Bin Khalid Sonic Pollution

Bin Khalid Sonic Pollution Bin Khalid Sonic Pollution is a record label from Nairobi, Kenya [email protected]

Bin Khalid Sonic Pollution is the synthesis of the rock/punk scene with the traditionalist neo-folk African scene. a story of 2 musical paths - one through the rocky, indie underground of the Nairobi and one through re-imagination of traditional music from rural “shags” of Kenya. Obsydian Media is a sub-label imprint dedicated to the Heavier output of music from this synthesis.

WLFIn conjunction with  BKSP is proud to be hosting an amazing roster of bands from all over the world in Nairobi, not l...
31/10/2025

WLF

In conjunction with BKSP is proud to be hosting an amazing roster of bands from all over the world in Nairobi, not least to mention🔥 🔥
our very own hometown skate punk heroes 🛹
and modular synth pioneers 🇰🇪

advance ticket link in bio!

Stoked to be a helpful part of  2025 featuring the one and only punk progenitors  Your fav Local skate punk heros  Along...
06/10/2025

Stoked to be a helpful part of 2025 featuring the one and only punk progenitors
Your fav Local skate punk heros
Alongside
And our very own live and provocative in Nairobi and Kilifi this November 20 - 29

https://binkhalidsonic.bandcamp.com/track/kommen-sie-hier-bitteThe Berlin Post-Tropical Ensemble is a pair of musicians ...
19/05/2025

https://binkhalidsonic.bandcamp.com/track/kommen-sie-hier-bitte

The Berlin Post-Tropical Ensemble is a pair of musicians originating from south of the equator stuck in Berlin.
Bored with the incessant mechanical rhythms of the Techno capital and waged a guerilla campaign of groove against the machine. Inclined to the rhythmic grooves of their homelands (Peru and Kenya), they found common musical interest in the diffusion of styles like Rumba they set about trying to recreate and reimagine these combined delicious tropical recipes using only Berlin ingredients (Synths and sequencers)! oh and of course a little acoustic guitar on top for the rootsy vibe.

credits
released May 18, 2024
Jano Garcia-Montero - Guitar and Synth
Jaba Jesus - Modular Programming

Aterere - Francis Njoroge + Papi SinghOriginal cassette tape recordings from 1994 reissued by BKSP on Bandcamp, shipping...
05/12/2024

Aterere - Francis Njoroge + Papi Singh

Original cassette tape recordings from 1994 reissued by BKSP on Bandcamp, shipping worldwide. Limited stock of original tapes available!

Aterere (meaning “listen!” in Gikuyu) is a super funky Afropop/Punjabi crossover gem that celebrates the 2 iconic urban cultures of Nairobi City. The songs blend traditional Bhangra beats with Francis Njoroge’s signature funky Afro-electro compositions with tunes made for the dancefloor or cruising down the highway. Sung in Punjabi, Gikuyu, Swahili and English this is one for the collectors and all curious about the urban culture of Nairobi. 

Bandcamp link (including option for cassette purchase) in bio







17 years in captivity
17/04/2024

17 years in captivity

🚨New album from  and friends of out now on Bandcamp!This album is made up of previously unreleased material - a collecti...
17/04/2024

🚨New album from and friends of out now on Bandcamp!

This album is made up of previously unreleased material - a collection of tracks that were not included on the “Jaba City” album, including extended versions; alternate versions; the vocal tracks by Maddox Mkuruweng and Farmer Clan - and songs unrelated to the initial release but of a similar vibe.
“I have decided to include a number of songs I was working on around, and before, the time of my debut release (though no necessarily associated). “
This album includes a number of notable collaborations:
and Ritongo Afrika
Missing Rotich

Inspekta Rootsman Jemo

01/11/2022

Mahia from contacted me requesting early recordings of the band. We made a demo recording together at the National Theatre in January 2008 which I believe was the band’s very first venture into a studio. I was super keen to record Last Year’s Tragedy since I had seen them perform at the “Last Ditch Effort” show at Tracker’s Pub in 2006. I caught up with Chizi (lead vocals) in December 2007 and he said that the band had a handful of songs they wanted to record.

We managed to organise a session in the middle of the post-election crises at a make-shift studio I was recording in at the Kenya National Theatre. Logistics and equipment were limited however we were determined not to let the opportunity pass. The situation was tense in Nairobi at the time. Most of the musicians I was working with were retreating into music in order to create something positive and shift their focus away from the anxiety of the political situation.

LYT came in with a very serious attitude - we all knew we had one night to make a record. Their fans had followed them with much merriment and libations but that did not deter them from their mission.

I only had access to a small space and I had no capability of multi-tracking a record. Obviously this was less than ideal however, having seen the band perform I knew that they could pull off the energy and synchronicity of the stage if we could just get a good sound. We had to record everything live in one take including vocals! There was only one mixer which was used to run the band’s instruments into a PA and one mic for the drums. A total of four tracks were laid down. Later in the year I mastered the tracks as best as I could. I have passed the tracks on to Mahia and I hope the band do something cool with them.

https://inspektaroots.bandcamp.com/album/halala👽  Recorded in a handful of informal live sessions between July 18th and ...
03/10/2022

https://inspektaroots.bandcamp.com/album/halala
👽 Recorded in a handful of informal live sessions between July 18th and August 4th 2004. The album was produced by Harvey Herr a.k.a Gearz and released by B.K.S.P. on CD in a custom A4 foldout cover in 2005 in a single run, but never online. It contained the soundtrack for the Nation Media's 2004 "save a life" famine relief campaign that ran on national television. The music fuses traditional percussion and instruments from Western Kenya with guitar, bass, and synth. Each song was tracked live without any overdubbing except on the songs “My Blackness” and “Too Much Respect I Give.” Certain tracks were completely improvised on the spot whilst others were rehearsed just a few times before being recorded. The entire exercise was simply an attempt to create a musical work on the basis of the energy and intuition of those present without much forethought of composition or post-production.
The focus of the musicians was to simply play together as best as possible whilst Gearz recorded the whole thing through a Mackie 808s mixer directly into his computer.
This technique imbued each song with an immediate charge and character, but of course also preserves the idiosyncracies of each musician.

Now available for pre-order through Bandcamp, the first ever limited edition collectors cassette tape of “La Vie Ne Pas”...
24/08/2022

Now available for pre-order through Bandcamp, the first ever limited edition collectors cassette tape of “La Vie Ne Pas” by the eclectic Kenyan Reggae group the Breadsteppas.

https://breadsteppas.bandcamp.com/album/la-vie-ne-pas

All the material has been redesigned and remastered for this limited edition release.

The insert features original artwork by the master stepper Alvarez Anwar himself.

The tape duplication is done at a plant in Germany using high quality tape and duplication. The tape comes in a collectors edition color scheme.

Only 50 will be made available!

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