10/08/2026
In his review of Junctures, Sanjana Hattotuwa Hattotuwa reflects on the exhibition’s engagement with generations, inherited histories and the possibilities of representation.
“Rebellious documentation” is Azara Jaleel phrase, and it is a good one, because it refuses the implication that documenting was ever the aesthetically simple option.
From artists who confronted and documented violence during the war, to a younger generation transforming inherited documentary material and testing other registers of representation, the review considers what shifts, and what remains — across generations.
Read “Bearing Witness, Generation After Generation” in full on ARTRA. Link in bio.