Tallawah Magazine

Tallawah Magazine Established in April 2009, TALLAWAH is Jamaica's leading e-magazine, delivering to thousands of readers the best of Jamaican culture, voices, and lives.

Covering the arts, celebrity lifestyle, current affairs and much more, TALLAWAH strives to uphold the ideals of accuracy, integrity, fairness and balance, with a keen and unerring sense of journalism.

-Calabash 2023-FACES IN THE CROWD: Photo DiaryThe 2023 renewal of the Calabash International Literary Festival (its 14th...
15/06/2023

-Calabash 2023-
FACES IN THE CROWD: Photo Diary
The 2023 renewal of the Calabash International Literary Festival (its 14th staging) delivered, as always, fellowship, fun and fabulous readings by the sea-side. Here, some of our photo highlights…

1. Author Alecia McKenzie signs copies of her acclaimed novel A Million Aunties by the Kingston Bookshop tent. Who is her favourite author? Toni Morrison. “I’m always reading and re-reading her.”

2. Hollywood actress C.C.H Pounder shares lens time with festival co-organizer and producer Justine Henzell on opening night.

3. Award-winning poet/novelist Kei Miller and retired professor Rupert Lewis greet our camera while catching up by the food court.

4. Festivalgoers visited booths by local artists/artisans, including noted fashion house Mutamba, which showed off some vibrant designs.

5. Calabash devotee Beverley East and author Curdella Forbes enjoy a light moment during a break.

6. Living legend Linton Kwesi Johnson was in the mix, checking out some of the opening-night presentations.

7. Sharing the stage after a bravura session: Pulitzer Prize winner Natalie Diaz; emcee and event co-founder Kwame Dawes; acclaimed poetess Cathy Park Hong and T.S. Eliot Prize winner Roger Robinson.

-Society, Society-‘Backstage’ at Calabash 2023Coming home, catching up and celebrating literary geniusONCE again, the st...
15/06/2023

-Society, Society-
‘Backstage’ at Calabash 2023
Coming home, catching up and celebrating literary genius

ONCE again, the staging of the Calabash International Literary Festival offered a fantastic three-day affair, delighting a massive audience under the big white tent by the seaside. Readings, book signings, meet-and-greets, food, art and crafts, live-music performances and great photo-ops – you couldn’t ask for more covering, or just attending, this super-exciting cultural event.

Unsurprisingly, coming home for Calabash was a real treat for the overseas-based Jamaican writers. “Just being home and getting to see people I haven’t seen in a long time makes it special,” shared Alecia McKenzie, who’s won critical hosannas for A Million Aunties, from which she read during her time on stage, offering a passage called “How to Paint Flowers.” While autographing copies later by the Kingston Bookshop tent, McKenzie (who has lived in Kingston and St. Catherine) told TALLAWAH that the late great Toni Morrison is tops among the writers she is always reading and re-reading. “Absolutely anything by her,” she shared.

For Curdella Forbes, who penned the prize-winning A Tall History of Sugar and currently teaches at Howard University, any mention of her favourite recent books must include Love After Love by Ingrid Persaud, who also read at Calabash on Friday’s opening night. “It’s a really wonderful book, [dealing] with Caribbean situations we don’t often talk about,” she told us. “And I love her use of Trini English in telling the story.”

Like McKenzie, Forbes says flying home from the States for the Calabash experience was beyond thrilling. “For breakfast this morning [at the hotel] they had eggs, muffins, bagels, but I just ignored the American foods and went for the ackee and saltfish, calaloo and fried dumplings. Everything Jamaican,” she reported with a chuckle.

Out and about we spotted the likes of Marlon James, who flew in to enjoy the readings solely as a patron, with a few of his friends in tow. Kei Miller chatted with retired UWI academic Prof. Rupert Lewis. Former Grace Kennedy boss Douglas Orane posed for our camera by the live-music stage hours before it was ripped by a dynamite performance from Tanya Stephens. We photographed Hollywood actress C.C.H Pounder and Justine Henzell under the big tent, but we missed out on Saturday’s appearance by Oscar winner and humanitarian Angelina Jolie, who posed with Allan ‘Mutabaruka’ Hope – a photo that went all over the world.

Meantime, we immensely enjoyed our little chat with Pulitzer Prize winner Natalie Diaz, whose work is simply transcendent. She had high praises for fellow poet Roger Robinson, especially his award-winning collection Portable Paradise. “It’s beauty, pain, joy and family all in one,” she noted. “I now teach it to my students.”

We also kicked it with Trinidadian big man Khaled Jared Hossein (author of Hungry Ghosts and winner of the Commonwealth Writer’s Prize), who shared his top summer-reading recommendations: No Pain like This Body by Harold Sonny Ladoo (“It’s a Caribbean horror story…. Really captivating.”) and The Five Sorrowful Mysteries of Andy Africa by Stephen Buoro (“He’s from Nigeria… It’s about a guy who is obsessed with a white woman.”)

-Theatre Review-WHAT YOU OWE MEChurch politics, class dynamics and justice set the tone in Basil Dawkins’ powerful No Ho...
13/03/2023

-Theatre Review-
WHAT YOU OWE ME
Church politics, class dynamics and justice set the tone in Basil Dawkins’ powerful No Hope for Hopie

WHO r***d Hopie? A disturbing and unshakeable mystery hangs over the proceedings in Basil Dawkins’ latest stage play, even as the focus shifts to other such concerns as Christian attitudes, what it means to live right and a father-son bond fraught with conflict. Directed by Toni-Kaye Dawkins, No Hope for Hopie is a twisty and thought-provoking comedy-drama anchored by emotionally rich performances and a profound exploration of family and class dynamics, morality, religion and hypocrisy.

Rachael Allen plays Hopie, a down-on-her-luck ghetto girl who was brutally r***d and is now pregnant. She is a member of a church family led by snarky, high-powered preacher-man Amos Banks (Dennis Titus) and his musically gifted son Stanley (Lennox Richardson), the junior pastor.

Still reeling from the ordeal, Hopie goes to Pastor Banks pleading for help to get an abortion, but the pastor staunchly refuses on religious grounds. Stanley is more sympathetic and it soon becomes obvious that, despite what happened to her, he wants Hopie to be his girl. But the Underworld would have to freeze over before Pastor Banks lets that happen. In his eyes, no female in his ghetto-based church is worthy of his son.

Things heat up when Stanley can no longer keep his feelings bottled up inside and, despite his father’s stern objections, announces that he’s going to make an honorable woman out of Hopie – and adopt her baby!

Revealing a professional side to their father-daughter rapport, Basil Dawkins and director Toni-Kaye Dawkins have been developing a creative partnership (over the course of the past few seasons) that’s reaping admirable dividends. With this show in particular, they’ve spun a well-paced crowd-pleaser that keeps you riveted till the very last moments.

Best of all, their actors deliver praise-worthy performances. While Titus is on fire, convincingly portraying a love-him-or-loathe-him patriarch who wants to leave the legacy of the church in safe, capable hands and is adamant that his son steps up to the plate, young Richardson delivers some scene-stealing moments of his own, bringing a blend of machismo and vulnerability that speaks well of his School of Drama training.

Making her second appearance in a Basil Dawkins production, Allen is a sensation, lending grit and gusto to a part that any ambitious young Jamaican actress would give an arm and a leg to play. A leading-lady-in-training, she does justice to the hefty role, making Hopie both heroic and understandably hellish.

Though the play holds back on some contextual details about the three characters and how they got to this point, Dawkins’ No Hope for Hopie is a terrific piece of work. It immerses us in a gripping, utterly realistic Jamaican scenario, buoyed by simplistic yet effective set and lighting design, a solid script and strong performances. Tyrone’s Verdict: B+

4th Annual TALLAWAH MUSIC AWARDSComplete List of WinnersRECORD OF THE YEAR - Jahmiel feat. Masicka – Legend   SONG OF TH...
04/03/2023

4th Annual TALLAWAH MUSIC AWARDS
Complete List of Winners

RECORD OF THE YEAR - Jahmiel feat. Masicka – Legend

SONG OF THE YEAR - Shane O – Dark Room

BEST NEW ARTISTE - Prince Saj

ALBUM OF THE YEAR - Kabaka Pyramid – The Kalling

BEST DANCEHALL SONG - Ding D**g – Bounce

BEST REGGAE SONG - Kabaka Pyramid feat. Damian Marley – Red, Gold and Green

BEST MALE VOCAL PERFORMANCE - I-Octane – Sorry

BEST FEMALE VOCAL PERFORMANCE - Shaneil Muir – Black is Beautiful

BEST REGGAE ARTISTE – Male - Protoje

BEST REGGAE ARTISTE – Female - Koffee

BEST GOSPEL SONG - Kevin Downswell – Grace

BEST GOSPEL ARTISTE - Jermaine Edwards

MUSIC EVENT OF THE YEAR - Reggae Sumfest 2022

PRODUCER OF THE YEAR - Mario Dunwell

BEST DANCEHALL ARTISTE – Male - Masicka

BEST DANCEHALL ARTISTE – Female - Shenseea

BEST SOUL/R&B/ALTERNATIVE/CLASSICAL ARTISTE - Tessellated

BEST COLLABORATION - Sean Paul feat. Gwen Stefani and Shenseea – Light My Fire

BEST MALE VIDEO - Teejay – I’ll Touch the Sky
(Director: Xtreme Arts)

BEST FEMALE VIDEO - Jada Kingdom – GPP
(Director: Kalani Kelly)

VIEWERS’ CHOICE VIDEO OF THE YEAR - Morgan Heritage – Headline Fi Front Page (feat. Rytikal, Jahshii and I-Octane)
(Director: Sasha Bling Blang & Morgan Heritage)

-Celebrity-Beauty & The Beat: More than sweet music for Popcaan and Toni-AnnCINDY and Bob. Yendi and Chino. Regina and W...
03/02/2023

-Celebrity-
Beauty & The Beat: More than sweet music for Popcaan and Toni-Ann

CINDY and Bob. Yendi and Chino. Regina and Wayne. Jamaican beauty queens have a neat history of falling for musical entertainers. Toni-Ann Singh and Andrae ‘Popcaan’ Sutherland are the latest duo to make their affair “public,” much to the shock and surprise of some and the boundless delight of countless others.

Popcaan and Toni both hail from the eastern end of the island – St. Thomas, to be specific – and have known each other for years. In the euphoric wake of her Miss World-winning exploits, they reconnected and have gotten closer.

The whole world knew Toni-Ann could ‘sing’ after hearing her splendid rendition of Whitney Houston’s “I Have Nothing,” so it hardly comes as a surprise that she and Popcaan have teamed up for a melodic new single – “Next To Me” – which will be featured on Popcaan’s upcoming album. The chemistry is undeniable, with the beauty’s sweet singing voice blending nicely with the deejay’s gritty delivery. For us, the song only serves to confirm that they have indeed taken their bond from friendship to relationship, as two grown, consenting adults choosing to be together despite the rumours and naysayers.

Blog posts and Instagram photos have captured the lovebirds spending quality time together – cooking, jetting to Grenada and just enjoying each other’s company. Check out the PDA pics from their appearance at Burna Boy’s concert at the National Stadium on Sunday, December 18.

Studio time has been added to the mix. And, by Toni’s admission, she is having the time of her life. “To be with you is a dream… To say I am inspired by you is an understatement,” she wrote on Instagram recently. Working on “Next To Me” was a big learning experience for her. She was struck by Popcaan’s patience and thanked him for “making time to teach me, even if I don’t like to listen sometimes… For so much love and care, I am eternally grateful.”

Are we hearing wedding bells? Who knows, but by all appearances Popcaan and Toni-Ann are taking it slow. We, too, are eager to see where this sweetheart story leads.

-Book Club-NEW BOOKS BY JAMAICAN AUTHORSTop journalist Moxam reflects… Another mythic masterpiece from James… Lawrence a...
03/02/2023

-Book Club-
NEW BOOKS BY JAMAICAN AUTHORS
Top journalist Moxam reflects… Another mythic masterpiece from James… Lawrence and Grant examine our sprint-factory legacy

-Women of the Year-The Ultimate Prize: Shelly-Ann Fraser-Pryce’s world-record ambitionBEFORE she bids farewell to track-...
21/12/2022

-Women of the Year-
The Ultimate Prize: Shelly-Ann Fraser-Pryce’s world-record ambition

BEFORE she bids farewell to track-and-field, Shelly-Ann Fraser-Pryce has a couple more accomplishments to add to her résumé: competing at the 2024 Summer Olympic Games in Paris and smashing the long-standing women’s 100M world record: 10.49 seconds set by the late great Florence Griffith-Joyner in 1988.

“I definitely think I am knocking on that door, and in terms of getting my technique right and getting an almost perfect race. I believe I’ll be able to push myself close to that, and if I am able to do that I will be satisfied,” the 35-year-old National Sportswoman of the Year nominee and World Athletics Female Athlete of the Year nominee noted in a recent interview. “It’s good to have a dream no matter how out-of-this-world it may seem to others. I ran 10.60 consistently throughout the season… [and] those things make you optimistic, and give you a good outlook… I can definitely get there.”

Meantime, Fraser-Pryce and Asafa Powell have been named ambassadors for the 2023 “Legacy Run” edition of the Sagicor Sigma Corporate Run, set for Sunday, February 12. In October, the sprint phenom was conferred with the uberprestigious National Order of Jamaica (OJ).

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