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Technical Magazine Page dedicated to disseminating very well-structured musical values ​​on various topics. We will provide appropriate follow-up.

If you have a music project, you can send your materials to the email address shown in the information. Nos dedicamos a recopilar información, datos, curiosidades, noticias, etc, de lo más relevante con la música extrema llamada metal en el mundo.

31/07/2026

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Band: Infected DeadCountry of Origin: United KingdomGenre: Modern Melodic Death MetalAlbum:  InvictaThemes: H.P. Lovecra...
18/07/2026

Band: Infected Dead
Country of Origin: United Kingdom
Genre: Modern Melodic Death Metal
Album: Invicta
Themes: H.P. Lovecraft, Cosmic horror
Release date: May 1st, 2026
Label: Unsigned/independent
Mixing and Mastering: V. Santura (Woodshed Studios)
Engineering guitars and bass: Francesco Bertan (Centurion Studios)
Engineering drums: Scott Lindsay
Engineering vocals:: Cameron Shuck (Monolith Studios)
Artwork and Logo:: Artem Grigoyev (Black Typography)
Cover, Design and Layout: Sean Keatley (Skeats Desgns)
Photography: David Jenkins
Music and Lyrics: Infected Dead.

Infected Dead is a UK-based band that plays extraordinary death metal, blending melodic elements with modern, sinister rhythms. Their sound exists at the intersection of chaos and technicality, featuring melodic chords and arpeggios that create a theatrical atmosphere amidst the genre's signature fast, heavy rhythms. This fusion of delicate compositional nuances highlights the musicians' expertise, showcasing immense complexity and the ability to execute rhythms that rival the best of today's extreme metal acts.

In 2017, they released their debut EP, “Archaic Malevolence”, making a superb entrance in a country where the extreme music scene is paving the way for new bands driven by a long-growing passion for the genre a scene boasting high caliber acts and a wealth of extraordinary musicians. Infected Dead showcases a modern yet brutal sound set against a backdrop of H.P. Lovecraft inspired themes and cosmic horror, establishing a solid foundation for their songwriting. Their music features melodic rhythms infused with pure dissonance that exude a unique, malevolent aura, alongside tempo shifts ranging from precise electric guitar solos to melodic riffs that cue the entry of other instruments, such as the bass, which locks in with the guitar’s tempo while echoing the precise picking patterns that drive the track forward in sync with the drums, all coalescing within the compositional structure of every song on this debut EP.

After a period of regrouping, the band returned this year with their second EP, “Invicta” a release that differs significantly in terms of composition. The album's sound quality reflects the growth and maturity they achieved after a nine-year hiatus; while there were lineup changes along the way, their goal remained constant: to continue creating music that is elegant and exquisite for the listener, but above all, for themselves. Invicta is a release featuring four new tracks executed sublimely, boasting an enviable sound and absurdly perfect composition. The rhythms place greater emphasis on melody and technical shifts, incorporating expansive guitar riffs that drive a constant, evolving musical momentum through the interplay between guitarists Alex Brown and Chris Rahman; they alternate between chords and solos to maximize their instruments' sonic impact. This meshes seamlessly with Luke Fabian’s electric bass work, which delivers a fierce harmonic drive amidst the atmospheric shifts within each of the four songs, sometimes taking structural precedence to steer the melody in a new direction. All of this is underpinned by the work of new drummer Scott Lindsay, who showcases a highly polished technique; as he also serves as the drum mix engineer, he exerts strong control over the sound, utilizing aggressive double-bass rhythms, dynamic drum barrages, and intricate cymbal work that lend a unique touch to each track's final composition. Naturally, the music is anchored by vocals, and Lou Ede’s performance is impeccable; he employs new vocal techniques to shape his tone and effectively highlight the musicality of this new material fitting for a founding member who is achieving outstanding results with this project.

Take a track like "In Spaces Beyond," for instance: the musicianship is masterful, with every instrument sounding absolutely crushing yet maintaining a comfortable, driving rhythm. They hit the nail on the head by choosing this as the lead single; it captures the spotlight and immerses the listener in their new, improved, and malevolent sound a sound that blends melodic passages with the violent intensity heard throughout the track's nearly five-minute runtime. This level of quality stems from extensive experience in the extreme metal scene, yet their growth and maturity shine even brighter through the passion each member pours into their compositional style. Proof of this lies in the fourth and final track, "Realm of Ichor," where the interplay between guitar, bass, and drums blends seamlessly. The result is a vibrant track that serves as a superb closer for the release; hitting play transports you to a realm where music transforms into pure art, which is exactly why it’s our favorite. These four new songs undoubtedly reflect the drive these guys have to create music that feels both organic and alive. They balance explosive energy with a knack for shaping instrumental chords into a soundscape that is far more modern and melodic than what they achieved on their debut EP. Invicta represents a fantastic evolution, showcasing a level of musical maturity that delivers a short yet masterful body of work.

These are just a few of the impressions we’ve gathered after listening to *Invicta* in its entirety. Clocking in at 21 minutes, Infected Dead revives the sound of their early days while refining the production to deliver a gem that shines, a true display of musical expertise in the realm of modern death metal. We find their current sound sublime and hope this paves the way for them to finally create a full-length album backed by a label like Unique Leader Records, The Artisan Era, or Willowtip Records; their sound commands the same kind of authority seen in bands like Alterbeast, Inferi, or Cognizance. Ultimately, for us as critics, seeing that happen would be a dream come true for Infected Dead. So, all that’s left to say is: go follow them on social media, pick up some merch, and blast both of their releases at full volume, you won’t regret it.

Featured songs: Realm of Ichor, In Spaces Beyond, Astral Divination, Organic Monolith.

Infected Dead Line-up:
Alex Brown - Guitars
Chris Rahman - Guitars
Vocals - Lou Ede
Luke Fabian - Bass
Scott Lindsay - Drums.

FFO: ALTERBEAST, Æpoch, Obvurt, The Path.



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Band: Bestemmia Aeternalis Country of Origin: United StatesGenre: Black/Death Metal Album: Forbearance In OppositionThem...
16/07/2026

Band: Bestemmia Aeternalis
Country of Origin: United States
Genre: Black/Death Metal
Album: Forbearance In Opposition
Themes: Anti-Christianity
Release date: 2024
Label: Unsigned/independent
Mixing, Mastering and Producing: Bestemmia Aeternalis.

Bestemmia Aeternalis plays a blend of Death Metal and old-school Black Metal, emphasizing a classic, old-school approach. They exude a grotesque, macabre aura that bridges modern and classic extreme metal sounds, driven by the musical passion that defines their listening habits and creative vision, resulting in an outburst of pure, blasphemous rage.

As an independent band, they enjoy the freedom to define their own sound, boasting a catalog that includes two EPs and a full-length album, releases that showcase a style that is violent, raw, heavy, and above all blasphemous. While some listeners might find the sound monotonous, a closer look at their *discography reveals that this is not music made merely for the sake of it; rather, it reflects a deliberate evolution and a more refined approach with each successive release. Their strength lies in creating a sound that seems to rise from the very jaws of hell, capturing the essence of an agonizing scream, music that resonates with their fanbase and is fueled by genuine passion, all while staying true to the Death/Black Metal hybrid they cherish and prioritizing a raw, violent sonic aesthetic.

“Veil of Sins” is the band's debut EP, released back in 2011; while it does not define their current sound, it sheds light on the path they took to reach their present standing. Although the production quality at the time wasn't quite up to the standard needed to truly stand out, they managed to craft a raw, fast sound reminiscent of early Norwegian black metal, a gritty, dense production featuring searing guitar riffs, relentless drumming, and vocals ranging from rasps to the guttural growls typical of the two metal subgenres associated with the band. They achieved a unique sound by incorporating samples, such as choral passages, wails, and religious (or, in this case, anti-religious) audio, that add substance to the devastating intensity of this blasphemous music. Anyway, following that release and after navigating various life circumstances the band returned in 2005 with their second EP, “Embracing Hell”. It is a praiseworthy release; without a doubt, it marks a step forward in terms of sound quality, mixing, and mastering. The work truly lives up to its title, capturing the essence the band possessed from the start while further refining it, following lineup changes to create an even better record. Naturally, they maintained their lyrical themes and musical style, all while adopting a renewed mindset ready to embrace hell.

Consequently, after those two releases in physical formats, more than 19 years passed before the group fully committed to recording their first full-length album, “Forbearance in Opposition”. This material embodies all the darkness and heaviness of a lifestyle that has thrived over a career spanning more than two decades in their country's underground scene, offering a fitting demonstration of why Bestemmia Aeternalis endures. It opens with "Descending into Evil," an intro that sets the stage for the visceral cataclysm of their anti-religious stance; while the project is born of a genuine passion for this type of blasphemous atmosphere, the music they craft aligns perfectly with the stereotypes audiences still consume today, stereotypes that often lead to rejection by social circles intolerant of such devotion to darkness and extreme music. Yet, these are merely stereotypes, for music like this new release should always be free. Next up is "Inverted Cross" a song whose very title speaks to the atmosphere of destruction and chaos being unleashed. It is a track that succumbs to the maw of the underworld which feeds on tormented souls, driven by fast, abrasive guitar and bass riffs that explode with every drumbeat; the drumming accelerates when required but otherwise anchors the rhythm, facilitating shifts in atmosphere. The vocals are irreverent, featuring well executed guttural growls that descend into chaos amidst pseudo-melodic notes that effectively complement the overall soundscape, until the song finds its own internal cohesion, allowing the composition to fully take shape. Moving on to the third track, "Voice of Samael," we encounter a much more deliberate composition; while the previous track began in a grotesque fashion, this one is far more concise in its ex*****on. It opens with atmospheric background elements that accentuate the melody as the guitar riffs and bass lines kick in, accompanied by shifting drum rhythms. Although the tempo is slower, the track retains the band's signature dark aura, enhanced by blasphemous lyrics that add an extra dimension to this nearly five minute long song. However, things are deconstructed again with the next track, "Beyond Death's Door." In just two minutes and forty one seconds, the band delivers a far more agonizing sound, featuring melodic moments that underpin the track's speed. It captures the very essence and spark of Bestemmia Aeternalis; these initial introductory tracks provide a concise overview of the band's evolution, showcasing their new approach of incorporating melodic shifts into their compositions. They play with precise, well-executed rhythmic notes that draw the listener into a soundscape defined by tighter musicianship. This creates a more captivating aura, reflecting a newfound maturity, evident in songs like "Witchcraft Possessions," where the grotesque transforms into enthralling rhythms; its amorphous structure yields a melody that is truly pleasing to the ear. Then there is "Atrocity's Premonition," where the relentless thundering of the bass drums rattles your very neurons, featuring sharp rhythmic shifts between drum patterns alongside blistering, searing guitar riffs. These riffs fill the air with a roar as the strumming veers into chaos or paves the way for a more melodic atmosphere; it is a track that makes the presence of hell feel visceral and immediate one of our absolute favorites for headbanging until your skull cracks.

In short, this is simply how we would describe the current sound of Bestemmia Aeternalis: a style uniquely their own, rooted in the essence of the most renowned Extreme Metal subgenres and elevated to an impressive level. Despite the various twists and turns in their musical journeys, they have maintained the drive to create the music they are passionate about, music that their fans love. Hopefully, they will eventually secure label support to bring their sound to metalheads across the globe; however, the underground ethos that defines the band is also perfectly understandable. All we can do here is offer our personal take on the style these guys deliver. We encourage you to listen to Bestemmia Aeternalis, add them to your playlist, and pick up some of their merchandise, their music is sure to grab the attention of many of our followers. We appreciate everything the band has done; it is always a pleasure to discover new music from around the world.

Featured songs: Inverted Cross, Beyond Deaths Door, Witchcraft Possessions, Atrocitys Premonitions.

Bestemmia Aeternalis Line-up:
Pablo Cantu- Bass, Vocals
Joe Rocha - Drums, Vocals (early)
Héctor Rocha - Guitars, Vocals
Jorge Sosa - Vocals.

FFO: Aurora Borealis (official), Splattergoat, Tortharry, Shub Niggurath.



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Finally, we return to what matters on this page. Bestemmia Aeternalis We'll be updated very soon.
20/06/2026

Finally, we return to what matters on this page. Bestemmia Aeternalis We'll be updated very soon.

Finally, this beauty from Cognizance  has arrived. 🤩🔥
31/05/2026

Finally, this beauty from Cognizance has arrived. 🤩🔥

01/05/2026

🔥

Band: Cognizance Country of Origin: United KingdomGenre: Progressive/Technical Death MetalAlbum:  In Light, No ShapeThem...
29/04/2026

Band: Cognizance
Country of Origin: United Kingdom
Genre: Progressive/Technical Death Metal
Album: In Light, No Shape
Themes: Conspiracy, Atheism, Spiritual, Misanthropy
Release date: May 1st, 2026
Label: Willowtip Records
Mixing and Mastering: Ronnie Björnström
Artwork: Jef Whitehead.
Producing: Alex Baillie and Apostolis Karydis
Photography: Nadine Geuter.

Cognizance is a band that has spent over a decade finding its own unique sound, easily recognizable to its fans: a high-octane blend of progressive and technical death metal. Through three EPs and a self-titled single, they have left a trail of technical prowess that has steadily developed over the years, constantly evolving with countless effects and atmospheres. This evolution has allowed them to feel more comfortable with the ex*****on of their vast musical experience, creating songs with a distinct aura and essence. They have become a prolific group, captivating their fans and achieving worldwide recognition, but above all, finding satisfaction in their work, resulting in a type of extreme music that is uniquely their own. These musicians perform a Progressive/Technical Death Metal that includes a lot of sound effects and atmospheric changes, as well as in their lyrical arrangements that project a different image from other bands in the same type of musical environment, executing with a high level of tension a technique that inspires their creativity in the rhythmic measures executed, which dazzle more than one with the simple fact of hearing them for the first time, combining their innate talent and their damn desire to be unique in their style.

After their previous vocalist left the band, guitarist Alex Baillie took over vocal duties, ushering in a complete transformation. He incorporated lead vocals into their instrumental arrangements, giving them the freedom to create something unique and surprising their fans. While the band had achieved much within the extreme music scene, there was some uncertainty about what Cognizance would bring. Ultimately, however, that uncertainty proved irrelevant, as this year they returned with their new full-length album, In Light, No Shape. This new material marks the beginning of a significant shift, full of surprises. By rethinking their approach to experimenting with the fusion of elements in their signature sound, they have opened new creative avenues that complement the band's essence, achieving an impeccable maturity in their latest work, which has borne much fruit over the years.

Starting with the first song on the album titled Transient Fixations, which has the characteristic sound of the group that they have forged over the years but with a different feel. This is because the rhythm gradually builds as the seconds tick by, a track where the electric guitars create a harmonious rhythm between violent riffs and melodic choruses that give the track a more developed feel despite its short duration. The drums are the instrument that makes everything explode with their speed, technique, and brutality, thanks to the skill of drummer David Diepold, whose vast experience allows him to compose rhythmic arrangements within the song's structure and give more impact to each part of the piece, with those characteristic rhythm changes he knows how to impose on his pieces; along with the bass, which is close to the other instruments to provide that surge of sounds in which it can enter more harmoniously and thus complement the compositional environment of the track without being overwhelmed in the process; Obviously, also taking into account the voice of Alex Baillie, who now also serves as vocalist, having more options when composing his guitar parts, since he does not do badly at all in the ex*****on of his instrument and his voice, it is not for nothing that he was in the backing vocals of their previous albums and this first track gives space to this, being a worthy representative of the guttural voices in Cognizance. Moving on to the album's second track, "Inflection Chants," which shines from the very beginning with longer, more harmonic guitar riffs that beautifully structure the song's rhythm, the drummer again delivers an extraordinary performance, shaping the interplay between the guitars and bass to create a structural order and explode at the peak of dissonance with all the power the instrument offers. The vocalist's guttural growls also contribute significantly, prolonging the sound in his preferred style, further developing the overall sound and adding the technical skill that characterizes the band's current trajectory.

Adding more about this new material, we can say that one thing we were completely blown away about was the choice of their first single, "Witness Marks," a track that hits the nail on the head. Here we immediately see that new musical style evolving into a more rhythmic and harmonic progression, with a more organic feel in its musical measures. This provides the right spark to evolve and take the listener by the hand with such a ferocious technical progression that explodes at its peak of compositional tenacity. The song's immersive sound is immediately captivating, allowing it to be enjoyed independently. The well-crafted harmonics provide melodic support to the musical notes, which blend seamlessly with the guitar riffs created by Apostolis Karydis and Alex Baillie. The bass doesn't hide within the melody but rather emphasizes the resounding effects of the track, with Chris Binns further instigating this. jaws of this instrument to have their own emphatic boom within the harmony of this theme. All of this is complemented by that impeccable drumming that achieves the necessary acoustics to sustain its own lasting evolution, allowing the atmospheric flow to be more manageable but with a magnificent aura that hits from side to side, a demonstration of learning and display of technique that has endured throughout this time in the band when talking about this instrument by David Diepold and his hard work in his work, handling the rhythm very well with his cymbals, his very marked double bass drum that detonates in a matter of seconds or simply marks the perfect technique to give each hit on the snare and the other parts of the drum kit. It was undoubtedly the perfect choice to return with all the power that only they know how to unleash, demonstrating their commitment to their musical art. Their second single, "A Game of Proliferation," is equally captivating from the first note, with rhythmic shifts worthy of the technical skill and progressive approach this group employs in their creations. This second single boasts even more dynamism, further enthralling the listener with its soundscapes. The album concludes with their third single, "The Zone," the final track, providing the perfect finishing touch to this stunning display of technical prowess and expertly executed sonic inductions.

But these are just a few points we wanted to share with you about the new album, as there are more surprises within its contents. The band has taken the necessary time to create something entirely different for their fans and for themselves. Nevertheless, the sound feels the same, as it's an infallible signature they've been building for years. However, the new approach they're taking is also evident, focusing primarily on the harmony of the instruments, the atmospheres they're creating, the impeccable technique these musicians possess, and the final production they're delivering. This is reflected very well in songs like "Chasm," "Vertical Illusion," "A Reconfiguration," "Subterrean Incantation," and "Induced Contortions"—tracks that recreate the landscape of what Cognizance was before and what it is now.

With 10 new tracks that demonstrate why this band is having such a significant impact on the extreme metal industry, Cognizance clearly knows how to do things right. Their production is absurdly perfect, and the sheer quality reflects the hard work these guys are putting in to make In Light, No Shape an album worthy of listening to all their fans and any new ones they may gain along the way. Clocking in at nearly 38 minutes, Cognizance is delivering a beautiful piece of material on May 1st of this year. So, our final words would be: pre-order this album, follow the band on social media to stay up-to-date on the latest news, and crank up the volume when you listen to it. When it's released, it will be an album that will be listened to for a long time, and we dare say it's a contender for album of the year, even though there are still months to go before the end of 2026.

Featured songs: Transient Fixations, Vertical Illusion, A Reconfiguration, Witness Marks, Induced Contortions.

Cognizance Line-up:
Alex Baillie - Guitar/Vocals
Apostolis Karydis - Guitar
Chris Binns - Bass
David Diepold - Drums.

FFO: Inanimate Existence, The Scalar Process, Aethereus, The Antikythera Mechanism.



Follow us on Instagram: technicalmagazine369.

Hailing from Puebla, Mexico, Eradication released their first single from their upcoming debut full-length album on Apri...
21/04/2026

Hailing from Puebla, Mexico, Eradication released their first single from their upcoming debut full-length album on April 10th. This is their first song entirely in Spanish.

With a raw and gritty sound reminiscent of old-school Death Metal and Thrah Metal, this band evokes a raw, unsettling feeling that seeps into your skin upon hearing this new track, capturing the signature style they've been developing since their previous EP.

Skillfully blending these two subgenres of Metal to create their own heavy sound, and with their signature gritty aesthetic, they bring us their single "Culto," a track that speaks of humanity's despair, life, and death. Chaos is the driving force behind the sighs, like the horseman of death slowly approaching, leaving misery in its wake.

This song is now available on all music streaming platforms, so go listen to it at full volume and don't forget to follow the band on social media to stay updated on their upcoming releases. Links in the comments. ⏬️

Credits:
Cristian Reyes - Production, Mixing, Mastering
Antonio Villalobos - Workart
Eradication - Music & Lyrics.

Line-up:
Edder Chacon Penagos - Vocals, Bass
Saul Jimenez - Guitars
Alan Rojas Darrell - Guitars
Chema Ramos - Drums.



Finally, Becoming The Entity's second single, "JUPITER," has been released today, showcasing a surprising shift in sound...
16/04/2026

Finally, Becoming The Entity's second single, "JUPITER," has been released today, showcasing a surprising shift in sound that reveals the band's evolution and maturity as they create new material for their upcoming full-length album, due out very soon.

The sound is reminiscent of renowned bands from a European country that play a style of music that emerged globally several decades ago, known as Swedish Death Metal, renowned for its impressive raw sound. Now, Becoming The Entity embraces this approach, taking up this mantle, at least in this new single, and making it their own ultra-cosmic image.

It will undoubtedly take more than one person by surprise, and in the end, they will love it, because it is interesting from beginning to end, with a 51-second solo that, when we first hear it, teleports us straight to Jupiter. Especially considering this variation of characteristic elements from a great subgenre of Metal, and adding their personal arrangements, they achieved something truly fantastic, which we label "Cosmic Swedish" or ""Suecosmico" in spanish. 👽

So go ahead and hit play, crank up the volume on this great second single from this amazing group, and don't forget to follow them on social media because I'm sure there will be more surprises coming soon.

Enjoy both versions of JUPITER on your favorite music streaming apps. Links in the comments. ⏬





Hailing from the heart of Finland, the masters of melodic death metal, Noumena, returned on February 27th of this year a...
16/04/2026

Hailing from the heart of Finland, the masters of melodic death metal, Noumena, returned on February 27th of this year after a long wait with their new single, "Kuolemankello" (The Beetle of Death). This intense, atmospheric, and catchy track paves the way for the band's seventh studio album.

After a period of silence dedicated to perfecting their craft, Noumena returns with a refined sound that captures the essence of the band: a unique blend of Nordic melancholy and boundless energy.

Composer and guitarist Tuukka Tuomela is thrilled with the result:

“It’s a classic Noumena track with catchy melodies, powerful riffs, and a memorable chorus. With its epic musical structure, the song is the perfect choice for the first single from our upcoming album.”

Lyricist Hannu Savolainen sheds light on the somber theme:

“In folklore, the 'Kuolemankello' has been considered an omen of death. In this story, the beetle buzzing inside the wooden walls warns of a grim fate. The song is set during the savage era of the Great Wrath in 18th-century Finland. However, even in this grim tale, there is a small glimmer of hope, as is often the case in Noumena songs.”

Listen to the single on music services (Spotify, Apple Music, Deezer, tidal etc.)
Watch the lyric video on YouTube.

The single offers a first glimpse of Noumena's seventh album, which is scheduled for release in August.

Line-up
Antti Haapanen - Growls
Suvi Uura - Vocals
Markus Hirvonen - Guitars, Vocals
Ville Lamminaho - Guitars, Mandolin, Vocals
Tuukka Tuomela - Guitars
Hannu Savolainen - Bass
Ilkka Unnbom - Drums.



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