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Hiriketiya is a small, enclosed bay on Sri Lanka’s southern coast, where jungle leans toward the water and the days unfo...
25/09/2026

Hiriketiya is a small, enclosed bay on Sri Lanka’s southern coast, where jungle leans toward the water and the days unfold without urgency.
Passing through in early 2025 on the way to Europe, Alex Albrecht spent a week here at MOND’s artist residency, allowing the rhythms of the place to quietly shape the work that followed.
During the residency, Albrecht recorded and exchanged ideas with Sri Lankan musicians Dhyan Basho on sitar, Dinelka Liyanage on electronics, Uvindu Perera on double bass and Pasindu Herath on saxophone.
Their performances appear throughout the album, sampled and re-contextualised, influencing its melodic language, pacing and emotional tone.

Much of the music was shaped directly by its surroundings. Field recordings were gathered across Hiriketiya, and instruments were played wherever it felt necessary. This included rocks beside the ocean where waves set irregular rhythms, tall grasslands where wind and insects blend into the recordings, and open decks overlooking the sea. ‘Round Table’ captures this approach most clearly. Recorded while sitting together overlooking the ocean, a large steel table in front of the group gradually became part of the composition, used instinctively as an unplanned percussive element.

Toshifumi Hinata - Broken Belief ✨ Back in stock
25/09/2026

Toshifumi Hinata - Broken Belief ✨ Back in stock

A collaborative album by two Japanese electronic and experimental legends!Yasushi Yamash*ta, 1/2 of the renowned duo Ino...
24/09/2026

A collaborative album by two Japanese electronic and experimental legends!

Yasushi Yamash*ta, 1/2 of the renowned duo Inoyama Land, pioneers of ambient and Kankyō Ongaku, and Asuna, author of the renowned concert/performance “100 Keyboards” numerous solo albums, and a critically acclaimed LP recorded with Jan Jelinek. Two generations of Japanese electronic pioneers on one album. Only 200 copies of this vinyl edition are available, so don’t miss out!

traces the contours of a blend of spiritual jazz reverence and the calming grandeur of ‘80s ambient. Inspired by Christo...
23/09/2026

traces the contours of a blend of spiritual jazz reverence and the calming grandeur of ‘80s ambient. Inspired by Christopher Nolan’s observation that “time is the most fundamental part of our human experience,” the compositions are approached as fragments of time and memory. Meditations on the elusive nature of time form the heart of the work, merging freeform jazz improvisations with cyclical synthesizer patterns that mirror its quiet undulations. Dreamy synths intertwine with guitar, harp, trumpet, flugelhorn, saxophone, and flute, creating a spacious environment for contemplation. The music invites reflection on the choices that shape our lives and the lives of those closest to us, and on the quiet weight of our priorities within the brief span we call life on this planet. Each passage unfolds as a fleeting moment suspended in time. The subtitles hint at fragments from someone’s diary, tender observations of love, parenthood, and connection. Together, the passages form a musical memoir of sorts, where memory and emotion are gently woven into the compositions. Passages in Time does not impose structure or meaning, it reflects them, offering an open space as the instruments drift in and out of focus, tracing time’s subtle rhythms and inviting the listener to infuse their own memories and meaning into these passages. The album also marks a transformation for the Quartet project itself. Langstrakt (Claus Noreen), part of the original ensemble, continues to operate the synthesizers alongside Bjørke, while the wider constellation of contributing musicians has evolved.

Originally released in 2014 on cassette and digital only, Till Human Voices Wake Us was the first album by the Iranian a...
22/09/2026

Originally released in 2014 on cassette and digital only, Till Human Voices Wake Us was the first album by the Iranian artist on Umor Rex. It became a key work in our catalog, and now, 12 years later, it is available on vinyl for the first time. This is the first in a series of four special, limited reissues to be released in 2026 to mark the 20th anniversary of Umor Rex.

Till Human Voices Wake Us comprises ten tracks with a clear and carefully structured script, based on poems by T.S. Eliot, highlighting Siavash Amini’s work as a composer for theater, film, and art exhibitions. His music deliberately leans toward ambient expressions, at times recalling Morricone’s Western film scores. The interplay between synthetic and digital elements, together with multilayered, soul-healing electric guitar passages, creates an opulent sonic texture that moves between dramatic and melancholic moments with a finely constructed, fluid dynamism.

There is an emotional depth in each piece, guided by tonal variations and shifting textures that turn the music into a mental journey, with landscapes, a sense of cold resolution, and the quiet inevitability of an ending. Till Human Voices Wake Us was Amini’s first album on a non-Iranian label. Following this release, he has also published work, in addition to Umor Rex, on labels such as Room40, Hallow Ground, and Opal Tapes, among others, and is now considered one of the most prominent figures in Iran’s experimental music scene.

“Ima” by KiMiMi brings together field recordings and instrumental takes into a dense portrait of the Arimasuton Building...
22/09/2026

“Ima” by KiMiMi brings together field recordings and instrumental takes into a dense portrait of the Arimasuton Building in Mita, Tokyo. On this album, Shin‑ya Ohno weaves layers of construction noise, conversation, and suburban sound into musical spaces, reconstructing the presence of the people who helped shape this self‑built structure over the course of two decades. Released on Conatala and Calax Records, the album signals a clear connection between documentation and artistic creation.

At the center of the sound image is Ohno’s handling of traditional and improvised instruments: the gaida — a predecessor of the bagpipe that he studied in Bulgaria — as well as accordion, guitar, flute, ukulele, piano, foot‑pump organ, melodica, and xylophone. These organic sounds are complemented by sparse synthesizer tones; intermediate layers of hammer blows, steel beams, and everyday noises lend the pieces a sense of moisture and breath. The arrangements move between delicate folk motifs and experimental tape collages.

Ohno’s working method follows no fixed plan, but rather a process of chance, intuition, and temporal repetition: fragments are collected, set aside, and unearthed again until the work takes shape. This principle reflects the improvised construction of the Arimasuton Building and lets “Ima” emerge as a composition that fuses architecture, community, and individual storytelling. The release includes extensive inserts with notes; the project is also linked to an exhibition and an accompanying zine.

Take Me, I”m Yours is the first collaboration album between Alan Abrahams and Jan Jelinek. Released through the latter”s...
21/09/2026

Take Me, I”m Yours is the first collaboration album between Alan Abrahams and Jan Jelinek. Released through the latter”s faitiche, it builds upon multi-layered vocal sketches by the former. The Paris-based artist, primarily known for his work as Portable and Bodycode, supplied Jelinek with multi-layered song sketches that the German artist subjected to a rigorous process of manipulation, excavating the ambiguities of the original material and transforming its rhythms into subtle pulses. Take Me, I”m Yours is neither a typical Abrahams record nor a classic Jelinek album - it is something third, mediating between the physicality of the voice and the abstraction of electronic sound design.

‘Yarrow’ is a bouquet of new music by Portland, Oregon-based musician and field recordist Patricia Wolf, marking the lab...
21/09/2026

‘Yarrow’ is a bouquet of new music by Portland, Oregon-based musician and field recordist Patricia Wolf, marking the label’s ninth release and the third of Season Two. These works are her reflections on the life cycle of plants and their dynamic ecological relationships. Wolf created the album in response to her artist residency at the Rocky Mountain Biological Laboratory in Gothic, Colorado, as part of the Art-Science Exchange Project in the summer of 2024. She worked closely with ecologists Dr Paul CaraDonna, Dr Amy Iler, Dr Jane Ogilvie, Dr Nickolas Waser, Dr Mary Price, and Dr Will Petry, spending weeks engaged in long-term research on plants, pollinators, and their interactions as the climate changes. Each track on Yarrow looks at a different part of a plant’s life. The songs touch on the conditions that plants need to grow, the quiet life of roots, how flowers attract pollinators, and the strength of seeds. The first single, ‘Inflorescence’, the scientific name for the floral display that a plant makes in an effort to reproduce, captures this event in song. The music slowly builds layers, reflecting the album’s overall feel. The album ends with the majestic Boards of Canada-esque ‘Adapted for Extreme Conditions’, and the entire b-side features Patricia’s field recordings from around Gothic, Colorado, and a guided meditation by Dr Paul CaraDonna, whose research inspired the project, inviting listeners to tune into the sounds and activities of the ecosystem.

A closing chapter for Iro Aka: ambient introspection and precise IDM meet in a deeply personal, memory-driven LP. Barcel...
15/09/2026

A closing chapter for Iro Aka: ambient introspection and precise IDM meet in a deeply personal, memory-driven LP. Barcelona-based duo Iro Aka present “Memories Exploration” (glossy025), a record that marks the closing of a creative chapter. Set for release on May 29th via Glossy Mistakes, the LP unfolds as a personal archive-tracing ideas, influences, and emotional states shaped over time. The A-side moves through ambient-leaning territories, building meditative landscapes where time seems to dissolve and blur. Through tracks like “Frozen Sun” and “Golden Sea”, the duo showcase a refined approach to sound design, shaped by carefully distilled emotion. Meanwhile, “Gendo” and “Intervertert” lean further inward-sketching moments of deep introspection through soft textures and a minimalist sensitivity that invites contemplation. On the B-side, the record shifts. Rhythmic structures come into focus, drawing from IDM and broken beat patterns with a precise, understated touch. “L”, “Ozadene” and “Phased9” introduce movement while maintaining the album’s introspective core. Closing track “We Felt in Love with a Loop” brings the album to a gentle, open-ended close. The artwork by Jack Anderson reflects this sense of fragmented memory and process, complementing the album’s emotional tone. Rather than a definitive ending, “Memories Exploration” feels like a transition-an understated way of closing one chapter before the next begins. “An autumn evening - without a single tear, things come to an end.”

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Bergstaðastræti 4
Reykjavík
101

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Tuesday 14:00 - 18:00
Wednesday 14:00 - 18:00
Thursday 14:00 - 18:00
Friday 14:00 - 18:00
Saturday 13:00 - 17:00

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+3546944413

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