Flash Art International

Casa
Italia
Milan
Flash Art International

Flash Art is an international quarterly magazine and publishing platform dedicated to thinking about contemporary art.

16/06/2026

Jenna Sutela’s work is experimental as in it invokes the laboratory, the clinical test, and the scientific. In her profile on the Finnish artist, Sarah Johanna Theurer highlights how the artist reveals, in furry creatures and sterile facsimiles of scientific spaces, how humans begin to reflect their technology. She aptly calls on Laura Tripaldi’s concept of “soft technologies,” to discuss this phenomenon “in which biological, chemical, and technical systems cannot be clearly separated, and where matter is understood as permeable and continuously in transformation.”

Hit the link in the bio to read, “wet flicks of sound,” by .t from 355 Summer 2026.

Sutela’s installation “Aeolian Suite” is currently on view in the Finnish Pavilion at the 61st Venice Biennale, “In Minor Keys,” through November 22, 2026.

11/06/2026

“’Body Fragment’ is a dirge for the lives and dreams that have been or will be lost — by war and political violence, certainly, but also by the savagery of socio-economic systems that, in the wake of such turmoil and greed, diminish opportunity, curtail the ascent of talent, or adversely regulate the scale of artistic imagination, the very thing that defines civilization.”

Hit the link in bio to read “Body Fragment” at , Dallas reviewed by .sim from 355 Summer 2026.

“Body Fragment” is currently on view at The Power Station, Dallas until June 13, 2026.

08/06/2026

“In Minor Keys,” at the 61st Venice Biennale by Anya Harrison;
“I have never experienced jealousy quite like watching other writers and editors scurrying around from the Giardini to the Arsenale and back again, trying to squeeze in an opening in a far-flung corner of Giudecca, followed by an hour- long private boat ride to an abandoned island before making it back in time for aperitivo, dinner, and at least two It Parties at night. Experience has taught me that making plans in Venice is equivalent to setting oneself up for failure, yet the first hours back in the Laguna already had me hyperventilating from my carefully cultivated lack of preparation. Call me a ma*****st, if you will.”

Hit the link in the bio to read the 61st Venice Biennale, “In Minor Keys,” reviewed by from 355 Summer 2026.

The 61st Venice Biennale, “In Minor Keys,” is currently on view until November 22, 2026.

04/06/2026

#355 SUMMER 2026 “the Unsolved” IS OUT NOW

To live is to navigate the world’s endless mysteries. In the Summer issue of Flash Art, painters, poets, and performers unravel the ways that they’ve decoded the universes around them. They’ve turned a lens on the knots and kinks in the systems around then, and instead of finding a solution, their work looks to trace how these problems arose.

Cover 2 / 2
Artist:
Photographer:
Editor-in-Chief:
Creative Direction:
Stylist: Ketevan Gvaramadze
HMU: Miki Ishikura
Clothes: Commission

Location: Artist’s studio, New York

Featuring: .borremans .salane

04/06/2026

#355 SUMMER 2026 “the Unsolved” IS OUT NOW

To live is to navigate the world’s endless mysteries. In the Summer issue of Flash Art, painters, poets, and performers unravel the ways that they’ve decoded the universes around them. They’ve turned a lens on the knots and kinks in the systems around then, and instead of finding a solution, their work looks to trace how these problems arose.

Cover 1 / 2
Artist: .borremans
Photographer:
Editor-in-Chief:
Creative Direction:

Location: Artist’s studio, Ghent

Featuring: .salane

01/06/2026

In the density of Kaare Ruud’s studio, it’s obvious that there are many things, a few of which are the following: A stack of paper cups indented to look like hearts, ceramic dishes held together in a circle, watches (innumerable), and a garden hose. Yet these objects, when grouped together in his compositions, take on a gestalt narrative life of their own, sometimes melancholy often times ironic, always asking one to squint and go so what really is that?

Hit the link in the bio to read “Portrait of Matter,” by from 354 Spring 2026.

27/05/2026

Adam Gordon’s exhibition, “The Torture” at ZERO…, Milan, stunk. It wreaked. It has scented by a perfume that was made to smell, as he told writer Miles Huston, like a house with “thick, musty, wall-to-wall carpet. It’s summer. Someone left meat, cupcakes, and candy out.” In his works, images that look like photographs of CRT television or something shot from a first-generation video phone, creates scenes that are uncanny and unnerving – something that’s just barely recognizable as human.

Hit the link in the bio to read “Role-Casting in the Uncanny Valley,” by from 354 Spring 2026.
 

 
FlashArtMagazine

26/05/2026

At times, Sara MacKillop’s work looks like the inside of a stationary store: highlighters, colorful gift bags, and calendars are abound. Often times directly referencing the makers of the mass produced objects she employs, such as the case in “Ikea Totem” (2023), she puzzle pieces together where all these things upon things are really supposed to go. In discussing her body of work, writer Margret Kross notes that, “MacKillop’s affective installations are as much about excess as they are the absence that results from excess, over and over and over.”

Hit the link in the bio to read “The tiniest event can tear a hole,” by from 354 Spring 2026.

25/05/2026

In this issue’s visual essay, Cairo Dipika, the photography duo made up of Jessica Canje and Isha Dipika Walia, their hazy images are shot with a texture from a bygone era of photography. Some filmic or digital quality from an indeterminate point at the turn of the twenty-first century. Their subjects are captured with a pointed nonchalance — centered yet unmoored — appearing both part of the landscape and already on the verge of departure.

Hit the link in bio to read “Margins as Method,” a visual essay by with words by from 354 Spring 2026.

22/05/2026

From where does Roni Horn make her work? In intimate portraiture, dusted gold, and seemingly endless pools of glass, the mind wanders to what the lived experience was that informed this. In reflection on the artist’s practice, curator and writer Daniel Merritt skates through the nieces, Icelandic travels, and storied friendships that have made up Horn’s “hyper-responsive inner world tempered by a need for steadiness.”

Hit the link in bio to read “After You,” by for Flash Art Volume 003 “Opacity.”

Horn’s solo show “Seizure of Hope” is currently on view at , London through August 1, 2026.

Artist: Roni Horn
Photographer:
Words by:
Creative Director:
Guest Editor:

Indirizzo

Via Durini, 24
Milan
20122

Sito Web

http://www.flash---art.com/

Notifiche

Lasciando la tua email puoi essere il primo a sapere quando Flash Art International pubblica notizie e promozioni. Il tuo indirizzo email non verrà utilizzato per nessun altro scopo e potrai annullare l'iscrizione in qualsiasi momento.