Zerofeedback

Zerofeedback tokyo based independent publisher. printed projects about photography, architecture and culture.
東京を拠点に活動する、インディペンデント出版。
写真、建築、カルチャーzineプロジェクト。

OPEN CALL for a Collective ExhibitionDEADLINE: 30 SEPTEMBER 2025LAST TWO WEEKSTitle: Not for what was, but for what stil...
17/09/2025

OPEN CALL for a Collective Exhibition
DEADLINE: 30 SEPTEMBER 2025
LAST TWO WEEKS

Title: Not for what was, but for what still lingers.

Submissions are open to photographers, artists, authors, video artists, and designers worldwide. No restrictions on age, technique, or approach.

Send photography, moving image, installation, sculpture, mixed media—anything that can be printed on paper or shown on a monitor.

Check the link in bio or comment “submission link” for full details and upload instructions.

Explore lingering, residue, erosion, impermanence. Use the theme as a starting point, not a cage.

“Look at what remains, not what is gone. The past is never absent, only transformed.”

The exhibition will take place in TOKYO (late Oct 2025, details TBC).

Images from submission: Chrysanthi Pipini , Odysseas Tsompanoglou , Natalia Filatova , 1e-43(Lei Zhang) .uk

OPEN CALL for a Collective ExhibitionDEADLINE: 30 SEPTEMBER 2025Title: Not for what was, but for what still lingers.Subm...
06/09/2025

OPEN CALL for a Collective Exhibition
DEADLINE: 30 SEPTEMBER 2025

Title: Not for what was, but for what still lingers.

Submissions are open to photographers, artists, authors, video artists, and designers worldwide. No restrictions on age, technique, or approach.

Send photography, moving image, installation, sculpture, mixed media—anything that can be printed on paper or shown on a monitor.

Check the link in bio or comment “submission link” for full details and upload instructions.

Explore lingering, residue, erosion, impermanence. Use the theme as a starting point, not a cage.

“Look at what remains, not what is gone. The past is never absent, only transformed.”

The exhibition will take place in TOKYO (late Oct 2025, details TBC).

Images from submission: Aditya Sinha , Yorgos Kapsalakis , Anna Georgiou ._ , Nasos Karabelas

OPEN CALL for a Collective ExhibitionDEADLINE: 30 SEPTEMBER 2025Title: Not for what was, but for what still lingers.Subm...
23/08/2025

OPEN CALL for a Collective Exhibition
DEADLINE: 30 SEPTEMBER 2025

Title: Not for what was, but for what still lingers.

Submissions are open to photographers, artists, authors, video artists, and designers worldwide. No restrictions on age, technique, or approach.

Send photography, moving image, installation, sculpture, mixed media—anything that can be printed on paper or shown on a monitor.

Check the link in bio or comment “submission link” for full details and upload instructions.

Explore lingering, residue, erosion, impermanence. Use the theme as a starting point, not a cage.

“Look at what remains, not what is gone. The past is never absent, only transformed.”

The exhibition will take place in TOKYO (late Oct 2025, details TBC).

Images from submission: ( 1,2 ) Attilio Fiumarella , Rita Evs , Linh Duong

OPEN CALL for a Collective ExhibitionDEADLINE: 30 SEPTEMBER 2025Title: Not for what was, but for what still lingers.Subm...
09/08/2025

OPEN CALL for a Collective Exhibition
DEADLINE: 30 SEPTEMBER 2025

Title: Not for what was, but for what still lingers.

Submissions are open to photographers, artists, authors, video artists, and designers worldwide. No restrictions on age, technique, or approach.

Send photography, moving image, installation, sculpture, mixed media—anything that can be printed on paper or shown on a monitor.

Check the link in bio or comment “submission link” for full details and upload instructions.

Explore lingering, residue, erosion, impermanence. Use the theme as a starting point, not a cage.

“Look at what remains, not what is gone. The past is never absent, only transformed.”

The exhibition will take place in TOKYO (late Oct 2025, details TBC).

Images from submission: Anton Bou , Kelly Rosa , Alessandro Silverj

OPEN CALL for a Collective ExhibitionDEADLINE: 30 SEPTEMBER 2025Title: Not for what was, but for what still lingers.Subm...
24/07/2025

OPEN CALL for a Collective Exhibition
DEADLINE: 30 SEPTEMBER 2025

Title: Not for what was, but for what still lingers.

Submissions are open to photographers, artists, authors, video artists, and designers worldwide. No restrictions on age, technique, or approach.

Send photography, moving image, installation, sculpture, mixed media—anything that can be printed on paper or shown on a monitor.

Check the link in bio or comment “submission link” for full details and upload instructions.

Explore lingering, residue, erosion, impermanence. Use the theme as a starting point, not a cage.

“Look at what remains, not what is gone. The past is never absent, only transformed.”

The exhibition will take place in TOKYO (late Oct 2025, details TBC).

We are excited to announce the selected artists for our upcoming exhibition, ‘What Is the First Image You Remember?’ in ...
31/01/2025

We are excited to announce the selected artists for our upcoming exhibition, ‘What Is the First Image You Remember?’ in Tokyo!

The group exhibition will be showcased at
2025, April TBA

Venue: ZERO
Address: 4 Chome-27-4 Nagasaki, Toshima City, Tokyo 171-0051

Selected artists:
J.A. Young
Elaine Choi
Gabi Schillig .schillig
Alex Zafeiridis .zaf.alex
Bruno Silva o_bruno_silva
Marianeli Anastasiadou .loose
Ilias Lois
Cecilia Sebastiani
Rita Louis
Anna Giuntini
Atsushi Momoi
Sohei Nakanishi
Joana Duarte
Maria Kostareva
Olha Lobazova
Eva Vei

“In the realm of dreams, we are liberated from the constraints of reality, navigating a world where innocence and purity reign.“

OPEN CALL for a Collective ExhibitionDEADLINE: 20 DECEMBER 2024The title is: ‘What Is the First Image You Remember?’Subm...
09/12/2024

OPEN CALL for a Collective Exhibition
DEADLINE: 20 DECEMBER 2024

The title is: ‘What Is the First Image You Remember?’

Submissions are open to photographers, artists, authors, and designers from all around the world, with no restrictions on age, technique, or approach.

Artists can submit photography, video, multimedia, text, drawings, or any visual art that can be printed or exhibited.

Check the link in bio or comment ‘submission link’ for submission details and instructions.

Explore the theme of memory—use it as inspiration, not a limitation.

“Memory is not static; it intertwines reality with imagination, merging past and present. We are looking for works that delve into the hazy, fragmented essence of memory, capturing its evolution and emotional resonance.”

image:

The exhibition will take place at ZERO in Tokyo’s Toshima-ku.

Let’s embrace the power of shared creativity—when we exchange our best work, our art evolves together.

Feature for our online magazine, Chiara Benzi Check on our website the full feature! Link in bio.Use the tag to be con...
06/12/2024

Feature for our online magazine, Chiara Benzi

Check on our website the full feature! Link in bio.

Use the tag to be considered for future featuring.

Chiara Benzi presents a profound exploration of the human body and its interplay with nature in her latest work.

“How much can a body endure?” Benzi asks herself. She explores our longings and fears projected onto nature and what our bodies can endure, starting with the physical body and then lifting off into a more oneiric space. The project transcends our dysfunctional coexistence with nature, embracing a fantasy in which a woman becomes a dream, an animal, a plant… A woman returns to soil, returns to frailer form. Using photography, video and sound, her work aims to involve the viewer in a dreamlike voyage through the most hungry, lustful, disgusting, vulnerable part of herself speaking. At the same time, she seeks a link between personal and collective, between introspection and connection, creating the ambiguity ratio, the double entendre, and the double meaning.

Feature for our online magazine, Bruno Silva Check on our website the full feature! Link in bio.Use the tag to be cons...
18/11/2024

Feature for our online magazine, Bruno Silva


Check on our website the full feature!
Link in bio.

Use the tag to be considered for future featuring.

Introducing Bruno Silva’s evocative project ‘Acrylic Afternoons,’ a deep dive into the layers of his memories across different life phases.

In the project ‘Acrylic Afternoons,’ Bruno Silva explores his memories through layers of distinct phases of his life. Each phase evokes unique experiences and feelings—from summer afternoons to the freedom of adolescence and the reconnection with the sea in adulthood, tinged with romance and nostalgia. Bruno offers the sea as a space of memories that, as Betina Juglair describes in the project text “Land-Escape”: “they are memory landscapes, as if he digs the sand, holds a memory in his hands just so he can see it fading into the foam of the cold, nocturnal waters of time.”

Through practices with experimental qualities, Bruno dissolves into the images as part of the landscape, not trying to capture the sea but rather to intuit it, aware that “what matters the most is what is least apprehensible.” In various approaches, the artist seeks the elusive texture of memories, presenting the sea not as a direct object but as the continuous flow of recollection, which, as Betina wrote, “its eternal movement: push, pull, rise, fall, a clock as precise and as loud that one easily forgets about.”

Feature for our online magazine, Yile Yang Check on our website the full feature! Link in bio.Use the tag to be consid...
25/10/2024

Feature for our online magazine, Yile Yang

Check on our website the full feature!
Link in bio.

Use the tag to be considered for future featuring.

Presenting Yile Yang’s project, an exploration of elusive happiness and unexpected realities.

The project begins with the ironic discovery of a side path labeled “Road to Happiness” in an animal park—off-limits to visitors. Yile Yang captures the imagination with this whimsical tale, pondering whether the warning is genuine or a trap, whether it aims to deter calamity or keep wanderers at bay. Just as she steps onto this mysterious path, the overpowering stench of animal droppings forces her retreat, leaving happiness unverified but the surreal experience fully felt.

住所

Shibuya-ku, Tokyo

ウェブサイト

アラート

Zerofeedbackがニュースとプロモを投稿した時に最初に知って当社にメールを送信する最初の人になりましょう。あなたのメールアドレスはその他の目的には使用されず、いつでもサブスクリプションを解除することができます。

ショートカット

共有する

カテゴリー

A project that aim to create connections.

Zerofeedback is a curatorial and producing project that come from the past. It was started in 2005 in Italy as video label.

In 2005 the visual culture was strong and all that was connected to it like live cinema, live visual, visual installation and the birth of what later became video mapping. We felt the need to start a label that had the main mission to connect musicians and video artists and to promote mostly italian video artist.

As zerofeedback we produced 3 DVD, we screened to several festival around the world. Than the visual culture and the DVD as a media kinda disappeard, so the project went on hybernation.

Fast forward 2019 Tokyo. We decided to start an editorial project in the form of a magazine, but due the lack of time to curate a release that we believed we could publish, we then decide to create the series called “Influence(r)s”.