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12/10/2025

ZITA V.: In the deserted squares of De Chirico and in the dreamlike landscapes of Dalí, the space appears at the same time infinite and claustrophobic. How has your perception of the world change after immersed in those metaphysical voids?

ANDREA BARRETTA.: My perception has not changed because I am deeply pragmatic, and if anything I lose myself in the silence that emanates from the works of De Chirico and in the surreal of Dalí, congenial to admire the beauty, the one that arouses amazement and wonder, and that we must learn to regain beyond the current system of art of the great international market that has abandoned it, and which instead finds with pleasure in this magazine. It is the sensitive experience of metaphysics, in the most authentic aspects of reality, according to a universal perspective in identifying the ultimate and absolute nature of reality beyond its relative determinations, and the surrealism of the other which goes beyond the perceived reality, often evoking images, atmospheres or situations that challenge logic and reason.It is the unconscious that freeing the creativity that for both artists lies in being as being, in an ontological going that from Aristotle with his metaphysics leads to the modern era with Giorgio De Chirico who is his father in art, together with Carlo Carrà and Giorgio Morandi, because every era generates one. In a search for pure concepts and in a study of ideas: for De Chirico everything seems stopped in a timeless moment, objects and spaces seem petrified; For Dalí, however, the sensitive world is subject to becoming, multiplicity and illusion, and both tell us that beauty does not have only one shape, but more than one.

12/10/2025
12/10/2025

ANDREA BARRETTA (Italija) Andrea Barretta yra italų meno kritikas, kuratorius ir rašytojas, turintis daugiau nei keturiasdešimties metų patirtį kultūros ir meno pasaulyje. Jo darbai apima socialines problemas, estetiką ir meno filosofiją, jis yra daugybės esė, monografijų ir parodų katalogų autorius, kai kuriuos iš jų užsako tokios institucijos kaip Metropoliteno meno muziejus Niujorke. Jis curavo daugiau nei keturiasdešimt svarbių parodų, įskaitant tokių XX amžiaus meistrų kaip Guttuso, Baj, Rotella, Fergola, Emblema ir Warhol parodas, taip pat organizavo parodas su Dalí ir De Chirico darbais, taip pat apie trisdešimt personalinių šiuolaikinių menininkų parodų. Barretta taip pat yra žurnalistas ir vadovauja keliems kultūros žurnalams, nuo devintojo dešimtmečio prisidėdamas prie Italijos intelektualinių ir meninių diskusijų.

ANDREA BARRETTA (Italy)

Andrea Barretta is an Italian art critic, curator and writer with over forty years of experience in the cultural and artistic world. His work embraces social issues, aesthetics and philosophy of art, and is the author of numerous essays, monographs and catalogs of exhibitions, some of which are requested by institutions such as the Metropolitan Museum of Art in New York. He has edited more than forty important exhibitions, including exhibitions of masters of the twentieth century such as Guttuso, Baj, Rotella, Fergola, Emblema and Warhol, and also organized collectives with works by Dalí and De Chirico, also about thirty personal exhibitions of contemporary artists. Barretta is also a journalist and has directed several cultural magazines, contributing to the Italian intellectual and artistic debate since the 1980s.

01/10/2025

Vincenzo Coheno paroda „Šarvuoti kūnai“

Kviečiame į išskirtinį vakarą, kuriame meno ir filosofijos sąveika atvers naujas erdves. Kartu su filosofu ir meno kritiku Jurgiu Dieliautu dalyvauja parodos autorius Vincenzo Cohen.

Kodėl verta dalyvauti?
Coheno kūryba atspindi žmogaus vidines gynybos struktūras ir kvestionuoja, kas yra autentiškumas. Kūnas kaip egzistencinis tekstas – šventovė, mūšio laukas ir ritualas viename.

Kam skirta?
Visiems, besidomintiems meno ir filosofijos sankirta

Kviečiame dalyvauti.
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14/02/2025
14/02/2025

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