Carlo Bellotti Publishing

Carlo Bellotti Publishing Publishing Company since 2000 administered by Warner Chappell with offices in Europe, Usa and Japan Publishing Company

https://www.thaurus.it/cruelsummer2026/ -12679
10/04/2026

https://www.thaurus.it/cruelsummer2026/ -12679

Thaurus Live & Vivo Concerti presentano: Il Cruel Summer Tour di Noyz Narcos, che partirà dal mese di Giugno, segue ufficialmente il doppio appuntamento di Aprile nei palazzetti di Roma e Assago. Di seguito info e prevendite. GIUGNO 13 | Bastia Umbria (PG), Chroma Festival - Biglietti / Biglietti19...

Wormholedeath proudly announces the imminent launch of its new sub-label, Static Motion Audio — a strategic evolution de...
19/02/2026

Wormholedeath proudly announces the imminent launch of its new sub-label, Static Motion Audio — a strategic evolution designed to further strengthen the label’s artist development vision and optimize long-term growth.

The creation of Static Motion Audio marks a clear structural distinction within the Wormholedeath ecosystem. While Wormholedeath will continue to focus on artists who have already released albums — whether with the label itself or with other record companies — Static Motion Audio will be entirely dedicated to debut albums.

This division allows both entities to operate with sharper focus and increased efficiency, ensuring that each artist receives the most tailored and effective support possible. By separating emerging debuts from established trajectories, the organization reinforces its commitment to sustainable career building and long-term artistic development.

The name Static Motion Audio originates from an oxymoron — one of the most fascinating and evocative figures of speech in the Italian language. The concept embodies a powerful tension: stillness and movement coexisting in the same moment. It reflects the very essence of artistic creation — a snapshot of energy suspended in time, yet constantly evolving.

“Launching Static Motion Audio represents a natural evolution for us,” says Carlo Bellotti, Founder of Wormholedeath. “Over the years, we’ve worked with both debuting artists and established bands at different stages of their careers. By creating a dedicated structure for first albums, we can provide more focused attention, stronger development strategies, and clearer positioning from day one. Static Motion is about capturing that initial spark — that moment where everything begins — and giving it the right momentum.”

With this new imprint, Wormholedeath strengthens its international presence while reaffirming its mission: combining artistic integrity, professional management, and strategic global distribution to maximize each release’s potential. Where stillness ignites movement.

www.wormholedeath.com

Ancora approfondimenti per Wormholedeath questa volta su StatoQuotidiano.it
19/02/2026

Ancora approfondimenti per Wormholedeath questa volta su StatoQuotidiano.it

Come lanciare una band metal emergente: il modello Wormholedeath

Un bell'articolo di approfondimento per Wormholedeath su VareseNews
19/02/2026

Un bell'articolo di approfondimento per Wormholedeath su VareseNews

Carlo Bellotti, fondatore di WormHoleDeath, ci spiega in questo approfondimento perché le band metal devono vivere il debutto con un’ottica diversa

Bellissimo articolo in italiano
11/02/2026

Bellissimo articolo in italiano


Le dinamiche dell’industria musicale, soprattutto nei generi estremi come il metal e l’hard rock, sono cicliche e complesse. Etichette indipendenti, distributori, artisti e manager si muovono in un mercato globale dove visibilità, sostegno agli artisti e capacità di promuovere nuovi talenti so...

It's time to stop delivering the music to Spotify. WE SHOULD ALL DO THIS - from now, onwards. Wormholedeath Epictronic D...
06/12/2025

It's time to stop delivering the music to Spotify.
WE SHOULD ALL DO THIS - from now, onwards.

Wormholedeath Epictronic Dungeon Media

Ash Avildsen, founder of Sumerian Records, is calling out streaming services for embracing fake AI bands “with open arms.” In a series of posts, Avildsen says platforms like Spotify are no longer in the artist business, they’re in the shareholder business.

He compares the current royalty system to splitting ticket money with a computer that performs before you, and warns that the system favors those at the top.

Avildsen also called for a “velvet revolution” in 2026, urging artists and labels to reject the direction of the industry. He challenged major label and tech execs to debate him live on the AI crisis, saying: “Without humans creating music... none of these tech companies or distributors are worth anything.”

We Are Hiring 2 Sales Representatives (Male or Female - Age: 25 / 45) for Remote Work with Independent Contract (Freelan...
06/12/2025

We Are Hiring 2 Sales Representatives (Male or Female - Age: 25 / 45) for Remote Work with Independent Contract (Freelance).

Requirements:

-Strong computer skills (office tools, online platforms, file management)
-Good knowledge of social media (Instagram, Facebook, TikTok, YouTube, etc.)
-Fluent English (spoken and written)
-Passion for music and the music industry
-Reliability, attention to detail, and strong communication skills
-Minimum daily time commitment (in hours)

If you are interested, please send your introduction email and CV to: 📩 [email protected]

Our Network:
www.carlobellottipublishing.com
www.epictronic.com
www.wormholedeath.com
www.ghostalien-services.com
www.dungeon-media.com
www.volumeagency.net


AI and Training Data Licensing: What It Means for Musicians TodayAI is taking the music world by storm — from creating n...
31/10/2025

AI and Training Data Licensing: What It Means for Musicians Today

AI is taking the music world by storm — from creating new songs to mimicking famous voices. But behind the scenes, these AI models are learning from a massive amount of existing music: songs, recordings, lyrics, you name it. And that’s where things get tricky.

See, AI doesn’t just listen to a few songs and then create. It digests millions of tracks, often without asking the original creators. This raises some big questions everyone’s talking about:

•Should artists have to say yes before their work is used to train AI?
Turns out, about 7 out of 10 songwriters think they should have to give permission. But most AI companies haven’t reached out to them — only about 1 in 5 songwriters say they’ve been asked.

•And what about getting paid?
The AI music market is booming — expected to hit $3.6 billion by 2027. But many artists aren’t seeing a penny from this AI-created content that’s based on their work.

•Transparency is another big deal.
Three-quarters of AI music platforms don’t say what songs they’re training on, which makes it tough for artists to know if their stuff is being used.

•So, what’s the solution? Licensing? Opt-outs?
Experts think licensing could bring 10-15% of AI music profits back to the original creators. That’s a serious new income stream for musicians.

Here’s where Sweden steps up. In September 2025, STIM (the Swedish Performing Rights Society) rolled out a new license that lets AI companies use copyrighted songs — legally. And, importantly, it guarantees songwriters get paid. Already, over 50 AI firms signed on, covering more than 1.5 million songs. Pretty impressive, right?

Sweden’s move might just be the blueprint the rest of the world needs. With AI music streams doubling between 2023 and 2025, making sure artists get a fair shake is becoming urgent.

The road ahead isn’t perfectly clear yet. How do we enforce these licenses globally? How do copyright laws keep up with AI’s lightning-fast advances? The conversation is just getting started — but it’s a crucial one for anyone who cares about the future of music.

At the end of the day, AI is here to stay. Finding ways to protect creators while embracing new tech is the balancing act we’ve got to get right. Sweden’s licensing model is a solid first step — but the music world needs to keep working together to make sure artists don’t get left behind.

Source: Plastic Head Media
Artwork: Chat GPT

It's a great goal working with them, but one of my dreams was to meet Silvio. Now he’s gone… maybe in another life.Respe...
29/10/2025

It's a great goal working with them, but one of my dreams was to meet Silvio. Now he’s gone… maybe in another life.
Respect.

Mass Punishment (Wormholedeath)  is climbing the independent metal charts!
12/09/2025

Mass Punishment (Wormholedeath) is climbing the independent metal charts!

Indirizzo

Via Fratelli Rosselli 48
Florence
50063

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Lunedì 09:00 - 19:00
Martedì 09:00 - 19:00
Mercoledì 09:00 - 19:00
Giovedì 09:00 - 19:00
Venerdì 09:00 - 19:00

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