JL Interviews

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JL Interviews

JL INTERVIEWS is a magazine written by Joanna Longawa in Rome, Italy. It is an international online magazine about culture on www.jlinterviews.com.
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It has its Italian & Latinoamerican version as a Tv channels JL INTERVIEWS TV AMERICA & 15 MINUTES WITH... The magazine promotes worldwide culture through interviews conducted by Joanna with cultural representatives from all walks of life like artists, actors, musicians, film makers, models, photographers, social workers, scientists and many more in the form of a dialogue. The aim of this project

is to emphasize the need for a social world through art and to participate in a real artistic life by establishing new collaborations and organizing social interesting events everywhere.

04/06/2026

🇮🇹 🖼️ LATEST FROM JL Interviews: ^^How Kids Roll — Exhibition at Palazzo Merulana in Rome curated by Loris Lai and Joseph Lefevre^^ Palazzo Merulana is pleased to present How Kids Roll, an exhibition curated by Loris Lai and Joseph Lefevre, running from May 14 to June 28, 2026. Under the patronage of the Dicastery for Communication and the Dicastery for Culture and Education of the Holy See, together with the Italian Committee for UNICEF and Save the Children International, the exhibition — produced by B-roll Production S.R.L. and Ramon Pictures — investigates the contemporary experiences of children in Gaza, conveying the strength, dignity, and resilience of those growing up in a context marked by conflict that continues to reshape the daily life, imagination, and future of an entire generation.

Under the patronage of the Dicastery for Communication and the Dicastery for Culture and Education of the Holy See, together with the Italian Committee for UNICEF and Save the Children, the exhibition

04/06/2026

🇮🇹 🇬🇧 LATEST FROM JL Interviews: ^^“Non-Doms: How Many Are Really Leaving the United Kingdom?”. An Interview with Alessandro Belluzzo, Founding Partner of Belluzzo International Partners ^^ In recent months, there has been much talk of a “flight from the UK” by non-domiciled residents (“non-doms”). The issue stems from the British tax reform that abolished the historic non-dom regime, replacing it with a system based on fiscal residence. But beyond the newspaper headlines: what is really happening? Over the past twelve months, few topics have dominated private client conversations in London as persistently as the future of the non-dom regime. Since the UK government abolished the historic tax status based on domicile and replaced it with a residence-based framework, headlines have spoken of a wave of wealthy families “fleeing” Britain. Alessandro Belluzzo is better placed than most to assess these dynamics. An English-qualified barrister, Trust and Estate Practitioner (TEP), and founding partner of Belluzzo International Partners — a multidisciplinary firm with offices in London, Milan, Verona, Rome, Lugano, Singapore, and Abu Dhabi — he advises internationally mobile families and entrepreneurs on wealth planning, tax strategy, and cross-border structuring. His daily work places him at the intersection of policy change and real-world client decisions. In this interview, Belluzzo cuts through the headlines to offer a sober, data-led assessment of what is really happening to London’s international wealth ecosystem — and what it means for advisers, families, and the City itself. -doms

In recent months, there has been much talk of a "flight from the UK" by non-domiciled residents ("non-doms"). The issue stems from the British tax reform that abolished the historic non-dom regime,

01/06/2026

🇮🇹 🖼️ LATEST FROM JL Interviews: ^^Invisible Matter: Giuliana Cunéaz at Rifugio Digitale Bridging Archaic Imagery and Artificial Intelligence^^Florence, Italy — From June 4 to 20, 2026, Rifugio Digitale presents Invisible Matter. Nahuales, Spirits and Augmented Presences, a solo exhibition by Giuliana Cunéaz, a pioneering figure of Italian Media Art. The show brings together fifteen AI-generated videos created specifically for the venue, weaving archaic symbolism with contemporary technological languages in a dialogue that spans nature, spirituality, and digital vision. Curated by Serena Tabacchi and Rebecca Pedrazzi, with artistic direction by Laura Andreini, the exhibition is supported by FinecoBank and organized in collaboration with Forma Edizioni. The opening will take place on Thursday, June 4 at 6:30 PM, preceded by a press preview at 6:00 PM with the artist, the artistic director, and the curators in attendance.

Florence, Italy — From June 4 to 20, 2026, Rifugio Digitale presents Invisible Matter. Nahuales, Spirits and Augmented Presences, a solo exhibition by Giuliana Cunéaz, a pioneering figure

27/05/2026

🇮🇹 🖼️ LATEST FROM JL Interviews: ^^MANI DI TERRA — Hands of Earth: When Clay Becomes a Bridge Between Masters of the Twentieth Century and the New Frontiers of Contemporary Sculpture^^ Curated by Marzia Capannolo, with critical contribution by Paolo Repetto, Mani di Terra (Hands of Earth) opened on April 19, 2026 at La Crescentina’s exhibition spaces, an ambitious survey dedicated to ceramic sculpture that bridges generations of Italian and international artists. The exhibition marks the reopening of La Crescentina’s programming. This cultural association was founded in 2021 by collectors Fiorella Miraglio and Alessandro Monteforte to promote art and culture through exhibitions, publications, and cultural events — all free and open to the public. Yet the story of La Crescentina reaches much further back: to the relationships Alessandro Monteforte cultivated from the 1960s through the early 2000s with protagonists of contemporary art, and to the large agricultural building he purchased and restored in the 1980s.

Curated by Marzia Capannolo, with critical contribution by Paolo Repetto, Mani di Terra (Hands of Earth) opened on April 19, 2026 at La Crescentina's exhibition spaces, an ambitious survey

27/05/2026

🇪🇸 🎨 LATEST FROM JL Interviews: ^^Blood, Sweat, and Clay: Pedro Juan Rabal’s Ode to Forgotten Trades — The Exhibition That Brings the Soul of Vega Baja to La Barraca la Gramaera in Redován^^ MURCIA — In the hushed interior of La Barraca la Gramaera, the whitewashed cultural landmark of Redován, time moves differently. The walls do not merely hold paintings; they hold memory. And on the 22nd of May, 2026, they began to hold something more: the calloused hands of fishermen, the bent backs of esparto workers, the subterranean darkness of miners, and the sweat of a dozen generations who built the Levante with little more than grit and grace. The occasion is Sangre, Sudor y Barro — Blood, Sweat, and Clay — the latest exhibition by Pedro Juan Rabal, a painter from Águilas whose brush seems to carry the salt of the Mar Menor and the dust of the huerta in equal measure.

MURCIA — In the hushed interior of La Barraca la Gramaera, the whitewashed cultural landmark of Redován, time moves differently. The walls do not merely hold paintings; they hold memory.

18/05/2026

🇮🇹 🎨 LATEST FROM JL Interviews: ^^A World Is Possible”: 70 Artists Transform a Cilento Town into an Open-Air Fair of Art, Community & Regeneration — From Castello Capano to Piazza Garibaldi^^ On May 23, 2026, the town of Pollica (SA) will host “È ‘na fera” (It’s a Fair), the symbolic and relational centerpiece of the broader transdisciplinary project “Un mondo è possibile” — a set of artistic practices aimed at inhabiting the future before it disappears. Involving approximately 70 artists including students, professors, and doctoral candidates from the New Technologies of Art program at the Academy of Fine Arts of Naples, alongside the Department of Biology, Materials Engineering, and the Department of Agriculture at the Università degli Studi di Napoli Federico II, the event transforms the entire town of Pollica into an open space for encounter, observation, and collective participation. The artists have been hosted in residence at the Castello Dei Principi Capano, in collaboration with the Comune di Pollica and the Future Food Institute.

On May 23, 2026, the town of Pollica (SA) will host "È 'na fera" (It's a Fair), the symbolic and relational centerpiece of the broader transdisciplinary project "Un mondo è possibile"

18/05/2026

🇺🇲 🎨 LATEST FROM JL Interviews: ^^The Scissors and the Current: Mark Milazzo on Collage, Commerce, and the Moment a Piece Says Stop^^ There is a moment every artist knows but few can name. It arrives not as a decision but as a sensation — a kind of internal click, as if the thing you have been making finally agrees with you. For Mark Milazzo, the mixed-media and analog collage artist whose work has traveled from Charlotte basements to the banks of a German river, that click is everything. “I have this visual feeling when looking at a piece, hard to explain, but I know at a certain moment, this is done!” He says it plainly, as if the mystery of it were not the point. But the mystery is the point. Milazzo works without maps. His studio — if it can be called that — is a topography of fragments: torn magazine pages, yellowed book plates, scraps of packaging, the pulp-and-ink residue of a world that prints faster than it reads. From this debris, he has produced nearly 4,000 original works since 2020. The number alone is staggering, but he is quick to deflect: “It’s not about how many pieces, it’s about the journey for me.”

Mark Milazzo is a mixed media and analog collage artist based in Charlotte, North Carolina. His work can be found on Instagram at and through Presson Gallery in Monroe, NC. Known across

18/05/2026

🇮🇹 🇨🇺 📷 LATEST FROM JL Interviews: ^^“Fidel: Story of a Leader – The Man Who Defied the Century”: A Major Exhibition on Fidel Castro’s Life and Legacy Comes to Palazzo Bisaccioni in Jesi^^ Jesi, Italy — The Fondazione Cassa di Risparmio di Jesi, in collaboration with the Centro Fidel Castro Ruz and under the patronage of the Embassy of Cuba in Italy and the Marche Region, with the support of the Associazione Para un Principe Enano, is proud to present “Fidel: Story of a Leader – The Man Who Defied the Century,” an in-depth exhibition dedicated to Fidel Castro Ruz, one of the most influential and controversial figures of the 20th century. Running from June 12 to November 22, 2026, at Palazzo Bisaccioni in Jesi (AN), the exhibition is curated by Mauro Tarantino, Secretary General of the Fondazione Cassa Di Risparmio Di Jesi, and René González Barrios, Director of the centro fidel castro ruz in Havana and a personal friend of Fidel. It is organized to commemorate both the centenary of Castro’s birth and the tenth anniversary of his passing, offering a rare opportunity for historical reflection on a leader whose life and political action were inextricably woven into the fabric of modern world history.

Jesi, Italy — The Fondazione Cassa di Risparmio di Jesi, in collaboration with the Centro Fidel Castro Ruz and under the patronage of the Embassy of Cuba in Italy and the Marche Region,

12/05/2026

🇮🇹 🎨 LATEST FROM JL INTERVIEWS: ^^The Cartography of the Invisible: On the Art of Giusy Lauriola, Painter of Silent Thresholds, Architect of Interior Geographies, and Weaver of Light^^ There is a certain kind of silence that precedes a storm, and there is another — rarer, more deliberate — that follows a long exhalation. The paintings of Giusy Lauriola belong to this second silence. They do not impose themselves; they wait. And in waiting, they open. Born and working in Rome, Lauriola has spent the better part of two decades refining a visual language that moves steadily inward, away from the clamour of the social and the documentary, toward a territory where memory, the body, and emotion become indistinguishable from the light that passes through them. Her early works, rooted in photographic imagery and digital intervention, spoke of the city — its fractures, its frictions, its hurried geometries. But something in that language began to shed its skin. The urban gave way to the intimate. The sharp edge of reportage softened into the liquid drift of pigment suspended in resin.

There is a certain kind of silence that precedes a storm, and there is another — rarer, more deliberate — that follows a long exhalation. The paintings of Giusy Lauriola belong to this second silence.

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