02/01/2026
In 1982, Stevie Ray Vaughan and Double Trouble found themselves auditioning for Rolling Stones Records—and suddenly brushing shoulders with rock royalty.
On April 22, the band flew to New York City for a one-off showcase at Danceteria. Mick Jagger had already seen a tape and liked what he heard, and tour manager Chesley Millikin pushed the point: these guys had to be seen live. What followed was a private party performance for the Stones, with guests that included Jagger, Ronnie Wood, Johnny Winter, and Andy Warhol. A post-show snapshot—SRV drenched in sweat, cigarette in hand, seated beside a beaming Jagger—soon landed in Rolling Stone’s “Random Notes,” igniting rumors that a deal was imminent.
It didn’t happen. Jagger ultimately passed, famously shrugging that while he liked the band, “everybody knows the blues doesn’t sell.” Around the same time, Double Trouble opened shows for The Clash, whose hard-core fans booed them so relentlessly that both camps agreed to cut a planned two-night stand down to one.
Still, momentum was building. Legendary producer Jerry Wexler caught the band live and raved to the organizers of the Montreux Jazz Festival, who booked them for July 17, 1982. It was a world away from Texas roadhouses—Swiss audiences, international press, and a sea of rock stars.
After the set, David Bowie asked to meet them and invited Stevie Ray to play on his next album. Jackson Browne jammed with the band and, learning they were unsigned, offered free studio time to cut demos.
Bowie’s album became Let's Dance, with Stevie Ray’s searing solos—especially on the title track—turning heads everywhere. Those demos soon reached John Hammond, the talent scout who had signed everyone from Benny Goodman to Bruce Springsteen. Hammond convinced Epic Records to sign Stevie Ray Vaughan—on the condition, insisted by SRV, that Double Trouble came with him.
The rest followed fast. Texas Flood arrived in 1983, launching an 18-month tour and a rapid rise. The band returned to the studio for Couldn't Stand the Weather, and the blues—supposedly unsellable—roared into the mainstream.