Carlo Bellotti Publishing

Carlo Bellotti Publishing Publishing Company since 2000 administered by Warner Chappell with offices in Europe, Usa and Japan Publishing Company

AI and Training Data Licensing: What It Means for Musicians TodayAI is taking the music world by storm — from creating n...
31/10/2025

AI and Training Data Licensing: What It Means for Musicians Today

AI is taking the music world by storm — from creating new songs to mimicking famous voices. But behind the scenes, these AI models are learning from a massive amount of existing music: songs, recordings, lyrics, you name it. And that’s where things get tricky.

See, AI doesn’t just listen to a few songs and then create. It digests millions of tracks, often without asking the original creators. This raises some big questions everyone’s talking about:

•Should artists have to say yes before their work is used to train AI?
Turns out, about 7 out of 10 songwriters think they should have to give permission. But most AI companies haven’t reached out to them — only about 1 in 5 songwriters say they’ve been asked.

•And what about getting paid?
The AI music market is booming — expected to hit $3.6 billion by 2027. But many artists aren’t seeing a penny from this AI-created content that’s based on their work.

•Transparency is another big deal.
Three-quarters of AI music platforms don’t say what songs they’re training on, which makes it tough for artists to know if their stuff is being used.

•So, what’s the solution? Licensing? Opt-outs?
Experts think licensing could bring 10-15% of AI music profits back to the original creators. That’s a serious new income stream for musicians.

Here’s where Sweden steps up. In September 2025, STIM (the Swedish Performing Rights Society) rolled out a new license that lets AI companies use copyrighted songs — legally. And, importantly, it guarantees songwriters get paid. Already, over 50 AI firms signed on, covering more than 1.5 million songs. Pretty impressive, right?

Sweden’s move might just be the blueprint the rest of the world needs. With AI music streams doubling between 2023 and 2025, making sure artists get a fair shake is becoming urgent.

The road ahead isn’t perfectly clear yet. How do we enforce these licenses globally? How do copyright laws keep up with AI’s lightning-fast advances? The conversation is just getting started — but it’s a crucial one for anyone who cares about the future of music.

At the end of the day, AI is here to stay. Finding ways to protect creators while embracing new tech is the balancing act we’ve got to get right. Sweden’s licensing model is a solid first step — but the music world needs to keep working together to make sure artists don’t get left behind.

Source: Plastic Head Media
Artwork: Chat GPT

It's a great goal working with them, but one of my dreams was to meet Silvio. Now he’s gone… maybe in another life.Respe...
29/10/2025

It's a great goal working with them, but one of my dreams was to meet Silvio. Now he’s gone… maybe in another life.
Respect.

Mass Punishment (Wormholedeath)  is climbing the independent metal charts!
12/09/2025

Mass Punishment (Wormholedeath) is climbing the independent metal charts!

I would like to thank from the bottom of my heart all the media, printed, radio and online that have supported me and my...
23/01/2025

I would like to thank from the bottom of my heart all the media, printed, radio and online that have supported me and my work throughout these fantastic years. I will never be able to find the right words to thank you enough so I have made a little composition as a sign of gratitude. We keep supporting each other and working together during 2025 as well. Cheers!!!

22/01/2025

New interview for Wormholedeath. 2 pages on SLAM ALTERNATIVE MUSIC MAGAZINE
Germany, Austria, Switzerland.

Wormholedeath usa Wormholedeath Label Japan

CALIFORNIA FIRE ASSISTANCE
14/01/2025

CALIFORNIA FIRE ASSISTANCE

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