Mousse

Mousse Mousse is a contemporary art magazine. Feature columns keep tabs on international trends in contemporary culture around the world.
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Contemporary art magazine and publishing house based in Milan

https://linkin.bio/moussemagazine/?fbclid=PAZXh0bgNhZW0CMTEAAabdL-MjbXuu8-6PJ_2yh9XIyPjGLjN9ftJuSU20LzY0E-Juj5dk6CKlOzU_aem_Fu0gK6PyWUOkV7Vg5Tbkgw Established in 2006 and publishing four issues every year, it features interviews, conversations, and essays by some of today’s most important international figures in criticism, visual arts

, and curating. Mousse is also a publishing house, devoted to imbuing every printed project with originality, care, and respect. Mousse Publishing makes books with artists, writers, galleries, biennials, and other art and cultural initiatives both public and private. Mousse Publishing also produces online content, printed ephemera, and artist editions. Instagram: - Twitter:

Harry Burke () on how Bagus Pandega’s () art surveys the fault line between nature and technology, and exposes the envir...
10/07/2025

Harry Burke () on how Bagus Pandega’s () art surveys the fault line between nature and technology, and exposes the environmental fallout caused by resource extraction in his native Indonesia.

Read the tidbit at the link in bio.

“I started living in a jar recently. The same jar that a child puts a lid on and pokes holes in for air.” Lauren Cook ()...
08/07/2025

“I started living in a jar recently. The same jar that a child puts a lid on and pokes holes in for air.” Lauren Cook () contributes nine newly-commissioned note-like, fiction pieces.

Tap the link in bio to read the Fiction from Mousse 92.

Much has been made of Meret Oppenheim’s refusal to be defined—by Surrealism, feminism, her biography, or the market. In ...
07/07/2025

Much has been made of Meret Oppenheim’s refusal to be defined—by Surrealism, feminism, her biography, or the market. In her review of “Meret Oppenheim” at , Basel, Vanessa Boni explores how, forty years after the artist’s death, the exhibition acknowledges Oppenheim’s language as ahead of its time, vividly capturing her stylistic restlessness and refusal to attach herself to a singular artistic tradition or mode of expression.

Read Vanessa Boni’s review of the show at the link in bio.

Amy Jones () investigates what’s revealed and obscured in the clichés addressed in Ruoru Mou ()’s practice, whose sculpt...
04/07/2025

Amy Jones () investigates what’s revealed and obscured in the clichés addressed in Ruoru Mou ()’s practice, whose sculptures and installations engage with repeated images as they circulate through popular culture and industrial production.

Follow the link in Mousse’s bio to read the Tidbit.

Amy Jones () investigates what’s revealed and obscured in the clichés addressed in Rouru Mou ()’s practice, whose sculpt...
04/07/2025

Amy Jones () investigates what’s revealed and obscured in the clichés addressed in Rouru Mou ()’s practice, whose sculptures and installations engage with repeated images as they circulate through popular culture and industrial production.

Follow the link in Mousse’s bio to read the Tidbit.

What happens when an exhibition format merges with a space for everyday, domestic encounters?Since 2019, the collective...
03/07/2025

What happens when an exhibition format merges with a space for everyday, domestic encounters?
Since 2019, the collective has been exploring this question across three different neighborhoods.

“Palazzina. Ring Everywhere” brings together installation views from 30 projects featuring over 100 artists, accompanied by texts from Ingo Niermann (), Nora Joung, Cassiane C. Pfund, Ines Goldbach, and a conversation between Palazzina members moderated by Marlene Marti Bürgi ().

Stephanie Bailey () contemplates the melancholy reverberations in Ho Tzu Nyen’s video works and multimedia performances,...
02/07/2025

Stephanie Bailey () contemplates the melancholy reverberations in Ho Tzu Nyen’s video works and multimedia performances, in which pop or political reality merges with metaphor, and algorithmic editing links elastic fragments in unexpected ways.

Tap the link in bio to read more.

“Con lo zucchero in bocca (With Sugar in One’s Mouth)” at in Rome is meant, Head Curator Lucrezia Calabrò Visconti () w...
01/07/2025

“Con lo zucchero in bocca (With Sugar in One’s Mouth)” at in Rome is meant, Head Curator Lucrezia Calabrò Visconti () writes, “to evoke the feeling of sugar in one’s mouth”—a feeling that can be delectable, sickening, grand, inspiring, fateful, and perhaps also shameful. The “with” of “Con lo zucchero in bocca” (With Sugar in One’s Mouth) conveys passivity, perhaps even force, which speaks to the structures of oppression implicit in sugar and its production, while also imagining the residual taste, or trace, it leaves behind. Departing from the politics of sugar, artists , Binta Diaw (), Gina Fischli (), Pauline Julier (), Oz Oderbolz (), Sergio Rojas Chaves (), Virginie Sistek (), and Milva Stutz () consider how colonialism, gender and race, environmental crisis and late capitalism are all implicated in its discovery and production.

Read the review by Rose Higham-Stainton () at the link in bio.

delves into “the atmospheric,” a concept relating to new spatial practices that distribute agency between human and ot...
26/06/2025

delves into “the atmospheric,” a concept relating to new spatial practices that distribute agency between human and other-than-human agents, for instance artists, viewers, art workers, organisms, spirits, machines, architecture, and beyond.

Follow the link in bio to read the Opinions column.

See you this Saturday, June 28 for the book launch of “Simnikiwe Buhlungu: besides Puleng; dontsa-ring and roving preocc...
23/06/2025

See you this Saturday, June 28 for the book launch of “Simnikiwe Buhlungu: besides Puleng; dontsa-ring and roving preoccupations” at !

Drawing upon research related to “hygrosummons (iter.01)”—commissioned by , London and , Rotterdam—the book takes the site of the ubiquitous water puddle as a starting point. With contributions from family musicians, artists, curators, and scientists from varying contexts, it gathers an intertextual conversation around the literal and metaphorical possibilities of the water cycle.

The launch, taking place from 3pm as part of , will feature:
— Live performance by Nana Akumu Bolenge and her seven-piece band, drawing us into the rich sounds of Congolese rhumba;
— Conversation between Simnikiwe Buhlungu, Khwezi Gule (), and Saïd Rosales on art, science, and inquiry;
— Interventions by Robert Machiri () will expand listening as a practice of togetherness.

– –

BOOK LAUNCH & LIVE PERFORMANCE
at , Rotterdam
Saturday, June 28
3-7pm

– –

Image: Simnikiwe holding “Simnikiwe Buhlungu: besides Puleng; dontsa-ring and roving preoccupations” in her studio.

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