07/06/2026
Ceremonial Attire, Sacred Instruments and the Enchanted Beings 🪇
When Indigenous peoples in Brazil are discussed, the popular imagination often reduces them to images of the rainforest and symbols such as feathered headdresses. Yet this narrow representation overlooks the immense territorial, historical and cultural diversity of the country’s Indigenous nations.
Across the sertão of north-eastern Brazil live numerous Indigenous peoples from different ethnic groups, each with their own systems of social organisation, cosmologies, languages, rituals and relationships with the land. Recognising the indigenous presence in the sertão is essential to understanding the ethnic and cultural plurality that defines Brazil.
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When I asked Chief Toá about the attire worn by the Praiás of the Pankararu people, he explained that these are sacred ceremonial garments consisting of a mask-cloak (Tanam) and a skirt, both crafted from the fibres of the caroá plant.
These garments are worn during the Toré, a sacred ritual practised by several population groups in north-eastern Brazil. Covering the dancer’s entire body, the attire conceals the individual’s identity, allowing them to embody spiritual beings known as the Encantados (“Enchanted Ones”).
Here’s a reflection on the Encantados by the writer Luiz Antonio Simas:
“The enchanted being is one who has become embodied and yet is no longer merely a body; at the same time, the body is all they possess. It is one who has made themselves available to change, to alter the body, to transform experience, to cross thresholds and perceive life in different ways — as a path that rejects mortality and affirms the beauty of being, with freedom as the founding act of existence.”
Brazil is wonderfully surreal. 🤍
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