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Cinema&Video International

Cinema & Video International, connecting industry experts.

Presente ai principali Festival e mercati del settore (Berlinale, Festival del Cinema di Cannes, Mostra Internazionale d'Arte Cinematografica di Venezia, Festival Internazionale del Film di Roma, Festival di Torino, Mipcom, MipTv, Giornate Professionali di Cinema), con news e approfondimenti sullo stato dell'industria, su Cinema&Territorio, Cinema&Libri

16/06/2026

Scary Movie is back in theaters — and its return is saying something bigger about legacy franchises.

Not every familiar title needs to be reinvented.

Sometimes the real strength is knowing what audiences loved in the first place, and bringing it back with the right tone, the right faces and the right timing.

The new Scary Movie is already becoming one of the most interesting box office stories of the year.

Read the full article on Cinema & Video International:
https://cinema.video/scary-movie-theaters

15/06/2026

TIFF 25 did not turn Nadia Comaneci's presence into a simple red-carpet moment.

In Cluj, her story became something larger: a first look at a future documentary, a public conversation, and an archival exhibition around one of Romania’s most recognizable international figures.

A tribute, but also a new way to look at a legacy that still carries weight far beyond sport.

Read the full article on Cinema & Video International:
https://cinema.video/tiff-25-nadia-comaneci

12/06/2026

If you don’t TIFF you don’t know it

12/06/2026

TIFF turns 25 today.

As the Transilvania International Film Festival opens in Cluj-Napoca, the anniversary edition brings together Romanian premieres, Cannes titles, international guests and an expanding industry program.

More than a celebration, TIFF.25 confirms the festival’s growing role as a key meeting point for Central and Eastern European cinema.

Read the full article on Cinema & Video International:
https://cinema.video/transilvania-international-film-festival-opens-its-25th-edition

11/06/2026

A24 has crossed the $200 million mark for the first time.

But the real story is not only the number.

With Backrooms, the studio may have found a new commercial route — one that does not follow the usual franchise logic and does not rely only on traditional star power.

It starts somewhere else: online culture, genre audiences and a mythology that was already alive before it reached the big screen.

Read the full article on Cinema & Video International:
https://cinema.video/backrooms-a24-global-release

10/06/2026

Netflix is placing a renewed bet on Masha and the Bear.

But this is not just another children’s content deal. It says something about the enduring value of preschool franchises, deep libraries and global brand recognition in today’s streaming market.

Why does this kind of IP still matter so much for platforms?

Read the full article on Cinema & Video International:
https://cinema.video/netflix-masha-bear

09/06/2026

Bangkok is entering the content market conversation with a bigger ambition.

With Bangkok International Content Market 2026, Thailand is signaling a new step in how it wants to connect Asian stories, industry players and international opportunities.

But what makes this launch important for the screen business beyond Thailand?

Read the full article on Cinema & Video International:
https://cinema.video/bangkok-international-content-market

08/06/2026

What if toys could remember us?

La vita segreta dei giocattoli, premiering at the 22° Biografilm Festival, follows Roberto Papetti, one of Italy’s last master toy makers, through a journey where play becomes a way to talk about ecology, peace, memory and imagination.

Between reclaimed materials, children’s workshops and toys that seem to come alive, the documentary reveals the quiet power of handmade objects in a world that often forgets how to play.

Read the full article on Cinema & Video International:
https://cinema.video/la-vita-segreta-dei-giocattoli

05/06/2026

WHAT HAPPENS WHEN A STATE STOPS BEING JUST A LOCATION?

Texas has always had the space, the scale and the image.

Now, something else is changing.

As production becomes more mobile, the real competition is no longer only about where a film or series can be shot. It is about where the money stays, who benefits from it, and how much of a screen economy can be built around each project.

Texas is making its move — and the numbers suggest this may be more than an incentive story.

It may be the beginning of a larger shift in the U.S. production map.

Read the full article on Cinema & Video International:
https://cinema.video/texas-incentive-program

04/06/2026

TRIBECA IS EXPANDING. BUT CINEMA IS STILL THE SIGNAL.

For its 25th anniversary, Tribeca 2026 brings a major feature and shorts lineup to New York — but the real question is what this selection says about where festival cinema is heading next.

Between premieres, talent, discovery titles and industry-facing visibility, the lineup points to a bigger shift.

What makes a festival film travel today?

Read the full article on Cinema & Video International:
https://cinema.video/tribeca-2026-film-lineup

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