In 1946, novelist and activist Mulk Raj Anand, along with a group of 14 artists, art historians and architects, founded MARG (Modern Architectural Research Group) in an India on the threshold of Independence. Over the last 75 years, our magazine and books have been a forum for pioneering research in Indian art and are acclaimed for their standards of production and editorial content.
11/12/2025
Here's a reminder in case you forgot!
Click the link in our bio to get your Marg subscription now. Or write to us at [email protected]
Art magazine, art history, tattoos, perfume, painting, art, sculpture, Jain art, video games, indie games, gaming, Indian art, archaeology, coins, numismatics, art publication, journal, volumes, subscribe
05/12/2025
Read more about the many meanings and rituals associated with coins in Zoroastrian culture in Marzbeen Jila’s () article in The Third Side of the Coin, edited by Joe Cribb.
Find the volume through the link in our bio!
Art history, coin, numismatics, history, material culture, art magazine, Zoroastrian culture, Parsi, wedding, ritual, marg magazine,
28/11/2025
Meet the Speakers!
They will be in Hyderabad on Sunday, 1st of December, for a discussion on The Risha: History in a Narrow Weave. Join us if you're in Hyderabad!
Hyderabad, book talk, lecture, discussion, textile, art history, Indian history, art and culture, Risha, clothing, photography, north east India, Tripura, art magazine
24/11/2025
|New issue alert|
Marg’s latest release “On Painted Ground” is out now!
Guest edited by Aurogeeta Das, the volume explores floor paintings in India - the intricate looping, labyrinthine patterns that are hand-drawn and ephemeral.
Their forms embody a myriad of meanings from the cosmological and devotional to the philosophical and ecological. Made to vanish—erased by wind, weather, footsteps, objects or animals—these drawings allow moments of divine manifestation, fleeting though they might be.
This Marg brings together eight essays on the diverse floor drawing practices of India and the ways in which they have adapted, both stylistically and symbolically, to a changing world. Drawing on a range of disciplinary approaches, including ethnography, art history and mathematics, they provide a comprehensive view of their aesthetics and cultural significance.
Get a hold of this publication on our website - link in bio!
Magazine, painting, art history, art and culture, Indian art, floor painting, art magazine, new issue, publication, floor drawing, ethnography, art
03/11/2025
|EVENT ALERT|
We're hosting a virtual event!
Marg brings you a talk on Video Games: Lila/Maya on the 10th of November, at 10 PM IST. Souvik Mukherjee, the guest editor of the volume, will be in conversation with Casey O'Donnell, Soraya Murray and Xenia Zeller.
Join us from wherever you are!
Once you've registered, we will send you a link to attend the talk.
Talk | virtual event | digital | seminar | lecture | book | magazine | art history | history | video games | indie games | gaming | Indian art | Indian history | art and culture | virtual | event | author | online event | marg magazine | art magazine |
30/10/2025
The Royal Asiatic Society of Great Britain and Ireland and The Marg Foundation invite you to a discussion on our recent volume, The Third Side of the Coin. The conversation between Joe Cribb, Robert Bracey and Marzbeen Jila will be moderated by Naman P. Ahuja. Join us on the 13th of November at 6:30 PM. We’re excited to see you there!
No registration required. Swipe for details.
You can grab copies of the volume at the venue, along with Marg subscription forms.
Art history | lecture | discussion | London | coins | numismatics | art magazine| publication | material history | culture | UK | history |
28/10/2025
We are in the UK! Marg returns to the United Kingdom through a series of lectures by our General Editor, Naman P. Ahuja (), exploring themes from our recent and forthcoming volumes.
The first of these begins tomorrow, October 29, at the McDonald Institute, opening a few weeks of conversations on questions of historicity and museology surrounding the Piprahwa relics, the importance of Phanigiri within the larger network of contemporaneous Buddhist complexes in Asia, and the history of coins—seen not merely as objects of archaeological or economic value, but as bearers of the sacred and the precious.
talk | lecture | the United Kingdom | Buddhism | Archaeology | Art Magazine | art history | history | Indian History
24/10/2025
Read more in Marg Volume 75 Number 2, The Histories of Indian Perfume. The volume is available on our website!
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Perfume | Indian History | art history | flower | scent | history | Indian art | culture
14/10/2025
Meet the Speakers!
They will be at the Birla Academy of Art and Culture () in Kolkata on the 18th of October, Saturday for a talk on the Marg volume Video Games: Lila/Maya.
Register for the event via the link in our bio.
03/10/2025
You're on the right Marg!
Gear up for our Grand Annual Sale, with discounts you can't (and shouldn't) ignore. This time, the sale lasts a whole week, so get your carts ready and make the most of the festive season.
01/10/2025
Read more in "Indian Tattoos: Only Skin Deep?". This volume has been edited by Naman P. Ahuja. Find it on our website or through the link in our bio!
26/09/2025
Applique has been in use in Central Asia and Tibet from prehistoric times, featuring in tent decorations, domestic furnishings, alter decorations and religious dance costumes . To meet the great quantity of appliqued works required, monasteries established workshops and great lamas travelled with personal applique masters. Traditionally Tibetan applique is made of cut pieces of silk, mixed sometimes with wool, cotton, or leather, sewn onto a cloth background to produce a pattern or picture much like a painting, with embroidered and painted details. Edges are usually emphasized using cording made of silk thread wrapped around horsehair. In Tibetan tradition, the spiritual presence of a religious image is enhanced by the material out of which it is made. Precious substances are concrete analogies of spiritual value and it is for this reason that statues are encrusted with jewels, and banners sewn with golden brocades and pearls. The appliqued banners would be rolled out - on steep, bare hillsides or down specially constructed walls for religious ceremonies allowing them to be viewed in reverence by the thousands of monks and lay practitioners gathered for the teachings and blessings bestowed at such ceremonies. Such banners are in the class of great spiritual icons called Mt ' on grol, "liberation through sight", images which radiate a spiritual presence that can remind onlookers of their own inherent enlightenment.
Read more in the article “Fabric Images and their special role in Tibet” in Marg volume 48 Number 1. While this rare older volume is out of print, you can head to our website to purchase a digital copy accessible on any device!
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Marg is a Mumbai-based not-for-profit publisher whose mission is to encourage an understanding of Indian art in the broadest sense of the term. It strives to light up “many dark corners” in India’s cultural landscape and to spark debate on all aspects of heritage among academics, critics and interested general readers.
Since its inception in 1946, our quarterly magazine has reflected new trends, new research and new scholarship, from both upcoming and established art historians and scholars. The magazine is aimed at a wide audience and seeks to forge a connection between art and life.
Marg’s quarterly books, published simultaneously with the magazine from 1977 to 2009, have since diverged into independent publications, each a landmark contribution.
Among other avenues we pursue, Marg has been publishing special books outside the quarterly series in a variety of formats.
We have also produced thought-provoking documentary films on India’s architectural heritage and changing urban spaces, steered by eminent scholars and practitioners.
Marg has been privileged to have Mulk Raj Anand as Founder Editor from 1946 to 1981, followed by Saryu Doshi (1981–86), Pratapaditya Pal (1993–2012), Vidya Dehejia (2012–15), and Co-Editors Jyotindra Jain and Naman P. Ahuja (2015 onwards).