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Kaméidi - 𝔏𝔲𝔵𝔢𝔪𝔟𝔬𝔲𝔯𝔤'𝔰 𝔣𝔦𝔫𝔢𝔰𝔱 𝔐𝔢𝔱𝔞𝔩 𝔓𝔬𝔡𝔠𝔞𝔰𝔱

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Luxembourg
Kaméidi - 𝔏𝔲𝔵𝔢𝔪𝔟𝔬𝔲𝔯𝔤'𝔰 𝔣𝔦𝔫𝔢𝔰𝔱 𝔐𝔢𝔱𝔞𝔩 𝔓𝔬𝔡𝔠𝔞𝔰𝔱

The finest metal Podcast in Luxembourg
est. 2020

Reaction Videos 📽
Podcast 🎙
Interviews 🎤
Reviews 📚

Everything you need to start your Metal Journey!

Our Episodes are spoken in either Luxembourgish, English, German or French

17/10/2025

Dark Watch, my current obsession.

Deathcore in your face!

16/10/2025

All time favorite song? ... maybe

15/10/2025

Well, i didn't know i needed this, now i know and i freaking need more!

Mental Cruelty feat. Signs of the Sworm - Helheim Reaction Video is up and running☝️

Watch it here:
www.linktr.ee/kameidi

14/10/2025

it's been too long, stiffness is the key...

13/10/2025

New Record
NIGHTBLADE OF THE LAW
Out Octobre 31st

10/10/2025

Questions pls 🫡

07/10/2025

1914 return with a new historic banger and their brand new record "Viribus Unitus" that drop November 14.

War never changes!

New Reaction Video out now:
www.linktr.ee/kameidi

1914

05/10/2025

Need to pinch myself!

Yes, Karl Westerlund of Abstract Illusion joined for some in-depth talk about their new record The Sleeping City that will be released on October 17th.

I am telling you, this record will dominate many AOTY Lists before the end of the Year, because it is is truly amazing.

Thanks again to An Abstract Illusion

Watch the latest Interview here:
https://youtu.be/SHpXFyh-laY?si=5Ypd127arSytA6_b

04/10/2025

Five Years of Kaméidi!
Calls for something special, right?

The "Talking Trash Since 2020 - 5 Year Celebration Shirt" is now available.

Very limited stock, some already pre booked!

Interested?

Let us know via a direct message.

Bandcamp will be up and running by the 15th of october

01/10/2025

So, after a few listen through's, I have to say that Lorna Shore's I Feel The Everblack Festering Within Me is way better than I expected.

I kind of expected a repeat of Pain Remains but one can definitely tell there is more going on, obviously it remains atmospheric deathcore and freaking heavy breakdowns, but some songs caught me off guard and have a more evocative, more personal value.

Some very heavy songs, some insanely emotional songs with "onion cutting“ abilities and the nastiest of breakdowns out there.

Lorna Shore

28/09/2025

Yes, yes, yes, yeeeeeeeeeeeeeeeeeeeeeees, AMEN!

Igorrr

26/09/2025

An Abstract Illusion - The Sleeping City Review

They never do the expected! I got to know An Abstract Illusion through my good friend Daniel — best known as themetalinspector. He claimed that Woe was (and still is) a revelation, and I absolutely had to agree. It ended up in my personal Top 10 and remains a record I return to regularly.

Now, three years later, we find ourselves confronted with The Sleeping City. The main question is: can they uphold their level?

Short answer: f**** yes!
The more complex answer: The Sleeping City is not a continuation of Woe — and it doesn’t have to be. It stands tall and mysterious, more intricate, more spacious than Woe or Illuminate the Path could ever be. This new album opens its gates with vast, layered soundscapes and a truly unique blend of death/black progressive metal, paying homage to sci-fi elements and evoking a futuristic, dystopian feel.

We start the record with Blackmurmur, and immediately you notice an enormous sense of aura — a feeling of romance and myth. Of course, there’s high-quality blast beats, intricate guitar work, and convoluted vocal layers. But one thing stands out even more: the synthesizers.

No Dreams Beyond Empty Horizons was the first track I heard, and I had to make a reaction video. It dazzled me. As I said in the video, it’s definitely An Abstract Illusion — yet again, not comparable to their previous records. It’s a lush sea of layered goodness. For someone like me, who lives and breathes anything atmospheric and dreamlike, this is right up my alley.

One of my favorite tracks on the record is Like a Geyser Ever Erupting, which opens in a weird, chugging orchestral overload and showcases AAI’s growth in terms of innovation. Frost Flower is deeply emotional, with the perfect amount of synth layering. As I mentioned earlier, the synthesizer isn’t just an instrument on this record — it’s a voice of its own, and it makes such a huge difference.

Emmett feels like a classic AAI track and delivers everything a progressive enthusiast could ask for.

Silverfields could be considered the black sheep of the record — an instrumental piece, placed at the right time. Their love for 80s-style electronic/synth music is undeniable, and yet this track serves well as a “breather” before the finale.

The title track, The Sleeping City, opens as mysteriously as the album began, giving the entire record an even deeper sense of conclusion. It’s a masterful display of musicianship: crisp, clear, and boundless — blending everything into a vast sea of ideas, ending on a romantic cliffhanger with a few soft piano notes.

It’s hard to put into words how I feel about this record. It took me several listens to fully appreciate the depth and intensity of detail, but in the end, it absolutely pays off.
In conclusion, The Sleeping City is a dreamlike tapestry — an innovative step forward for the progressive metal era.

It will undoubtedly gather monumental praise and elevate An Abstract Illusion into the big league.

Not that they weren’t already there, but by now, everyone should know.
AOTY. 10/10.

An Abstract Illusion

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https://linktr.ee/kameidi

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