Mousse

Mousse Mousse is a contemporary art magazine. Feature columns keep tabs on international trends in contemporary culture around the world.

Contemporary art magazine and publishing house based in Milan

https://linkin.bio/moussemagazine/?fbclid=PAZXh0bgNhZW0CMTEAAabdL-MjbXuu8-6PJ_2yh9XIyPjGLjN9ftJuSU20LzY0E-Juj5dk6CKlOzU_aem_Fu0gK6PyWUOkV7Vg5Tbkgw Established in 2006 and publishing four issues every year, it features interviews, conversations, and essays by some of today’s most important international figures in criticism, visual arts

, and curating. Mousse is also a publishing house, devoted to imbuing every printed project with originality, care, and respect. Mousse Publishing makes books with artists, writers, galleries, biennials, and other art and cultural initiatives both public and private. Mousse Publishing also produces online content, printed ephemera, and artist editions. Instagram: - Twitter:

For the third year, and team up for presenting in Zurich “After After Party,” a screening programme hosted by .ch!Cura...
03/06/2026

For the third year, and team up for presenting in Zurich “After After Party,” a screening programme hosted by .ch!

Curated by Lucrezia Calabrò Visconti () and Barbara Casavecchia (), who will accompany the showcase with a live reading, “After After Party” focuses on moments following collective celebration, as a ritual capable of uniting through both loss and joy.

AFTER AFTER PARTY
at Cabaret Voltaire, Zurich
June 13, 2026
H 16:00-19:00

Registration at the link in bio.

Works by Pauline Boudry / Renate Lorenz (), Kantarama Gahigiri (), Gabrielle Goliath (), Sara Leghissa (.leghissa), Lucia Martinez Garcia (.lux), Valentina Parati (), Giulia Piscitelli, Maryam Tafakory (), and Jonas Ulrich.

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Image credit: Lucia Martinez Garcia (.lux), “Flowing Water (Eau Vive)”, 2019 (videostill)

03/06/2026

ONLINE NOW: Nicolas Jaar (), “Tears in Space-Time,” Part 1/1

Tap the link in bio to watch the lecture by composer, musician, and writer Nicolas Jaar (), internationally recognized as one of the most influential figures in electronic music.

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Conceived by Andrea Bellini and Federico Campagna (), “Agora: A Gathering of Art and Philosophy” is a free, semester-long program of English-language lectures, seminars, and one-to-one mentoring for a group of eight practicing artists and philosophers.

The recordings of the contributions from the faculty are now accessible to everyone on ’s digital platform, the 5th floor, with new releases scheduled monthly.

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Now available at agora.centre.ch:
•⁠ ⁠Federico Campagna (), “World-Building: An Architectural Guide,” Part 3/3
•⁠ ⁠Nicolas Jaar, “Tears in Space-Time,” Part 1/1
•⁠ ⁠Elizabeth A. Povinelli, “Politics & Aesthetics After Geontopower,” Part 3/5

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Main sponsor:
Media partner:

“Fiction has never been entertainment for me. It has been the work that I have done for most of my adult life. I believe...
02/06/2026

“Fiction has never been entertainment for me. It has been the work that I have done for most of my adult life. I believe that one of the principal ways in which we acquire, hold, and digest information is via narrative.” Link in bio to read Toni Morrison’s lecture for the 1993 Nobel Prize in Literature, testifying to her powerful fabulation, at the core of Koyo Kouoh’s “In Minor Keys.”

Amy Jones () on how Ebun Sodipo’s () collages unfold in their own time, collapsing histories, cultural references, and r...
01/06/2026

Amy Jones () on how Ebun Sodipo’s () collages unfold in their own time, collapsing histories, cultural references, and realities through combination and material sedimentation. “Brought together in Sodipo’s works, these seemingly disparate fragments function as what Saidiya Hartman has termed ‘critical fabulations.’”

Tap the link in bio to read the piece from Mousse 95.

Susan Schuppli (), “Material Witness: Media, Forensics, Evidence” (, 2020); Helen Garner, “This House of Grief: The Stor...
30/05/2026

Susan Schuppli (), “Material Witness: Media, Forensics, Evidence” (, 2020); Helen Garner, “This House of Grief: The Story of a Murder Trial” ( , 2014); Shola von Reinhold () “LOTE” (, 2020). By Izabella Scott (.z.scott).

Follow the link in our bio to read the Books column from Mousse 95–Spring 2026.

Photo: Rita Lino ()

Link in bio to read Gee Wesley on theorist and artist Kodwo Eshun, whose work “asks that we reexamine past projects not ...
29/05/2026

Link in bio to read Gee Wesley on theorist and artist Kodwo Eshun, whose work “asks that we reexamine past projects not only to render evidence of the interiority of our forebears or restore dignity to their lives, but also to animate their unfinished business.”

Thank you to everyone who joined us at in Milan for the signing of “Walter Pfeiffer. In Good Company” and for the conve...
29/05/2026

Thank you to everyone who joined us at in Milan for the signing of “Walter Pfeiffer. In Good Company” and for the conversation between Walter Pfeiffer () and Riccardo Conti ().

We wish to particularly thank Walter Pfeiffer for being such good company!

“Walter Pfeiffer. In Good Company,” published by Mousse Publishing, accompanies the artist’s first solo exhibition at , Turin, curated by Simon Castets () and Nicola Trezzi (.trezzi).

Photo:

Ladji Diaby () sets out installations as sites of encounter where found objects, images, and video do not merely overlap...
28/05/2026

Ladji Diaby () sets out installations as sites of encounter where found objects, images, and video do not merely overlap, but co-conspire. “Diaby is not attempting to rescue any one single story. Instead, he situates stories in relation, allowing them and their possible meanings to crash into one another,” writes Mistura Allison (.a).

Ahead of “Comme Saturne,” Yto Barrada’s () French Pavilion at the 61st Venice Biennale, Övül Ö. Durmuşoğlu () turns the ...
28/05/2026

Ahead of “Comme Saturne,” Yto Barrada’s () French Pavilion at the 61st Venice Biennale, Övül Ö. Durmuşoğlu () turns the planet into a metaphor for patriarchal power to explore Barrada’s engagement with colonial histories, language, and resistance.

Tap the link in bio to read the Monograph from Mousse 95.

26/05/2026

ONLINE NOW: Federico Campagna (), “World-Building: An Architectural Guide,” Part 3/3

Tap the link in bio to watch the last part completing the course led by Agora’s director, presenting an overview of the theory and practice of world-building.

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Conceived by Andrea Bellini and Federico Campagna (), “Agora: A Gathering of Art and Philosophy” is a free, semester-long program of English-language lectures, seminars, and one-to-one mentoring for a group of eight practicing artists and philosophers.

The recordings of the contributions from the faculty are now accessible to everyone on ’s digital platform, the 5th floor, with new releases scheduled monthly.

— —

Now available at agora.centre.ch:
• Federico Campagna (), “World-Building: An Architectural Guide,” Part 3/3
• Nicolas Jaar, “Tears in Space-Time,” Part 1/1
• Elizabeth A. Povinelli, “Politics & Aesthetics After Geontopower,” Part 3/5

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Main sponsor:
Media partner:

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20137

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