Flash Art International

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Flash Art International

Flash Art is an international quarterly magazine and publishing platform dedicated to thinking about contemporary art.

28/10/2025

Aki Goto transforms fleeting moments of motherhood, childhood, and nature into luminous fragments — edited, scored, and sewn together with tender precision. From hut-building rituals to sudden tantrums, her videos unravel the raw seams of family life. Daniel Merritt explores how Goto’s vigilant eye turns the everyday into profound meditations on memory, survival, and spirit.

Hit the link in bio to read “Don’t Be Alive,” by from 352 Fall 2025.

Artist: Aki Goto ()
Photographer:
Editor-in-Chief:
Creative Direction:
Production: Flash Art Studios
Location: Artist’s studio, Hudson Valley
Clothes:
Eyewear:

27/10/2025

In the latest installment of Unpack / Reveal / Unleash, Margaret Kross traces the libidinal surfaces and affective infrastructures of Coco Klockner’s sculptural world. Neither romantic nor abstract, Klockner’s work navigates eros as a verb — a gesture, a tension, a subtle pulse between body, image, and interface. Through sonic fragments, prosthetic relics, and sly material quotes, she articulates the erotics of alterity with both vulnerability and wit, making form feel.

Hit the link in bio to read “Eros is a Verb,” Coco Klockner (.flac) by from 352 Fall 2025.

Klockner’s solo show at , New York is on view until through December 22, 2025.

16/09/2025

Diego Marcon bends cinema into uncanny forms: musicals that are also requiems, cartoons that breathe, children who sing of death and longing in endless loops. His works shimmer between horror and humor, camp and lament. Emily LaBarge explores how Marcon’s perverse poetics reveal the verso of reality — strange, haunting, and achingly alive.

Hit the link in bio to read “And Yet,” .marcon by from 352 Fall 2025.

Marcon’s solo show “Krapfen” is on view at , Chicago from until November 23, 2025.

12/09/2025

“In today’s climate — marked by mounting threats to cultural institutions across Europe, emboldened far-right governance, and a palpable suspicion of public intellectual life — it feels necessary to ask: What precisely will the Pompidou reopen into? This question isn’t just theoretical; it reverberates throughout Tillmans’s exhibition.”

Hit the link in bio to read Wolfgang Tillmans “Nothing could have prepared us – Everything prepared us” at , Paris, reviewed by from 352 Fall 2025.

11/09/2025

Andra Ursuța sculpts mythologies from bronze, crystal, and domestic wreckage, confronting collapse with both violence and wit. Estelle Hoy traces these visceral terrains, where fractured bodies and shattered histories expose fate as inescapable. Together, artist and writer unravel the grotesque poetry of survival — raw, sardonic, and unflinchingly human.

Hit the link in bio to read “And Fate,” Andra Ursuța by from 352 Fall 352.

Andra Ursuța’s work is on view in the solo shows “Retina Turner” at , New York is on view until October 18, 2025; a “Apocalypse Now and Then” at , Athens through until October 31, 2025.

Artist: Andra Ursuța
Photographer:
Editor-in-Chief:
Creative Direction:
Production: Flash Art Studios
Location: Artist’s studio, New York

09/09/2025

“‘Down Country’ subverts bucolic imagery and the social hierarchies it upholds. She lets children and animals dominate the frame: a toddler smeared in paint, a small boy with postbox-red hair poised on a mini motocross bike, twin girls in matching blue tea dresses perched on a shabby sofa, a girl with her dog, a girl with a little yellow chick on her shoulder, an adolescent girl in her bedroom, a domesticated pig snuffling around sofas and children’s toys inside a house.”

Hit the link in bio for “Down Country” a visual essay by with words by from 352 Fall 2025.

08/09/2025

At Kiaf 2025, Seoul asserts itself not just as a host city, but as a generative force in contemporary art. From Lee Bul’s suspended airship at Leeum to Ruofan Chen’s haunting meditations on dust at Shower Gallery, each encounter reveals a deeper tension between ambition and fragility, visibility and erasure. Across museums, foundations, and the fair’s expansive halls, dialogue takes precedence over display. Seoul’s rhythm is not spectacle, but structure — a layered matrix where art, memory, and infrastructure converge to shape both the present and the possible

Hit the link in bio to read “Seoul, Suspended: 72 hours of Kiaf” by .

05/09/2025

“Similarly, the two artists question the origins of humanness, the framing mechanism of where exactly it comes from. Where is that sacred place; how can we touch it even if only through a mind’s eye?”

Hit the link in bio to read Louise Bonnet and Elizabeth King “De Anima” at , New York, reviewed by from 352 Fall 2025.

$#352 FALL 2025 “Psychic Whiplash” IS OUT NOW“Psychic Whiplash,” the title of Flash Art fall issue, describes the fractu...$

02/09/2025

#352 FALL 2025 “Psychic Whiplash” IS OUT NOW

“Psychic Whiplash,” the title of Flash Art fall issue, describes the fractured, disorienting feeling of hyper-awareness – the sense of a self splintered under invisible scrutiny. That heightened perception, marked by anxiety, fear, and paranoia, reverberates through the pages of this issue. “Psychic Whiplash” brings together contemporary art practices that address, embody, or push back against these emotional undercurrents, offering reflections on the tensions and vulnerabilities shaping our present condition.

Cover 3/3
Artist: Paul McCarthy
Photographer: .bool
Editor-in-Chief:
Creative Direction:
Production: Flash Art Studios
Location: Artist’s studio, Los Angeles

Featuring:
.marcon .snow .flac

$#352 FALL 2025 “Psychic Whiplash” IS OUT NOW “Psychic Whiplash,” the title of Flash Art fall issue, describes the fract...$

02/09/2025

#352 FALL 2025 “Psychic Whiplash” IS OUT NOW

“Psychic Whiplash,” the title of Flash Art fall issue, describes the fractured, disorienting feeling of hyper-awareness – the sense of a self splintered under invisible scrutiny. That heightened perception, marked by anxiety, fear, and paranoia, reverberates through the pages of this issue. “Psychic Whiplash” brings together contemporary art practices that address, embody, or push back against these emotional undercurrents, offering reflections on the tensions and vulnerabilities shaping our present condition.

Cover 2/3
Artist: Aki Goto
Photographer:
Editor-in-Chief:
Creative Direction:
Production: Flash Art Studios
Location: Artist’s studio, Hudson Valley
Clothes:
Eyewear:

Featuring:
.marcon snow .flac

$#352 FALL 2025 “Psychic Whiplash” IS OUT NOW “Psychic Whiplash,” the title of Flash Art fall issue, describes the fract...$

02/09/2025

#352 FALL 2025 “Psychic Whiplash” IS OUT NOW

“Psychic Whiplash,” the title of Flash Art fall issue, describes the fractured, disorienting feeling of hyper-awareness –– the sense of a self splintered under invisible scrutiny. That heightened perception, marked by anxiety, fear, and paranoia, reverberates through the pages of this issue. “Psychic Whiplash” brings together contemporary art practices that address, embody, or push back against these emotional undercurrents, offering reflections on the tensions and vulnerabilities shaping our present condition.

Cover 1/3
Artist: Andra Ursuța
Photographer:
Editor-in-Chief:
Creative Direction:
Production: Flash Art Studios
Location: Artist’s studio, New York

Featuring:
.marcon .snow .flac

28/08/2025

Eleanor Ivory Weber’s essay explores Olga Balema’s sculptural practice, highlighting her innovative use of repetition and time-based processes. Weber analyzes how Balema’s transparent, evolving sculptures –– like her “Loop” series and “Brain Damage” –– challenge traditional notions of sculpture, blending materiality, contingency, and language to reflect the complexities of perception and presence.

Hit the link in bio to read “Loop. Substance and Circumstance,” Olga Balema (.t10002) by Eleanor Ivory Weber () from 351 Summer 2025.

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