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Skira Arte

Skira è il più antico e glorioso marchio nella storia dell’editoria d’arte internazionale.
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Fondata a Losanna nel 1928, Skira è il più antico e glorioso marchio nella storia dell’editoria d’arte internazionale.

30/04/2026

Painter, printmaker, and sculptor Georg Baselitz (1938) has died at 88. He has been a pioneering postwar artist who rejected abstraction in favor of recognizable subject matter, deliberately employing a raw style of rendering and a heightened palette in order to convey direct emotion. Embracing the German Expressionism that had been denounced by the N***s, he returned the human figure to a central position in painting.

It's been a honor to work with him and the Baselitz Studio throughout the years, developing publications that will bring his legacy forward: "Baselitz / Schönebeck: 1962-66", "Georg baselitz. A life in print" and the yet to be released Milestone dedicated to his artistic career.

27/04/2026

De Tintin à Spirou, de Picsou aux Dalton, l’argent est partout dans la bande dessinée : moteur d’aventures, symbole de pouvoir, source d’angoisse ou de comédie.

Au travers de 9 grandes sections, l’exposition de la Monnaie de Paris « CLING ! La bande dessinée parle cash » et son catalogue d’exposition édité par Skira explore avec humour et profondeur la manière dont le 9e art s’est emparé de ce thème universel.

Accessible et vivant, ce livre s’adresse aussi bien aux fins connaisseurs de bande dessinée qu’au grand public curieux de (re)découvrir l’argent comme miroir de nos rêves, de nos peurs et de nos fantasmes.

Véritable livre-plaisir, il se lit comme une exploration à part entière, entre essai visuel, objet de collection et invitation à approfondir la réflexion au-delà de l’exposition, en réunissant humour, culture et image sous toutes leurs formes.

Livre disponible en librairie-boutique, chez Skira et à la Monnaie de Paris ainsi qu’en ligne sur notre site internet.

Exposition « CLING ! La bande dessinée parle cash », jusqu’au 6 septembre 2026 à la Monnaie de Paris.

From Tintin to Spirou, from Scrooge McDuck to the Dalton brothers, money is everywhere in comics: the driving force behind adventures, a symbol of power, a source of anxiety or comedy.

Through nine main sections, the exhibition at the Monnaie de Paris exhibition ‘CLING! When comics talk about money’ and its catalogue, published by Skira, explore with humour and depth the way in which the ninth art has taken hold of this universal theme.

Lively and engaging, this book is aimed at both comic book connoisseurs and the general public interested in (re)discovering money as a mirror of our dreams, fears and fantasies.

This book is both an exciting journey in itself - blending visual essay, collector’s item - and an invitation to reflect beyond the exhibition, bringing together humour, culture and imagery in all their forms.

The book is available in bookshops, at Skira and at the Monnaie de Paris, as well as on our website.

Exhibition “CLING! When comics talk about money”, until 6 September 2026 at the Monnaie de Paris.

10/04/2026

Out today in Italy 🇮🇹
FERRARI DESIGN. CREATIVE JOURNEYS hits italian bookstores today: join , Skira’s CEO, and , Chief Design Officer at Ferrari, in conversation for a new episode of our series.
The full video is up on Youtube: find the link in our Stories!

09/04/2026

Here comes the first monographic publication dedicated to the work of the Brazilian artist Adriano Amaral (Ribeirão Preto, 1982).

Spanning his most significant works from 2017 to 2025, the book features newly commissioned essays by Germano Dushá, Margot Norton, and Tamar Clarke-Brown, alongside an in-depth interview conducted by Sarah Johanna Theurer.

More than a retrospective survey, the book is conceived as an extension of Amaral’s artistic method—an object that carries the same atmospheric charge and energetic density as his installations. Beyond documentation, it seeks to synthesize the core pursuits, concepts, and visualities that have defined the artist’s practice over the past 15 years.

Edited by

08/04/2026

The exhibition “Martin Schongauer, the Beautiful Immortal ” presented at Louvre Museum and its accompanying catalog, copublished by Skira and the Louvre publishers, highlight the extraordinary talent possessed by the brilliant painter and engraver Martin Schongauer, one of the most important and popular masters of the late Middle Ages.

By drawing on a diverse range of subjects (religious scenes, animal and fantastical themes) and leveraging the widespread reach of printmaking, this artist quickly rose to prominence among his contemporaries and exerted an extraordinary influence well into the 17th century.

Discover this richly illustrated catalog, featuring paintings, altarpieces, drawings, and prints, as well as essays written by thirteen specialists in the period.

The exhibition “Martin Schongauer, the Beautiful immortal” runs from April 8 to July 20 at the Louvre Museum. The catalog is for sale online, in our boutiques and at the Louvre Museum bookstore.

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L’exposition « Martin Schongauer, le bel immortel » présentée au musée du Louvre et son catalogue coédité par Skira et les éditions du musée du Louvre mettent en lumière l’ampleur du talent du peintre et graveur de génie Martin Schongauer, l’un des maîtres les plus importants et les plus populaires de la fin du Moyen Âge.

Jouant sur la diversité des sujets (scènes religieuses, thèmes animaliers et fantastiques) et sur le pouvoir de diffusion de l’estampe, cet artiste acquit rapidement une place éminente parmi ses contemporains et exerça une extraordinaire séduction jusqu’au XVIIe siècle.

Découvrez ce catalogue richement illustré, rassemblant peintures, retables, dessins et estampes, ainsi que les essais de quatre spécialistes de la période.

L’exposition « Martin Schongauer, le bel immortel » est à découvrir du 8 avril au 20 juillet au Musée du Louvre. Le catalogue est en vente en ligne, dans nos boutiques ainsi qu’à la librairie du musée du Louvre.

Credits : Christian Kempf/ Musée Unterlinden
Région Grand Est – Inventaire général / Bastien Garnier, avec l’aimable autorisation du conseil de fabrique de la collégiale GrandPalaisRmn (Musée du Louvre)

07/04/2026

A recently restored cycle of paintings of great significance, housed in the Chapel of St John the Baptist within the Basilica of San Salvatore, at the heart of Brescia’s UNESCO site, forms the focus of this volume, which brings together the papers presented at the conference “The Lion and the Viper: The Arts in Brescia in the 14th Century” (2025).
An entire section is dedicated to these frescoes and their creator, the so-called Master of Lentate, accompanied by the results of diagnostic investigations and documentation
of the restoration work.
Edited by Stefania Buganza and Roberta D’Adda, the volume includes contributions from twenty experts.

📷 : Master of Lentate, The Banquet of Herod. © Fotostudio Rapuzzi

03/04/2026

"Schiaparelli Anglomaniac" explores the creative dialogue between Maison and a vibrant community of over 50 British artists, photographers, stylists, and image-makers. Edited by and introduced by , the book features a historical-critical essay by Loriot and a text by examining the historic collaborations between Schiaparelli and photographer Cecil Beaton.

The publication includes numerous previously unpublished images and artworks presented here for the first time, alongside interviews with , , Dame , , and , with additional contributions by Trino Verkade

Already available on skira-arte.com, the Skira boutiques in Milan and Paris and Harrods, it will be distributed worldwide starting April 2026.

20/03/2026

Francesca Tulli’s paintings and sculptures have developed as parallel practices, linked by her personal interpretation of a complex, perceptual realism that strikes a balance between the naturalistic and the surreal.

Her paintings, in black and white or bold colours, often depict domestic interiors that appear comfortable but, due to their skewed perspectives and unusual viewpoints, become strangely unsettling.

In her sculptures, the artist’s slender figures are poised in dynamic balance, sometimes resembling athletes or ‘mutated’ creatures.
Crafted from bronze, terracotta or plaster, her figures oscillate between the classical and the futuristic, integrated with diverse materials including rusted steel, photographs, sand, glass spheres and LED lights.

Dive deep into her artistic journey through the first monograph dedicated to her work, out on April, 10th in Italy and coming soon worldwide.

19/03/2026

Alex Katz is widely regarded as one of the most significant figures in contemporary painting. Since the 1950s, he has pursued a clear visual language, defined by crisp contours, luminous colors, and flat surfaces, that has become inseparable from his name.

Far more than a retrospective, this book offers a close look at Katz’s enduring commitment to the painted image in examining its clarity and its power to shape the way we see.

Featuring a rare interview conducted by Robert Storr and a rich selection of works, the volume explores the rigor, independence, and visual economy that have defined Katz’s practice, Milestone by Milestone, over seven decades.

18/03/2026

Amber, Las Vegas, Nevada, USA, 2014
© Bruce Gilden / Magnum Photos

On display at the Santa Giulia Museum from March 27th to August 23rd, the exhibition is the first major retrospective ever held in Italy dedicated to Bruce Gilden (New York, 1946), a full member of Magnum Photos and recognised as one of the pioneers of street photography, to whom Brescia is dedicating a unique and significant comprehensive project.

Curated by Denis Curti, the monographic exhibition is part of a wider exhibition project, conceived in close consultation with the artist himself, which combines the exhibition A Closer Look, hosted by the Santa Giulia Museum, with the site-specific installation Grace / Grazia. Bruce Gilden for Raffaello, staged at the Tosio Martinengo Art Gallery.

Catalogue by Skira, available at the Santa Giulia Museum bookshop starting March 26th and in Italian bookstores from the month of April.

17/03/2026

The Echo of our Voices is the fourth chapter of The Day May Break, Nick Brandt’s global series portraying people and animals impacted by climate change and environmental degradation. The series was photographed in Jordan, one of the most water-scarce countries in the world. It features rural Syrian refugee families currently living there, whose lives have been seriously impacted by droughts intensified by climate change. Living lives of continuous displacement, they are forced to move their homes up to several times a year, moving to where there is available agricultural work, to wherever there has been sufficient rainfall to enable crops to grow. The photographs show the families’ connection and strength in the face of adversity, that when all else is lost you still have each other. The boxes on which the families gather aim skyward, pedestals for those that in our society are typically unseen and unheard.

Don't miss your chance to admire Brandt's photos from this and the previous three chapters at Gallerie D'Italia in Turin: his exhibition "Nick Brandt. The Day May Break. La luce alla fine del giorno" opens its doors tomorrow.

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