Matteo Lampertico

Matteo Lampertico Upcoming:

RITORNO AL BAROCCO. FONTANA, LEONCILLO, MELOTTI, curated by Andrea Bacchi, 2 February - 1

In "La Danse des Jars", Aldo Mondino takes inspiration from oriental traditions.The bright colours of the costumes contr...
24/06/2025

In "La Danse des Jars", Aldo Mondino takes inspiration from oriental traditions.
The bright colours of the costumes contrast with the earthy, neutral tones of the background, creating a balanced and dynamic composition. With a light and playful style, the two characters reflect the artist’s perspective, celebrating movement as an expression of identity and cultural memory. ✨

Aldo Mondino
La danse des Jares, 1997
Oil on linoleum
250 x 140 cm

Appel's painting is distinguished by the expressive power of texture, dense and vibrant - inherited from the Cobra group...
17/06/2025

Appel's painting is distinguished by the expressive power of texture, dense and vibrant - inherited from the Cobra group - and by a violent gesturality. Color merge into energetic, instinctive forms that shape the surface like almost sculptural reliefs and convey an intense visceral charge.

Karel Appel,Flamme riante, 1959
Oil on canvas
116 × 88 cm

🎓The presentation of the Master in Art, Collecting, and Market at the Catholic University was held yesterday. Matteo L...
11/06/2025

🎓The presentation of the Master in Art, Collecting, and Market at the Catholic University was held yesterday. Matteo Lampertico is pleased to be part of this initiative, together with Liliana Cherubin
The meeting was an excellent opportunity to present the educational project and engage in dialogue with students.

Discover the program and apply (link in bio)

“Malevich has created a serire of white on white works, and I have devoted my whole life to white in order to continue a...
10/06/2025

“Malevich has created a serire of white on white works, and I have devoted my whole life to white in order to continue along the path he paved and offer the world my own cultural contribution in his footsteps”

Angelo Savelli, Due figure, 1961
Oil, cork and sand on canvas
56 x 71 cm

Novelli, Accardi and Leoncillo are part of the exhibition “1950-1970: Due decenni di arte a Roma”, now on view at Antona...
06/06/2025

Novelli, Accardi and Leoncillo are part of the exhibition “1950-1970: Due decenni di arte a Roma”, now on view at Antonacci Lapiccirella Fine Art.
The exhibition recounts the vitality of a city that was a crossroads of ideas and encounters, a bridge between tradition and contemporaneity.

📍 Antonacci Lapiccirella Fine Art
📅 13 May – 20 June 2025

The artwork “Blue and Black” by Alfredo Chighine, painted in 60s, reflects the new phase in his artistic development. Th...
04/06/2025

The artwork “Blue and Black” by Alfredo Chighine, painted in 60s, reflects the new phase in his artistic development. The brushstroke becomes more energic and wide, the gesture more decisive, and the material takes on a new expressive intensity.

Blu e nero, 1960
Oil on canvas
54 x 65 cm

The “Portrait of a Painter” by Vittore Ghislandi, known as Fra Galgario (Bergamo 1655-1743), is a great example of figur...
26/05/2025

The “Portrait of a Painter” by Vittore Ghislandi, known as Fra Galgario (Bergamo 1655-1743), is a great example of figure painting of the period.
The artwork- formerly coming from our gallery- is now on display at the exhibition “Nel segno di Giano,” dedicated to the important donation made by Gian Enzo Sperone to the Accademia Nazionale di San Luca, a project celebrating art and collecting.

📍 Accademia Nazionale di San Luca, Roma
📅 16 May – 7 June 2025

We are very pleased to announce that Afro, “La Creola” is now on view at Orizzonti | Rosso, the inaugural exhibition at ...
23/05/2025

We are very pleased to announce that Afro, “La Creola” is now on view at Orizzonti | Rosso, the inaugural exhibition at PM23, the new space of the Valentino Garavani Foundation in Rome ✨




This work by is one of the most emblematic of his career.Created in the 1960s, during a time of full creative maturity...
20/05/2025

This work by is one of the most emblematic of his career.
Created in the 1960s, during a time of full creative maturity, it reflects the complexity of the visual language he was exploring.
A key moment in his reflection on the relationship between art and language.

Gastone Novelli
Centro, Intervento, Tesoro, 1964
mixed media on paper
laid on canvas
50x 70

Antonio Sanfilippo was one of the main members of the Forma 1 group, along with , , and other. The group supported a...
13/05/2025

Antonio Sanfilippo was one of the main members of the Forma 1 group, along with , , and other. The group supported abstract art, focusing on the essential meaning of form and sign.
This artwork from 1957 belongs to the artist’s mature phase, where the groups of signs are placed in two different areas. The color also acts as a sign: it has no tonal variations but is clear and precise. ✨

Antonio Sanfilippo
Pittura n. 6, 1957
85 x 60 cm


, a key figure in the Arte Povera movement, studied under at the Academy of Fine Arts in Rome. From the beginning of ...
07/05/2025

, a key figure in the Arte Povera movement, studied under at the Academy of Fine Arts in Rome. From the beginning of his career, he explored the connection between signs, materials, and space. In the Alphabets series, he used large typographic letters painted on plain surfaces to create a basic form of language that is not just visual, but meant to be clear and open to everyone. The power of these signs comes from the way they fill and transform the space around them, taking inspiration from

Jannis Kounellis
Untitled, 1960
71 x 100.9 cm


In this work from his Neo-Metaphysical phase, De Chirico revisits the iconic metaphysical mannequins first conceived in ...
30/04/2025

In this work from his Neo-Metaphysical phase, De Chirico revisits the iconic metaphysical mannequins first conceived in the 1910s, offering a melancholic and nostalgic reflection on identity and time. In the 1960s, amid an art scene dominated by abstraction and emerging conceptualism, the artist returns to his original iconography, reaffirming the enigmatic power of vision and the role of the artist. An artwork that engages with the past in order to question the present. ✨

Giorgio De Chirico
"Il Trovatore" 1963 ca.
Oil on canvas
50 x 30 cm


Indirizzo

Via Montebello 30
Milan
20121

Orario di apertura

Lunedì 10:00 - 19:00
Martedì 10:00 - 19:00
Mercoledì 10:00 - 19:00
Giovedì 10:00 - 19:00
Venerdì 10:00 - 19:00

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0236586547

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