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Cold Magazine

Informazioni di contatto, mappa e indicazioni stradali, modulo di contatto, orari di apertura, servizi, valutazioni, foto, video e annunci di Cold Magazine, Rivista, milano, Milano.

04/06/2026

When E.R. Fightmaster () pings onto my computer screen, my eyes can’t help but roam over the home studio behind them, looking for clues. Bathed in California sunlight, a drumkit sits under colourful posters. What appears to be a Tree of Life tapestry hangs high – dark, russet leaves float around a strong centre. Verdant and life-giving.

It’s a serious, tranquil environment, and dear reader, when you hear the debut FIGHTMASTER album, Tolerance (out 5 June), it will make sense why this is the room of its birth.

Tolerance is their debut full-length album that sees the heartthrob asking, what is it like to grow old in a q***r body? Before they hit the road, touring with Lucy Dacus and Lord Huron, as well as performing headline shows across the U.S., we sat down with E.R. to go behind the scenes on their songwriting process, their relationship with younger audiences and how they’ve learned to write about exes with kindness.

Read the full interview at the link in our bio.

Written by

03/06/2026

After graduating from the Royal College of Art with a Masters in Textiles in September, I began to apply to hundreds of jobs only to get rejected from all of them for “not having enough experience.” After trying to get the “experience” these jobs required by hosting my own events and workshops, I discovered how expensive it is to find a space to do these things. It felt so wrong to be spending hundreds, sometimes even thousands of pounds (saved up by working a minimum wage job) to rent a pub from an older cis white man for a night.

This began my journey to build Rhizomatic, a craft cafe, wine bar, and third space centered around textiles and making with your hands and getting off your phone. A space that looks beyond the normal, basic, beginner workshops, instead offering weird, esoteric, interdisciplinary and boundary pushing programming centered around women, disabled, working class, young, q***r, and POC voices.

Rhizomatic is a space that gives artists a shot and bets on their careers, providing opportunities and space to help them get those jobs that require more experience. A space that prioritizes local suppliers and feeding into the young East London community as much as possible. And more importantly, a space where you can connect with other young people trying to do the same thing. A space made FOR the community, BY the community.

Words and photos by .ldn
Edited by

03/06/2026

WHEN THE ICE MELTS

A new editorial is now out 🔍

Set within everyday environments such as garages and suburban railway tracks, the project introduces subtle
surreal elements that disrupt the familiarity of these spaces. An inflatable structure and ice-related objects appear slightly out of place, creating a quiet tension between reality and imagination.

Shot with SEBii, a Shanghai-based artist who has been actively performing across cities including Tokyo, New York, Hong Kong, and London, and Australia, the project is grounded in a moment where underground and alternative culture across Asia is becoming increasingly visible through music, image, and youth-driven scenes.

Within this context, SEBii is presented as a youth extending an inner imaginative world into physical space. The
images reflect a condition where creative impulses often develop in personal, self-constructed environments before becoming visible.

Through this, the work carries a subtle sense of anticipation and emotional drift, allowing energy and identity to surface gradually rather than fully resolve.

Art Direction / Photography:
Stylist / Set Design: .gurl
Producer: .agency
Talent:
MUA:
Hair:
Photo Assist:
Styling & Set Design Assist: .yiyu

Fashion: GENERAL EXPERIMENT | CLEIONER | RYW | DUVETT | Chrome Hearts | JOLLY SICK | ANTONY RIDDLE | iseder | The Corner Passed | DESTROYER OF WORLDS | 3Mg

02/06/2026

After stints in major cities like Melbourne, Sydney and Perth, Australia’s CLOSER festival makes its European debut this summer on the outskirts of a town of fewer than 35,000 people, at the geographic heart of the Balkan peninsula.

Between the 24th and 26th of July, around 5,000 people will camp alongside one of Europe’s largest man-made lakes, in Livno, Bosnia and Herzegovina. Surrounded by mountain ranges and relative quiet, they will spend their days sipping strong Bosnian coffee served in its century-old traditional way, dipping in the lake, working through Bosnia’s layered and diverse culinary tradition and driving past wild horses. The backdrop of it all, of course, is music: with over forty performers across two stages, the experience is designed to feel complete.

Livno is neither a capital city nor a typical festival hub. It is a small place to slow down in, and the family hometown of SPEZ (Marko Sperac), founder of CLOSER (.festival) and owner of Warg Records. SPEZ (.dj) came up through Melbourne’s underground scene, spending long nights in clubs watching DJs play, paying attention to how rooms moved, how sound built, how people disappeared into it. That early curiosity eventually became CLOSER, a series of stripped-back techno nights born from a feeling that the local circuit was drifting from what made those spaces worth being in.

Ahead of its European debut, we spoke to SPEZ about the early days of the project, what it means to bring it back to where his family is from, and how a sense of community continues to shape every decision he makes.

Read the full article at link in bio.

Words by and .zer0

02/06/2026

Joey – girl, 23, barista – meets Chuck – man, 35, copywriter – at a bar. She’s an aspiring poet struggling to write, stalled in her career path, placid in the precipice of adulthood. He’s recently out of an 8-year relationship, which had graduated to an engagement, which he broke off.

He also has a drinking problem. Against all odds, the two form the spark of a connection, and find in each other exactly what they were looking for. But Jem Calder’s debut novel I Want You To Be Happy is less a love story and more the kind of disastrous situationship that turns into friend-group mythology – the sort of thing retold over glasses of wine like a game of telephone.

Tap the link in our bio to read Cold Magazine’s interview with Jem Calder.

Written by
Edited by

01/06/2026

Orphan. Dropout. Factory girl. Pin up. Star. Marilyn Monroe, born 100 years ago today, lived many lives and went by many names. But who was she, really?

One story – ditsy, distant, too earnest, an unsocialised puppy of a woman – contradicts another – dark and serious, a secret intellectual who scrawled poems on hotel stationary. Marilyn, it seems, was just as slippery in life as she remains in death. However, almost every account of the long-gone star is vehement about one thing: She loved to read.

In 1949, she opened her first charge account, not at a clothier or a diners club, but at a California bookshop called Martindale’s. By the end of her life, she had amassed a personal library of over 400 books. And so, on this first day of June, and the first day of Marilyn’s 100th year, let’s dive into one (or 10) of these books that explore the inner-life of one of the brightest, blondest, most elusive women to ever grace our screens.

Read the full list at the link in our bio.

Written by

01/06/2026

Somewhere between the neon-lit restaurants and sticky-floored karaoke rooms of New Briggate, there’s a cluttered dive bar called Wax. It’s become a sort of unofficial home to the music scene in Leeds (at least, post-1am), and, more recently, an official home to literary salons.

“We had this idea that a lot of people in bands had writing lying about, and that maybe they could read it out,” explains organiser Rhiannon Kane (). “I was thinking of other ways that we could get all of these people in a room, thinking about writing and music and reading, but for it to still feel like a party, for it to still feel vulnerable and different to gigs.”

Words and photography by .palmer
Edited by

14/05/2026

In The New American West: Photography in Conversation, the myth of the West is opened up, questioned, and looked at again through historical photographs and contemporary works. Within the exhibition, Eisler and Riboud’s images — born from a shared journey through Texas, New Mexico, Arizona, and Utah in 2024 — unfold like two distinct voices moving through the same landscape. Eisler’s gaze is intuitive, cinematic, almost restless; Riboud’s is quieter, architectural, suspended. Together, their photographs do not try to define the West, but rather to stay close to its contradictions: memory, desire, history, and projection. For COLD, the conversation begins here.

Read the full interviews at the link in bio.

Written by
Edited by

14/05/2026

This year’s Barbican Chronic Youth Festival sought to investigate the shifting power of self-documentation. Held over a warm spring weekend, the event felt as refreshing as the weather itself, driven by the energy of the 20 young creatives behind the festival. Together, they curated a selection of short and full-length films, unified by a shared commitment to authentic storytelling.

Click the link in our bio to read more about the festival!

Written by:
Edited by:

13/05/2026

One of the most surprising fashion trends from the fringes of popular culture is the Mexican pointy boot or botas tribaleras. The boots are a product of the tribal guarachero music genre, a mix of electronic dance music and traditional Mexican music, born out of the tribal guarachero scene.

As tribal guarachero parties flooded through working-class neighbourhoods in northern Mexico in the early 2010s, their growth began. Young dancers would battle in a fierce choreographed battle circle and the boots were in fact a costume, as well as a badge of belonging, with their cartoonishly curved and elongated tips.

The most impressive about them was their spirit of irony and play. Rather than using a “face” to wear down, many participants used to make their “face” pairs in extreme ways: mirrored surfaces that reflected the light, exaggerated silhouettes that went way past function and even flashing LED strips in the soles. The crazier the better.

In this way, botas tribaleras were not only shoes, but also a valuable part of their daily lives. They provided a self-expressive style, based on comedy, one another, and a working-class creativity, a reminder that subculture’s most eloquent vocabulary is not luxury, but invention.

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