portraying an accomplished psychologist and a shifty suspect. While Shaun Parkes and Anjli Mohindra deliver strong performances, Bobby Schofield shines as a troubled patient

  is an ambitious crime thriller that blends myth, murder, and mystery across two timelines – 1950s and 2025. The series...
27/07/2025

is an ambitious crime thriller that blends myth, murder, and mystery across two timelines – 1950s and 2025. The series builds a chilling world that’s as moody as it is immersive. Visually striking and atmospherically rich, the show is powered by strong performances, especially from Vaani, Vaibhav, and Surveen. However, its sprawling narrative, frequent time jumps, and dense lore make the plot feel overstuffed. Despite a few pacing silences, it holds enough intrigue and mystery to keep you hooked, ending on a cliffhanger that teases more sinister revelations ahead

  : Kayoze Irani’s directorial venture opens with a gripping military operation and a heady mix of high-octane action, t...
27/07/2025

: Kayoze Irani’s directorial venture opens with a gripping military operation and a heady mix of high-octane action, tension, and patriotic fervour. However, the story and screenplay by Soumil Shukla and Arun Singh turn formulaic, and the ex*****on falters. Patriotism, parental love, and the central conflict lack conviction, rendering everything somewhat superficial. The pacing is tight, but the film offers little real engagement. Prithviraj Sukumaran delivers a strong performance as a man torn between duty and family, while Kajol brings depth to her role. Ibrahim Ali Khan shows promise, but his characterisation leaves much to be desired

  is a psychological thriller set in the misty hills of Himachal Pradesh, where a missing woman’s case turns into a tens...
27/07/2025

is a psychological thriller set in the misty hills of Himachal Pradesh, where a missing woman’s case turns into a tense chase. Director Man Singh, who also plays Inspector Dev, delivers an engaging opening and keeps the narrative even, though the tension never truly peaks. Performances are decent across the board, with Vikram Kochhar adding some unpredictability as the temperamental cab driver. The atmospheric setting and striking cinematography create the right mood, but the loud background score feels unnecessary and distracting. Despite its modest scale and a familiar storyline, the film redeems itself with a neat twist in the end

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