Hazkj

27/07/2023

Stasera presentiamo:

Hazkj
nato a Bologna nel 1995.
Ha coltivato la passione per il disegno e la pittura da autodidatta. Grazie alla sua formazione umanistica, ha da sempre nutrito una profonda curiosità verso i risvolti della società e le identità storiche dell’uomo e del paesaggio.
Nel 2021 ha conseguito a pieni voti la magistrale in grafica delle immagini presso l’ISIA di Urbino. Da quel momento ha lavorato come freelancer, spostandosi tra Italia, Francia e Svizzera.
Le sue specialità sono la grafica editoriale, il branding e l’illustrazione analogica e digitale, attraverso cui cerca di declinare un linguaggio sempre attento agli elementi culturali e naturali.
D’abitudine usa colori piatti e un approccio grafico come espressione prediletta per indagare gli aspetti più intriganti della condizione umana.

27/07/2023

27/07/2023

“La leggerezza del Tempo” il racconto del murales realizzato dai ragazzi del progetto Street art e da Hazkj lo potete leggere oggi sulla Gazzetta di Modena.

Grazie ancora a Imperiale Painting per averci donato tutto il materiale e i colori per la realizzazione del murales e Comune di Medolla che ci ha messo a disposizione l'edificio.

SummerLab è un progetto sostenuto da Unione Comuni Modenesi Area Nord e finanziato da Fondazione Donor Italia, Fondazione Cassa di Risparmio di Mirandola, Lions Club Mirandola, Comune di Mirandola

14/05/2023

ᴛʜᴇ ᴛᴀʙʟᴇ ᴏғ ғᴀᴛᴇs 🌸

Illustration and poster created for
conference on new discoveries about one of the most emblematic finds of Etruscan civilization.
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What is this artifact?

This object is a life-size reproduction of the liver of a sheep. It is a bronze object, the upper surface of which is almost entirely occupied by inscriptions in the Etruscan language, placed in 38 boxes.

Using this sort of map, the haruspex, the Etruscan priest, could interpret deformities, pathologies or spots present on the liver of the sacrificial victim as messages from a specific deity.

In addition, the ribbon divided into 16 boxes surrounding the liver model creates a correspondence with the sixteen celestial seats where the Etruscans believed the gods resided.

The Liver of Piacenza, therefore, not only constitutes a map of Etruscan hepatoscopy, but also records symmetry with celestial geography, according to the theory of the correspondence of the microcosm and macrocosm in the design of the universe.
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🙏 Special thanks to and official
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@ Piacenza

02/05/2023

🌙 𝐹𝓊𝒻𝓁𝓊𝓃'𝓈 𝒟𝓇𝑒𝒶𝓂 🍇

Fufluns is the Etruscan god patron of the grape harvest, wine, happiness, health and growth in all things. It is assumed that his name derives from puple, sprout.

🌊 To celebrate the arrival of the god who came from the Middle East, according to ancient myths, a procession was held by sea, from which the god made his entrance into the community.

👁 The ship echoes the decoration of the apotropaic eyes, configured as a darting dolphin. They were not only a protective element for the vessel in ancient times, but were also painted by artists on the cups for banquets. After all, wine has always been the vehicle for embarking on a journey.

🍇 Many thanks to and .project for letting me paint for and for this wonderful opportunity, to the Comacchiesi who approached and shared their stories.
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25/04/2023

🌹 ʟ ᴀ ʀ ᴇ ꜱ ɪ ꜱ ᴛ ᴇ ɴ ᴄ ɪ ᴀ 🌹
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In memory of the anti-fascist volunteers from Piacenza fighting for freedom and against all dictatorships; in the defense of the Spanish Republic in 1936/39.
It’s a Tribute to all the Antifascists and Libertarians from Piacenza, from Italy, from the World.

This illustration takes inspiration from a bronze work by sculptor Giuseppe Tirelli and is placed on the Muntà di Ratt staircase in Via Mazzini in Piacenza.

Model reference: ✨

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31/03/2023

🏅 𝗦𝗣𝗢𝗥𝗧: 𝗔 𝗣𝗢𝗜𝗡𝗧𝗟𝗘𝗦𝗦 𝗟𝗢𝗩𝗘? 🎭
My illustration for the original article written by Enrico Casanova in no. 02 of .magazine

The question arises, therefore, for those who love sport and not for those who appreciate its spectacular component, whether it still makes sense to look at it.
spectacular component, whether it still makes sense to watch it. Perhaps it does, but only in that sense that maintains the physical relationship between spectator and player, which can only be experienced live, without the
television medium. But television is a perverse and pervasive weapon: how much room will it leave for sentiment?
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29/03/2023

29/03/2023

20/03/2023

🏺𝓛𝓔𝓣𝓣𝓔𝓡𝓔 𝓓𝓐𝓛 𝓟𝓐𝓢𝓢𝓐𝓣𝓞 📝
Poster design for the main cover of the personal exhibition “Lettere dal passato. Segno e identità tra scrittura e rappresentazione nel mondo etrusco“ which I did back on September 2022 at the .archeologicosiena in

This is a project presented on the occasion of the that intends to enhance the archaeological heritage present within the museum itineraries of and, at the same time, lead to the realization of original creations that can be used for educational and popular purposes, enhancing the National Archaeological Museum and its heritage.

Special thanks to and for the support and for making this wonderful collaboration possible.

Thanks also to all the people involved in this project .generazionesiena