Evana De Lune

Evana De Lune Australian Burlesque Performer

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https://www.evanadelune.com/links

25/09/2026

Getting my scoliosis diagnosis two weeks ago was an incredibly challenging reality to face. Don't get me wrong, I always knew I had scoliosis. It's something I inherited and was always pointed out by my mother... but sadly, was never acted upon. This means all of those early years of possible intervention are wasted.

After years of increasing chronic pain, light gaslighting from bad physiotherapists, and imbalances in my back composition - I decided to finally get an X-ray. The results were confronting to say the least.

I have both a thoracic and lumbar curve, which significantly impact my posture, my abilities and my comfort. It's a lifelong condition that only progressively worsens with age, and there's basically no quick fix for my spine. I have been gripping with this haunting realisation that my back and body are becoming more limited over time.

Which brings us to today. I went to a stretch class, and my instructor said we were working on our back flexibility. Inside I shuddered. Feeling all the negative things I had been experiencing for the past few weeks, rising to the surface. Though, by the end of the class, I had this overwhelming feeling of pride. I began to realise, I had one of the more flexible and strong backs in my class.

Growing up, these back bends didn't come naturally to me. These skills hurt more, and I had to push twice as hard as all the other kids in my cohort in both gymnastics and dance. But I never stopped working on my flexibility. I practiced all the time at home and in my spare time, determined to do the things everyone else thought would be impossible.

Today, I have been looking back (no pun intended) at all the times I have utilised my wonky, beautiful spine in my performances and realise it's one of my favourite parts of me. Yes, I wish it was straight so I didn't have to spend 2+ days being horizontal to recover from intense performances. Yes, I wish it didn't cost me so much money and time in rehab and health appointments. Yes, it would be nice not to worry about my posture all the time.

But hopefully this is just a cool reminder to us all that you can achieve more than you think and nothing is impossible 😊

Wishing you a wonderful week 🖤Photography: Marcus Keily
23/09/2026

Wishing you a wonderful week 🖤

Photography: Marcus Keily

The art of un******ng 💙📸:
22/09/2026

The art of un******ng 💙

📸:

And they were roommates 🩷🍒Models: Evana De Lune & Lily LaRoy Photography: Photographer | Polish MediaLocation: Candy ★ G...
20/09/2026

And they were roommates 🩷🍒

Models: Evana De Lune & Lily LaRoy
Photography: Photographer | Polish Media
Location: Candy ★ GLAMOURPUSS ★

19/09/2026

Are you ready to receive to my pelvis? 😏

"If you don’t see it, create it." and I were recently speaking with  about my upcoming shows, and we got to reflecting o...
17/09/2026

"If you don’t see it, create it."

and I were recently speaking with about my upcoming shows, and we got to reflecting on exactly this. We often joke about the sheer, unbelievable odds of our stories: that two successful performers who have carved out careers in a beautifully niche industry, are both mixed-race, born and raised just a few kilometers apart in the working-class, immigrant-rich Northern suburbs of Melbourne.

I think that when you are raised in an environment that is so culturally and ethnically diverse, you honestly just experience so much more, and you learn how to genuinely connect with people from all walks of life. That upbringing might be the foundation of our success. Growing up immersed in that vibrant melting pot of different cultures, taught us how important it is to make every single person in a room feel seen, loved, and welcomed.

But it also taught us not to wait for permission.

Zelia and I constantly talk about the massive potential for burlesque to be presented as the grand, theatrical spectacle it deserves to be. And we know it IS doable as well! Just look at the thousands of everyday Australians who turn out when Dita Von Teese rolls through town. Zelia herself is a part of those shows, and the roar of applause when she hits that stage is next level. The audience is clearly here, and they want to support their local talent. The hunger for high-glamour, unapologetic art is undeniable. People want to see the opulent costumes, feel a sense of nostalgia, comedy and liberation. Yet, there is still such a gap in the market for large-scale shows that elevate our world-class, homegrown talent to that exact same level.

We have the talent. We have the audience. So, instead of waiting for someone else to bridge that gap for us and hand us an opportunity, why not create it ourselves?

Tour Dates:
Melbourne | Sept 18 | The Capitol
Sydney | Sept 26 | Fool's Paradise (Sydney Fringe)
Brisbane | Oct 11 | The Princess Theatre

Tickets at the link in my bio!

Indirizzo

Venice

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