Yogurt Magazine & the Paper Room

Yogurt Magazine & the Paper Room Yogurt is a curatorial platform looking for new directions in contemporary photography. The Paper Room is the Yogurt's bookshop in Rome.

Yogurt is a curatorial platform focused on contemporary photography and visual arts.

The Cedar Lodgeby Maya MeissnerGrowing up in Northern California with horticulturalist parents, Yosemite National Park w...
23/09/2025

The Cedar Lodge
by Maya Meissner



Growing up in Northern California with horticulturalist parents, Yosemite National Park was my family’s Mecca, and in September of 1998 we took our first pilgrimage there. We stayed at the Cedar Lodge, a roadside motel. I returned to the park years later as a teenager pursuing my love of photography, excited to channel Ansel Adams and the other greats who came before me, in the birthplace of landscape photography. It’s hard for me to comprehend human horrors in Yosemite, one of the most majestic natural places on this planet.
[...]

On view on our online magazine
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Padreby Marisol MendezPadre is a personal and political excavation of masculinity, approached through a feminist lens. R...
17/09/2025

Padre
by Marisol Mendez



Padre is a personal and political excavation of masculinity, approached through a feminist lens. Rooted in my family history and shaped by my Latin American heritage, the project interrogates the deeply embedded structures of machismo that govern not only men’s behaviors but also the emotional landscapes of those around them. Oscillating between social critique and self-inquiry, Padre traces a lineage of absence, tenderness, violence, and care, mapping the way masculine identity is inherited, performed, and, at times, unlearned.
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Dogbreathby Matthew GenitempoSet amid the extreme heat and sprawling concrete of Tucson, Arizona, Dogbreath is a photobo...
15/09/2025

Dogbreath
by Matthew Genitempo



Set amid the extreme heat and sprawling concrete of Tucson, Arizona, Dogbreath is a photobook that depicts a series of restless adolescents as they navigate a fraught and changing world. Through photographs of urban decay, sun-faded neighborhoods, scenes of mosh pits, and punk youths alongside their feral dog counterparts, the book paints a sympathetic view of teenagers adrift in what remains of their adolescence. Interspersed with elliptical texts about a mysterious boy named Dove, who speaks of underground pagans, scrap salvaging, and the search for gold, Dogbreath presents an enigmatic, psychologically engaging portrait of youth on the edge.

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Diaries by  (.editions) curated by  is in tour!“When reality cracked, worn out by itself and on the brink of implosion, ...
13/09/2025

Diaries by (.editions) curated by is in tour!

“When reality cracked, worn out by itself and on the brink of implosion, Francesco was there, with his camera in hand.
Diaries is a testament to those moments. Words and images. Chasing one another, without geographical or temporal boundaries. It accompanies an emotional flow, showing us how when the world turns grey and humanity drowns, socio-cultural differences fade and the memory of places and years dissolves.
Only fragments remain, blending into one another.

Diaries seeks to be an invitation to reflection.
To the awareness that history, in its guilt, always remains the same.”

Excerpt from the curatorial text by Francesco Rombaldi

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Presentation dates:

September:
-13.09.25


-17.09.25


-22.09.25



October:
-07.10.25


-09.10.25



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The project Atlas of Conflict by 10B Photography is supported by Strategia Fotografia 2024 and promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture.

        




   

Atlantisby Oriane ThomassonThe Atlantis project is conceived as a continuation of Paradis, my previous project published...
09/09/2025

Atlantis
by Oriane Thomasson



The Atlantis project is conceived as a continuation of Paradis, my previous project published by The Eriskay Connection. Like Paradis, ATLANTIS takes the form of a collection of images drawn from various sources, all of which are connected to the legend of Atlantis.
The myth of Atlantis, as told by Plato in the Timaeus and the Critias, describes a magnificent, vast, and prosperous island, blessed with fertile lands and abundant natural resources. Its inhabitants, descendants of Poseidon, lived in a society in harmony with nature. Over time, however, their ambitions led them to expand their empire and conquer new resources, provoking the wrath of Zeus, who punished them by unleashing a cataclysm that submerged Atlantis beneath the waves. To this day, the myth continues to fuel archaeological theories and inspire countless fictional accounts. [...]

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The Golden Age of Hijackingby Roz Doherty Air piracy in America was astonishingly commonplace between 1968 and 1972, wit...
04/09/2025

The Golden Age of Hijacking
by Roz Doherty



Air piracy in America was astonishingly commonplace between 1968 and 1972, with over 130 planes being hijacked during this period.  Happening as frequently as once a week, hijackers sought political asylum in Cuba or demanded money as a resolution to their often-desperate circumstances.
The Vietnam War had proved to be massively unpopular, the idealism from the 1960s was a thing of the past, and the mass media were stoking public hysteria. All the while, Politics was seen to be failing to end the epidemic of hijacking. Interwoven with this is the psychology of these disenchanted and desperate men who felt that their circumstances were such that the only solution was seen to be the hijacking of a commercial plane. A way out.
With self-confidence slipping into foolishness, one audacious act would influence another, like a contagious pathogen. Initially hailed as anti-heroes, the public eventually grew tired of the inconvenience of hijacking, and several proposed madcap schemes to thwart hijackers placed women at the heart of the solutions.
The Golden Age of Hijacking is multifaceted, exploring a range of conflicts that played out during this period. Hijackers felt let down by their prized national ethos, the American dream. Wife and partners were left behind to pick up the pieces. Bad male behaviour was not just tolerated but also celebrated. Passengers viewed one another with suspicion. The Federal Aviation Administration and the government did not know how to respond, ultimately causing frustration for the public.
Occupying a hybrid documentary space between image, information, and fiction, the work takes a post-documentary approach to explore an unknown yet compelling period of history and asks what, if anything, has changed.

on view on our magazine online
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Reversed surveillanceby Marcel TopReversed surveillance is a visualisation of invasive surveillance technologies, challe...
30/08/2025

Reversed surveillance
by Marcel Top



Reversed surveillance is a visualisation of invasive surveillance technologies, challenging the prospect of automating crime detection during protests in France. The project reflects on the development and legislation of mass surveillance by offering a case study on how individuals can protect themselves using the very tools with which they are surveilled.
[...]

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Fear of Mirrors by Alba ZariPublished in 2025 by Yogurt Editions & XYZ Books.Available on our shopLINK IN BIO-Fear of Mi...
25/08/2025

Fear of Mirrors 
by Alba Zari



Published in 2025 by Yogurt Editions & XYZ Books.

Available on our shop
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Fear of Mirrors by Alba Zari is an investigation into self-representation in the digital age. From the mirror to the screen, the project explores how the digital revolution has transformed the way we communicate with ourselves, placing the female image at the center and examining the social conditioning that shapes it.
Through a blend of photography, research, and experimentation, Zari analyzes the patriarchal dynamics that influence self-representation, questioning whether new technologies have truly liberated female identity or merely redefined old constraints in new forms.
The artist plays with the media, experiments on herself, and exposes the mechanisms of the web, confronting platforms and algorithms that perpetuate homogenizing aesthetic standards.
In Fear of Mirrors, Zari does not aim to provide solutions or answers but instead invites the viewer into an open reflection on contemporary society, where one question lingers in the digital void from which the project emerges: has the mirror finally shattered, or are we still prisoners of its reflection?

Words by Francesco Rombaldi

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Non Fictionby Henri Kisielewski “To give truth the colour and narrative force of fiction,” this was Truman Capote’s ambi...
21/08/2025

Non Fiction
by Henri Kisielewski



“To give truth the colour and narrative force of fiction,” this was Truman Capote’s ambition when he wrote “In Cold Blood”, the true account of a quadruple homicide in 1960s Kansas. This is the starting point for Non Fiction, a work of lyrical documentary that explores the porous boundary between fact and fiction in photography.
The premise is simple: is it possible to photograph the world as it is – through chance encounters and local news stories – and create a series that feels like fiction?
Since its beginnings, photography has had a complex relation to truth: even the most ‘objective’ portraits will necessarily involve decisions relating to location, light and pose. In Non Fiction, this tension is pushed to its extreme through a variety of visual strategies, deployed to blur the lines. In the current context of conspiracy theories, fake news and AI generated imagery it is more pertinent than ever to reflect on our relationship with reality and how it is mediated through images.
In Non Fiction images based on chance encounters accumulate and coalesce, forming a narrative that is fluid and multidirectional. It is up to the audience to interpret this narrative, to find keys into it. Framed in this way, daily life is transformed: every window hides secrets, every person becomes a protagonist, every object becomes a clue or a piece of evidence.
It’s all true, it’s all false, but one thing is certain: truth is at least as strange as fiction.

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Other Joysby Alice Poyzerpoyzer Other Joys is an ongoing body of work that highlights my special interests as someone on...
16/08/2025

Other Joys
by Alice Poyzer
poyzer

Other Joys is an ongoing body of work that highlights my special interests as someone on the spectrum, whilst also discussing the difficulties I face as an autistic woman. The process of making these photographs provides me with a safe space to unmask – something that I cannot always access in day to day life. What was once a fear of being deemed different has now become a celebration of self-acceptance and understanding.
Throughout the work there are visual comments on my own autistic traits, such as my need for sensory comfort and how easy it is for me to be overwhelmed. The self-portraits featured, all different in tonality, expression and mood, mirror how I feel in real life; forever moulding myself to fit in with others, whilst the repetition of certain symbols suggests my need for consistent routine. Overall, Other Joys is a project made to ignite a conversation on how we can improve autistic representation, particularly surrounding women on the spectrum who are often unheard and underestimated.

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Elena 1by Juliana Gómez Quijano My grandfather always believed that the astronauts who traveled to outer space were men...
11/08/2025

Elena 1
by Juliana Gómez Quijano



My grandfather always believed that the astronauts who traveled to outer space were men. Men born and educated in the industrialized nations of planet Earth. He never believed it possible that those astronauts could come from the periphery of the world, or that maybe they would be women. His mind was filled with images of the footprints of Buzz Aldrin on the lunar regolith, the photo of Neil Armstrong with the flag of the United States, the silhouette in shadow of both of them over the craters of the Sea of Tranquility. Elena 1 appeals to the strength of the imagination to transform the story of the trip to outer space, and specifically, to the moon, that was documented, narrated and lived by men. How decisive would it have been had one or more women been part of the missions that traveled to our satellite? To hear their voices in the recordings of the historical archives, see their photos on the covers of magazines and newspapers? How would our imaginations have been formed? Perhaps, we would have led more trips to outer space in movies, had starring roles in science fiction books, and had our footprints on the moon. Our position of power in outer space would be unrealized, with practices and policies that represent the humane aspect of women. The Elena 1 mission is a trip to the moon starring women from the city of Medellín, Colombia, women who as children dreamed of becoming astronauts. I use archival resources produced in the NASA Apollo missions to challenge and reimagine a new narrative created from the periphery. I also work with the records created by the women who were part of the mission, and in so doing, provide a new voice to tell the story of the trip to the Moon.

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