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Technical Magazine, Monterrey (2026)

07/11/2025

Band: Noize Blade
Location: Budapest, Hungary
Genre: Thrash Metal
Album: The Age of Dread
Themes: Death, Destruction, Mental illness, Society, Chaos
Release date: Octuber 5th, 2025
Label: Unsigned/independent
Recording: Lóttér Drum School 2023 & 2025, Nagy László
Engineering and Mixing: Mecseki Tibor
Producing: Jurinka Péter
Logos: Hajnal Tibor from Dawn Of Darkness" (D.O.D.) & Rebel
Booklet: Csejtei Gábor & Kerekes Krisztián
Photos: Varesz Photography.

The Age of Dread is the second album from the Hungarian band Noize Blade, released last October. It delivers a highly energetic Thrash Metal sound that blends old-school and modern Thrash rhythms, with blistering riffs that explode one after another. This emphasizes the enduring feel of the genre and makes it exceptional even today. It's the kind of irreverent, rebellious, wild, and high-energy music that comes from the Hungarian band Noize Blade.

Emerging from obscurity in a European country whose metal culture has been nurtured by diverse subgenres, bands like Tormentor, Ektomorf, Pokelgép, AWS, and others have cultivated their musical styles over the years, making them known to the world. Noize Blade is a band that aims to stand out in this scene and stay afloat with its own unique approach to songwriting and its deep passion for the genre, sharing it with the irreverent and controversial fans of Thrash Metal around the globe.

Adopting an ideology that embraces society and chaos, death and destruction, they have proudly accepted the banner of Thrash Metal, while also considering the listener's musical taste to create high-quality independent music without the need for a record label. A burst of fury in rhythms that make you headbang in every direction, feeling that sudden surge of euphoria from the moment you press play—a well-executed adrenaline rush. This band has forged its aggressive musical style with certain elements of that emblematic Thrash Metal that everyone knows, but with the message that "we continue to carry the banner of what Thrash Metal is and will be until the end of time," something that is well-executed throughout the nearly 40 minutes of this new material, perfectly in line with the direction this branch of the genre is taking.

While incorporating traditional themes within the genre, they also push forward with the ambition to do something more. The album features structured and heavy solos, accompanied by a bass that resonates both in the background and at the forefront, providing an upward thrust that is further emphasized by the relentless drumming that shakes your eardrums with rapid and energetic rhythm changes. These elements clearly indicate that they're delivering something truly fantastic for listeners who crave an adrenaline rush. They even walk the fine line between death metal and other genres in one track, demonstrating the passion these guys have for their music. The vocal style on this new material is reminiscent of Mike Browning's iconic voice from Nocturnus, brimming with energy and passion. The sound is polished to better suit this type of song, adding a more dynamic and rhythmic edge. That aspect of digging deeper than all of this makes this album more exciting, as it sounds great and should praise the band for simply creating music that you truly feel in your entire being; violent guitar riffs from the very beginning of Unparalleled Suffering with those well-measured timings in the changes that give you that punch; well-crafted solos that come in well when they should be played in all the tracks and not just in a certain part of the song, but when they have to be included, they include them constantly; well-established bursts of anger in every drum hit in the tracks When Hatred Comes, Beyond Promises and Warmonger; Effects that resonate and bounce with every bass strum, as in the track Black Arteries, which sounds like raw, uncensored Death Metal, featuring well-crafted guttural vocals from guest musician Török, alongside the lead vocalist's voice, which adds power to the explosion of rhythms in this track. This is all while maintaining the high production quality of the material they are creating through their hard work.

The Age of Dread achieves something remarkable, considering their musical tastes. This band conveys something different from what you'd expect from an established group. They make their style of music feel natural, delivering bursts of outrageous riffs while simultaneously maintaining a dynamic tempo with energetic shifts in their melodies. It's like they create a euphoric atmosphere that shakes your senses at precisely the right moment. So I can say with certainty that Noize Blade is a metal band you can't miss. Follow them on social media because there will be more music from them in the near future, and hopefully, they'll also sign with a record label to help further promote their music.

Featured songs: When Hatred Comes, Black Arteries, Beyond Promises, Warmonger.

Noize Blade Line-up:
Hámori András - Bass/Vocals
Jurinka Peter - Lead Guitars/Scream Vocals
Kerekes Krisztián - Guitars
Csejtei Gábor - Drums.
Guest/Session:
Török "Hoangnam" Csaba - Guttural Vocals and Lyrics Tracks 3, 5.

FFO: Vio-Lence Offical Page, Condition Critical, Violator, Strike Master.

Follow us on Instagram: technicalmagazine369

25/10/2025

Monterrey Death Fest. Here we are!

23/10/2025

It's great to see that we're on the list of pages that appreciate the music of this magnificent and talented musical duo.

We know that Now I've Done It will continue to give us more surprises in the near future.

16/10/2025

Band: An Abstract Illusion
Location: Boden, Norrbotten/Lund Skåne
Genre: Atmospheric/Progressive Death/Black Metal
Album: The Sleeping City
Themes: Nature, Death, Humanity
Release date: Octuber 17th, 2025
Label: Willowtip Records
Producing: Karl Westerlund
Mixing and Mastering: Robin Leijon
Producing and Recording Drums: Jakob Herrman at the legendary Top Floor Studios
Artwork: Alex Eckman-lawn Illustration.

After 3 years of their acclaimed album WOE, the Swedish An Abstract Illusion return with their third full-length album entitled The Sleeping City, with which they refine the path they have been paving for more than 10 years of career within the extreme music called Metal, which has 7 songs loaded with progressive, heavy, natural atmospheres and a high compositional level, that from your first listen make you shake all your senses with the high level of quality in the production of this, having a duration of almost an hour that seems like a journey so pure and majestic through a world of dreams and hopes, demonstrating why they are considered one of the most appreciated bands by countless fans who are attracted to this type of music that could be considered a sublime art, by combining the progressive atmospheres of Death Metal and Black Metal, a new material that comes with all the desire to break all the stirrups before a year with good and magnificent releases when we talk about Metal.

Starting with Blackmurmur a song that oscillates in the slope of melodies that give a feeling of calm and purity that run through your body when you hear how they structure the central atmosphere of their overflowing way of making music, something that they have polished in such a sublime way, leaving that feeling of peace and tranquility but that is usually chaotic and brutal at the same time, gradually rising in level while the progression of the song continues to occur in the seconds, during 11 minutes that this song lasts, leaving you that very natural way of starting in an abysmal way with their first song, continuing with their first single that was released two months ago, No Dreams Beyond Empty Horizons, with which they raised the bar to the highest among the fans and the media that follow their music very closely, having that variant between the progressive, the melodramatic tones of Black Metal and the brutality of Death Metal that combine them in a unique way, something that they have worked on for more than a decade impeccably and that honestly speaking they do, so well that even the sense of hearing is filled with joy upon hearing such a demonstration of talent, virtue and technique. Continuing with their heaviest, most anger-filled and chaotic track, Like A Geyser Ever Erupting, a song that will leave your body hairs standing on end when you hear such a display of brutality and heaviness but at the same time loaded with a mystical energy that runs through your senses with such a masterful technique, with guitar riffs full of lust, solos at certain points in the song that give a certain drama and dynamism to the song, along with the atmospheric parts played by the keyboards, adding parts with cello and violin that give more dynamism to the song, accompanied by the two types of voices that they implement throughout the album, clean voices, rough and guttural voices that create something so exquisite in the whole feeling of the word; without a doubt this song is the closest thing to the dystopian correlation that exists in the fictional world of films like Blade Runner or Terminator but if a Death Metal band had been its creator.

However, with these 3 songs mentioned, it is only the tip of the iceberg of what we could try to entail within what is The Sleeping City, having much more to think about when talking about this wonderful album, something that has left us stunned in this humble page, since it is a material that implies so much beauty made music and art, that without hesitation we could say that "When chaotic atmospheres are combined with the musical art of a group that only creates pure beauty that seduces you from beginning to end in a sea of well-structured sounds that progress in endless sublime melodies, as if nature itself became music, procreating something so beautiful most of the time but being able to change suddenly as long as required by the talent that these musicians have in abundance." Honestly speaking, we believe that this release deserves a rating of 100 and that we will consider it for album of the year, due to the great commitment, versatility, quality, desire to continue moving forward and above all the great effort that An Abstract Illusion has put into The Sleeping City, hoping that the aforementioned can serve as a support point when it comes to interpreting in more depth what you are going to hear from beginning to end.

That's why all that's left for us to say is, listen to this album, which will be released on Friday, October 17th, on Willowtip Records, from one of the most notable bands to date, An Abstract Illusion. Follow them on their social media and share their music, which they bring us this year in such a sublime and majestic way.

Featured songs: All...

An Abstract Illusion Line-up:
Christian Berglönn - Lead Vocals
Robert Stenvall - Keyboards, Vocals
Karl Westerlund - Guitars, Bass
Isak Nilsson - Drums, Background Vocals.

Guest/Session:
Lukas Backeström - Vocals (Lead) tracks 1, 4. Vocals (choirs) tracks 2, 3
Jonathan Miranda-Figueroa - Cello tracks 3, 4, 7
Dawn Ye - Violin Tracks 3, 7
Flavia Fontana - Violin Track 4
Elsa Svensson - Narration Track 6.

FFO: In Vain, IOTUNN, White Ward, Fallujah.

Follow us on Instagram: technicalmagazine369

14/10/2025

Band: Now I've Done It
Location: Philadelphia, Pennsylvania
Genre: Avant-garde Metal/Swing/Punk-Cabaret
Album: An Ill Guest
Themes: Mental problems, bizarre happiness, illness, madness
Release date: Octuber 17th, 2025
Producer, Mixing, Mastering and Engineering: Peter Hraur.
Artwork: Eliran Kantor.

An Ill Guest is the debut album by the duo from Philadelphia, Pennsylvania, which conveys an energetic Avant-garde Metal with touches of Swing and elements of Punk loaded with a cabaret-esque aura that fills the compositions that these musicians manage to create with madness, a dramatic and theatrical way of composing songs that undoubtedly leave a breath of fresh air in these times of the current year.

Musically speaking this type of music is very different from what is usual, combining certain genres of music to create rhythms that immerse you in a theatrical, psychotic and abstract aura, adorned by a strange form of happiness that injects that ecstasy of aberration in each of the 10 songs included in this material. The way of interpreting this style of music is not that it is very complex but because it is something that is not used to hearing, you can interpret it in different ways but if we emphasize something it would be the strange dramatic and theatrical form that exists in the compositional atmosphere of this music, being something strange but with good rhythm when listening to those electric guitars that change style between punk and Metal with a bit of swing in between, a drum that does not need a double bass drum or double pedal to give a good seasoning to the songs, but simply having a good harmony in its compositional compass, exploding in a certain way at key points within some songs, denoting that spark of circus or cabaret madness that is combined with other types of instruments such as keyboards, balalaika and acoustic guitars that give more body and in one way or another dynamism to this type of music, without forgetting the bass that resonates and bounces forcefully in the songs, achieving something extremely perfect when it comes to the production quality that this material has in between, resulting in something that is not heard often but that does give you that vigor between the established ideas and what was ultimately achieved in this debut.

Starting with a slow track that evolves reciprocally towards a grotesque ferocity for 8 minutes that determines the exact point of what we are going to continue listening to in the other tracks, continuing with the first single that saw the light Dilly-Dally, a song that catches you from the first listen, being a mix of the perfect madness that this type of music can generate, with a touch full of comic drama, something that we can also see with our own eyes, why this single includes a video, something that is seriously not normal, since being rare and abstract this one catches you immediately; if i could say the way to visualize this it would be like the visuals in the animated movie Dumbo, when Dumbo and the mouse get drunk and then visualize the dance of the crazy elephants, that same chaotic, dramatic, aberrant and hilarious energy that injects more adrenaline into your body with a little uncertainty but then changing this with a calmer theme in quotes, since the third song on the album in a way accompanies this comic madness and as the seconds go by they always evolve, becoming denser and more dynamic themes, which surpass all reasoning between sanity and the sickly, achieving a catupulta that redirects you to other styles of music and that stands out in its conjunction and quality, as well as when combining clean and rough vocals like Hardcore or towards Black Metal, they shape the rhythm of the instruments very well, putting in one or another change of rhythm that helps to give more prominence to the song. With these first 3 songs we delve into the aberrant versatility that Now I've Done It has when it comes to composing their music, a sick imagination that tends to the happiness of the listener with its comic touch, having its theatrical part and its slice of pure drama, all of this carried out very well hand in hand in the following songs that also include instrumental moments that give a certain pattern between songs or that serve to divide the acting sections that follow next, since you feel the change of energies that involve a cabaret aura or a circus atmosphere that are accompanied by a spectacle of rhythms between punk and Avant-garde Metal that tint with a different color the change from melodramatic atmospheres to an allegory of happiness. Bizarre themes that serve in the evolution of the production and give more structural body to the songs, something you have to listen to no matter what, because it's not something common, it's something very different that will give you the perfect dose of adrenaline and euphoria that you may urgently need to listen to a new group that is debuting in the best possible way.

Now I've Done It is a band that was born from the minds of two talented musicians who thanks to their great imagination and talent, are bringing a debut so magnificent, bold and risky, heavy and dramatic but fun and extravagant, that serves as a basis for emerging bands that want to do something different with their music, since in our opinion as critics we would say that this is the best emerging album from a new band in the ranks of what is modern and avant-garde Metal, with a rating of 100 for their debut An Ill Guest that lasts approximately one hour and with such a striking cover that reflects very well the feeling of the main theme that this material has and that was made by Eliran Kantor, a gem of a cover that excellently portrays the chaotic imagination of this musical duo.

Hoping that one day we'll be able to hear and see their show live, "as if Disney's animated films from their golden age were more bizarre, theatrical, and sick." So our recommendation would be to listen to this album this Friday, October 17th, via Bandcamp and experience the versatility of this new band that emerged to bring us abstract happiness.

Now: The present. Be the Now.I’ve: I. Have. Contract. Take ownership. Seize the Now.Done: What’s done is done, and what hasn’t been will become done. What has become done has become the present… which is Now. It: What is It? It is Everything. It is Now.

Featured songs: Dilly-Dally, Offering, Collywobbles, Jim-Jams, Kindling.

Now I've Done It Line-up:
Peter Hraur - Vocals, Guitars, Bass, Keyboards, Balalaika, Extra percussion
Dan Reynolds - Drums, Percussion, Backup vocals, Acoustic guitar.

FFO: Diablo Swing Orchestra, Mr. Bungle, The Dillinger Escape Plan, LA FIN DE LA SOCIETE TELLE QUE NOUS LA CONNAISSONS.

Follow us on Instagram: technicalmagazine369

26/09/2025

Earlier this year, the Finnish Melodic Death Metal band Garden of Stone released their debut album, 'The Grave Mistake', via Inverse Records. The band has continued to push forward, and their first single, 'Silence Falters', along with its accompanying music video, is now available. The track is taken from an as yet untitled second studio album, due for release later in 2026.

WATCH 'Silence Falters' music video: https://youtu.be/hnhl49pO_AU

LISTEN to 'Silence Falters' on streaming services: https://push.fm/fl/gos-silence

Garden of Stone - Silence Falters (single 2025)

Track list:
1. Silence Falters

Credits:
Composed by Jere Mäntysalo & Jesse Salo
Lyrics by Jesse Salo
Mixed by Joona Muistola, HAW Studios
Artwork by Noora Khouya.

Line-up:
Jere Mäntysalo - Guitar
Jesse Salo - Vocals
Kalle Hänninen - Bass
Ville Penkari - Guitar
Tapio Haverinen - Drums.

Band Links:
https://www.facebook.com/gardenofstonetre
https://www.instagram.com/garden_of_stone_official
https://gardenofstoneband.bandcamp.com

17/09/2025

Band: Stoned Jesus
Location: Kyiv, Ukraine
Genre: Stoner/Doom Metal/Progressive Rock
Album: Songs to Sun
Themes: Love, Occultism, Spirituality
Release date: September 19th, 2025
Label: Season of Mist
Recording: Ignacy Gruszecki
Producer: Igor Sydorenko
Mixing and Mastering: Daniel Lidén
Cover Art: Vadym "Karaska" Karasiov.

Songs to Sun is the sixth full-length album by the Ukrainian band Stoned Jesus, who implement a style of music that involves several styles among which we could mention Stoner Metal, Doom Metal and Progressive Rock, a combination of musical subgenres that in conjunction become a form of musical expression in accordance with the theme that revolves around the lyrics composed by the musician Igor Sydorenko, who is also the creative mind of the music in general.

Musically speaking, this new material is loaded with more energizing and creative psychoactive atmospheres, with mid-tempo melodies that evolve as the panorama of the structural body of the composition that revolves around the environment and that takes a different form or a new amalgamation of more euphoric sounds, promoting creativity and the rhythmic approach of the notes that trace a perpendicular axis towards reaching a climax and exploding in the process of reaching an end. Combining electric and acoustic guitars between songs that make the listener have a feeling of joy or calm but can also perceive moments of adrenaline that are injected into the auditory system, rhythms that are combined with the bass and drums that resonate in each of the songs echoing within the melodic evolution that gives that contrast of calm to continue with more accelerated rhythms, now denoting the inclusion of blast beats in the percussion, having those masterful rhythm changes when it comes to wanting to highlight that emotional impact in certain forceful parts within some songs, giving more weight to the composition itself, not falling so much into monotony, but on the contrary, capable of delivering that outburst of aggressiveness to make something much heavier.

A clear example of versatility within this material would be the song "Low" in which they achieve an excellent climax by adding those blast beats in the drums to further charge the song itself, managing to capture very well the central essence of using these types of resources to give more impact to their compositions; It was undoubtedly something interesting to listen to, but not simply that, since there are also songs within this album that are slow with more psychedelic atmospheres or that include percussion as if it were a ritual, achieving a different and surprising sound effect, which gives that punch of indescribable but tasty energies to the song, something that undoubtedly makes you enjoy better that variation between songs that play with the composition to find the best possible rhythm that gives that extra shine to the songs as if they were flirting with the senses of the listener during 41 minutes that this new material lasts. These types of moments on the album are some things that capture very well that feeling that the guys from Stoned Jesus wanted to convey to us with these 6 songs that correctly give you their share of extra energy but also give you those calmer moments with a pinch of emotional outburst in between, in fact you feel like at first you can be pensive listening to a song from this material and the next you find yourself moving your head with faster rhythms that combine to give us as a result Songs to Sun in conjunction.

Stoned Jesus is a band that should be on your list of artists worth listening to, since with Songs to Sun they have managed to imprint a kind of bright and vibrant aura, which also gives you that punch with mind-blowing rhythms, with airs of classic progressive and catchy choruses that give life to this material, being at times slow to mid-tempo but then progressing to a more dynamic and energetic variant that you will surely love. I say goodbye by saying that this album will be released on September 19th on all music streaming applications, so stay tuned for the band and follow them to know more about their music.

¡High Life!

Featured songs: Shadow Land, Low, See You On The Road.

Stoned Jesus Line-up:
Igor Sydorenko - Vocals, Guitar, Bass, Keyboards
Andrew Rodin - Bass, Backing Vocals
Yurii Ciel - Drums, Backing Vocals

FFO: Mastodon, Baroness, Porcupine Tree, RED FANG.

Follow us on Instagram: technicalmagazine369

15/09/2025

Band: Condition Critical
Location: New Jersey, United States
Genre: Thrash Metal
Album: Degeneration Chambear
Themes: Violence, Gore, Medical malpractice
Release date: September 5th, 2025
Mixing and Mastering: Mike Low
Engineering Guitars & Bass: Tony Barhoum
Engineering Drums: James Suprenant & Big Goon Studios
Engineering Vocals: Apollo
Artwork: Andrei Bouzikov
CD Layout design: Tom Martin.

Degeneration Chamber is the third full-length album by the band Condition Critical from New Jersey, United States, which proposes a violent, fast, murderous Modern Thrash Metal so capable of shaking every neuron in your brain, a band that has forged a style of music so rooted in the bones, with a way of composing in ultra quality to be able to denote each of the instruments that emit that exquisite noise in their creations.

Music made for those lovers of that fierce Thrash that shows its claws in each unusual guitar riffs and solos so capable of giving you that boom of favorite tones to leave you stunned, as well as in each blow of the bass that bounces off each fragment of noise generated by this instrument that naturally carries those more aggressive atmospheres and a full drum kit that arms the gear of this devastating machine and that gives that accelerated rhythmic push but at the same time provides changes of rhythms in the compositional compass to generate more violence in each beat; it is a feeling of multiple clashes of accelerated, violent, brutal and well-executed rhythms that give you that necessary adrenaline suddenly and in the pure forceful style that this band has known how to carry out for 15 years in its career in extreme music. The music that the guys from Condition Critical compose is for those fans whose colors are reflected in a banner that waves the name of Thrash Metal high, since with this new material, they bring us a palpitable form of atmospheres charged with pure adrenaline combined with that desire to move your f**king head in circles to crash into an endless number of completely accelerated rhythms that detonate in your ears and that grow as the songs that make up this new album go by.

With 9 tracks that last around 34 minutes, approximately, Degeneration Chambear is an album that demonstrates the accelerated virtuosity of musicians who give their all for their own music, because even if they don't have a record label in between, the members of Condition Critical are bringing us an album extremely capable of competing with the great bands that have forged Thrash Metal since the 80s and that now in these instances having bands that play that subgenre of Metal with new, more modern touches and that have forged a name for themselves in extreme music, we could say that this group reaches that pinnacle of bands that are the faithful standard-bearer of something that has managed to survive over the years.

Condition Critical has our deepest respect, they have brought a sick and completely violent creation, a new material that cries out to be heard and that will truly leave you with that beautiful feeling of wanting to get sh*t done in the moshpit with this type of frenetic music that feeds the heart, so I can only say listen to the album Degeneration Chamber and follow this band, because the truth is you will not regret having this group in your collection of music that is worth appreciating.

Featured songs: Wretched Aggression, Cranial Dissolution, Postmortal Simulation, Incubation Disposal, Cryonic Intestinal Preservation.

Condition Critical Line-up:
Ryan Taylor - Vocals, Guitars
Tony Barhoum - Lead Guitars
Mike Dreher - Bass
Ryan Donato - Drums.

FFO: HAVOK, Warbringer, Demolition Hammer, Exodus.

Follow us on Instagram: technicalmagazine369

15/09/2025

Metalcore stalwarts, Age of Ruin, have released "Promise Me," the third single from forthcoming album, Nothingman, on all digital platforms and as an official music video! The song carries a classic Age of Ruin rock beat, where the band gives a nod to Swansong-era Carcass, but in a modern metal key signature. Coming in at just over five minutes, this is a guaranteed head banger for any metal listener!

The video for third single "Promise Me" is available at:: https://youtu.be/aKPSpW-EPA0?si=8XKwIcij4cRXSU86

Watch the video for the second single "The Ghosts We Carry" here: https://youtu.be/4ZnI3p-w8Ek?si=iOU3e257ScC64uG-

Watch the video for the first single "Heavy is the Crown" here:
https://youtu.be/jiEiml9Qnm8?si=mEXyd8DyNt_iCTx3

Nothingman, Age of Ruin’s forthcoming album, is a collection of 10 songs that cuts a path to the heart with harmony and angst that others would be naïve not to mimic. The band sacrificed blood and sweat for two years to expel Nothingman. Age of Ruin began the recording process in October of 2023, and after nine months of tracking on location in Richmond, VA, at the Bakery Studio, in Washington, DC, at Ivakota Studio, and at the Riff Dojo in Takoma Park, MD, (the record was produced by Mike Schleibaum of Darkest Hour), Nothingman was complete. This is the biggest, most richly woven tapestry from the band yet, and the time to unleash it is near. Nothingman will be celebrated in all formats and on all streaming platforms on October 17.

Nothingman - Track List:
1. The Fixation
2. Heavy is the Crown
3. Lost in Shadows
4. The Traveler
5. Nothingman
6. An Awakening
7. The Ghosts We Carry
8. Promise Me
9. Bleed for Better Days
10. Lovesong

Credits:
Produced by Mike Schleibaum / The Riff Dojo
Mixed and mastered by Will Beasley / The Bakery
Original artwork, Oil on Canvas titled "Forest Mother" by Zack Dunn.

Line-up:
Benjamin Swan - Vocals
Christopher Fleming - Bass
Daniel Fleming - Guitars
Hendrik Osinga - Drums
Casey Flanagan - Guitars.

Band Links:
https://thisistheageofruin.com/
instagram.com/thisistheageofruin
https://www.youtube.com/
https://www.tiktok.com/
facebook.com/thisistheageofruin

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