07/07/2026
“The debut of LOVE LOVE [a performance by Arnbjörg María Danielsen] imagined a surreal Martian tennis landscape built through music, sculpture, choreography, scent and collaboration. […] More than any single project in the festival, LOVE LOVE demonstrated how Reykjavík dissolves distinctions between artistic disciplines, treating collaboration itself as a creative medium.”
“ VIIbra transformed the environment of the concert venue Harpa by arranging chairs in a circle with two openings for the group’s procession." Breath barely resolved into notes, rippling through the space in call-and-response, as performers moved through and around the crowd.
Here, interdisciplinarity is both a programming strategy and a vision for how art might function in society: participatory, interconnected and embedded in everyday life.